Relevant bibliographies by topics / Barthelmess

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Barthelmess'

Author: Grafiati
Published: 12 December 2022
Last updated: 1 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Barthelmess.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Barthelmess"

1

Martaus, Alaine. "Everything Within and In Between by Nikki Barthelmess." Bulletin of the Center for Children's Books 75, no. 3 (2021): 87. http://dx.doi.org/10.1353/bcc.2021.0572.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Han, Lingeng. "Absurdity and Postmodernism: An Analysis of Barthelme’s The Glass Mountain." Theory and Practice in Language Studies 6, no. 7 (July 1, 2016): 1513. http://dx.doi.org/10.17507/tpls.0607.24.

Full text
Abstract:
Barthelme’s Glass Mountain is a masterpiece of postmodernism. As a leading author of his age, Barthelme makes use of techniques of postmodernism, such as parody, pastiche, fragments, and irony, to demonstrate a world of deconstruction and a theme of absurdity. However, the absurdity depicted by Barthelme actually has its profound social meaning, which reflects the author’s real understanding to the reality.
APA, Harvard, Vancouver, ISO, and other styles
3

Aljadaani, Mashael H., and Laila M. Al-Sharqi. "The Subversion of Gender Stereotypes in Donald Barthelme’s Snow White." International Journal of Applied Linguistics and English Literature 8, no. 2 (March 31, 2019): 155. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.2p.155.

Full text
Abstract:
Donald Barthelme’s Snow White redefines gender roles in the 20th century. Barthelme retells the original fairy tale, subverting its presentation of stereotypical gender roles to depict postmodern ideologies, particularly feminism. The male voice and its controlling power, embodied within the original narrative, becomes the lost, weak, and subordinate side of his story. The female voice, repressed by social and cultural principles, is reshaped to represent the free, powerful, and dominant figure in his narrative. This novel’s presentation of Snow White’s characters reflects feminist battles, such as the fight for gender equality and women’s freedom from patriarchal restrictions or sexual objectification. Adopting a feminist perspective, this study investigates Barthelme’s demythologizing approach in Snow White to present his new identification of gender roles. Specifically, this study examines the novel as a subversive reworking of Grimm’s Snow White [the original fairy tale] by analyzing Barthelme’s reframing of Snow White, the seven dwarfs, and Prince Paul. The findings of the study will show how Barthelme’s text offers a feminist critique of patriarchal dominance to the original Grimm’s fairy tale Snow White and the Seven Dwarfs. Through a close reading of the text, this study also seeks to highlight the novel’s subversive representation of socially constructed stereotypical male and female roles in the fairy tale to challenge the long-standing gender ideologies conceived by the patriarchal society.
APA, Harvard, Vancouver, ISO, and other styles
4

Hammond, Michael. "War Relic and Forgotten Man: Richard Barthelmess as Celluloid Veteran in Hollywood 1922–1933." Journal of War & Culture Studies 6, no. 4 (November 2013): 282–301. http://dx.doi.org/10.1179/1752628013y.0000000005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Nestelieiev, Maksym. "THE PECULIARITIES OF DONALD BARTHELME’S POSTMODERN STYLE (ON THE EXAMPLE OF A COLLECTION «SIXTY STORIES»)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (September 29, 2021): 166–68. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-166-168.

Full text
Abstract:
The author analyzes the elements of postmodernism in D. Barthelme’s collection «Sixty Stories». It is determined that this stylistic dominant in the writer’s prose is mainly determined by such parameters as irony, collage and play. In addition, the genre specificity of his postmodern worldview is important, because it was in short epic genres that Barthelmi was able to realize his own aesthetic vision of literature in the second half of the XXth century. The writer experimented with form and content, seeking to adapt the poetic works of Thomas Stearns Eliot and the dramatic conflicts of Samuel Beckett, that is, to rethink the innovation of modernist authors to a new socio-historical situation. Barthelme uses almost all forms of humor, but the most common is irony. The ironic reappraisal of values in postmodernism ends with everything depreciating and becoming invaluable. The lists of catalogs in Barthelme’s texts are often presented as collages, and these collages are mostly made of verbal dreck (mass literature) and visual garbage. The situation in his texts is related to the need to react to an incomprehensible event, which forms a kind of Beckettian plot, when there is a consequence, but the reason is unclear, and plot is rather formalistic.
APA, Harvard, Vancouver, ISO, and other styles
6

Sierra, Nicole. "Landscapes of Postmodernity: Donald Barthelme's Architecture." Pacific Coast Philology 47, no. 1 (January 1, 2012): 75–92. http://dx.doi.org/10.2307/41851035.

