Relevant bibliographies by topics / Baroque literature / Dissertations / Theses
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Dissertations / Theses on the topic 'Baroque literature'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Sáez, Richard. "Theodicy in baroque literature /." New York ; London : Garland, 1985. http://catalogue.bnf.fr/ark:/12148/cb34920628x.

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2

Weber, Alexander. "Günter Grass's use of baroque literature." Leeds : W. S. Maney, 1995. http://catalogue.bnf.fr/ark:/12148/cb36706760n.

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3

Weber, Alexander. "Günter Grass's use of German Baroque literature." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239093.

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4

Gorell, Elzbieta. "Urban themes in Polish Baroque literature between 1597 and 1696." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314926.

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5

Nader-Esfahani, Sanam. "L'esthétique baroque et l'être brisé /." Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/362.pdf.

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6

Serputovska, Alina. "Literatura baroku na Litwie." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060613_143409-78267.

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This masters’ treatise is named Baroque literature of Lithuania. It presents panorama of baroque literature in Lithuania in limits of present country. To reach this goal it analyses the literature from the three positions. Firstly, studies the political and historical backgrounds of the state from the early 16th century till the middle of 18th century. Secondly, shows the silhouettes and productions of the most famous and less known, or already forgotten writers, who wrote their compositions in Polish, Lithuanian and Latin languages. Thirdly, presents the most popular kinds of literature of th
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7

Preece, Julian. "The Baroque Guenter Grass : uses of history in the prose works." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314996.

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8

Gascón, Christopher Doherty. "Desire and the woman saint in the Spanish Baroque drama /." Digital version, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983211.

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9

Portugal, Luis. "Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12967.

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My main thesis is that Baroque can be considered not only as an aesthetic or historical period in the seventeenth century; it is also a way of producing knowledge that puts into dynamic interaction diverse genres, disciplines and historical contexts. I visualize my project under the rubric of a cabinet of curiosities, and I reframe the continued juxtaposition of objects, machines, instruments and artwork that characterize the baroque cabinet to offer an explanatory construct of the early modern Hispanic world and modern Latin American literature and culture. In the first chapter of t
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10

Morgan, Dawn. "The nose of death : Baroque novelistic discourse in the history of laughter." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35019.

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The Nose of Death considers the common matrix of the English scientific revolution and the modern English novel through the indicator of laughter. Whereas death is the paradigmatic object of laughter in the premodern period, animate or thinking matter is the prevailing object of laughter in modernity. The change is located in texts of the English baroque period from 1607 to 1767. Baroque discourse is defined by the language developed by writers loyal to both the Christian and the Copernican world views. Contradictory allegiances required them to institute a narratorial position based on simult
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11

Lafontaine, Andrée. "De la mort baroque à la mort classique; suivi de, Oraison funèbre." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60604.

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The critique entitled "De la mort baroque a la mort classique" studies three authors and two ways to look at death. Montaigne, in a humanist perspective, focuses on what precedes death. Life is what matters. Death, within the baroque space, invites a celebration of life. Bossuet and Pascal, in a classical religious perspective, concentrate on what follows death. Eternal life is their main preoccupation at the expense of life on earth. Within the classical space, death is celebrated as the door to eternity.<br>The fiction entitled "Oraison funebre" tells the story of a death and the questioning
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12

Philipps, Lionel. "Trompe-l'oeil littéraires au XVIIe siècle d'une esthétique de la surprise à la tentation du silence /." Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2002. http://books.google.com/books?id=up9ZAAAAMAAJ.

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13

Nader-Esfahani, Sanam. "Knowledge and Representation through Baroque Eyes: Literature and Optics in France and Italy ca. 1600-1640." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493303.

