Journal articles: 'Barthelmess'

1

Martaus, Alaine. "Everything Within and In Between by Nikki Barthelmess." Bulletin of the Center for Children's Books 75, no. 3 (2021): 87. http://dx.doi.org/10.1353/bcc.2021.0572.

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2

Han, Lingeng. "Absurdity and Postmodernism: An Analysis of Barthelme’s The Glass Mountain." Theory and Practice in Language Studies 6, no. 7 (July 1, 2016): 1513. http://dx.doi.org/10.17507/tpls.0607.24.

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Barthelme’s Glass Mountain is a masterpiece of postmodernism. As a leading author of his age, Barthelme makes use of techniques of postmodernism, such as parody, pastiche, fragments, and irony, to demonstrate a world of deconstruction and a theme of absurdity. However, the absurdity depicted by Barthelme actually has its profound social meaning, which reflects the author’s real understanding to the reality.

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Aljadaani, Mashael H., and Laila M. Al-Sharqi. "The Subversion of Gender Stereotypes in Donald Barthelme’s Snow White." International Journal of Applied Linguistics and English Literature 8, no. 2 (March 31, 2019): 155. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.2p.155.

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Donald Barthelme’s Snow White redefines gender roles in the 20th century. Barthelme retells the original fairy tale, subverting its presentation of stereotypical gender roles to depict postmodern ideologies, particularly feminism. The male voice and its controlling power, embodied within the original narrative, becomes the lost, weak, and subordinate side of his story. The female voice, repressed by social and cultural principles, is reshaped to represent the free, powerful, and dominant figure in his narrative. This novel’s presentation of Snow White’s characters reflects feminist battles, such as the fight for gender equality and women’s freedom from patriarchal restrictions or sexual objectification. Adopting a feminist perspective, this study investigates Barthelme’s demythologizing approach in Snow White to present his new identification of gender roles. Specifically, this study examines the novel as a subversive reworking of Grimm’s Snow White [the original fairy tale] by analyzing Barthelme’s reframing of Snow White, the seven dwarfs, and Prince Paul. The findings of the study will show how Barthelme’s text offers a feminist critique of patriarchal dominance to the original Grimm’s fairy tale Snow White and the Seven Dwarfs. Through a close reading of the text, this study also seeks to highlight the novel’s subversive representation of socially constructed stereotypical male and female roles in the fairy tale to challenge the long-standing gender ideologies conceived by the patriarchal society.

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4

Hammond, Michael. "War Relic and Forgotten Man: Richard Barthelmess as Celluloid Veteran in Hollywood 1922–1933." Journal of War & Culture Studies 6, no. 4 (November 2013): 282–301. http://dx.doi.org/10.1179/1752628013y.0000000005.

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5

Nestelieiev, Maksym. "THE PECULIARITIES OF DONALD BARTHELME’S POSTMODERN STYLE (ON THE EXAMPLE OF A COLLECTION «SIXTY STORIES»)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (September 29, 2021): 166–68. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-166-168.

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The author analyzes the elements of postmodernism in D. Barthelme’s collection «Sixty Stories». It is determined that this stylistic dominant in the writer’s prose is mainly determined by such parameters as irony, collage and play. In addition, the genre specificity of his postmodern worldview is important, because it was in short epic genres that Barthelmi was able to realize his own aesthetic vision of literature in the second half of the XXth century. The writer experimented with form and content, seeking to adapt the poetic works of Thomas Stearns Eliot and the dramatic conflicts of Samuel Beckett, that is, to rethink the innovation of modernist authors to a new socio-historical situation. Barthelme uses almost all forms of humor, but the most common is irony. The ironic reappraisal of values in postmodernism ends with everything depreciating and becoming invaluable. The lists of catalogs in Barthelme’s texts are often presented as collages, and these collages are mostly made of verbal dreck (mass literature) and visual garbage. The situation in his texts is related to the need to react to an incomprehensible event, which forms a kind of Beckettian plot, when there is a consequence, but the reason is unclear, and plot is rather formalistic.

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6

Sierra, Nicole. "Landscapes of Postmodernity: Donald Barthelme's Architecture." Pacific Coast Philology 47, no. 1 (January 1, 2012): 75–92. http://dx.doi.org/10.2307/41851035.

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ABSTRACT Exploring Donald Barthelme's literary representations of architecture, this essay traces how the author manipulates architectural history as a means of critiquing modernism and contemporary culture. Despite frequent references to Barthelme's familial relationship to architecture, little has been studied about how this intimacy is encoded in his imaginative writings. Focusing on the short story collections Sixty Stories and Forty Stories, this essay considers the usefulness of architecture as an interart analogy for Barthelme's texts. Seizing on the theories of Fredric Jameson, I argue that Barthelme's works highlight popular displeasure with modernist orthodoxy by using strategies similar to early postmodern architecture.

