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Journal articles on the topic 'Baroque Lace and lace making'

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1

Levkovych, Nataliia. "ewish center of lacemaking in Sasov of Eastern Galicia of the second half of the 19th - the first third of the 20th century: history and artistic features." Bulletin of Lviv National Academy of Arts 48, no. 48 (2022): 59–66. http://dx.doi.org/10.37131/2524-0943-2022-48-3.

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Jewish center of lacemaking in Sasov, founded in the mid-nineteenth century by Marcus Leib Margulis. In process of research were used archive materials, sources of the first third of twentieth century, particular works of Peter Kontny, publications in periodicals and works of leading researchers of Jewish textiles. The sources of research are art objects of Jewish lacemaking from museum and private collections. It was founded that in village of Sasiv in period of the heyday of production in the second half of nineteenth century, was working near 250 masters, who made elements of ritual costume
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2

Lonchinskaya, Tatiana E. "Renovation of the fan of the Empress Maria Feodorovna." European Scientific e-Journal 3, no. 3 (2020): 63–72. https://doi.org/10.47451/her2020-11-002.

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The works of lace-making art are our artistic heritage, material evidence of the creative talent and talent of Russian craftswomen. Speaking about the historical significance, aesthetic, artistic and expressive value of the lace fan of the Empress Maria Feodorovna, it is necessary to emphasize the reflection in them of technological traditions that determine the special attractiveness of hand-made artistic products, since they contain information about the lost technological techniques of lace weaving and the high skill of professional execution of ancient patterns. Study subject was the renov
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Jõgi, Jane. "Tohtpits pole tohust pits / Birch Bark Lace is not Lace Made of Birch Bark." Studia Vernacula 7 (November 4, 2016): 116–28. http://dx.doi.org/10.12697/sv.2016.7.116-128.

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Birch bark lace is Estonian needle lace. Structurally it resembles needle lace as it is known elsewhere in Europe. It uses the same stitches and there are similarities in the material used in the embroidery. However, the technology employed is unique in certain remarkable respects – it has adapted to local needs and possibilities. Whereas traditionally contour thread was tightened onto a strong textile, or in earlier times also onto parchment, in Estonia a strip of birch bark was used as a base material instead. Birch bark has many advantages as a base material: it was always available on farm
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Jõgi, Jane. "Tohtpits pole tohust pits / Birch Bark Lace is not Lace Made of Birch Bark." Studia Vernacula 7 (November 4, 2016): 116–28. http://dx.doi.org/10.12697/sv.2016.7.116-128.

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Birch bark lace is Estonian needle lace. Structurally it resembles needle lace as it is known elsewhere in Europe. It uses the same stitches and there are similarities in the material used in the embroidery. However, the technology employed is unique in certain remarkable respects – it has adapted to local needs and possibilities. Whereas traditionally contour thread was tightened onto a strong textile, or in earlier times also onto parchment, in Estonia a strip of birch bark was used as a base material instead. Birch bark has many advantages as a base material: it was always available on farm
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5

Edi Suwasana and Sebtaribah. "Proses Pembuatan Busana Feminime Romantic Khas Belanda Dengan Variasi Pita Renda Dan Ruffle." Garina 15, no. 2 (2023): 90–102. http://dx.doi.org/10.69697/garina.v15i2.37.

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Romantic clothing is clothing made to create a romantic impression by applying variations of ribbons, lace and ruffles. The selection of materials uses vintage colors so that the clothes seem classic and elegant. The problem in making this final project is how the process of making Dutch romantic feminime clothing with variations of lace ribbons and ruffles. The goal is to find out the process of making typical Dutch romantic feminime clothing with variations of ribbons, lace and ruffles. The methods used are data collection methods, namely library methods, observation methods, documentation m
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Pisanchev, Bistra. "Models in Lace." European Scientific e-Journal 3, no. 3 (2020): 73–88. https://doi.org/10.47451/art2020-11-001.

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In the past, lacemaking was a craft practiced by thousands of lacemakers who produced material for decorating the clothes and homes of wealthy aristocrats. Nowadays, the making of lace is defined as an applied art. The article interprets the making bobbin lace through the Theory of Models. Selected details from the technological process of creating the different types and styles of the final products illustrate the idea of following a model while transferring meaning from one field of art into another. The author concludes that the representation of lacemaking as a model of technological proce
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Gibbons, Jacqueline A. "Ladies’ lace‐making and Imprisonment1." Visual Sociology 13, no. 2 (1998): 91–103. http://dx.doi.org/10.1080/14725869808583796.