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The scientific discoveries and inventions of the early seventeenth century, which include Johannes Kepler’s inverted retinal image, the refinement of lenses, and the invention of the telescope, transformed the status of vision in the acquisition of knowledge, thus modifying the nature of what is known and even challenging how things are known. Rather than focus on philosophical oppositions between seeing and looking, or on artistic practices such as linear perspective or anamorphosis in literature’s engagement with vision, this study privileges instead a dialogue with early modern optics. Deri
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14

Kelly, E. M. "'A more beautiful era of art' : figurenlehre, style brisé and other baroque elements in Brahms' piano compositions : Brahms' involvement as a scholar, performer and editor of baroque keyboard music and the effect it exerted on his compositional style." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268385.

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15

Bornstein, Andrea. "Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744)." Thesis, University of Birmingham, 2001. http://etheses.bham.ac.uk//id/eprint/677/.

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Two-part compositions were one of the main means through which music was taught during the Renaissance and Baroque periods, and they therefore played an important role in preparing both professional and amateur musicians. The main focus of my work is formed by the published volumes of duos ranging in date from 1521, the year when the first collection was issued, to 1744, the date of publication of Angelo Bertalotti’s Solfeggi, though I also take into account duos published in musical treatises. The importance of duos during this period is evidenced by the number of extant collections - more th
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16

Cottini, Luca. "A Culture of Objects: Italy's Quest for Modernity (1878-1922)." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10226.

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This study focuses on Italy's transition to industrial modernity (in the years from the end of the Risorgimento to the rise of Fascism) from the perspective of some of its iconic objects: wristwatches, bicycles, cigarettes, and cameras. Through the combined analysis of their reception (engendering new social practices like tourism, sport, and photography) and their representation in contemporary art (literature, painting, photography), this research reconstructs the gradual transformation of Italy into a modern nation. These objects reveal a cultural laboratory of the nation's quest for a shar
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17

Pizarro-De, Trenqualye Jean-Paul. "Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00691456.

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Ce travail met en relief une relecture du Baroque, en particulier du courant culterano, qui a eu lieu au Mexique au début du 20e siècle. La génération d'écrivains réunis autour de la revue Contemporaneos joue un rôle central dans un mouvement de fond de récupération du lien avec la tradition de la Nouvelle Espagne, dont notamment la figure centrale de Sor Juana Inés de la Cruz. Cette vision ample de l'histoire de la littérature du Mexique se centre plus précisément sur le rôle de deux poèmes, qui constituent des paradigmes des enjeux qu'un tel passage culturel implique, "Muerte sin fin" de Jos
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18

Labriola, Rodrigo Fernandez. "Iguarias barrocas: ficção, comida e política na América Latina." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1212.

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Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro<br>Na diversidade das postulações do (neo?) barroco latino-americano ensaiadas no século XX existe uma constante: o discurso político que é sobre-impresso à recepção das teorias européias do Barroco. A tese examina as relações entre essa politização, veiculada principalmente nos debates sobre a historiografia literária, e as representações da comida que aparecem em múltiplos textos ficcionais desde meados do século XIX até a década de 1970, sob a hipótese de que tal vinculação teria construído um complexo dispositivo retórico: uma retór
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19

Gray, Andrew Franklin. "Makers and Creators: Human and Divine Artistry in Calderón." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11141.

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My dissertation examines concepts of creative agency in early modern thought and baroque poetics, with an emphasis on the theater of Pedro Calderón de la Barca (1600-1681). Calderón and his contemporaries inherited from theology the idea that creative authority and power are concentrated in divinity, while humanity cannot, in a strict sense, create at all. While ancient philosophical and scriptural sources often describe a demiurgic God in anthropomorphic terms, the Christian doctrine of ex nihilo creation separates categorically an omnipotent deity from human "makers," who may refashion pre-g
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20

Giles, Jacinta. "Ordinary Affects: Minor Photography, the Televisual and the Baroque Mise-en-scène." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/409629.