Full text
Abstract:
ABSTRACT Exploring Donald Barthelme's literary representations of architecture, this essay traces how the author manipulates architectural history as a means of critiquing modernism and contemporary culture. Despite frequent references to Barthelme's familial relationship to architecture, little has been studied about how this intimacy is encoded in his imaginative writings. Focusing on the short story collections Sixty Stories and Forty Stories, this essay considers the usefulness of architecture as an interart analogy for Barthelme's texts. Seizing on the theories of Fredric Jameson, I argue that Barthelme's works highlight popular displeasure with modernist orthodoxy by using strategies similar to early postmodern architecture.
APA, Harvard, Vancouver, ISO, and other styles
7

Herrscher, Walter. "Names in Donald Barthelme's Short Stories." Names 34, no. 2 (June 1986): 125–33. http://dx.doi.org/10.1179/nam.1986.34.2.125.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Barth, John. "By Barthelme Beguiled." Hopkins Review 1, no. 1 (2008): 60–62. http://dx.doi.org/10.1353/thr.2008.0015.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Warde, William B. "A Collage Approach: Donald Barthelme's Literary Fragments." Journal of American Culture 8, no. 1 (March 1985): 51–56. http://dx.doi.org/10.1111/j.1542-734x.1985.0801_51.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Olsen, Lance. "Linguistic Pratfalls in Barthelme." South Atlantic Review 51, no. 4 (November 1986): 69. http://dx.doi.org/10.2307/3199757.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Barthelmess"

1

Lukavičiūtė, Julija. "Minimalizmas Donald'o Barthelme'o romanuose." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050614_105204-26053.

Full text
Abstract:
The thesis aims at the analysis of Donald Barthelme's two novels "Snow White" and the "Dead Father". The analysis of the selected novels was focused on demonstration of the characteristics of postmodern minimalism such as fragmentation, collage technique, and language games. The introduction of the thesis reveals the link between the selected literary trend and the socio-cultural medium that influenced the development of postmodern minimalism in literature.
APA, Harvard, Vancouver, ISO, and other styles
2

Caughlin, Mark. "Irony is liking things, Donald Barthelme's postmodern poetics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23243.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Maltby, Paul Leon. "Dissident postmodernists : Barthelme, Coover, Pynchon." Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277407.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Mazari, Rachida. "Donald Barthelme : étude de nouvelles." Paris 10, 1998. http://www.theses.fr/1998PA100052.

Full text
Abstract:
Cette etude developpe une typologie qui prend en consideration quatre-vingt-quinze nouvelles de donald barthelme. Seize categories sont considerees. Pour commencer, cette typologie regroupe les histoires par theme en quatre divisions. La premiere division rassemble des nouvelles qui traitent de l'identite ou du concept du moi d'un personnage fictif. La deuxieme consiste en des histoires qui representent l'echange ou le conflit entre deux moi dramatises dans un dialogue. La troisieme division regroupe des nouvelles d'une societe du moi qui focalisent sur la relation de l'individu a la societe, de son integration, mais aussi de son alienation. La quatrieme comprend les histoires dans lesquelles un objet du paysage physique - un ballon ou une montagne de verre - devient le sujet d'une description pour les utilisations de cet objet dans la societe. Dans chacune des divisions, les nouvelles sont divisees de facon croisee en quatre classes fondees sur l'utilisation de ces themes par donald barthelme. Dans la premiere classe, l'auteur nous semble jouer avec le moi, le dialogue, la societe et les objets dans le paysage. Le jeu de donald barthelme ressemble a celui de la decouverte par un enfant, de l'exploration ou de l'evasion d'un objet qu'il trouve dans son environnement. Son enjouement, perceptible dans le ton facetieux du narrateur ou dans les libres actions du protagoniste, est une energie mentale qui pousse continuellement les objets et provoque les antagonistes qu'elle rencontre. Dans une deuxieme classe, donald barthelme est absorbe par la connaissance, la perception ou par l'etablissement d'une certaine forme de comprehension relative a tous ses objets. Cette activite devient une autre maniere de distinguer les nouvelles de barthelme par les processus qui se deroulent dans ces histoires. La troisieme classe examine les nouvelles ou le moi, le dialogue, la societe ou les objets physiques sont pieges, retournes sur eux-memes, et forces de repeter les memes actions de facon obsessionnelle, sans changement ni renouveau. La quatrieme classe comprend les histoires dans lesquelles donald barthelme ou ses personnages creent un moyen de s'evader de tels cycles de repetition.
APA, Harvard, Vancouver, ISO, and other styles
5