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8

Bourke, Joanna. "‘I Was Always Fond of my Pillow’: The Handmade Lace Industry in the United Kingdom, 1870–1914." Rural History 5, no. 2 (1994): 155–69. http://dx.doi.org/10.1017/s0956793300000650.

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The extent of the handmade lace industry in the nineteenth century is difficult to estimate. Most lacemakers were not given an occupation in the census. For instance, Belleek (in county Fermanagh) was one of the centres of handmade lace in Ireland. Of the fifty-one women active in the Belleek lace and sprigging class in January 1911, fifty-six per cent were given no occupation in the 1911 census manuscripts and four per cent were given occupations other than lacemaker. In Ireland, it is clear that the census statistics do not include the tens of thousands of women making lace for the home indu
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9

Nöps, Angelika. "Metallniplispitsid Eesti rahvarõivastel / Metal Bobbin Lace on Estonian Folk Clothing." Studia Vernacula 7 (November 4, 2016): 91–115. http://dx.doi.org/10.12697/sv.2016.7.91-115.

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The metal laces made using the bobbin lace techniques on Estonian national costumes have received unreasonably modest attention. Unlike other types of lace that have been studied in the 20th and 21st centuries, there is no information regarding the use of metal laces in Estonia.In order to better understand the background of national costumes decorated with metal laces, one needs to be familiar with the political, economic and educational life of the time. The research questions set in this article concern the spread of metal lace used on Estonian national costumes, the technology used and the
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10

Nöps, Angelika. "Metallniplispitsid Eesti rahvarõivastel / Metal Bobbin Lace on Estonian Folk Clothing." Studia Vernacula 7 (November 4, 2016): 91–115. http://dx.doi.org/10.12697/sv.2016.7.91-115.

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The metal laces made using the bobbin lace techniques on Estonian national costumes have received unreasonably modest attention. Unlike other types of lace that have been studied in the 20th and 21st centuries, there is no information regarding the use of metal laces in Estonia.In order to better understand the background of national costumes decorated with metal laces, one needs to be familiar with the political, economic and educational life of the time. The research questions set in this article concern the spread of metal lace used on Estonian national costumes, the technology used and the
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Vekić, Tonka, and Irella Bogut. "Lace in Croatia – Tradition and Sustainable Development." Pannoniana 7, no. 1 (2023): 155–67. http://dx.doi.org/10.32903/p.7.1.7.

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On the UNESCO list of intangible cultural heritage in Croatia, art has taken its place, respectively the skill of textile handicrafts, better known as lacemaking, which rests on preservation, promotion and sustainability tradition. Consequently, sustainable development is based on an integrated, comprehensive approach to economic, ecological and social values through the natural, social and human sciences. Interweaving threads using a needle or a stick forms a characteristic shape of textile activity that requires exceptional calmness, patience, precision and specific work of hands whose produ
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Czerwińska, Kinga. "To catch the uncatchable/to capture the intangible. Reflections on selected problems of safeguarding Intangible Cultural Heritage. The Example of the Koniaków lace making skills." LUD Organ Polskiego Towarzystwa Ludoznawczego i Komitetu Nauk Etnologicznych PAN 108 (October 24, 2024): 306–36. http://dx.doi.org/10.12775/lud108.2024.12.

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The 2003 UNESCO Convection for the Safeguarding of the Intangible Cultural Heritage has given impetus to intensive work on the disappearance of cultural specificity in many countries. As a result of taking safeguarding measures taken for expressions of intangible cultural heritage, the necessity to redefine existing practices in this matter has also shown up. The text refers to reflection on selected problems of documentation and popularisation of intangible cultural heritage (ICH), with particular regard to the example of the Koniaków lace making skills. This handicraft, despite the changing
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Klingeman, W. E., S. K. Braman, and G. D. Buntin. "Feeding Injury of the Azalea Lace Bug (Heteroptera: Tingidae)." Journal of Entomological Science 35, no. 3 (2000): 213–19. http://dx.doi.org/10.18474/0749-8004-35.3.213.