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This practice-led research project investigates ways to account for contemporary photographic practices that reside in the continuum between the representational and the abstract. As an inquiry with multiple entryways, it is an attempt to offer a language through which to describe and evaluate photography that is not easily situated in existing traditions. This thesis argues that photographs, which are difficult to locate through conventional readings, can call forth new ways of deciphering and translating our affective experience of everyday life and give voice to difference. This project is,
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21

Sfar, Meriem Faten. "Stendhal, les Goncourt et le Baroque : la réception de l'art visuel baroque italien par trois écrivains français du dix-neuvième siècle." Paris 3, 2008. http://www.theses.fr/2008PA030074.

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L’objectif de cette thèse est de montrer que la réception de l’art baroque italien par Stendhal et les frères Goncourt a influencé dans une large mesure leurs esthétiques propres. La première partie resitue et restitue l’horizon d’attente propre à Stendhal et aux Goncourt, soit les systèmes et les paradigmes de référence artistiques, les ouvrages sur l’Italie ou sur Rome qu’ils avaient lus et les écrits sur l’art, en particulier sur l’art et les artistes baroques, dont le beyliste s’inspira, et qui favorisèrent la compréhension de l’art baroque. La deuxième partie porte sur quatre motifs de ré
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22

Andrade, Patrícia Ribeiro de. "Amor e gozo na lírica portuguesa do século XVII." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1232.

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Esta dissertação tem como objetivo principal analisar o período literário conhecido como barroco em Portugal, relacionando as poesias deste período aos conceitos de gozo e amor na psicanálise. Por meio de pesquisa bibliográfica, pesquisou-se o conceito de barroco e suas principais características. Para se obter um conhecimento do conceito de gozo na teoria psicanalítica, primeiramente, a pesquisa consta da leitura de dois textos fundamentais de Freud que dissertam sobre a pulsão: A pulsão e suas vicissitudes e Além do princípio do prazer. O teórico analisado a seguir é Lacan, que retoma e ampl
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23

Alfena, Gelise [UNESP]. "Santinho do pau oco: sensualidade e religiosidade nos romances do Padre Antônio da Fonseca." Universidade Estadual Paulista (UNESP), 2005. http://hdl.handle.net/11449/91730.

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Made available in DSpace on 2014-06-11T19:25:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2005-12-19Bitstream added on 2014-06-13T18:53:28Z : No. of bitstreams: 1 alfena_gs_me_assis.pdf: 259070 bytes, checksum: 2452e4abbc8970d8988f6143dc485dbc (MD5)<br>Esta dissertação trata da discussão sobre alguns romances do padre Antônio da Fonseca Soares, autor que viveu por volta do século XVII. Os romances discutidos constam do manuscrito 392 da Sala de Reservados da Biblioteca Geral da Universidade de Coimbra. Possuem um modo de expressão sensual-religioso, característica que se pode constat
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24

Fino, Vicente Vivaldo Figueira. "Finezas venturosas: uma novela inédita do séc. XVII." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/24443.

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O objectivo do presente estudo prende-se com a divulgação e análise de um texto anónimo, com o título Finezas Venturosas, que se encontra inserido em um volume de manuscritos pertencente ao fundo de documentação patrimonial da Biblioteca Pública de Évora. Pretende-se realizar um trabalho de análise, numa primeira fase, dando a conhecer o texto e, posteriormente, estabelecer pontos de ligação com as Novelas Exemplares de Gaspar Pires de Rebelo através de estudo comparativo. Uma vez que trabalharemos com textos curtos, comummente denominados de “novelas exemplares”, será fundamental abordar as n
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25

Tomasi, Carolina. "Semiótica da agudeza: da negação da euforia barroca ao objeto poético fluido do final do século XX." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-06052015-123437/.