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7

Herrscher, Walter. "Names in Donald Barthelme's Short Stories." Names 34, no. 2 (June 1986): 125–33. http://dx.doi.org/10.1179/nam.1986.34.2.125.

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8

Barth, John. "By Barthelme Beguiled." Hopkins Review 1, no. 1 (2008): 60–62. http://dx.doi.org/10.1353/thr.2008.0015.

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9

Warde, William B. "A Collage Approach: Donald Barthelme's Literary Fragments." Journal of American Culture 8, no. 1 (March 1985): 51–56. http://dx.doi.org/10.1111/j.1542-734x.1985.0801_51.x.

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10

Olsen, Lance. "Linguistic Pratfalls in Barthelme." South Atlantic Review 51, no. 4 (November 1986): 69. http://dx.doi.org/10.2307/3199757.

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11

Allen, Glen Scott, and Jerome Klinkowitz. "Donald Barthelme: An Exhibition." American Literature 64, no. 4 (December 1992): 841. http://dx.doi.org/10.2307/2927668.

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12

Medvecky, Craig. "Reconstructing Masculinity: Donald Barthelme's Unspeakable Practices, Unnatural Acts." Contemporary Literature 48, no. 4 (2007): 554–79. http://dx.doi.org/10.1353/cli.2008.0002.

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13

Héra, Zoltán. "A Somogy Megyei Múzeum puhatestű (Mollusca) gyűjteményének gyarapodása I." Natura Somogyiensis, no. 9 (2006): 79—129. http://dx.doi.org/10.24394/natsom.2006.9.79.

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A small but old collection of mollusc from Dr. Wiesinger's legacy got to the collection of the Natural History Department of Somogy County Museum. Altogether 2600 items, 18000 specimens can be found in the revised collection, the bigger part of the collection (Tolnai's coll.) date from the first part of 20th century. Now the author published the date of Tolnai's collection in this paper. There are collection materials not only from Dr. Tolnai but also his famous contemporary malacologists: Streda R., H. Barthelmes, Geyer, Hässlein, W. Klemm, Schlickum, W. R., Jaeckel, S., Modell, H. Waldén, H. W.

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14

Barthelme, Frederick, Nathan Oates, and Amy Day Wilkinson. "An Interview with Frederick Barthelme." Missouri Review 27, no. 2 (2004): 39–53. http://dx.doi.org/10.1353/mis.2004.0059.

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15

REICHENBACH, H. "BARTHELMESS, K. and MUNZING, J. Monstrum horrendum: Wale und Waldarstellungen in der Druckgraphik des 16. Jahrunderts und ihr motivkundlicher Einfluss. (Schriften des Deutschen Schiffahrtsmuseums 29). Kabel, Hamburg: 1991. 3 vols (in slip case): pp 221; illustrated. Price: DM 98.00. ISBN: 3-8225-0175-1." Archives of Natural History 20, no. 1 (February 1993): 133–34. http://dx.doi.org/10.3366/anh.1993.20.1.133a.

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16

LOCKE, RICHARD. "DETAILS IN NABOKOV, BARTHELME, AND PROUST." Yale Review 95, no. 4 (October 2007): 45–57. http://dx.doi.org/10.1111/j.1467-9736.2007.00332.x.

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17

Robert Lacy. "The "Bishop" Stories of Donald Barthelme." Sewanee Review 116, no. 4 (2008): 645–50. http://dx.doi.org/10.1353/sew.0.0091.

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18

Sierra, Nicole. "Surrealist histories of language, image, media: Donald Barthelme’s ‘collage stories’." European Journal of American Culture 32, no. 2 (June 1, 2013): 153–71. http://dx.doi.org/10.1386/ejac.32.2.153_1.

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19

du Plessis, Michael. "The postmodern object: Commodities, fetishes and signifiers in Donald Barthelme's writing." Journal of Literary Studies 4, no. 4 (December 1988): 443–58. http://dx.doi.org/10.1080/02564718808529888.

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20

Lecercle, Jean-Jacques. "La voix dans « Sentence » de Donald Barthelme." Revue Française d'Etudes Américaines 54, no. 1 (1992): 333–51. http://dx.doi.org/10.3406/rfea.1992.1830.

