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Books on the topic 'Baroque's classicism'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Villeneuve, René. Du baroque au néo-classicisme: La sculpture au Québec. Ottawa: Musée des beaux-arts du Canada, 1997.

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2

Castex, Jean. Renaissance baroque et classicisme: Histoire de l'architecture, 1420₋1720. Paris: Hazan, 1990.

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3

municipal, Souvigny (France) Musée, ed. Bourbonnais baroque: Aspects du baroque et du classicisme aux XVIIe et XVIIIe siècles dans l'Allier. [Souvigny]: Ville de Souvigny, 2009.

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4

M, Strinati Claudio, Vodret Adamo Rossella, Leone Giorgio, and Museo di Palazzo Venezia (Rome, Italy), eds. Francesco Cozza, 1605-1682: Un calabrese a Roma tra classicismo e barocco. Soveria Mannelli: Rubbettino, 2007.

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5

The baroque in English neoclassical literature. Newark: University of Delaware Press, 2003.

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6

Sotheby, Parke-Bernet London. Fine decorative arts: Baroque to Neo-classicism : auction: Tuesday 9 November 1999 .... London: Sotheby's, 1999.

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7

1594?-1665, Poussin Nicolas, Rubens Peter Paul 1577-1640, Sainte-Fare-Garnot Pierre-Nicolas, and Musée Jacquemart-André, eds. Du baroque au classicisme: Rubens, Poussin et les peintres du XVIIe siècle. Bruxelles: Fonds Mercator, 2010.

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8

Shpinarskai͡a, E. N. Klassit͡sizm i barokko: Istoriograficheskiĭ analiz. Sankt-Peterburg: Petropolis, 1998.

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9

Cottegnies, Line. L' Eclipse du regard: La poésie anglaise du baroque au classicisme (1625-1660). Genève: Droz, 1997.

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10

González-Palacios, Alvar. Il tempio del gusto: Le arti decorative in Italia fra classicismo e barocco. 2nd ed. Vicenza: Neri Pozza, 2000.

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11

Wolf, Koenraad de. Barok, Rococo & Classicisme, 1625-1800: Met een addendum over 1000 jaar heren van Leeuwergen. Zottegem: Marnixring Sotteghem, 2001.

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12

Del Clasicismo al Barroco: Arquitectura sevillana del siglo XVII. Sevilla: Diputación Provincial de Sevilla, 2005.

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13

Botí, Alfredo Vera. La torre de la catedral de Murcia: De la teoria a los resultados. Murcia: Real Academia Alfonso X El Sabio, 1993.

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14

author, Di Cosmo Leonarda, and Fatticcioni Lorenzo author, eds. Le componenti del Classicismo secentesco: Lo statuto della scultura antica : atti del convegno internazionale, Pisa, Scuola normale superiore, 15-16 settembre 2011. Roma: GBE / Ginevra Bentivoglio editoria, 2013.

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15

Os, H. W. van. Beeldenstorm in het Paleis op de Dam: Een koninklijke editie. [Amsterdam]: Amsterdam University Press, Salomé, 2002.

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16

Bussière, Roselyne. Versailles: La cathédrale Saint-Louis. Paris: Centre des monuments nationaux, 2000.

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17

Wundram, Manfred. Andrea Palladio, 1508-1580: Architect between the Renaissance and Baroque. Köln: Benedikt Taschen, 1993.

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18

Wundram, Manfred. Andrea Palladio, 1508-1580: Architect between the Renaissance and Baroque. Köln: Taschen, 2004.

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19

Wundram, Manfred. Andrea Palladio, 1508-1580: Architect between the Renaissance and Baroque. Köln: Benedikt Taschen, 1989.

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20

Wundram, Manfred. Andrea Palladio, 1508-1580: Architect between the Renaissance and Baroque. Köln: Benedikt Taschen, 2004.

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21

Newenham, Summerson John. The Architecture of the Eighteenth Century. London: Thames and Hudson, 1986.

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22

A royal passion: Louis XIV as patron of architecture. Cambridge: Cambridge University Press, 1994.

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23

Xavier, Salmon, ed. La cathédrale Saint-Louis de Versailles: Un grand chantier royal du règne de Louis XV. [Paris]: Somogy, 2009.

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24

Cachau, Philippe. La cathédrale Saint-Louis de Versailles: Un grand chantier royal du règne de Louis XV. [Paris]: Somogy, 2009.

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25

Antike Statuen als Modelle fr̈ die Darstellung des Menschen: Die decorum-Lehre in Graphikwerken französischer Künstler des 17. Jahrhunderts. Frankfurt am Main: P. Lang, 1992.

