Relevant bibliographies by topics / Barskova

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Barskova'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Barskova"

1

Gruszka, Sarah. "Polina Barskova, Besieged Leningrad." Cahiers du monde russe 59, no. 4 (2018): 645–48. http://dx.doi.org/10.4000/monderusse.10722.

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Lipovetsky, Mark. "Mark Lipovetsky interviews Polina Barskova." East European Jewish Affairs 46, no. 3 (2016): 384–86. http://dx.doi.org/10.1080/13501674.2016.1243026.

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3

Ivashkiv, Roman. "Review of Oksana Maksymchuk and Max Rosochinsky, editors. Words for War: New Poems from Ukraine." East/West: Journal of Ukrainian Studies 6, no. 2 (2019): 217–20. http://dx.doi.org/10.21226/ewjus541.

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Book review of Oksana Maksymchuk and Max Rosochinsky, editors. Words for War: New Poems from Ukraine. Introduction by Ilya Kaminsky, afterword by Polina Barskova, Ukrainian Research Institute, Harvard University / Borderlines Foundation for Academic Studies / Academic Studies Press, 2017. Ukrainian Studies, edited by Vitaly Chernetsky. xxvi, 246 pp. Illustrations. Glossary. Geographical Locations and Places of Significance. Notes to Poems. Index. $37.00, cloth.
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Kuchina, Tatiana G. "MODERN RUSSIAN POETRY IN OLYMPIAD ASSIGNMENTS IN LITERATURE." Philological Class 26, no. 2 (2021): 212–20. http://dx.doi.org/10.51762/1fk-2021-26-02-18.

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The article discusses approaches to a holistic analysis of poetic texts of the 21st century at Literature Olympiads. The main aim of this academic activity of senior schoolchildren is to teach them to demonstrate their own understanding of a poem through considering it as an integral unity of elements and analyzing the most essential features of its artistic structure. The author answers the following questions: what knowledge, skills, competences are tested by assignments on contemporary poetry? What poetics features of modern literature require special attention and how to teach senior schoo
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Barskova, Polina. "Piranesi in Petrograd: Sources, Strategies, and Dilemmas in Modernist Depictions of the Ruins (1918-1921)." Slavic Review 65, no. 4 (2006): 694–711. http://dx.doi.org/10.2307/4148450.

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It has long been common to interpret the mythology of St. Petersburg through the prism of eschatological prophecy. But what happens to the cultural tradition when the prophecy of doom comes to be experienced as reality, and predictions give way to reaction? How did the discourse of the end of Petersburg change when the legendary curse of Peter's estranged wife—“This city will be empty”—turned into the devastation of postrevolutionary Petrograd: violent, starved, frozen, and diseased? In this article Polina Barskova explores various cultural expressions of the urban crisis in the years just aft
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Pavlovskii, Aleksei. "Polina Barskova. Besieged Leningrad: Aesthetic Responses to Urban Disaster // Tatiana Voronina. Pomnit’ po-nashemu: Sotsrealisticheskii istorizm i blokada Leningrada." Laboratorium: Russian Review of Social Research, no. 3 (2019): 164–67. http://dx.doi.org/10.25285/2078-1938-2019-11-3-164-167.

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Barskova, Polina. "The Spectacle of the Besieged City: Repurposing Cultural Memory in Leningrad, 1941–1944." Slavic Review 69, no. 2 (2010): 327–55. http://dx.doi.org/10.1017/s0037677900015023.

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Focusing on less studied areas of the twentieth-century war experience, this article investigates the notions of “urban beauty” and “urban spec-Slavic Review 69, no. 2 (Summer 2010) tacle” as experienced by the residents of besieged Leningrad. Polina Barskova suggests that, via an estrangement effect, the siege gaze replaces the unrepresentable traumatic experience of presentnesswith an aestheticized cultural past containing such useable notions of cultural memory as ruin, stage set, monument, and frame. This replacement can be described as a siege urbanscape sublime, a sublime lying not in th
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8

Markov, Alexander. "Gustav Klimt and Egon Schiele in contemporary Russian Poetry." Philology & Human, no. 2 (July 21, 2021): 153–63. http://dx.doi.org/10.14258/filichel(2021)2-14.