Maltby, Paul. "Dissident postmodernists : Barthelme, Coover, Pynchon /." Philadelphia (Pa.) : University of Pennsylvania press, 1991. http://catalogue.bnf.fr/ark:/12148/cb35701930x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Abramowitz, Rachel I. "Donald Barthelme and 'Not-Knowing', 1964-1987." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:c183d6a9-86f9-4337-b6c5-4efdc6dc0731.

Full text
Abstract:
This thesis argues that Barthelme's major 1985 essay "Not-Knowing" contains within its title Barthelme's central artistic idea, and that not-knowing informs both the subject of his fiction and his philosophy of art. This study will be the first critical treatment of Barthelme that positions his work from beginning to end in terms of the dimensions of not-knowing that came out of his own reading in psychology, art theory, philosophy, religion, and education, offering coherent readings of content and suggesting the ways in which content relates to form. The Introduction explores the origins of Barthelme's ideas of not-knowing, paying special attention to the influence of Mallarmé, Joyce, and Beckett on Barthelme's first characterisations of not-knowing, creativity, and reception. The first chapter gives an in-depth reading of Come Back, Dr. Caligari (1964), Barthelme's first collection of stories. Though Barthelme had not yet begun to formally theorise his ideas of not-knowing, they were already latent in Come Back, Dr. Caligari's characterisation of psychological experience, specifically in relation to anxiety, boredom, and interpretation. The second chapter looks at the ways in which Harold Rosenberg’s theories of the visual arts, and especially collage, which Barthelme encountered while co-editing Location magazine with Rosenberg in the early 1960s, address form and not-knowing, and how Barthelme treats these issues in Unspeakable Practices, Unnatural Acts (1968), City Life (1970), The Slightly Irregular Fire Engine (1971), Sadness (1972), Guilty Pleasures (1974), and Amateurs (1976). The third chapter shows how Barthelme's university studies in 19th century philosophy, especially Kierkegaard in The Concept of Irony (1841) and Kierkegaard's treatment of Schlegel in that treatise, inform his concern with irony, both in theory and practice, in City Life (1970), Great Days (1979), and Overnight to Many Distant Cities (1983). Chapter Four argues that Kierkegaard's theories of education and religion in Either/Or (1843) and The Present Age (1846), as well as the contemporary incarnation of Dewey's ideas of progressive education, both had a profound influence on Barthelme's ideas about the way a society is educated into knowingness, the artist's aspiration toward not-knowing, and the validity of religion in the postmodern world. The conclusion to the thesis reexamines the Introduction's argument about literary influence through a brief reading of The Dead Father (1975). Barthelme is recognised as one of the most important American postmodernist writers, and yet there has been relatively little critical treatment of his oeuvre. The major books that address Barthelme's work, which include Jerome Klinkowitz's Literary Disruptions: The Making of a Post-Contemporary American Fiction (1975) and Donald Barthelme: An Exhibition (1991), as well as Alan Wilde's Horizons of Assent (1981) and Stanley Trachtenberg's Understanding Donald Barthelme (1990), belong to a two-decade span of classifying writers such as Barthelme, Thomas Pynchon, Robert Coover, and John Barth using a limited set of ideas about postmodernism that were interesting as theory at the time, but did little to explore the actual literary, philosophical, and aesthetic content and contexts of these writers' works (with the possible exception of Pynchon). This thesis aims to rescue Barthelme from now-hackneyed ways of talking about postmodernism, which include lumping various aesthetic techniques under the rubric of "metafiction," claiming that the era's sole interest is in surface at the expense of depth, and that the dependence upon clichés is a deliberate expression of artistic exhaustion.
APA, Harvard, Vancouver, ISO, and other styles
7

Schwerdtfeger, Barbara. "Ethics in postmodern fiction Donald Barthelme and William Gass." Heidelberg Winter, 2002. http://deposit.ddb.de/cgi-bin/dokserv?id=2679709&prov=M&dok_var=1&dok_ext=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chaskes, Daniel. "Beyond fragmentation : Donald Barthelme and writing as political act." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42480.

