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1

Timothy, Hampton, ed. Baroque topographies: Literature, history, philosophy. New Haven, Conn: Yale University Press, 1991.

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2

Ulčinaitė, E. Baroque literature in Lithuania. [Vilnius?]: Baltos Lankos, 1996.

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3

Weber, Alexander. Günter Grass's use of baroque literature. London, United Kingdom: W.S.Maney & Son for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London, 1995.

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4

Weber, Alexander. Günter Grass's use of baroque literature. Leeds, United Kingdom: W. S. Maney for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London, 1995.

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5

The baroque in English neoclassical literature. Newark: University of Delaware Press, 2003.

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6

Chédozeau, Bernard. Le baroque. [Paris]: Nathan, 1989.

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7

Petráš, Martin. Baroque en Bohème. Villeneuve-d'Ascq: Université Charles de Gaulle-Lille III, 2009.

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8

Baroque Montesquieu. Geneve: Droz, 2004.

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9

Souiller, Didier. La littérature baroque en Europe. Paris: Presses universitaires de France, 1988.

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10

Lambert, Gregg. On the (new) Baroque. Aurora, Colo., USA: Davies Group, 2008.

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11

Literature and identity in Italian baroque travel writing. Aldershot, England: Ashgate, 2008.

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12

From Renaissance to baroque: Essays on literature and art. Columbia: University of Missouri Press, 1991.

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13

Kębłowska-Ławniczak, Ewa. Shakespeare and the controversy over Baroque. Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 1994.

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14

"Enargeia" i "energeia" w teoriach literackich renesansu i baroku: Enargeia and Energeia in Renaissance and Baroque literary criticism. Warszawa: Instyut Badań Literackich Polskiej Akademii Nauk, 2012.

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15

Alphonse, Vermeylen, Chamoux François, and Université catholique de Louvain (1970- ). Institut de littérature., eds. Questionnement du baroque: Études. Louvain-La-Neuve: Collège Erasme, 1986.

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16

Boutoute, Eric. Sade et les figures du baroque. Paris: L'Harmattan, 1999.

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17

Didier, Souiller, ed. Le baroque en question(s). Paris: H. Champion, 1999.

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18

Buci-Glucksmann, Christine. Baroque reason: The aesthetics of modernity. London: Sage Publications, 1994.

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19

Maria, Delaperrière, and Institut national des langues et civilisations orientales., eds. Le Baroque en Pologne et Europe. Paris: Publications Langues'O, 1990.

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20

Reichelberg, Ruth. L' aventure baroque chez Claudel et Calderón. Paris: Diffusion Les Belles lettres, 1996.

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21

Newman, Jane O. Benjamin's library: Modernity, nation, and the Baroque. Ithaca, N.Y: Cornell University Press, 2011.

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22

Garden and labyrinth of time: Studies in Renaissance and Baroque literature. New York: P. Lang, 1988.

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23

Essays on the literary Baroque in Spain and Spanish America. Woodbridge, UK: Tamesis, 2008.

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24

Isabel, Torres, ed. Rewriting classical mythology in the Hispanic Baroque. Woodbridge, UK: Tamesis, 2007.

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25

Baroque bodies: Psychoanalysis and the culture of French absolutism. Ithaca: Cornell University Press, 2001.

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26

Nicholas, Spadaccini, and Martín-Estudillo Luis, eds. Hispanic Baroques: Reading cultures in context. Nashville: Vanderbilt University Press, 2005.

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27

Baroque fictions: Revisioning the classical in Marguerite Yourcenar. Amsterdam: Rodopi, 2005.

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28

The life significance of French Baroque poetry. New York: P. Lang, 1988.

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29

Tschižewskij, Dmitrij. Ukraïnsʹke literaturne baroko. Kyïv: Oberehy, 2003.

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30

Celestina's brood: Continuities of the Baroque in Spanish and Latin American literatures. Durham: Duke University Press, 1993.

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31

Steadman, John M. Redefining a period style: "Renaissance," "Mannerist," and "Baroque" in literature. Pittsburgh, Pa: Duquesne University Press, 1990.

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32

Gendering the crown in the Spanish Baroque Comedia. Aldershot, England: Ashgate, 2012.

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33

Approaches to the text: From pre-gospel to post-baroque. Pisa: F. Serra, 2014.

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34

Qu'est-ce que le baroque? Paris: Klincksieck, 2003.

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35

Maria, Mendes Nancy, ed. O barroco mineiro em textos. Belo Horizonte: Autêntica, 2003.

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36

Bonardi, Marie-Odile. Les Vertus dans la France baroque: Représentations iconographiques et littéraires. Paris: H. Champion, 2010.

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37

Baroque reason: The aesthetics of modernity. London: Sage, 1994.

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38

Egginton, William. The theater of truth: The ideology of (neo)baroque aesthetics. Stanford, Calif: Stanford University Press, 2010.

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39

Le inquiete novità: Simboli, luoghi e polemiche d'età barocca. Bari: Palomar, 2006.

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40

Culture of the baroque: Analysis of a historical structure. Manchester: Manchester University Press, 1986.

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41

Francesco, Guardiani, ed. The sense of Marino: Literature, fine arts and music of the Italian baroque. Ottawa: Legas, 1994.

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42

Mazilu, Dan Horia. Literatura română barocă în context european. București: Editura Minerva, 1996.

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43

van, Ingen Ferdinand, Kühlmann Wilhelm 1946-, Weiss Wolfgang 1932-, Garber Klaus, and Internationaler Arbeitskreis für Barockliteratur. Jahrestreffen, eds. Europäische Barock-Rezeption. Wiesbaden: Harrassowitz, 1991.

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44

Backvis, Claude. Panorama de la poésie polonaise à l'âge baroque. Bruxelles: Académie royale de Belgique, 1995.

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45

Guillerm, Jean-Pierre. Vieille Rome: Stendhal, Goncourt, Taine, Zola et la Rome baroque. Villeneuve-d'Ascq (Nord): Presses universitaires du Septentrion, 1998.

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46

The American Baroque: Use of iconology in American popular literature. Poznań: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2013.

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47

1887-1976, Jouve Pierre Jean, and Donnadieu Jean Léon, eds. Jouve baroque: Jouve et Donnadieu, documents inédits. Paris: Lettres modernes Minard, 2016.

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48

Díaz, Emilio Orozco. Introducción al barroco. [Granada]: Universidad de Granada, 1988.

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49

Fernando R. de la Flor. Barroco: Representación e ideología en el mundo hispánico, 1580-1680. Madrid: Cátedra, 2002.

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50

Theodicy in baroque literature. New York: Garland, 1985.

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