Log in

Relevant bibliographies by topics / Barth, John / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Barth, John.

Dissertations / Theses on the topic 'Barth, John'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 37 dissertations / theses for your research on the topic 'Barth, John.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Vidal, Véronique. "John Barth approche du personnage romanesque /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37610587v.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Vidal, Véronique. "John Barth : approche du personnage romanesque." Toulouse 2, 1987. http://www.theses.fr/1987TOU20085.

Full text

Abstract:

Le personnage romanesque ne peut etre considere comme un a priori, il est le produit d'une construction textuelle. Dans les six premieres oeuvres de hohn barth, la construction du personnage s'effectue selon divers parametres: le nom propre, une classe d'objets a la fois propres et exterieurs au personnage: le masque, le role, l'autre qu'il s'agisse d'un autre personnage, contraire et complementaire, ou du personnage lui-meme considere comme un autre a atteindre au bout d'un voyage entrepris sur l'eau. Le nom propre, souvent objet d'une quete, est double ou multiple, dans tous les cas, fuyant.

APA, Harvard, Vancouver, ISO, and other styles

3

Cooke, Linda. "John Barth the humanising power of narrative." Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5250.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Wilhelmy, Thorsten. "Legitimitätsstrategien der Mythosrezeption : Thomas Mann, Christa Wolf, John Barth, Christoph Ransmayr, John Banville /." Würzburg : Königshausen und Neumann, 2004. http://catalogue.bnf.fr/ark:/12148/cb41052186z.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Sammarcelli, Françoise. "La chambre aux échos : l'intertextualité dans l'œuvre de John Barth." Paris 8, 1989. http://www.theses.fr/1989PA080355.

Full text

Abstract:

L'oeuvre du romancier postmoderne americain John Barth se situe dans cet espace central du langage qu'est l'intertextualite, rapport dialogique entre un texte et d'autres textes, des conventions d'ecriture, des contraintes generiques et logiques, etc, qui l'ont rendu possible. Barth, ancien musicien de jazz qui se decrit comme un reorchestrateur, s'est attache a mettre en valeur cette heterogeneite constitutive. Cette etude prend pour point de depart letters, fiction epistolaire renouant avec le "realisme", obsedee par le theme du recyclage et des revolutions, qui reprend ses textes anterieurs

APA, Harvard, Vancouver, ISO, and other styles

6

Delanoë-Brun, Emmanuelle. "La passion du je : perception du sujet dans l'oeuvre de John Barth." Paris 3, 1997. http://www.theses.fr/1998PA030016.

Full text

Abstract:

La perception et la representation du sujet sont au coeur de l'oeuvre du romancier americain john barth, a laquelle elles donnent une coherence au-dela de la diversite apparente des romans. Cette these se propose d'etudier le parcours d'un auteur qui, soulevant d'abord par l'entremise de narrateurs en quete d'eux-memes le probleme d'une conscience de soi ravagee, en vient a depasser paradoxalementla question du sujet dans une fiction plus ouvertement biographique, construite a deux voix. Une premiere partie etudie dans les deux premiers romans de barth les discours spectaculaires et fuyants de

APA, Harvard, Vancouver, ISO, and other styles

7

Ditterich, Enio Jose. "John Barth's The end of the road." [s.n.], 2010. http://hdl.handle.net/1884/24372.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Sirbu-Ghiram, Dolores Carmencita. "Le jeu des masques dans les romans de John Barth et de Kurt Vonnegut." Angers, 1999. http://www.theses.fr/1999ANGE0002.