Full text
Abstract:
“Beyond Fragmentation: Donald Barthelme and Writing as Political Act” extracts Barthelme from recursive debates over postmodernism and considers him, instead, within the intellectual contexts he himself recognized: the avant-garde, the phenomenological, and the transnational. It is these interests which were summoned by Barthelme in order to develop an aesthetic method characterized by collage, pastiche, and irony, and which together yielded a spirited response to political phenomena of the late twentieth century. I argue that Barthelme was an author who believed language had been corrupted by official discourse and who believed, more importantly, that it could be recovered through acts of combination and re-use. Criticism influenced by the cultural theory of Fredric Jameson has frequently labeled Barthelme’s work a mimesis of an age in which meaning had become devalued by rampant production and consumption. I revise this assumption by arguing that Barthelme’s work reacts to what was in fact a stubbornly efficient use of discourse for purposes of propaganda, bureaucracy, and public relations. Drawing on the biographical material available, and integrating that material with original archival work, I uncover the specific sources of Barthelme’s political discontent: Watergate, the war in Vietnam, a growing militarization in the United States, and the ideological rigidity of the 1960s counterculture. In three biographical chapters I connect these concerns to Barthelme’s novels and short stories, which represent attempts to create avant-garde objects that might challenge the specific rationalities (the commonality of violence, for example) political action is premised upon. I show Barthelme inserting political subject matter into texts alongside a formal apparatus that suggests the way such matter had been misconceived and misrepresented, often with horrific consequences. In two chapters of close reading, I first read the short story “Paraguay,” from City Life (1970), as a critique of American neo-imperialism in Latin America. In that piece, Barthelme explores the dual ways--official and cultural--a homogenizing American influence is felt abroad. Next, I compare Barthelme to author and activist Grace Paley, whose story collection Enormous Changes at the Last Minute (1974) provides revealing context for Barthelme’s own political interventions.
APA, Harvard, Vancouver, ISO, and other styles
9

Barthelme, Ulrich [Verfasser]. "Die qualifizierte Belehrung bei Verfahrensverstößen im Strafprozess / Ulrich Barthelme." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2012. http://d-nb.info/1042407258/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Sierra, Nicole Marquita. "Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:909bff3c-6eea-46a6-9c7f-72d52b9d43ee.

Full text
Abstract:
Focusing on works between the 1960s and the early ’80s, this thesis sets the literature of Donald Barthelme (1931–1989) and J.G. Ballard (1930–2009) within the context of twentieth-century architectural theory and history (written), design (drawn), productions (built), professional practice (managed), and pedagogy (taught). The primary aim of this study is to explore the discursive exchange between literature and architecture, while probing the putative association between postmodernity and architecture. By introducing a broader set of social phenomena into debates about postmodernity, my thesis enables a revaluation of how the architectural idiom is interpreted in literature. Using textual and visual analysis, this thesis argues that Barthelme’s and Ballard’s literary works operate at an intersection of the visual arts and mass media. Responding to American and European twentieth-century visual avant-gardes and socio-cultural transformations, architecture participates in the formulation of avant-garde conceptual frameworks. Critically, architecture is not only an aesthetic discipline; it is also a social discourse. Through the discipline’s alignment with ‘new’ and ‘old’ avant-gardes, Barthelme and Ballard use architecture as a point of creative departure to undertake formal and thematic literary experiments. For both authors, contact with the architectural avant-garde has literary consequences. This thesis considers four interconnecting ways literature and architecture ‘speak’ to each other: representation, discourse, formal comparisons, and influence or inspiration. Within my study these topics are examined through critical meditations on architecture from geographical (Fredric Jameson, David Harvey), architectural (Robert Venturi, Charles Jencks) and visual cultural (W. J. T. Mitchell, Marshall McLuhan) sources. Also figuring prominently are epitextual materials, especially archival documentation from the Donald Barthelme Literary Papers at the University of Houston and the Papers of J. G. Ballard collection at the British Library. This thesis opens up new ways of understanding the interart pluralism that characterises the postmodern.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Barthelmess"