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Esta tese ocupa-se da investigação da semiótica da agudeza, utilizando como corpus poemas do final do século XX, chamados neobarrocos, e fragmentos de Galáxias, de Haroldo de Campos, e Finnegans1Wake, de James Joyce. As recepções contemporâneas aos séculos XVI e XVII não entendem as produções literárias como barrocas, mas como clássicas, diferentemente, portanto, do valor atribuído ao estado de barroco constante dos textos da crítica do século XX. Da investigação das obras de Peregrini, Gracián, Hansen e Pécora, depreende-se a agudeza como sistematizadora das produções barrocas dos seiscentos.
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26

Mercado, Leticia. ""Habla, bulto animado": El problema del silencio en la poesía ecfrástica de la España barroca." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104156.

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Thesis advisor: Elizabeth Rhodes<br>This dissertation studies the uses of silence in a corpus of Baroque poems about portraits and funerary monuments. I explore silence as a dynamic, dialogic space where poetic voice, implicit reader and work of art interact. Within these poetic texts --written between 1599 and 1650 by poets from Francisco de Rioja to Quevedo or Góngora-- I focus on the question of representation: how, in ekphrastic texts, silence--whether the silence of the poet or that if the object he is describing--reveals certain anxieties about representation. Using enargeia --lifelike v
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Léonce, Thierry. "Le fantastique dans l'oeuvre romanesque de Marcel Brion." Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00699768.

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Les romans fantastiques de Marcel Brion sont aujourd'hui peu lus. Cet auteur a été globalement peu étudié par les universitaires français, peu pris en compte par les théoriciens du fantastique, ce qui place l'oeuvre en situation de marginalité. Cela tient peut-être à ce que Liliane Brion-Guerry appelle les " qualités particulières " du fantastique brionien. Quelles sont les caractéristiques de ce fantastique ? Ce travail a pour but d'étudier comment Marcel Brion, dans ses romans, écrits entre 1929 et 1984, interroge le réel, installe un" autre côté", propose au lecteur d'abandonner les concept
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Alfena, Gelise. "Santinho do pau oco : sensualidade e religiosidade nos romances do Padre Antônio da Fonseca /." Assis : [s.n.], 2005. http://hdl.handle.net/11449/91730.

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Orientador: Carlos Eduardo Mendes de Moraes<br>Banca: Álvaro Arnoldo Maia Peres<br>Banca: Cláudia Valéria Penavel Binato<br>Resumo: Esta dissertação trata da discussão sobre alguns romances do padre Antônio da Fonseca Soares, autor que viveu por volta do século XVII. Os romances discutidos constam do manuscrito 392 da Sala de Reservados da Biblioteca Geral da Universidade de Coimbra. Possuem um modo de expressão sensual-religioso, característica que se pode constatar a partir do léxico utilizado pelo autor e das estruturas sintáticas ambíguas encontradas em seus romances. O objetivo deste trab
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Adriano, Filho José 1954. "Combate ao mundo e conquista do paraíso : ficção e alegoria no Compêndio Narrativo do Peregrino da América." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269905.

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Orientador: Antonio Alcir Bernárdez Pécora<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T21:49:59Z (GMT). No. of bitstreams: 1 AdrianoFilho_Jose_D.pdf: 1483879 bytes, checksum: 1c475d3bebe19bce85cae920677ad45d (MD5) Previous issue date: 2013<br>Resumo: "Combate ao mundo e conquista do paraíso: ficção e alegoria no Compêndio Narrativo do Peregrino da América" têm por objetivo o estudo do ficcional e do alegórico do Compêndio Narrativo do Peregrino da América, em que tratão vários discursos espirituais, e mo
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Willis, Angela Lynn. "El mundo alucinante vis-à-vis Guzmán de Alfarache and El buscón the living traditions of the baroque picaresque /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037023.

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31

Jeffroy-Meynard, Marie-Nicole. "FROM BAROQUE TO ROCOCO: PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.

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I will build an argument utilizing the Hôtel de Soubise as a case study for the way in which the division between exteriors and interiors depicts the shifting cultural fabric of 18th-century French society.
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Quarti, Jacopo. "Baroque Syropouliana : enquêtes sur l'editio vetus et la tradition récente (Rédaction-A) des Mémoires byzantines, 1610-1682." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP009.