Full text

Abstract:

Le paradoxe des écrivains américains est qu'en établissant une identité pour le personnage, ils lui dessinent un contour qui est une limite à ses possibilités de comportement. Le personnage ne peut sortir de cet enfermement que par la fluidité de ses attitudes, ce qui entraine une perte de son moi réel. Cela se révèle particulièrement vrai chez John Barth et Kurt Vonnegut, dont l'oeuvre est analysée ici à travers deux de leurs romans. La structure décentrée postmoderniste qui les caractérise implique une acceptation de la fragmentation et de la dissolution des frontières du moi et impose aux p

APA, Harvard, Vancouver, ISO, and other styles

9

Shin, Dong-Ook. "Wahrnehmung der Wirklichkeit und die vom Kommenden geöffnete Zukunft : Untersuchung der Gottesprädikate und der ekklesiologischen Schemata in der Apokalypse des Johannes mit Hilfe der Rezeption der Auslegung von M. Luther, J. Wesley und K. Barth /." Berlin : Lit, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3282652&prov=M&dok_var=1&dok_ext=htm.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Viazovski, Yaroslav. "A comparison of the doctrine of assurance in theology of John Calvin and Karl Barth." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Lee, Sang Hwan. "The revelation of the Triune God in the theologies of John Calvin and Karl Barth." Thesis, Durham University, 1995. http://etheses.dur.ac.uk/1027/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Mazaki, Fatima Zahra. "Étude narrative de The Floating opera, Lost in the funhouse et Chimera de John Barth." Paris 4, 1995. http://www.theses.fr/1995PA040077.

Full text

Abstract:

Cette recherche étudie la forme narrative dans The Floating opera, Lost in the funhouse et Chimera de John Barth. La première partie de cette étude traite du problème de la communication et du rôle du narrataire, adressé comme you, dans l'organisation du passe de Todd Andrews: narrateur à la première personne de The Floating opera. La deuxième partie est consacrée à l'analyse des labyrinthes dans Lost in the funhouse. Parmi les principaux éléments qui constituent les labyrinthes verbaux, nous avons discuté les "blancs" et les lacunes. Quant aux labyrinthes structuraux, ils sont créés par le po

APA, Harvard, Vancouver, ISO, and other styles

13

Prather, Scott Thomas. "The powers and the power of mammon : Karl Barth and John Howard Yoder in dialogue." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211273.

Full text

Abstract:

CHAPTER 1: This chapter sketches the major outlines of Karl Barth's theology of the powers. My account is structured by the three texts in which the powers are most explicitly discussed. Of particular importance here is the correspondence between God's justifying work and the powers' 'angelic' vocation of serving human history, and the ontologically impossible yet devastatingly real 'demonization' of the powers' own being-in-Christ. Finally, the key claim is developed that all earthly or human-historical power actively corresponds, for Barth, to either the 'heavenly-angelic' attestation of God

APA, Harvard, Vancouver, ISO, and other styles

14

Reed, Mark Dobson. "The Role of Popular Mythology and Popular Culture in Post-war America, as represented by four novels - The Floating Opera and The End of the Road, by John Barth, White Noise, by Don DeLillo, and Vineland, by Thomas Pynchon." University of Sydney. English, 2004. http://hdl.handle.net/2123/627.

Full text

Abstract:

The four novels - The Floating Opera, The End of the Road, White Noise, and Vineland - are representative of the cultural shift away from traditional moral concepts after World War II. Popular culture has increasingly become the guiding force for the continuation of American society, and in Don DeLillo�s White Noise, popular culture and its creation of myth (according to the author�s representation of America) has become embedded in the system and life of contemporary America. John Barth�s novel The End of the Road and its predecessor The Floating Opera are important in any discussion o

APA, Harvard, Vancouver, ISO, and other styles

15

Stundytė, Simona. "The Moral Values in Novels by Francis Scott Fitzgerald, Vladimir Nabokov, John Barth: The Comparative Aspect." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_092323-46286.