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Azalea lace bug, Stephanitis pyrioides (Scott), feeding rates were investigated in controlled laboratory bioassays. Individual newly-eclosed nymphs were transferred to cut stems of ‘Girard's Rose’ azaleas and maintained at either 20°C for 26°C for the duration of their lifetimes. Feeding rates, determined using computer assisted image area analysis, were calculated for both nymphs and adults. In both trials, females caused significantly more feeding injury per day than males. However, the overall amount of injury inflicted during lace bug lifetimes was similar for males and females at both tem
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14

Kenning, Gail. "Creative Craft-Based Textile Activity in the Age of Digital Systems and Practices." Leonardo 48, no. 5 (2015): 450–56. http://dx.doi.org/10.1162/leon_a_00907.

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Domestic craft-based textile activities, such as knitting, crochet, hand weaving and lace making, are often viewed as being of limited creative potential. The perceived lack of creativity arises, in part, out of the extent to which these activities copy, reproduce and re-create existing pattern forms and use preexisting templates. This paper reports on the findings of an experimental research project that explored the creative potential of crochet lace making using digital media, technologies and practices. It provides critical analysis of how new technologies, practices and theoretical framew
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15

Lonchinskaya, Tatiana E., and Tatiana M. Nosan. "Understanding the integration of needle and bobbin lace in works of applied art." European Scientific e-Journal 2, no. 8 (2021): 51–77. https://doi.org/10.47451/ped2021-01-003.

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Unique and inimitable man-made creations created by Russian and European lace makers of the past centuries have made a significant contribution to the development of decorative applied art, thereby enriching the world’s cultural and historical heritage. The collections of museums contain monuments of material culture, among which a special place is occupied by samples of lace, which harmoniously combine the ancient techniques of embroidery and weaving on bobbins. The research is devoted to the revival of ancient technologies with the combination of needle and bobbin lace in works of appl
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16

Reynolds, Paul. "A taxonomy of holes in lace." Journal of Arts Writing by Students 6, no. 1 (2020): 5–26. http://dx.doi.org/10.1386/jaws_00011_1.

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This article presents a play script as a research artefact whose dialogue enquires into the holes found in Barbara Hepworth’s sculpture Epidauros II through the author’s practice of chemical-lace making; two makers who consider holes in very different media. This dialogue continues with the development of a taxonomy, not of a universe of holes but rather of the microcosm of an individual hole. This taxonomy counterpoints the different objects of discourse, which take form as four viewpoints: first person – the hole’s maker; second person – the hole’s user; third person – the hole’s viewer; and
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17

Mann, Joanna. "Knitting the archive: Shetland lace and ecologies of skilled practice." cultural geographies 25, no. 1 (2017): 91–106. http://dx.doi.org/10.1177/1474474016688911.

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Conjuring up images of fine openwork shawls, Shetland lace knitting might seem to be the very essence of ‘tradition’. Although contemporary scholarship is increasingly noting the diversity of knitting practices and practitioners – from stitch ‘n bitch to yarn bombing – accounts of Shetland lace knitting often convey a sense of a skilled practice which has remained unchanged since time immemorial. In this article, I illustrate and unravel how the skill of Shetland lace knitting has become seemingly sedimented by telling its story through a series of innovative archival explorations and engageme
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18

Shatalova, L. S. "FACTORS CONTRIBUTING TO THE PRESERVATION, MAINTENANCE AND DEVELOPMENT OF INTEREST IN TRADITIONAL LACE IN YELETS WHEN LEARNING LACE MAKING." Educational Psychology in Polycultural Space 52, no. 4 (2020): 130–37. http://dx.doi.org/10.24888/2073-8439-2020-52-4-130-137.

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19

Henrich, Allison. "Veronika Irvine: The Art and Mathematics of Making Bobbin Lace." Mathematics Magazine 91, no. 4 (2018): 307–9. http://dx.doi.org/10.1080/0025570x.2018.1503465.

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20

Botticello, Julie, and Tom Fisher. "Introduction: Missing Persons and Hidden Heritages in European Lace Making." TEXTILE 18, no. 1 (2019): 2–11. http://dx.doi.org/10.1080/14759756.2019.1646495.

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21

Heffer, Cecilia. "Reimagining lace: A contemporary response to place and textile making." Craft Research 9, no. 1 (2018): 135–47. http://dx.doi.org/10.1386/crre.9.1.135_7.