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26

Art and architecture in France, 1500 to 1700. 4th ed. London, England: Penguin Books, 1988.

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27

Aigret, Jaimée M., producer, film editor and Teaching Company, eds. The world's greatest paintings. Chantilly, Va: Teaching Company, 2010.

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28

Baroque et classicisme. Hachette Littérature, 2000.

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29

Baroque Christmas Classics. Faber & Faber, 2001.

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30

Classicisme Et Baroque Dans L'oeuvre De Racine. French & European Pubns, 2004.

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31

Poussin As a Painter: From Classicism to Abstraction. Reaktion Books, Limited, 2019.

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32

Stevenson, Jane. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0001.

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This introduction makes the case for ‘modern baroque’, arguing that ‘modernism’ is, in effect, a modern version of classicism, analytic and theory-led. It argues that despite the modernists’ attempts to control and define ‘culture’, the overall context of the interwar period is one in which black, female, working-class and/or homosexual people acquired the ability to generate their own strands within the culture, due to the proliferation of media able to cater for plural audiences (books, but also film, radio, and live performance). Modernism thus existed in dialectic with a modern baroque, but less theoretical, which is why it has not been recognized as such, and more inclusive, more eclectic, much more in dialogue with the past, unafraid of the grotesque or surreal. Insofar as modern baroque has a theoretical basis, it is provided by surrealism.

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33

Ltd, Matthiesen Fine Art, ed. 2001: An art odyssey 1500-1720 : classicism, mannerism, Caravaggism & baroque. London: Matthiesen Fine Art Ltd., 2001.

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34

(Editor), Alain Gruber, ed. Classicism and the Baroque in Europe (History of Decorative Arts). Abbeville Press, 1996.

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35

Nigel, Smith, Bloemendal Jan, and Smith Nigel, eds. Politics and Aesthetics in European Baroque and Classicist Tragedy. Brill, 2016.

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36

Luc, Dhondt, ed. Architecture du XVIIIe siècle en Belgique: Baroque tardif - rococo - néo-classicisme. Bruxelles: Editions Racine, 1998.

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37

Harris Piano Classics, Volume 6/a-Baroque & Classical, Level 6. Frederick Harris Music, 1985.

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38

The Baroque Vol. 1: Complete Classical Music Library (High Definition Classics). Topics Entertainment, 2006.

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39

Nikolaevich, Robinson Andreĭ, and Institut mirovoĭ literatury imeni A.M. Gorʹkogo., eds. Razvitie barokko i zarozhdenie klassit͡s︡izma v Rossii XVII-nachala XVIII v. Moskva: "Nauka", 1989.

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40

Jean-Claude, Boyer, and Bonfait Olivier, eds. Intorno a Poussin: Ideale classico e epopea barocca tra Parigi e Roma. Roma: De Luca, 2000.

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41

Olivier, Bonfait, Boyer Jean-Claude, Barocchi Paola, and Accademia di Francia (Rome, Italy), eds. Intorno a Poussin: Ideale classico e epopea barocca tra Parigi e Roma. Roma: Edizioni De Luca, 2000.

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42

Bossuet, Musée, ed. De Nicolò dell'Abate à Nicolas Poussin: Aux sources du Classicisme, 1550-1650. [Meaux, France]: Musée Bossuet, 1988.

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43

M, Strinati Claudio, Vodret Adamo Rossella, Bergen Kunstmuseum, Hong Kong Museum of Art., and Galéria hl. mesta SSR Bratislavy., eds. Guercino and Emilian classicist painting: From the collections of the Galleria nazionale d'arte antica in Palazzo Barberini, Rome. Napoli: Electa Napoli, 1999.

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44

Rosenberg, Pierre, and Marc Fumaroli. France in the Golden Age: Seventeenth-Century French Paintings in American Collections. Yale University Press, 2013.

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45

Bussière, Roseline, and Daniel Balloud. La Cathédrale Saint-Louis de Versailles. Patrimoine, 2000.

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46

Ovid. Metamorphoses (Penguin Classics). Penguin Classics, 2004.

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47

Ovid. The Metamorphoses (Barnes & Noble Classics Series) (Barnes & Noble Classics). Barnes & Noble Classics, 2005.

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48

The Social History of Art: Rococo, Classicism and Romanticism (Social History of Art (Routledge)). Routledge, 1999.

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49

Ovid. The Metamorphoses (Penguin Classics). Penguin Books Ltd, 2002.

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50

Pape, Thomas, Andrea Palladio, and Manfred Wundram. Andrea Palladio 1508-1580: Architect Between the Renaissance and Baroque (Big Series). Benedikt Taschen Verlag, 1996.

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