Full text

Abstract:

The object of the research is the theme of moral values in the novels by Francis Scott Fitzgerald, John Barth and Vladimir Nabokov. The moral values as a phenomenon are shown very variously in the mentioned works. In one book it is easy to identify moral, its values and its problems and in other it is difficult to identify the moral values. The aim of the research is to analyze the theme of moral values in the novels of Francis Scott Fitzgerald The Great Gatsby, John Barth The End of the Road and Vladimir Nabokov Lolita. The comparative aspect is used while analysing the novels.<br>Darbo tyrim

APA, Harvard, Vancouver, ISO, and other styles

16

Shin, Dong-Ook. "Wahrnehmung der Wirklichkeit und die vom Kommenden geöffnete Zukunft Untersuchung der Gottesprädikate und der ekklesiologischen Schemata in der Apokalypse des Johannes mit Hilfe der Rezeption der Auslegung von M. Luther, J. Wesley und K. Barth." Berlin Münster Lit, 2008. http://d-nb.info/993679137/04.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Clark, Samuel Moreton. "The nature of justification in the theologies of John Calvin and Karl Barth : a comparative and critical study." Thesis, University of Aberdeen, 1992. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=128394.

Full text

Abstract:

This thesis is a comparative investigation into the nature of justification according to John Calvin and Karl Barth. It traces the conceptual roots of both systems respectively, and follows their ramifications as well. Calvin's system seems to stem primarily from: 1) an administration of justice and atonement derived from his understanding of the Hebrew cult with its various rituals and customs, and 2) the motif of spiritual union with the risen Christ. Justification addresses human guilt as it has its universally objective basis in the atonement itself, while its actuality is fulfilled in one

APA, Harvard, Vancouver, ISO, and other styles

18

Viazovski, Yaroslav. "A quest for wholeness and hope : a comparative study of the ontological anthropology of John Calvin and Karl Barth." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=218286.

Full text

Abstract:

Developments in biblical studies, neurosciences, and Christian philosophy of mind force theologians reconsider the traditional concept of the immortal soul. At the same time the concept itself tends to create axiological dualism between the body and the soul that in turn may lead to insufficient appreciation of the physical life in this world. A more holistic approach to the ontology of the human beings is required. The aim of this study is to analyse the function of the concept of the soul in the dualistic anthropology of John Calvin and to compare it to the holistic anthropology of Karl Bart

APA, Harvard, Vancouver, ISO, and other styles

19

Tallon, Luke Ben. "Our being is in becoming : the nature of human transformation in the theology of Karl Barth, Joseph Ratzinger, and John Zizioulas." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2572.

Full text

Abstract:

This study offers an ecumenical exploration of human transformation through the examination of this topic in the thought of Karl Barth (1888-1968), a Swiss Reformed theologian; Joseph Ratzinger (b. 1927), a Roman Catholic theologian; and John Zizioulas (b. 1931), a Greek Orthodox theologian. Describing and understanding human transformation stands as a crucial task for theology because no one is simply born a Christian—in order to be a Christian one must become a Christian. The first chapter introduces this topic, the three theologians (highlighting their commonalities), and the three question

APA, Harvard, Vancouver, ISO, and other styles

20

Cooke, Stewart J. "Received melodies : the new, old novel." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75693.

Full text

Abstract:

New, old novels, contemporary fictions that parody the forms, conventions, and devices of eighteenth- and nineteenth-century novels, form a significant and increasingly popular subclass of postmodernist fiction. Paradoxically combining realistic and metafictional conventions, these works establish an ironic dialogue with the past, employing yet simultaneously subverting traditional fictional techniques.<br>In this dissertation, I subject five new, old novels--John Barth's The Sot-Weed Factor and LETTERS, Erica Jong's Fanny, T. Coraghessan Boyle's Water Music, and John Fowles's The French Lieut

APA, Harvard, Vancouver, ISO, and other styles

21

Graham, Jeannine Michele. "Christ for us : a comparative study of the themes of representation and substitution in the theologies of Dorothee Sole, John Macquarrie and Karl Barth." Thesis, University of Aberdeen, 1993. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU482039.

Full text

Abstract:

Christ for us describes the essence of the reconciling act initiated and brought to fruition by the Triune God towards God's errant creation. The themes of representation and substitution have figured prominently in attempts to articulate the nature of this divine act of reconciliation in Christ. The intent of this study is not to present a plethora of viewpoints on these themes, arriving at a general survey of the subject, but rather to focus on the theologies of three contemporary theologians---Dorothee Sole, John Macquarrie and Karl Barth---drawing from this select purview a portrait of key

APA, Harvard, Vancouver, ISO, and other styles

22

Vuckovic, Irma. "Modes de représentation dans les ouvrages littéraires postmodernes et les textes de vulgarisation scientifique contemporaine : exemples de John Barth, William Gass et des articles de "Scientific American"." Nancy 2, 2001. http://www.theses.fr/2001NAN21025.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Simes, Peter A. "Literature in the Age of Science: Technology and Scientists in the Mid-Twentieth Century Works of Isaac Asimov, John Barth, Arthur C. Clarke, Thomas Pynchon, and Kurt Vonnegut." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30511/.

Full text

Abstract:

This study explores the depictions of technology and scientists in the literature of five writers during the 1960s. Scientists and technology associated with nuclear, computer, and space science are examined, focusing on their respective treatments by the following writers: John Barth, Kurt Vonnegut, Thomas Pynchon, Isaac Asimov, and Arthur C. Clarke. Despite the close connections between the abovementioned sciences, space science is largely spared from negative critiques during the sixties. Through an analysis of Barth's Giles Goat-boy, Vonnegut's Cat's Cradle, Pynchon's The Crying of Lot 49,

APA, Harvard, Vancouver, ISO, and other styles

24

Danuser, Jason Daniel. "Using a Wesleyan approach to help integrate the sermon into the life of the congregation at Jones Chapel United Methodist Church." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Kohn-Pireaux, Laurence. "Etude de phénomènes de brouillage narratif : du "Don Quichotte" de Cervantès aux récits du XXè siècle (J.L. Borgès, I. Calvino, J. Barth, T. Ben Jelloun)." Nancy 2, 1994. http://www.theses.fr/1994NAN21022.

Full text

Abstract:

Don Quichotte de Cervantès (1605-1615) est le premier roman associant un système narratif hérité du roman de chevalerie, et des phénomènes de brouillage qui rendent incertaine la source de l'énonciation. Des auteurs du vingtième siècle que l'on croit trop fréquemment engagés dans le processus d'une "littérature de l'épuisement", réutilisent ces techniques dans des œuvres autoréflexives qui mettent en question le rôle de l'écrivain comme créateur à part entière d'un monde fictionnel. Mais on ne peut parler de jeu d'influences entre des œuvres éloignées par leur époque, leur forme et leurs thème

APA, Harvard, Vancouver, ISO, and other styles

26

Yamine, Lyamani. "La narration de la déconstruction entre la sémiotique interprétative et une lecture déconstructive." Paris 3, 2005. http://www.theses.fr/2005PA030097.

Full text

Abstract:

Cette recherche porte sur une analyse bidimensionnelle du roman de la déconstruction. Nous tentons de lire des récits déconstruits par le biais de deux lectures : la première est la sémiotique interprétative de U. Eco, la seconde est la déconstruction de J. Derrida. Le but de cette approche est de mieux approcher les différents mécanismes qui caractérisent cette forme narrative. Des romans de la déconstruction, nous avons choisi Si par une nuit d'hiver un voyageur d'I. Calvino, Perdu dans le labyrinthe de J. Barth et Marelle de J. Cortazàr. Ces œuvres se distinguent par un fonctionnement parti

APA, Harvard, Vancouver, ISO, and other styles

27

Smith, Stephanie. "Prolegomena to a theological theory of justice : a comparative study of Catholic and Protestant anthropological foundations for political-economic justice with special reference to Karol Wojtyla." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/13540.

Full text

Abstract:

This work proposes that the foundation for justice in society begins with an understanding of personhood that begins with Christian theology. While ethical stances such as the United Nations Declaration of Human Rights are helpful in articulating the bounds of justice in society, such humanistic declarations and programs may reach an impasse if they do not incorporate the depth and complexity of human personhood revealed in Jesus Christ. I will make this argument by comparing the Christian anthropologies of two prominent advocates for social justice in the Catholic and Protestant traditions: K

APA, Harvard, Vancouver, ISO, and other styles

28

Pak, Inchan. "Historical Reconstruction and Self-Search: A Study of Thomas Pynchon's V.. John Barth's The Sot-Weed Factor. Norman Mailer's The Armies of the Nicrht. Robert Coover's The Public Burning, and E.L. Doctorow's The Book of Daniel." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc277638/.

Full text

Abstract:

A search for self through historical reconstruction constitutes a crucial concern of the American postmodern historical novels of Pynchon, Barth, Mailer, Coover, and Doctorow. This concern consists of a self-conscious dramatization, paralleled by contemporary theorists' arguments, of the constructedness of history and individual subject. A historian-character's process of historical inquiry and narrative-making foregrounded in these novels represents the efforts by the postmodern self to (re)construct identity (or identities) in a constructing context of discourse and ideology.

APA, Harvard, Vancouver, ISO, and other styles

29

Bouraoui, Jihene. "The power of negativity and its functioning in the metafictional text through five works : vladimir Nabokov’s Pale Fire, John Barth’s Coming Soon!!!, Graham Swift’s Waterland, Robert Coover’s Gerald’s Party and Don DeLillo’s White Noise." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100139.

Full text

Abstract:

La thèse se donne comme objectif l’appréhension des catégories de la négativité dans le texte métafictionnel en tant qu’une force libératrice et transformatrice qui, à la fois, assure la survie du texte malgré son aspect fragmentaire et multidirectionnel, et pousse le lecteur à s’engager dans une quête de l’insensé et du paradoxal qui n’embarque pas sur le nihilisme ‘négatif’, mais aboutit plutôt à la découverte de la face cachée constructive de la négativité, qu’est l’autocréation. Pour mener un tel projet, un assemblage littéraire de cinq œuvres disparates- Pale Fire par Vladimir Nabokov, Co

APA, Harvard, Vancouver, ISO, and other styles

30

Waddell, Stephen Blair. "William Jay of Bath (1769-1853)." Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/11927.

Full text

Abstract:

William Jay (1769-1853) was an Independent minister of the Argyle Chapel in Bath for sixty-two years. His career bridged the time between the Evangelical Revival of the eighteenth century and the formal Congregational denominationalism of the nineteenth century. Jay’s autobiography is used among historians for its first-hand accounts of other notable evangelical figures such as William Wilberforce (1759-1833), Hannah More (1745-1833) and John Newton (1725-1807). Too often his own influence has been overlooked, but at the time he was regarded as one of the foremost Dissenting preachers of his e

APA, Harvard, Vancouver, ISO, and other styles

31

Collins, Dane Andrew. "The Christian theology of religions reconsidered : Alan Race's theology of religions, Hans Frei's theological typology and 20th century ecumenical movements on Christian engagement with other faiths." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278698.

Full text

Abstract:

The contemporary debate concerning the Christian theology of religions has been profoundly shaped by Alan Race’s three-fold typology of exclusivism, inclusivism and pluralism. Although the insufficiency of this typology’s descriptive and critical capacity has become increasingly acknowledged within the field, widespread agreement about its replacement remains elusive. This thesis argues that a replacement can be found in Hans Frei’s five-fold typology of Christian theology, which differentiates between a range of approaches to theology, from theology as philosophical discourse (Type 1) to theo

APA, Harvard, Vancouver, ISO, and other styles

32

Bradbury, Rosalene Clare. "Identifying the Classical Theologia Crucis and in this Light Karl Barth's Modern Theology of the Cross." Thesis, University of Auckland, 2009. http://hdl.handle.net/2292/4261.