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22

Makhrachev, G. S. "DEVELOPMENT OF LACE MAKING IN TAMBOV PROVINCE IN THE SECOND HALF OF THE XIX - FIRST THIRD OF THE XX CENTURY." History: facts and symbols, no. 3 (September 14, 2021): 62–71. http://dx.doi.org/10.24888/2410-4205-2021-28-3-62-71.

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Evolution of the lace craft in Tambov Province in post-reform time and the period of the New Economic Policy is considered in the article. The centres of lacemaking in Tambov Province, both during the Tsarist Russia and the New Economic Policy period, were Ishchenskaya, Krasninskaya, Troekurovskaya and Cherepanskaya volosts of Lebedyansky (and after administrative reorganization of the province - Lipetsky) district. The main problem faced by lacemakers was the destructive activity of buyers. During monopolising the market, they were forcing needlewomen to operate at a loss. In pre-revolutionar
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23

Fisher, Tom, and Julie Botticello. "Machine-made lace, the spaces of skilled practices and the paradoxes of contemporary craft production." cultural geographies 25, no. 1 (2016): 49–69. http://dx.doi.org/10.1177/1474474016680106.

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This article inspects a set of paradoxes that appeared in an investigation of contemporary industrial craft in the last remaining factory making machine lace in the United Kingdom. Its focus on a single site, set against a now global industry, means it can build on work in cultural and economic geography to understand this setting as a heterogeneous space, with links to a range of material and immaterial lineages, practices and networks. Ethnographic fieldwork on the factory floor at Cluny Lace threw up three paradoxes inherent in the firm’s continued survival in a context of industrial declin
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Szlęk, Karolina. "The influence and significance of monastic lace workshops on the development of Polish lace-making (as exemplified by the Benedictine Convent in Staniątki)." Folia Historica Cracoviensia 22, no. 22 (2017): 483. http://dx.doi.org/10.15633/fhc.2092.

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Bianchini, Ilka Maria Escaliante, Suzana Leitão Russo, and Norberto Nuno Pinto dos Santos. "RESEARCH ON GEOGRAPHICAL INDUSTRIES AND EDGE CRAFTS ASSOCIATIONS IN NORTHEAST BRAZIL AND NORTH PORTUGAL." International Journal for Innovation Education and Research 7, no. 8 (2019): 63–73. http://dx.doi.org/10.31686/ijier.vol7.iss8.1651.

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This paper presents partial results of a survey on the profile of Geographical Indication Lace Embroidery Associations in northeastern Brazil and Portugal. Geographical Indications value and protect traditional products linked to a particular locality, while making positive contributions to the local economy. Handicraft production associations in Brazil, which have obtained the geographical indication seal, add many artisans who derive their families' livelihoods almost exclusively by selling the products. In Portugal the process is different and the certification is individual for the artisan
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Makovicky, Nicolette. "‘Something to talk about’: notation and knowledge-making among Central Slovak lace-makers." Journal of the Royal Anthropological Institute 16 (May 2010): S80—S99. http://dx.doi.org/10.1111/j.1467-9655.2010.01611.x.

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Gomes, Suzana Avelar, Patrícia Rangel, and Lúcia Avelar. "Moda, Gênero e Políticas Públicas: o caso das rendeiras de bilro brasileiras." Revista Gestão & Políticas Públicas 14, no. 1 (2024): 123–40. https://doi.org/10.11606/issn.2237-1095.rgpp.2024.223438.

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The title of this article is “Fashion, Gender and Public Policies aimed at valuing traditional Brazilian crafts”, taking as a case study the bobbin lace makers in Brazil, heirs of the cultural heritage of colonial times. The work was motivated by the need to follow the debate on gender relations and public policies, noting that a significant part of the fashion workforce is made up of women. Fashion is traditionally guided by countries in the Global North and by large urban centers. From an empirical point of view, we note that traditional handicrafts have been adapting to the market after pol
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KIChIGIN, V. I., N. A. ATANOV, and N. E. ChISTYaKOV. "PRINCIPLES OF CIRCULATING AND ZERO DISCHARGE WATER SUPPLY SYSTEMS IN INDUSTRIAL WATER SUPPLY FACILITIES." Urban construction and architecture 1, no. 2 (2011): 62–71. http://dx.doi.org/10.17673/vestnik.2011.02.16.