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21

Ionica, Cristina. "The Nagging Father: Donald Barthelme's Narrative Framing of Gender and Family Violence." Critique: Studies in Contemporary Fiction 56, no. 1 (December 16, 2014): 61–76. http://dx.doi.org/10.1080/00111619.2013.854194.

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22

Vidal, Jean-Pierre. "Donald Barthelme Fades Away from Here to Eternity." Tangence, no. 36 (1992): 105. http://dx.doi.org/10.7202/025716ar.

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23

Cowley, Julian. "'weeping map intense activity din': Reading Donald Barthelme." University of Toronto Quarterly 60, no. 2 (January 1991): 292–304. http://dx.doi.org/10.3138/utq.60.2.292.

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24

Kelly, Jennifer Wisner. "Hush Hush by Steven Barthelme (review)." Colorado Review 40, no. 1 (2013): 179–82. http://dx.doi.org/10.1353/col.2013.0031.

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25

Davis, Robert Murray, and Barbara L. Roe. "Donald Barthelme: A Study of the Short Fiction." World Literature Today 67, no. 2 (1993): 389. http://dx.doi.org/10.2307/40149204.

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26

Byungjoo Park. "Social Pathology in Short Stories of Barthelme and Carver." Jungang Journal of English Language and Literature 54, no. 3 (September 2012): 189–207. http://dx.doi.org/10.18853/jjell.2012.54.3.009.

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27

James, Stephen. "Donald Barthelme: Architecture and the Road to La Mancha." Arris 16, no. 1 (2005): 56–68. http://dx.doi.org/10.1353/arr.2005.0004.

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28

Davis, Robert Murray, Donald Barthelme, and Kim Herzinger. "Not-Knowing: The Essays and Interviews of Donald Barthelme." World Literature Today 72, no. 2 (1998): 381. http://dx.doi.org/10.2307/40153857.

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29

Punday, Daniel. "Donald Barthelme and the Emergence of the Dynamic Page." Mosaic: a journal for the interdisciplinary study of literature 46, no. 1 (2013): 113–33. http://dx.doi.org/10.1353/mos.2013.0001.

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30

Pinion, Donna. "Cheating at Blackjack: The Case of the Barthelme Brothers." Gaming Law Review 4, no. 2 (April 2000): 127–34. http://dx.doi.org/10.1089/109218800750039359.

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31

Drąg, Wojciech. "“I’m a I’m a Scholar at the Moment”: The Voice of the Literary Critic in the Works of American Scholar-Metafictionists." American, British and Canadian Studies Journal 26, no. 1 (June 1, 2016): 36–51. http://dx.doi.org/10.1515/abcsj-2016-0003.

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Abstract In her seminal book on metafiction, Patricia Waugh describes this practice as an obliteration of the distinction between “creation” and “criticism.” This article examines the interplay of the “creative” and the “critical” in five American metafictions from the late 1960s, whose authors were both fictional writers and scholars: Donald Barthelme’s Snow White, John Barth’s Lost in the Funhouse, William H. Gass’s Willie Masters’ Lonesome Wife, Robert Coover’s Pricksongs and Descants and Ronald Sukenick’s The Death of the Novel and Other Stories. The article considers the ways in which the voice of the literary critic is incorporated into each work in the form of a self-reflexive commentary. Although the ostensible principle of metafiction is to merge fiction and criticism, most of the self-conscious texts under discussion are shown to adopt a predominantly negative attitude towards the critical voices they embody – by making them sound pompous, pretentious or banal. The article concludes with a claim that the five works do not advocate a rejection of academic criticism but rather insist on its reform. Their dissatisfaction with the prescriptivism of most contemporary literary criticism is compared to Susan Sontag’s arguments in her essay “Against Interpretation.”

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32

Davis, Robert Murray. "Hiding Man: A Biography of Donald Barthelme by Tracy Daugherty." World Literature Today 83, no. 4 (2009): 76–77. http://dx.doi.org/10.1353/wlt.2009.0051.

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33

Polloczek, Dieter Paul. "Miniatures and Monstrosities of Recursive Valorization: On Barthelme and Gaddis." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 54, no. 1 (1998): 97–124. http://dx.doi.org/10.1353/arq.1998.0024.

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34

Trout, Colette. "Criminelles : Le crime à l'épreuve du féminin dir by Hélène Barthelmebs-Raguin et Matthieu Freyheit." Women in French Studies 27, no. 1 (2019): 232–33. http://dx.doi.org/10.1353/wfs.2019.0002.

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35

Hoffman, Donald L. "Pomorex: Arthurian Tradition in Barthelme's The King, Acker's Don Quixote, and Reed's Flight to Canada." Arthuriana 4, no. 4 (1994): 376–86. http://dx.doi.org/10.1353/art.1994.0006.