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La thèse a pour but la reconstruction historiographique de la réception des Mémoires byzantines de S. Syropoulos, en Europe, dans le XVIIème siècle. Depuis les remarques faites par V. Laurent dans son édition (1971), la recherche entend reconsidérer les acquisitions antérieures sur la fortune de ce texte, pendant la publication de l’editio princeps en 1660, v. Introduction. À travers l’histoire de la découverte du manuscrit BNF, Paris. gr. 427, on ira à reconstruire l’épisode propagandiste qui a donné lieu à l'intérêt érudit pour la narration florentine de Syropoulos, v. Ch. I; un commentaire
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Medina, Diego. "Trabajos del vicio, afanes del amor vicioso par Simón de Castelblanco : édition critique et étude." Thesis, Rennes 2, 2021. http://www.theses.fr/2021REN20048.

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Le présent travail propose la première édition critique, annotée et commentée, de Trabajos del vicio (Madrid, 1680) écrite, comme il est démontré, par le prédicateur et frère augustin Simón de Castelblanco. Par une approche ecdotique — en lien avec les deux disciplines complémentaires que sont la bibliographie documentaire et la critique textuelle —, il a été possible de clarifier l'histoire du texte et d‘identifier son véritable auteur. La phase de la recensio révèle qu'il existe une édition de l‘œuvre de 1680 et une « émission » de 1684 qui présente deux états d‘édition. Ces émissions sont l
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Lo, Marco Lucia. "«Narrazione filosofica» e «afilosofia». I problemi della filosofia, dell'espressione e del senso in Gadda e Merleau-Ponty." Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30067/document.

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Ce travail met sur un plan de comparaison deux auteurs apparemment écartées l’un de l’autre: C.E.Gadda et M.Merleau-Ponty. La "Meditazione Milanes"e constitue le premier plan d'approche entre eux: écrite dans le cadre de l’éventuel diplôme de Gadda en philosophie, ce texte est aussi point de référence et de départ de son œuvre littéraire, plus connue et importante. Sur les rélations entre philosophie et littérature s'axe la confrontation avec Merleau-Ponty, qui pérçoit l’exigence d’élargir le domaine de la philosophie à l'art, et la littérature notamment. La première partie, «Une phénoménologi
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Romero-Díaz, Nieves. "Nueva nobleza, nueva novela : reescribiendo la cultura del Barroco /." view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9947980.

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Thesis (Ph. D.)--University of Oregon, 1999.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 275-300). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9947980.
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Hombourger, Juline. "Le travail du négatif dans l’œuvre romanesque de Réjean Ducharme." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040038.

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Dans les sciences humaines, le travail du négatif est une notion qui appartient surtout aux domaines philosophiques et psychanalytiques. En tenant compte de cette filiation, sa pertinence dans le champ littéraire se révèle également effective. En effet, lorsque l’on confronte l’idée à l’œuvre romanesque de Réjean Ducharme, l’action du travail du négatif rend compte des enjeux souterrains de cette écriture. Ainsi, le texte apparaît comme le lieu de l’instabilité où chacune des composantes donne à voir son envers et où les contradictions coexistent. Dans cette dynamique, les trois catégories du
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Szuhaj, Katalin. "Le portrait satirique baroque. L'oeuvre de Charles-Timoleon de Sigogne dans le reflet d'une analyse comparée de l'art du dessin et de la peinture." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00966490.

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Cette thèse est le fruit d'une étude comparative de la peinture et de la poésie des XVIe et XVIIe siècles. Dans ce document, la poésie et la peinture se répondent, s'entrecroisent, s'éclairent à tour de rôle, grâce à une analyse comparée des similitudes et différences qu'elles expriment sur le même thème, qui est le portrait satirique baroque. Notre étude est ancrée dans une approche esthétique de l'univers visuel baroque, et met l'accent sur la réception des œuvres d'art par le spectateur. Quant à la poésie, nous nous éloignerons du modèle classique de la satire, pour pénétrer la littérature
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Blache, Sébastien. "Le vertige des marges dans l'oeuvre de Salman Rushdie. Stratégies métaphoriques et métonymiques." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00947757.