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Lace of direct flow and complex multistage purification systems, it is suggested that local water supply be used, with ample opportunity to recycle waste into end product or secondary raw material, thus making it costeffective by minimizing material and energy expenditures. It is also argued that industrial wastewater recycling at local facilities (depending on process water requirements) ought to be based on a combination of mechanic and chemical purification methods: thin-layer setting, electroflotocoagulation, coalescent filtering, moving bed filtering, sorptions, membrane filtering (ultra-
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Yensharti, Yensharti, and Hendra Afriwan. "Kerajinan Produk Kaum Wanita Amai Setia Kotogadang sebagai Potensi Daerah di Sumatera Barat." SPACEPRO: Product Design Jurnal 2, no. 1 (2024): 61. http://dx.doi.org/10.26887/spacepro.v2i1.4213.

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Handicrafts in West Sumatra are an integral part of the arts that have developed over a long time. Koto Gadang, a village in the Agam district, is known as a center of potential crafts. This traditional art marks the cultural identity of Koto Gadang. In the past, the people of Koto Gadang used their crafts, primarily silver and songket, mainly for accessories in wedding ceremonies. The population of Koto Gadang has shifted from agriculture to roles as employees and craftsmen, a change that has been ongoing since the Dutch colonial era. In this context, there is a gender-based division in the c
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30

Al Sheikh, Basma Abdel Mohsen. "Mixing Between Jeans and Lace Fabrics to Design Wedding Dress Using Designing-on-the Mannequin Technique." Advances in Social Sciences Research Journal 9, no. 7 (2022): 147–60. http://dx.doi.org/10.14738/assrj.97.12657.

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Modelling or shaping on mannequin is a science and an art that has its scientific origins, in addition to the skill required to be acquired to master it. It depends on the individual's ability to innovate, his analytical ability and his skill in work that is characterized by quality, beauty and perfection to produce designs that perform their utilitarian and aesthetic functions. By modelling on mannequin, it is possible to add a shape and surface texture different from the shape and surface of the original material because the modelling method has great potential in this field by making suitab
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31

N., K. Agawral, and Bharat Nagar Dr. "Analytical Research for Improvement of Solid Waste Management in Jaipur City." International Journal of Trend in Scientific Research and Development 3, no. 3 (2019): 1022–26. https://doi.org/10.31142/ijtsrd23198.

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Jaipur municipal region had a population of 30.73 lace in 2011 which is projected to grow 81.10 lace 2031 Jaipur as Fastest moving city cleanness in all over India in Swachh Sarvekshan 2018. Ranking of Jaipur is declared in 2018 for cleanness in all over India is 39 and got 43 rank in 2019, therefore, need of the achievement well justified to achieve Zero West City . Ensuring 100 coverage of Primary waste collection activity through Door to Door Collection system. Instill operational discipline monitoring digital solutions. Enhance service standards. Involve citizens in the monitoring process
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Blackburn, Sheila. "Ideology and Social Policy: the Origins of the Trade Boards Act." Historical Journal 34, no. 1 (1991): 43–64. http://dx.doi.org/10.1017/s0018246x00013923.

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The issue of sweated labour formed one of the most intractable social problems of the nineteenth and early twentieth centuries. Numerous remedies to solve sweating, such as the restriction of female and child labour, the abolition of domestic workshops, consumers' leagues, and co-operative production were variously advanced but subsequently found to be wanting. Eventually, and bowing to the inevitable, Edwardians finally sanctioned one cautious measure which they thought would curb sweating at its root – that is the legal control of low pay in the form of the 1909 Trade Boards Act. Initially,
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Lehrecke, August, Cody Tucker, Xiliu Yang, Piotr Baszynski, and Hanaa Dahy. "Tailored Lace: Moldless Fabrication of 3D Bio-Composite Structures through an Integrative Design and Fabrication Process." Applied Sciences 11, no. 22 (2021): 10989. http://dx.doi.org/10.3390/app112210989.

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This research demonstrates an integrative computational design and fabrication workflow for the production of surface-active fibre composites, which uses natural fibres, revitalises a traditional craft, and avoids the use of costly molds. Fibre-reinforced polymers (FRPs) are highly tunable building materials, which gain efficiency from fabrication techniques enabling controlled fibre direction and placement in tune with load-bearing requirements. These techniques have evolved closely with industrial textile processes. However, increased focus on automation within FRP fabrication processes have
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Lapina, Yu E. "ECHNOLOGY OF KIRISHI ARTISTIC LACE-MAKING AS A BASIS FOR CONSERVATION AND DEVELOPMENT OF UNIQUE FOLK ARTISTIC HANDICRAFT." Научное мнение, no. 6 (2019): 81–85. http://dx.doi.org/10.25807/pbh.22224378.2019.6.81.85.