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Leading Austrian artists of the first quarter of the 20th century, Gustav Klimt and Egon Schiele, did not attract the Russian writers attention until the 1990s, when the development of Russian postmodern literature was conductive to the attention to their experiments, polystylistics, cultural symbolism and aestheticism. It is stressed that although the heritage of these artists was adapted to the aesthetic project of Russian postmodernism, poetic statements about them revealed aspects of art that are not obvious to the common viewer. First of all, in the Russian poetry of the 1990s and the ear
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9

Hodgson, Katharine. "Besieged Leningrad: Aesthetic Responses to Urban Disaster. By Polina Barskova. DeKalb, IL.: Northern Illinois University Press, 2017. x, 232 pp. Appendix. Notes. Bibliography. Index. Illustrations. $49.00, paper." Slavic Review 77, no. 4 (2018): 1126–27. http://dx.doi.org/10.1017/slr.2018.354.

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10

Olson, Jamie. "Relocations: 3 Contemporary Russian Women Poetsby Polina Barskova, Anna 79 Glazova, and Maria Stepanova /It’s No Good: Poems, Essays, Actionsby Kirill Medvedev /Anatomical Theaterby Andrei Sen-Senkov." Translation Review 89, no. 1 (2014): 79–85. http://dx.doi.org/10.1080/07374836.2014.932645.

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Dissertations / Theses on the topic "Barskova"

1

Barker, Georgina Frances. "Russia's classical alter ego, 1963-2016 : classical reception in the poetry of Elena Shvarts, Il’ia Kutik, and Polina Barskova." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22965.

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Classical reception, suppressed under Stalin, returned to Soviet poetry during the Thaw (c. 1953-63), and through the many political upheavals of the late twentieth century it has remained a prominent trend in contemporary Russian poetry. This thesis explores classical reception in the oeuvres of Elena Shvarts, Il’ia Kutik, and Polina Barskova, whose poetry spans from 1963 to the present. They form part of – and serve as case studies for – the wider trend of late- and post-Soviet poetic engagement with classical antiquity. This phenomenon has been studied in the cases of Thaw poets Iosif Brods
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Books on the topic "Barskova"

1

Barskova, Polina. This lamentable city: Poems of Polina Barskova. Tupelo Press, 2010.

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This lamentable city: Poems of Polina Barskova. Tupelo Press, 2010.

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3

Rječnik osmanske leksike Barskoga kraja. Institut za crnogorski jezik i književnost, 2013.

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4

Konopczyński, Władysław. Konfederacja barska. 2nd ed. Volumen, 1991.

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5

Bokonbaev, K. Dzh. Barskoon: Mify i realʹnostʹ. Izd-vo "Ilim", 2000.

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6

Wasiak, Andrzej. Konfederacja barska na Sądecczyźnie. Polskie Tow. Historyczne, Oddz. w Nowym Sączu, 1994.

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7

Sclavorum Regnum Grgura Barskog =: Ljetopis popa Dukljanina. Kršćanska sadašnjost, 1991.

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8

Grigorovich-Barskīĭ, Vasilīĭ. Vtoroe poseshchenie Svi︠a︡toĭ Afonskoĭ gory Vasilii︠a︡ Grigorovicha-Barskogo, im samim opisannoe. Indrik, 2004.

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9

Kowalski, Jacek. Konfederacya: Krótka wiadomość o konfederacji barskiej. Sprawa Polska, 2000.

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10

Konfederaci barscy w Tyńcu. Tyniec Wydawn. Benedyktynów, 2009.

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Book chapters on the topic "Barskova"

1

"17. Polina Barskova." In 21, edited by Mark Lipovetsky. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781644690567-019.

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"Afterword: “On Decomposition and Rotten Plums: Language of War in Contemporary Ukrainian Poetry” Polina Barskova." In Words for War, edited by Oksana Maksymchuk and Max Rosochinsky. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618116673-117.

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