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Relevant bibliographies by topics / Baroque literature English poetry

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Academic literature on the topic 'Baroque literature English poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Baroque literature English poetry"

1

Vincent, Robert Hudson. "Baroco: The Logic of English Baroque Poetics." Modern Language Quarterly 80, no. 3 (September 1, 2019): 233–59. http://dx.doi.org/10.1215/00267929-7569598.

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Abstract As many scholars, including the editors of the Oxford English Dictionary, continue to cite false etymologies of the baroque, this article returns to a Scholastic syllogism called baroco to demonstrate the relevance of medieval logic to the history of aesthetics. The syllogism is connected to early modern art forms that Enlightenment critics considered excessively complicated or absurdly confusing. Focusing on the emergence of baroque logic in Neo-Latin rhetoric and English poetics, this article traces the development of increasingly outlandish rhetorical practices of copia during the sixteenth century that led to similarly far-fetched poetic practices during the seventeenth century. John Stockwood’s Progymnasma scholasticum (1597) is read alongside Richard Crashaw’s Epigrammatum sacrorum liber (1634) and Steps to the Temple (1646) to reveal the effects of Erasmian rhetorical exercises on English educational practices and the production of English baroque poetry. In the end, the article demonstrates the conceptual unity of the baroque by showing the consistency between critiques of baroco, critiques of English metaphysical poetry, and critiques of baroque art during the Enlightenment.

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Johnson, Lathrop P. "Johann Burckhard Mencke: The English Connection and the End of Baroque Poetry." Daphnis 21, no. 1 (January 3, 1992): 95–108. http://dx.doi.org/10.1163/18796583-02101007.

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Martz, Louis L. "English Religious Poetry, From Renaissance to Baroque." Explorations in Renaissance Culture 40, no. 1-2 (April 20, 2014): 53–78. http://dx.doi.org/10.1163/23526963-90000463.

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Martz, Louis L. "English Religious Poetry, From Renaissance to Baroque." Explorations in Renaissance Culture 11, no. 1 (December 2, 1985): 1–28. http://dx.doi.org/10.1163/23526963-90000072.

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Slagle, Judith Bailey. "The Baroque in English Neoclassical Literature (review)." Journal for Early Modern Cultural Studies 6, no. 1 (2006): 130–32. http://dx.doi.org/10.1353/jem.2006.0007.

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Nelson, Thomas J. "Attalid aesthetics: the Pergamene ‘baroque’ reconsidered." Journal of Hellenic Studies 140 (November 2020): 176–98. http://dx.doi.org/10.1017/s0075426920000087.

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Abstract:In this paper, I explore the literary aesthetics of Attalid Pergamon, one of the Ptolemies’ fiercest cultural rivals in the Hellenistic period. Traditionally, scholars have reconstructed Pergamene poetry from the city’s grand and monumental sculptural programme, hypothesizing an underlying aesthetic dichotomy between the two kingdoms: Alexandrian ‘refinement’ versus the Pergamene ‘baroque’. In this paper, I critically reassess this view by exploring surviving scraps of Pergamene poetry: an inscribed encomiastic epigram celebrating the Olympic victory of a certain Attalus (IvP I.10) and an inscribed dedicatory epigram featuring a speaking Satyr (SGO I.06/02/05). By examining these poems’ sophisticated engagements with the literary past and contemporary scholarship, I challenge the idea of a simple opposition between the two kingdoms. In reality, the art and literature of both political centres display a similar capacity to embrace both the refined and the baroque. In conclusion, I ask how this analysis affects our interpretation of the broader aesthetic landscape of the Hellenistic era and suggest that the literature of both capitals belongs to a larger system of elite poetry which stretched far and wide across the Hellenistic world.

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ABDULRAZZAQ AL-RUBAIEE, AHMED. "EL ESTILO LITERARIO EN LA EPOCA BARROCA." Al-Adab Journal 1, no. 127 (December 5, 2018): 40–48. http://dx.doi.org/10.31973/aj.v1i127.199.