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Seymour, Deni J. "A Multi-evidential Approach to Locating Chichilticale of the 1539–1542 Coronado Expedition." American Antiquity 90, no. 1 (2025): 32–69. https://doi.org/10.1017/aaq.2024.41.

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AbstractChichilticale is a long-sought-after location on the Coronado expedition route in southeastern Arizona. It is referred to numerous times in documents, and various expedition members stayed there, making it potentially one of the most discoverable of the Coronado expedition camp sites. Nonetheless, it remained lost until recently when data from a variety of sources provided a basis to establish hypotheses that were then tested and retested until Chichilticale was located. This site, 1 km long, has hundreds of Spanish period artifacts related to the 1539–1540 two-month winter encampment
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Чиж, Роман Николаевич. "TECHNOLOGIES OF TEACHING FOREIGN LANGUAGES AT THE UNIVERSITY OF TRADITIONAL ARTISTIC CRAFTS." Вестник Тверского государственного университета. Серия: Педагогика и психология, no. 2(59) (July 4, 2022): 172–87. http://dx.doi.org/10.26456/vtpsyped/2022.2.172.

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Проанализированы технологии обучения иностранным языкам в вузе традиционных художественных промыслов. На примере студентов бакалавриата направления подготовки 54.03.02 «Декоративно-прикладное искусство и народные промыслы» рассмотрены особенности и структура каждой технологии обучения иностранным языкам. Подробно описана обусловленность использования той или иной формы работы на занятиях по английскому и немецкому языкам со студентами - будущими художниками, изучающими традиционные художественные промыслы России. Проанализированы особенности лингвообучения в вузе традиционных художественных пр
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37

Gabashvili, Valerian, and Manana Gabashvili. "Social Movements in Near Eastern Cities from the 9th to the 13th Century." Journal of Persianate Studies 1, no. 2 (2008): 123–47. https://doi.org/10.1163/18747167-00102003.

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This essay by the lace Prof. V. Gabashvili (1911-1985) examines medieval social movements in the cities of a key area in the Persianace civilizational wne, screeching from Syria and Iraq in the west to Georgia and the Caucasus in the north and Iran, Khorasan and Transoxania co the east and northeast. The analytical framework is Marxian, and the underlying unity of the region called the Near and Middle East is explained in terms of the common class structure and its transformation. The author argues that the 'feudal context' is crucial for understanding these social movements, which he divides
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Niedderer, Kristina, Katherine Townsend, and Gemma Potter. "Making: Place, material and metaphor." Craft Research 14, no. 2 (2023): 191–98. http://dx.doi.org/10.1386/crre_00105_2.

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The editorial highlights how the practitioners featured in issue 14.2 seek intrinsic value within and through making, supported by relationships with the natural and social world. The contributions are clustered into three themes. In ‘materiality and nature’, Tara Chittenden explores ‘Ceramics in the wild: Deep mapping and the moon jars of Adam Buick’, and how the ceramicist’s vessels represent the cycle of a material, and life itself. Myriam Perret‘s ‘Rhythms in the production and commercialization of crafts in Chaco’ reports upon her ethnographic study of the Qow people of Argentina and thei
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Darmawan, I. Gede Bayu, and Muslimin Abdulrahim. "ANALISIS PERHITUNGAN HARGA POKOK PRODUKSI PRODUK SEPATU DENGAN MENGGUNAKAN METODE JOB ORDER COSTING (Studi Kasus: XYZ, Mojokerto)." JISO : Journal of Industrial and Systems Optimization 5, no. 1 (2022): 26. http://dx.doi.org/10.51804/jiso.v5i1.26-32.