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36

Gury, Jérôme, Lise Barthelmebs, Ngoc Phuong Tran, Charles Diviès, and Jean-François Cavin. "Cloning, Deletion, and Characterization of PadR, the Transcriptional Repressor of the Phenolic Acid Decarboxylase-Encoding padA Gene of Lactobacillus plantarum." Applied and Environmental Microbiology 70, no. 4 (April 2004): 2146–53. http://dx.doi.org/10.1128/aem.70.4.2146-2153.2004.

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ABSTRACT Lactobacillus plantarum displays a substrate-inducible padA gene encoding a phenolic acid decarboxylase enzyme (PadA) that is considered a specific chemical stress response to the inducing substrate. The putative regulator of padA was located in the padA locus based on its 52% identity with PadR, the padA gene transcriptional regulator of Pediococcus pentosaceus (L. Barthelmebs, B. Lecomte, C. Diviès, and J.-F. Cavin, J. Bacteriol. 182:6724-6731, 2000). Deletion of the L. plantarum padR gene clearly demonstrates that the protein it encodes is the transcriptional repressor of divergently oriented padA. The padR gene is cotranscribed with a downstream open reading frame (ORF1), the product of which may belong to a group of universal stress proteins (Usp). The padR deletion mutant overexpressed padA constitutively, and the padA promoter appears to be tightly regulated in this bacterium. Gel mobility shift assays using the padA gene promoter region and purified PadR expressed in Escherichia coli indicated that operator DNA binding by PadR was not eliminated by addition of p-coumarate. Gel mobility shift assays using partially purified extracts of native PadR protein from both phenolic acid-induced and noninduced L. plantarum cells demonstrate that inactivation of PadR by phenolic acids requires the integrity of L. plantarum and mediation by a specific protein absent in E. coli.

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37

Kok, Niels F. M., Türkan Terkivatan, and Jan N. M. Ijzermans. "Regarding ‘Liver cell adenoma and liver cell adenomatosis’ by Ludger Barthelmes and Iain S. Tait." HPB 8, no. 1 (February 2006): 71–72. http://dx.doi.org/10.1080/13651820500537879.

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38

Jeffrey, David K., Claudia D. Johnson, James S. Patty, and Wayne B. Stengel. "The Shape of Art in the Short Stories of Donald Barthelme." South Atlantic Review 51, no. 4 (November 1986): 177. http://dx.doi.org/10.2307/3199783.

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39

McCaffery, Larry, and Wayne B. Stengel. "The Shape of Art in the Short Stories of Donald Barthelme." American Literature 58, no. 3 (October 1986): 461. http://dx.doi.org/10.2307/2925635.

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40

Warde, William B., and Wayne B. Stengel. "The Shape of Art in the Short Stories of Donald Barthelme." South Central Review 3, no. 2 (1986): 117. http://dx.doi.org/10.2307/3189378.

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41

Pheloung, Grant. "“Just Like Old Times”: Frederick Barthelme and the Aesthetics of Postmodernism." Critique: Studies in Contemporary Fiction 40, no. 2 (January 1999): 172–80. http://dx.doi.org/10.1080/00111619909601572.

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42

Zeitlin, Michael. "Father-Murder and Father-Rescue: The Post-Freudian Allegories of Donald Barthelme." Contemporary Literature 34, no. 2 (1993): 182. http://dx.doi.org/10.2307/1208547.

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43

Julzarika, Atriyon, Argo Galih Suhadha, and Indah Prasasti. "Plate and faults boundary detection using gravity disturbance and Bouguer gravity anomaly from space geodesy." Sustinere: Journal of Environment and Sustainability 4, no. 2 (August 29, 2020): 117–31. http://dx.doi.org/10.22515/sustinere.jes.v4i2.108.

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Nowadays, satellite technology has developed significantly. Geodesy satellites such as Grace and Grace-FO can be used for subsurface mapping. The mapping is in the form of detection of the plate details, faults, and regional geodynamic conditions. This study aims to detect plate and faults from space geodesy using the gravity disturbance and Bouguer gravity anomaly parameter. The study area is in the Sunda Strait. Gravity disturbance is one of the gravity model parameters. Gravity disturbance is the gravitational potential of the topography expressed by the spherical harmonic model and the topographic effect by Barthelmes's calculations. Gravity disturbance can visualize subsurface conditions. Bouguer gravity anomaly is needed to get the condition on subsurface objects. This parameter visualizes subsurface conditions in the form of rocks and non-rocks. These conditions can distinguish oceanic crust and continental crust. Gravity contours are needed to obtain plate and faults predictions. The results obtained are validated patterns and shapes with plate and faults secondary data. The tolerance used in this validation is 80%. The gravity disturbance parameter obtained a value of 83% in verifying the accuracy of assessment in plate and faults detection. The Bouguer gravity disturbance parameter obtained a verification value of accuracy assessment in plate detection but 65% in faults detection. This accuracy assessment uses pattern and texture parameters in detecting the similarity of two or more images. This plate and faults detection results are more detailed and can be used for geophysical, geological, earthquake, and earth dynamics applications.