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At the end of the middle eras, began in Spain an era of literary integration called it the (Golden era) Unlike political events which was prevalent there, Spain was from the side political lives he situation is stressed and internal divisions, but from the literary side She reached the peak of her relationship. The term Baroque refers to a movement of art, literature and culture, spread in Spain since the end of the sixteenth century until the end of the seventeenth century, In the seventeenth century began Literary productions from theater, novel, poetry and prose reach its grandeur, and there appeared prominent writers They knew in Spain and the world as well such as (Luba de Veca) and his style in theater and literary currents, Who followed his approach. The current study consists of two chapters: Chapter one refers to the beginning and prosperity and the end of baroque style in Spanish literature. The second chapter explains it operation evolution of the method (baroque) especially in lyric poetry of the baroque, We spoke in it about the most prominent figures in the field of poetry during the golden era.

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Sen, Sudeep. "Recent Indian English Poetry." World Literature Today 74, no. 4 (2000): 783. http://dx.doi.org/10.2307/40156088.

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Attridge, Derek. "Rhythm in English Poetry." New Literary History 21, no. 4 (1990): 1015. http://dx.doi.org/10.2307/469197.

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Perry, John Oliver, and Makarand Paranjape. "Indian Poetry in English." World Literature Today 68, no. 3 (1994): 635. http://dx.doi.org/10.2307/40150579.

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Dissertations / Theses on the topic "Baroque literature English poetry"

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Brown, Raymond David. "Apo koinou in Old English poetry /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487684245465626.

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Cavill, Paul. "Maxims in Old English poetry." Thesis, University of Nottingham, 1996. http://eprints.nottingham.ac.uk/11063/.

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The focus of the thesis is on maxims and gnomes in Old English poetry, but the occasional occurrence of these forms of expression in Old English prose and in other Old Germanic literature is also given attention, particularly in the earlier chapters. Chapters 1 to 3 are general, investigating a wide range of material to see how and why maxims were used, then to define the forms, and distinguish them from proverbs. The conclusions of these chapters are that maxims are ‘nomic’, they organise experience in a conventional, authoritative fashion. They are also ‘proverbial’ in the sense of being recognisable and repeatable, but they do not have the fixed form of proverbs. Chapters 4 to 7 are more specific in their focus, applying techniques from formulaic theory, paroemiology and the sociology of knowledge to the material so as to better understand how maxims are used in their contexts in the poems, and to appreciate the nature and function of the Maxims collections. The conclusions reached here are that the maxims in Beowulf 183b-88 are integral to the poem, that maxims in The Battle of Maldon show how the poet manipulated the social functions of the form for his own purposes, that there is virtually no paganism in Old English maxims, and that the Maxims poems outline and illustrate an Anglo-Saxon world view. The main contribution of the thesis is that it goes beyond traditional commentary in analysing the purpose and function of maxims. It does not merely focus on individual poems, but attempts to deal with a limited aspect of the Old English oral and literary tradition. The primary aim is to understand the general procedures of the poets in using maxims and compiling compendia of them, and then to apply insights gained from theoretical approaches to the specifics of poems.

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Loxley, James William Stanislas. "Royalist poetry in the English Civil War." Thesis, Royal Holloway, University of London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319509.

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Reynolds, Matthew Osmund Royle. "English poetry and European nationalism, 1830-1870." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364175.

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Terry, Richard Gordon. "Studies in English burlesque poetry, 1663-1785." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/250956.

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Rybak, Charles A. "Human Rooms." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1052328743.

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Byington, Danielle N. "“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” & HAUNCHEBONES." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/291.

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“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

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Welch, Mary T. "Early English religious literature : the development of the genres of poetry, narrative, and homily /." Read thesis online, 2009. http://library.uco.edu/UCOthesis/WelchMT2009.pdf.

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Williamson, Paul. "The metaphysical basis of mid eighteenth-century English poetry." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314489.

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Cairns, Daniel. "As it likes you early modern desire and vestigial impersonal constructions /." Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23236.

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Books on the topic "Baroque literature English poetry"

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From Renaissance to baroque: Essays on literature and art. Columbia: University of Missouri Press, 1991.

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ill, Amaral Chris, ed. ABC cat. New York: Dutton Children's Books, 2004.

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The triumph of Augustan poetics: English literary culture from Butler to Johnson. Cambridge, U.K: Cambridge University Press, 1998.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2010.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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Book chapters on the topic "Baroque literature English poetry"

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Rainsford, Dominic. "Poetry." In Literature in English, 23–34. Second edition. | New York City : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429277399-4.