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XYZ merupakan home industry yang bergerak di bidang industri pembuatan sepatu. XYZ terletak di Kabupaten Mojokerto, Provinsi Jawa Timur. Produk yang dihasilkan oleh XYZ antara lain sepatu lace-up dan sepatu velcro (non-laced) dengan sol hitam putih. XYZ dalam menentukan harga pokok produksi masih berdasarkan pengalaman dan perkiraan yang menyangkut harga bahan baku, gaji pekerja, dan biaya-biaya lainnya yang menyebabkan perusahaan tidak mengetahui berapa harga pokok produksi yang sebenarnya. Perusahaan yang tidak menghitung harga pokok produksi secara rinci dapat menyebabkan tidak tercapainya
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Rayner, Sean, Aiste Vitkauskaite, Kevin Healy, et al. "Worldwide Web: High Venom Potency and Ability to Optimize Venom Usage Make the Globally Invasive Noble False Widow Spider Steatoda nobilis (Thorell, 1875) (Theridiidae) Highly Competitive against Native European Spiders Sharing the Same Habitats." Toxins 14, no. 9 (2022): 587. http://dx.doi.org/10.3390/toxins14090587.

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Venom compositions include complex mixtures of toxic proteins that evolved to immobilize/dissuade organisms by disrupting biological functions. Venom production is metabolically expensive, and parsimonious use is expected, as suggested by the venom optimisation hypothesis. The decision-making capacity to regulate venom usage has never been demonstrated for the globally invasive Noble false widow Steatoda nobilis (Thorell, 1875) (Theridiidae). Here, we investigated variations of venom quantities available in a wild population of S. nobilis and prey choice depending on venom availability. To par
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Desbruslais, Cyril. "Globalisation, Violence and Religion." Jnanadeepa: Pune Journal of Religious Studies July-Dec 2005, Vol 8/2 (2005): 121–42. https://doi.org/10.5281/zenodo.4290828.

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After analysing the historical origin and consequences of the process of globalisation, the author presents the challenges posed by globalisation. This presents a serious challenge to the Catholic Church. She commands a vast network of social service institutions, schools, colleges and establishments of higher learning and research across the globe. Can any other organisation boast of such an army of allegedly committed and dedicated women and men, scattered all over the world, many in positions of power and decision-making? An international Synod of Bishops, not too long ago, declared that th
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Rufaydah, Indana, and Urip Wahyuningsih. "Penciptaan Busana Pesta Malam dengan Sumber Ide Bunga Aster." BAJU: Journal of Fashion and Textile Design Unesa 4, no. 2 (2023): 117–24. https://doi.org/10.26740/baju.v4n2.p117-124.

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Daisies are often referred to as stars that have many types of beautiful colors. The beauty of daisies is a source of ideas for creating evening party fashion collections. The aim of the research is to find out the process of creating evening party clothing designs and the process of making them using the idea source of daisies. This research method uses the Double Diamond Design Process, which is divided into 4 stages, including discover, define, develop, deliver. The discover stage is an exploration of the theme in the form of a moodboard featuring star-like flowers with circular, round or d
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Borisova, E. A. "METHODOLOGY OF TEACHING TRADITIONAL FOLK CRAFTS AND TRADE (ON THE EXAMPLE OF YELETS LACE-MAKING ON THE BOBBIN): HISTORIC EXPERIENCE AND NEW TECHNOLOGIES." Educational Psychology in Polycultural Space 49, no. 1 (2020): 31–40. http://dx.doi.org/10.24888/2073-8439-2019-49-1-31-40.

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Olena, KOZAKEVYCH. "HUTSUL FOLK COSTUMES IN THE COLLECTION OF THE SEWERYN UDZIELA ETHNOGRAFIC MUSEUM IN KRAKOW: THE HISTORY OF THE CREATION (EMBROIDERY, LACE MAKING, KNITTING)." Supliment al revistei științifice "Authentication and Conservation of Cultural Heritage. Research and Technique" (Iași, România) Vol. IV (September 30, 2022): 193–98. https://doi.org/10.5281/zenodo.7129187.

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he Hutsul region is one of the most researched historical and ethnographic areas of Ukraine and the Carpathian region. In the research on the Hutsul folk costume in the collection of the Seweryn Udziela Ethnographic Museum in Krakow, or any other ethnic groups, it is important to take into consideration several important factors. The plans for the establishment of the Ethnographic Museum began in 1902 and were related to the exhibition on folk art from the collection of Seweryn Udziela, organized by the Polish Applied Arts Society. The National Museum in 1904 created an ethnographic department
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Ingold, Timothy. "The creativity of undergoing." Creativity, Cognition and Material Culture 22, no. 1 (2014): 124–39. http://dx.doi.org/10.1075/pc.22.1.07ing.