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La figure du migrant est centrale dans l'œuvre de Salman Rushdie. Noyau d'un dispositif narratif, rhétorique, philosophique et métaphysique, elle organise une vision du monde orientée par ce qu'Edouard Glissant nomme le " nomadisme circulaire ". Dans ce monde baroque, instable et chancelant, le vacillement est maintenu par la convergence du centre et de la périphérie, qui deviennent deux formes du bord. Le transport est le nom que le grec donne à la métaphore : chez Salman Rushdie, c'est aussi le migrant. Figure de rhétorique, la métaphore relève d'un mode fondé sur la substitution et la ruptu
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Lima, Samuel Anderson de Oliveira. "Greg?rio de Matos: do barroco ? antropofagia." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16373.

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Made available in DSpace on 2014-12-17T15:07:15Z (GMT). No. of bitstreams: 1 SamuelAOL_TESE.pdf: 2713768 bytes, checksum: df901c33a33f09ae68f9bfe120874121 (MD5) Previous issue date: 2013-04-05<br>The exponential figure of Greg?rio de Matos e Guerra has been subject of many theoretical discussions through the years, since his apparition in a public place, in the 19th century, and even more, during the 20th century, when he was salvaged by the modernist vanguard. As a result, there are yet two antagonist points of view linked to Greg?rio de Matos, on one side, there some researchers who defe
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Combe, Vincent. "Histoires tragiques et " canards sanglants " : Genre et structure du récit bref épouvantable en France à la fin du XVIe et au début du XVIIe siècle." Phd thesis, Université de Nice Sophia-Antipolis, 2011. http://tel.archives-ouvertes.fr/tel-00643307.

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Le contexte politico-religieux particulièrement virulent des dernières décennies du XVIe siècle et des premières du XVIIe siècle a vu naitre une littérature brève tout à fait singulière, nourries d'influences diverses. Les histoires tragiques et les faits divers sanglants sont deux genres qui évoluent et coexistent à cette époque. Le premier se présente dans lignée des nouvelles de l'italien Mateo Bandello, et est influencé par toute cette littérature brève oscillant entre le tragique et le comique au milieu du XVIe siècle. Le genre se poursuit dans les premières décennies du XVIIe siècle sous
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Garcia, Hugo. "Detras de la imagen de la ciudad virreinal sujeto, violencia y fragmentacion /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1155586392.

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Furtado, Daniel de Assis [UNESP]. "Manuel Botelho de Oliveira: a estética barroca, o nativismo e o mito do Brasil." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151372.

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Munari, Alessandra. "L'Ismenia, opera reale e pastorale di Giovan Battista Andreini, «lo sfortunato fabricatore di castelli in aria»: edizione critica e commentata." Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3423289.

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This thesis offers the critical edition, with commentary, of Ismenia, opera reale e pastorale (Bologna 1638-1639) by Giovan Battista Andreini (1576-1654), that is his last dramatic ‘creation’ published in print during his lifelong career as both a playwright and writer. The text of Ismenia has been studied critically as well as historically, with a careful collation of all the known witnesses of its (printed) tradition, after accurately mapping all the main Italian and European libraries and archives, which led to the rediscovery of manuscript materials by Giovan Battista Andreini (that can be
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Laguna, Fernández Juan Ignacio. ""Historia ejemplar de las dos constantes mujeres españolas" (1635) de Luis Pacheco de Narváez : texto y contextos." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20096.

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Cette thèse présente une édition philologique et annotée du roman peu connu, écrit et publié par le maître d’escrime de Philippe IV, Luis Pacheco de Narváez, dont le titre est Historia ejemplar de las dos constantes mujeres españolas, imprimé pour la première fois à Madrid par l’Imprenta del Reino l’année 1635. Le travail est divisé en cinq chapitres, puisque en plus de celui consacré à l’édition du roman (chap. V), qui établit un texte annoté basé sur les deux seules éditions connues (Madrid, 1635 et Séville, 1744) avec son catalogue de variantes, quatre autres lui servent de contexte. Ainsi,
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Santos, Maria das Dores Pereira. "A figuração poético-alegórica da morte em as meninas, de Lygia Fagundes Telles." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/14798.

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Made available in DSpace on 2016-04-28T19:59:00Z (GMT). No. of bitstreams: 1 LCL - Maria das Dores P Santos.pdf: 457293 bytes, checksum: ed0935a2e359a704ec7ce6d7679306d6 (MD5) Previous issue date: 2006-10-16<br>The objective of this dissertation is to track the ways poetical death is constructed in the novel As Meninas, by Lygia Fagundes Telles. The interest for this theme resulted from recognizing homologous aspects in the literary text and the military dictatorship context internal to lygian writing. The analysis is guided by the artisticliterary procedures of poetical death construction u
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DeVoe, Lauren E. "Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2020.

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Since classical times, the witch has remained an eerie, powerful and foreboding figure in literature and drama. Often beautiful and alluring, like Circe, and just as often terrifying and aged, like Shakespeare’s Wyrd Sisters, the witch lives ever just outside the margins of polite society. In John Marston’s Sophonisba, or The Wonder of Women the witch’s ability to persuade through the use of language is Marston’s commentary on the power of poetry, theater and women’s speech in early modern Britain. Erichtho is the ultimate example of a terrifying woman who uses linguistic persuasion to change
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Luciano, Kelli Mesquita. "Referências históricas e o realismo mágico em Il barone rampante, de Italo Calvino /." Araraquara, 2012. http://hdl.handle.net/11449/91522.

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Orientador: Claudia Fernanda de Campos Mauro<br>Banca: Karin Volobuef<br>Banca: Adriana Lins Precioso<br>Resumo: Esta Dissertação objetiva a análise do romance "Il barone rampante", que faz parte da trilogia I Nostri Antenati (1950-1960), em que também estão reunidos os romances "Il visconte dimezzato" e "Il cavaliere inesistente", de Italo Calvino (1923-1985). Buscamos analisar num primeiro momento, alguns fatores que influenciaram a escrita calviniana, como os movimentos de Resistência na Itália, que visavam lutar contra as atrocidades da Primeira e da Segunda Guerra Mundial e do fascismo, c
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Forsyth, E. C. (Elliott Christopher) 1924. "La justice de Dieu : Les Tragiques d'Agrippa d'Aubigne et la Reforme protestante en France au XVIe siecle / Elliott Forsyth." Paris : H. Champion, 2005. http://hdl.handle.net/2440/38642.

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Also submitted by the author as part of application for candidature for the degree of Doctor of Letters, University of Adelaide, School of Humanities, Discipline of European Studies and Linguistics, 2006.<br>Includes bibliographical references and index.<br>564 p. ;<br>Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
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Forsyth, Elliott Christopher. "La justice de Dieu : Les Tragiques d'Agrippa d'Aubigne et la Reforme protestante en France au XVIe siecle / Elliott Forsyth." Thesis, Paris : H. Champion, 2005. http://hdl.handle.net/2440/38642.

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Also submitted by the author as part of application for candidature for the degree of Doctor of Letters, University of Adelaide, School of Humanities, Discipline of European Studies and Linguistics, 2006.<br>Includes bibliographical references and index.<br>564 p.<br>Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
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Martin, Dieter. "Barock um 1800 : Bearbeitung und Aneignung deutscher Literatur des 17. Jahrhunderts von 1770 bis 1830 /." Frankfurt am Main : V. Klostermann, 2000. http://catalogue.bnf.fr/ark:/12148/cb37736643j.

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