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44

Cavin, Jean-François, Véronique Dartois, and Charles Diviès. "Gene Cloning, Transcriptional Analysis, Purification, and Characterization of Phenolic Acid Decarboxylase from Bacillus subtilis." Applied and Environmental Microbiology 64, no. 4 (April 1, 1998): 1466–71. http://dx.doi.org/10.1128/aem.64.4.1466-1471.1998.

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ABSTRACT Bacillus subtilis displays a substrate-inducible decarboxylating activity with the following three phenolic acids: ferulic, p-coumaric, and caffeic acids. Based on DNA sequence homologies between the Bacillus pumilus ferulate decarboxylase gene (fdc) (A. Zago, G. Degrassi, and C. V. Bruschi, Appl. Environ. Microbiol. 61:4484–4486, 1995) and theLactobacillus plantarum p-coumarate decarboxylase gene (pdc) (J.-F. Cavin, L. Barthelmebs, and C. Diviès, Appl. Environ. Microbiol. 63:1939–1944, 1997), a DNA probe of about 300 nucleotides for the L. plantarum pdcgene was used to screen a B. subtilis genomic library in order to clone the corresponding gene in this bacterium. One clone was detected with this heterologous probe, and this clone exhibited phenolic acid decarboxylase (PAD) activity. The corresponding 5-kb insertion was partially sequenced and was found to contain a 528-bp open reading frame coding for a 161-amino-acid protein exhibiting 71 and 84% identity with the pdc- and fdc-encoded enzymes, respectively. The PAD gene (pad) is transcriptionally regulated by p-coumaric, ferulic, or caffeic acid; these three acids are the three substrates of PAD. Thepad gene was overexpressed constitutively inEscherichia coli, and the stable purified enzyme was characterized. The difference in substrate specificity between this PAD and other PADs seems to be related to a few differences in the amino acid sequence. Therefore, this novel enzyme should facilitate identification of regions involved in catalysis and substrate specificity.

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45

Pietraß, Manuela. "Jürgen Barthelmes/Ekkehard Sander: Erst die Freunde, dann die Medien. Medien als Begleiter in Pubertät und Adoleszenz." Zeitschrift für Erziehungswissenschaft 7, no. 1 (March 2004): 154–55. http://dx.doi.org/10.1007/s11618-004-0016-y.

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46

Schäfer, Gudrun. "Jürgen Barthelmes/Ekkehard Sander: Erst die Freunde, dann die Medien. Medien als Begleiter in Pubertät und Adoleszenz." Publizistik 47, no. 2 (June 2002): 249–50. http://dx.doi.org/10.1007/s11616-002-0060-7.

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47

TOKSÖZ, Fügen. "Postmodern World, Postmodern Relationships: the Artist and Society Relationship in Barthelme s Fiction." Doğuş Üniversitesi Dergisi 2, no. 1 (July 27, 2000): 164–69. http://dx.doi.org/10.31671/dogus.2019.389.

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48

Gómez Reus, Teresa. "El uso del collage y del ensamblaje en los cuentos de Donald Barthelme." Revista Alicantina de Estudios Ingleses, no. 1 (1988): 91–98. http://dx.doi.org/10.14198/raei.1988.1.06.

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49

Laurens, Hervé. "La voix du narrateur dans Overnight to Many Distant Cities de Donald Barthelme." Revue Française d'Etudes Américaines 54, no. 1 (1992): 353–64. http://dx.doi.org/10.3406/rfea.1992.1831.

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50

КRETOV, Pavlo, and Olena КRETOVА. "HERMENEUTICS OF DIFFERENCE AND PROBABILISTIC SUBJECT(BASED ON THE WORK OF DONALD BARTHELME)." CHERKASY UNIVERSITY BULLETIN: PHILOSOPHY, no. 2 (2019): 3–14. http://dx.doi.org/10.31651/2076-5894-2019-2-3-14.

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Journal articles on the topic 'Barthelmess'

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