Full text

Abstract:

This dissertation is presented in two parts. It first identifies the shape and content of an ancient system of Christian thought predicated on the theology of the cross of Jesus Christ, and proposes the marks typifying its theologians. Over against the ensuing hermeneutic it next finds the project of twentieth century Swiss theologian Karl Barth to exhibit many of the defining characteristics of this system, and Barth himself to be fairly deemed a modern theologian of the cross. He crucially recovers, reshapes and reasserts the classical theologia crucis as a modern theological instrument,

APA, Harvard, Vancouver, ISO, and other styles

33

Kofman, Gustavo E. "Parodic metafiction : an approach to self-reflexive fiction in two works by John Barth." Master's thesis, 2015. http://hdl.handle.net/11086/4191.

Full text

Abstract:

The present study aims at elaborating on the connection between two concepts in the field of literary studies, namely metafiction and parody, alongside other related notions, such as the function of irony as a rhetorical mechanism and the use of myths as intertexts. Among the several scholars who address these topics, Rose (1979 and 1993), Hutcheon (1980 and 1985), and Waugh (1984) specifically deal with how these concepts relate to one another. The texts proposed for this study –Perseid and Bellerophoniad, in Chimera (1972) by American author John Barth– share specific rhetorical and n

APA, Harvard, Vancouver, ISO, and other styles

34

Buller, Cornelius A. "Suffering and faith : their meaning and relationship in the thought of Karl Barth, Dietrich Bonhoeffer, Paul Tillich, Reinhold Niebuhr, Harold S. Bender and John H. Yoder." 1989. http://hdl.handle.net/1993/16890.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Cruddas, Leora Anne. "Labyrinths, legends, legions: an allergory of reading." Thesis, 1996. https://hdl.handle.net/10539/24311.

Full text

Abstract:

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts in Engiish.<br>This dissertation grapples With the activity of critical production. It answers not to an interpretation which would constitute the writer within the institutionalised category of effect and object of knowledge, but rather to an explosion, a proliferation of critical paths at the limit of the doxa: a veritable labyrinth. The terms of my title open up a methodological field within which I enact the play of assoc

APA, Harvard, Vancouver, ISO, and other styles

36

Smit, Susanna Margrietha. "Instabilities of visual perception in the 'Bath Series' of Jasper Johns (1983-1988)." Thesis, 2012. http://hdl.handle.net/10539/12049.

Full text

Abstract:

M.A.University of the Witwatersrand, Faculty of Humanities (Fine Arts), 2012<br>The ‘Bath Series’ (1983-1988) of Jasper Johns shows the artist’s meditation on his oeuvre of the past thirty years, and the examples of his previous works demonstrate his interest in instabilities of visual perception. The latter are activated when the viewer’s expectation to see conventional representational strategies are destabilized, and figure/ground pictorial space, particularly, becomes ambiguous. This first recorded academic study focusing exclusively on the series as a unit, discovers that figure/ground sw

APA, Harvard, Vancouver, ISO, and other styles

37

Andrews, Chad Michael. ""Minds will grow perplexed": The Labyrinthine Short Fiction of Steven Millhauser." Thesis, 2014. http://hdl.handle.net/1805/4023.

Full text

Abstract:

Indiana University-Purdue University Indianapolis (IUPUI)<br>Steven Millhauser has been recognized for his abilities as both a novelist and a writer of short fiction. Yet, he has evaded definitive categorization because his fiction does not fit into any one category. Millhauser’s fiction has defied clean categorization specifically because of his regular oscillation between the modes of realism and fantasy. Much of Millhauser’s short fiction contains images of labyrinths: wandering narratives that appear to split off or come to a dead end, massive structures of branching, winding paths and

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!