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Alexander, Michael. "Poetry." In A History of English Literature, 273–84. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_10.

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Melaney, William D. "Aesthetic Worlds: Rimbaud, Williams and Baroque Form." In The Poetry of Life in Literature, 149–58. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3431-8_10.

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Clarke, Catherine A. M. "Old English Poetry." In The Blackwell Companion to the Bible in English Literature, 61–75. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch5.

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Thorne, Sara. "The language of literature — poetry." In Mastering Advanced English Language, 307–25. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-13645-2_14.

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Henderson, Diana E. "Love Poetry." In A Companion to English Renaissance Literature and Culture, 378–91. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch34.

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Henderson, Diana E. "Love Poetry." In A New Companion to English Renaissance Literature and Culture, 249–63. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch58.

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Peck, John, and Martin Coyle. "Sixteenth-Century Poetry and Prose." In A Brief History of English Literature, 34–52. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-35267-5_3.

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Peck, John, and Martin Coyle. "Seventeenth-Century Poetry and Prose." In A Brief History of English Literature, 91–113. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-35267-5_6.

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Peck, John, and Martin Coyle. "Sixteenth-Century Poetry and Prose." In A Brief History of English Literature, 34–52. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-10794-7_3.

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Conference papers on the topic "Baroque literature English poetry"

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Lu, Jie. "The Inevitability and Roots of Variation in Literature Translation ——from the English Version of Xue Tao’s Poetry by Genevieve Wimsatt." In Annual International Conference on Language, Literature & Linguistics (L3 2016). Global Science & Technology Forum ( GSTF ), 2016. http://dx.doi.org/10.5176/2251-3566_l316.5.

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Hock, Hans Henrich. "Foreigners, Brahmins, Poets, or What? The Sociolinguistics of the Sanskrit “Renaissance”." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.2-3.

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A puzzle in the sociolinguistic history of Sanskrit is that texts with authenticated dates first appear in the 2nd century CE, after five centuries of exclusively Prakrit inscriptions. Various hypotheses have tried to account for this fact. Senart (1886) proposed that Sanskrit gained wider currency through Buddhists and Jains. Franke (1902) claimed that Sanskrit died out in India and was artificially reintroduced. Lévi (1902) argued for usurpation of Sanskrit by the Kshatrapas, foreign rulers who employed brahmins in administrative positions. Pisani (1955) instead viewed the “Sanskrit Renaissance” as the brahmins’ attempt to combat these foreign invaders. Ostler (2005) attributed the victory of Sanskrit to its ‘cultivated, self-conscious charm’; his acknowledgment of prior Sanskrit use by brahmins and kshatriyas suggests that he did not consider the victory a sudden event. The hypothesis that the early-CE public appearance of Sanskrit was a sudden event is revived by Pollock (1996, 2006). He argues that Sanskrit was originally confined to ‘sacerdotal’ contexts; that it never was a natural spoken language, as shown by its inability to communicate childhood experiences; and that ‘the epigraphic record (thin though admittedly it is) suggests … that [tribal chiefs] help[ed] create’ a new political civilization, the “Sanskrit Cosmopolis”, ‘by employing Sanskrit in a hitherto unprecedented way’. Crucial in his argument is the claim that kāvya literature was a foundational characteristic of this new civilization and that kāvya has no significant antecedents. I show that Pollock’s arguments are problematic. He ignores evidence for a continuous non-sacerdotal use of Sanskrit, as in the epics and fables. The employment of nursery words like tāta ‘daddy’/tata ‘sonny’ (also used as general terms of endearment), or ambā/ambikā ‘mommy; mother’ attest to Sanskrit’s ability to communicate childhood experiences. Kāvya, the foundation of Pollock’s “Sanskrit Cosmopolis”, has antecedents in earlier Sanskrit (and Pali). Most important, Pollock fails to show how his powerful political-poetic kāvya tradition could have arisen ex nihilo. To produce their poetry, the poets would have had to draw on a living, spoken language with all its different uses, and that language must have been current in a larger linguistic community beyond the poets, whether that community was restricted to brahmins (as commonly assumed) or also included kshatriyas (as suggested by Ostler). I conclude by considering implications for the “Sanskritization” of Southeast Asia and the possible parallel of modern “Indian English” literature.

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