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Creativity is often portrayed as an X-factor that accounts for the spontaneous generation of the absolutely new. Yet the obsession with novelty implies a focus on final products and a retrospective attribution of their forms to unprecedented ideas in the minds of individuals, at the expense of any recognition of the form-generating potentials of the relations and processes in which persons and things are made and grown. In these processes, practitioners are characteristically called upon to copy the works of past masters. However, though they may be guided by a script or score, every practitio
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Robo, Salahudin, Ayu Rahmawati Rumalean, Trisno Trisno, Rahmat Surya Baskara, and Sahlan M. Saleh. "Penerapan Metode SAW (Simple Additive Weighting) untuk Pemilihan Kain Terbaik." TIN: Terapan Informatika Nusantara 4, no. 1 (2023): 1–8. http://dx.doi.org/10.47065/tin.v4i1.4185.

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The many types of fabrics at the Modiss Textile store provide choices according to consumer tastes. However, purchases at this fabric store are still processed manually and not computerized. In selecting fabrics, consumers only focus on color and price tags. This research was conducted at the Modiss Textile & Taylor store, which is a store engaged in fashion retail. In completing this research, several research methods were used to collect data, namely interviews, observations and the application of the saw method. Based on the results of collecting data on fabric selection, criteria are n
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R, Suganya, Balaramesh P, Kannadhasan S, Chandrasekhar V, Arun Raj S R, and Dhilipkumar R. "Wireless Sensor Networks in Environmental Monitoring Applications Challenges and Future Directions." ITM Web of Conferences 76 (2025): 03002. https://doi.org/10.1051/itmconf/20257603002.

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Chivalry: Signal Processing for WMSNs Humanoid vertical lace up boot where the lacing up shoes are made of suede or synthetic leather. Yet, the current research on WSNs shows limitations such as much energy consumption, scalability issues, security risks and no multi-environmental integration. To tackle those challenges, this research proposes an enhanced, optimized WSN framework integrative of blockchain-encrypted security, artificial intelligence (AI)-based adaptive routing, and hybrid edge–cloud computing. Their proposed system consisting of terrestrial, aerial and underwater WSNs ensures h
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Groth, Camilla, Katherine Townsend, Tina Westerlund, and Gunnar Almevik. "Craft is ubiquitous." Craft Research 13, no. 2 (2022): 211–20. http://dx.doi.org/10.1386/crre_00076_2.

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This Special Issue presents a selection of contributions that seek to extend the idea of what craft practice and research can be. They stem from the conference presentations in the 1st Biennial International Conference for the Craft Sciences (BICCS), held online during 4‐6 May 2021. This conference was initiated by the Craft Laboratory in Mariestad city, which is affiliated with the Department of Conservation, University of Gothenburg, Sweden. What counts as craft, and what does not, has been discussed with the general consensus that craft often evades definitions and instead thrives as an adh
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Sharpe, Pamela. "The Women's Harvest: Straw-Plaiting and the Representation of Labouring Women's Employment, c. 1793–1885." Rural History 5, no. 2 (1994): 129–42. http://dx.doi.org/10.1017/s0956793300000637.

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Increasing attention has recently been given by historians to the many informal ways in which women made economic contributions to rural labouring households in the eighteenth and nineteenth centuries. Both Jane Humphries and Peter King have shown how important the exploitation of common rights, by gleaning for example, could be to the family economy. This is not to overlook the fact that certain types of women's and children's employment, such as lace-making and straw-plaiting were formally established in some rural communities. The research which has been carried out into straw-plaiting the
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Zhabreva, Anna E. "Postcards with images of French dolls in regional attires – a graphic source on the history of traditional constume." Historical Ethnology 9, no. 2 (2024): 139–58. http://dx.doi.org/10.22378/he.2024-9-2.139-158.

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The article is devoted to the study of postcards with images of dolls in the regional costumes of France. The visual appearance of the postcards, the nature of the images, and dolls’ garments have been analysed. The source base of the research is the author's philocartical collection, which is a part of the personal collection of ethnographic dolls "Peoples and attires". Single and serial postcards issued throughout the 20th century recorded the existence of exquisite, perfectly made miniature people, which makes these publications a historical source. Some of the postcards were printed for ad
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