1

Werner, Heunoske. Hans Barthelmess, 1887-1916: Ein Künstler am Beginn der Moderne. [Erlangen]: Stadtmuseum Erlangen, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Barthelmess, Hans. Hans Barthelmess, 1887-1916: Zeichnungen, Radierungen, Gemälde : Ausstellung im Stadtmuseum Erlangen, 6. Dezember 1987 bis 21. Februar 1988. Erlangen: Stadtmuseum und Stadtarchiv, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Understanding Donald Barthelme. Columbia, S.C: University of South Carolina Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Donald Barthelme: An exhibition. Durham: Duke University Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Polloczek, Dieter. Vernetzungsstrukturen: Faulkner, Pynchon, Barthelme. München: Fink, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Donald Barthelme, postmodernist American writer. Lewiston, N.Y: Edwin Mellen Press, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

1947-, Patteson Richard F., ed. Critical essays on Donald Barthelme. New York: G.K. Hall, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Dissident postmodernists: Barthelme, Coover, Pynchon. Philadelphia: University of Pennsylvania Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Berkemeier, Christian. "Inverted commas": Donald Barthelme als Parodist. Essen: Verlag Die Blaue Eule, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wirklichkeitsbezug und metaliterarische Reflexion in der Kurzprosa Donald Barthelmes. Frankfurt am Main: P. Lang, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Barthelmess"

1

Schöpp, Joseph C. "Barthelme, Donald." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4872-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Salmela, Markku. "Donald Barthelme’s Impossible Cities." In Literary Urban Studies, 89–111. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70909-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Schöpp, Joseph C. "Barthelme, Donald: Snow White." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4873-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schöpp, Joseph C. "Barthelme, Donald: The Dead Father." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4874-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Dini, Rachele. "Waste in Donald Barthelme, J.G. Ballard, and William Gaddis." In Consumerism, Waste, and Re-Use in Twentieth-Century Fiction, 99–142. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58165-5_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Baxter, James. "Problems and Pratfalls: Robert Coover, Donald Barthelme and Metafictional Style After Beckett." In Samuel Beckett’s Legacies in American Fiction, 103–31. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81572-1_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Bowyer, Surya. "Donald Barthelme at Sorbonne University: Narrative, Internet Memes, and “The Rise of Capitalism”." In Contemporary American Fiction in the European Classroom, 117–33. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94166-6_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Calet, Henri. "Raymond Barthelmess, aventurier." In Je ne sais écrire que ma vie, 19–24. Presses universitaires de Lyon, 2021. http://dx.doi.org/10.4000/books.pul.34579.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ladyga, Zuzanna. "Inertia and Not-Knowing in the Fiction of Donald Barthelme." In The Labour of Laziness in Twentieth-Century American Literature, 210–40. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442923.003.0007.

Full text
Abstract:
The chapter looks at Barthelme’s literary work through the prism of sloth/laziness variants such as inertia, nausea, and most importantly, Anton Ehrenzweig’s rendition of inoperativity via the concept of unconscious scanning. From Barthelme’s early renditions of the figure of the artist such as the Pollockian Paul in Snow White (1967), through avatars of passive artists in his short stories, to the half-dead-half-alive carcass of D.F. in The Dead Father (1975), there emerges a radical counter-Rosenbergian philosophy of action/inaction. No author of American postmodernism has done more to counteract the Rosenbergian post-Romantic idea of heightened sensibility of passive repose than did Barthelme. The purpose of this chapter is to bring the themes of inertia and sterēsis, understood by Barthelme as Ehrenzweig’s unconscious scanning, as unique insights into creative processes, insights which exceed the classical postmodern ethical and aesthetic regime
APA, Harvard, Vancouver, ISO, and other styles
10

Couturier, Maurice, and RÉgis Durand. "Barthelme’s Art of Displacement." In Donald Barthelme, 24–32. Routledge, 2019. http://dx.doi.org/10.4324/9780429325267-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Barthelmess' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography