Academic literature on the topic 'Bartleby The Scrivener'

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Journal articles on the topic "Bartleby The Scrivener"

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Zlogar, Richard J. "Body Politics in "Bartleby": Leprosy, Healing, and Christ-ness in Melville's "Story of Wall-Street"." Nineteenth-Century Literature 53, no. 4 (1999): 505–29. http://dx.doi.org/10.2307/2903029.

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Over the years, critics have attached multiple equivalences to the title character in Herman Melville's "Bartleby, the Scrivener" (1853). Bartleby has become metaphor as readers have found a variety of matches for the condition of alienation and rejection implicit in his tragic story, a well-known example of which is interpreting Bartleby as an artist who refuses to produce the type of literature that is commercially successful in his society. The central contention of this study is that the scholarship written on "Bartleby" to date has not identified the vehicle for the tenor we uncover in Ba
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Fava, Giovanni A. "Bartleby, the Scrivener." Psychotherapy and Psychosomatics 57, no. 3 (1992): 81–82. http://dx.doi.org/10.1159/000288578.

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Nichols, Ken. "Case Study #5: Bartleby, the Scrivener, a Story of Wall Street by Herman Melville." Public Voices 13, no. 2 (2016): 162. http://dx.doi.org/10.22140/pv.125.

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“Bartleby” is the name of the principal character in Herman Melville’s short story about the relationship between a manager and an employee. Bartleby is the employee. His job is to be a scrivener, or a copyist.The setting is a small law firm on Wall Street a century and a half ago — long before computers and photocopy machines, or even typewriters and carbon paper. A scrivener’s job was to copy a document clearly and accurately using the information technology of the day: paper, a bottle of ink, and a sharpened quill.You’ll find that the office technology may be different now than it was in Ba
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Meyer, Joseph Matthew. "Melville's Bartleby, The Scrivener." Explicator 64, no. 2 (2006): 89–90. http://dx.doi.org/10.3200/expl.64.2.89-90.

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Giles, Todd. "Melville's Bartleby, the Scrivener." Explicator 65, no. 2 (2007): 88–91. http://dx.doi.org/10.3200/expl.65.2.88-91.

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Yoshikuni, Hiroki. "Kant with Bartleby." Nineteenth-Century Literature 71, no. 1 (2016): 37–63. http://dx.doi.org/10.1525/ncl.2016.71.1.37.

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Hiroki Yoshikuni, “Kant with Bartleby: A Fate of Freedom” (pp. 37–63) This essay explores the problem of the “unaccountable” in Herman Melville’s “Bartleby, the Scrivener” (1856) in light of the Kantian idea of freedom. The lawyer-narrator declares his own inability to tell a story of Bartleby, but by doing so he also emphasizes the scrivener’s accountableness, by which Bartleby is presented as a character of exceptional originality. Bartleby might thus appear free in the Kantian sense, because his unaccountableness suggests that the determining ground of his will is not determined by inclinat
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Goldfarb, Nancy D. "Charity as Purchase." Nineteenth-Century Literature 69, no. 2 (2014): 233–61. http://dx.doi.org/10.1525/ncl.2014.69.2.233.

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Nancy D. Goldfarb, “Charity as Purchase: Buying Self-Approval in Melville’s ‘Bartleby, the Scrivener’” (pp. 233–261) This essay examines Herman Melville’s “Bartleby, the Scrivener” (1853) in light of recent scholarship in philanthropic studies. Through the lawyer-narrator, Melville’s story discreetly challenges the representation of charity as a viable means of redistributing wealth and restoring balance to an unequal social structure. The narrator masterfully employs the rhetoric of charity to negotiate his role in Bartleby’s tragic outcome, generating a self-promoting narrative that deflects
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Sequeira Bras, Patricia. "How not to Occupy Bartleby." Excursions Journal 6, no. 1 (2020): 1–14. http://dx.doi.org/10.20919/exs.6.2015.189.

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This article aims to discuss how Bartleby, the character from Herman Melville’s homonymous story, Bartleby, The Scrivener re-emerged in the Occupy Movement in Wall Street. Here, I intend to argue that Bartleby has been wrongly appropriated, which in turn, may explain the shortcomings of the movement. The Occupy Wall Street took possession of Bartleby because in Melville’s story, he occupies the premises of a lawyer’s office in Wall Street. However, this appropriation has dismissed the political 'inefficacy' of Bartleby’s formula, 'I would prefer not to'. As I shall argue, the formula exposes i
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Gans, Jerome S., and Robert W. Ferrell. "Melville's “Bartleby, the Scrivener: A Story of Wall-Street”: The Vicissitudes of Treating a Difficult Patient." Psychodynamic Psychiatry 51, no. 2 (2023): 147–51. http://dx.doi.org/10.1521/pdps.2023.51.2.147.

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Taking the liberty of imagining the lawyer in Melville's “Bartleby, the Scrivener” as narrator/therapist and Bartleby as patient, this article, written with the therapist/reader in mind, traces the vicissitudes of countertransference and speculates on what constitutes a “good enough” therapeutic effort.
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Zurbrügg, Aurélie. "“Dead-Wall Reveries”: The Failure of the Medium in Melville’s “Bartleby, the Scrivener”." Studies in the American Short Story 3, no. 1-2 (2022): 130–38. http://dx.doi.org/10.5325/studamershorstor.3.1-2.0130.

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ABSTRACT This essay examines Herman Melville’s “Bartleby, the Scrivener: A Story of Wall-street” through the perspective of media studies. It describes Bartleby’s communicational role by considering his inability to function as a medium. The article shows how the wall that faces the desk and the dead letters from his previous employment contribute to Bartleby’s “preference not to.” Surrounded by walls and forced to mechanically reproduce legal texts, Bartleby’s physical isolation prevents him from engaging in social interactions.
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Dissertations / Theses on the topic "Bartleby The Scrivener"

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Bogin, Gerard. "Melville’s Unknown Pathology: The Humoral Theory of Disease and Low Grade Lead Poisoning in Bartleby the Scrivener." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3575.

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Melville wrote Bartleby the Scrivener as a literary portrayal of the Humoral theory of disease. Virchow disproved that theory five years after the novella was published, suggesting Melville was humanizing an unknown pathology. A clinical assessment of the text reveals low-grade lead poisoning, which best explains the strange behavior, abnormal appearance, and premature death of the character Bartleby as depicted by the author. In conjunction with the textual substantiation, historical evidence indicates that at the time Melville wrote the work, one in ten people he encountered suffered from th
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Orr, Sara Ceilidh. "The Scrivener De-Scribed: Logos and Originals in Nineteenth-Century Copyist Fiction." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406254390.

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Sandoval, Muñoz Catalina. "The Inaugural Status of Nathaniel Hawthorne’s 1852 The Blithedale Romance and Herman Melville’s 1853 “Bartleby, the Scrivener” in the development of the Topic of Alienation in American Literature: A Study of its Representations and a Comparison with its Treatment in Ernest Hemingway’s 1926 The Sun Also Rises." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/109903.

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Lam-Saw, Norma. "Heroic passivity in “Bartleby, the scrivener”." Thesis, 2019. http://hdl.handle.net/1959.7/uws:56766.

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Herman Melville’s Bartleby is a fundamentally passive character who has nonetheless been regularly presented as carrying out a heroic resistance. This paradoxical conjunction of passivity and heroic action is particularly acute in philosophical readings of Melville’s novella. Philosophers have identified Bartleby as a “New Messiah,” or new “New Christ” whose passive resistance offers a form of revolutionary emancipation from existing political structures, thereby affirming the paradox that Bartleby is a hero who does not act.By examining the paradox of Bartleby’s heroic passivity through the s
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Kao, Johny Wei-Chun, and 高偉峮. "Bartleby, the Metropolitan: A Simmelian Reading of Herman Melville’s “Bartleby, the Scrivener”." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/2ea5xa.

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碩士<br>輔仁大學<br>英國語文學系<br>100<br>One of the most challenging mysteries in American Literature lies in Herman Melville’s Bartleby, the Scrivener, where the notoriously persistent Bartleby continuously prefers not to cooperate. The ambiguity of Melville’s story not only fascinates his readers, and invites critics of different mindsets to interpret with diverse perspectives. Amongst the multitude of interpretations, some read Bartleby as a social outcast that stands against the sovereign power, whereas some consider Bartleby an iconic Marxist figure that defies capitalism. One intriguingly resonat
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Stejskalová, Tereza. ""Písař Bartleby" v současné kultuře." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-355999.

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This dissertation is based on the observation that Herman Melville's "Bartleby, the Scrivener" has become a popular reference in contemporary culture. Not only in the field of literary scholarship but also in the realm of art, political theory and philosophy, it is employed as an example of authentic resistance to power, a counter-intuitive politics that finds its strength in withdrawal, inaction, and inscrutability. The thesis examines the reasons and motives that drive literary scholars, artists and philosophers to read, interpret and use the story in such a way. It does so by analyzing the
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Arnold, Esther. "A progress of the desire the pursuit of happiness in Herman Melville's "The piazza" and "Bartleby, the scrivener" /." 2003. http://purl.galileo.usg.edu/uga%5Fetd/arnold%5Festher%5F200305%5Fma.

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Goldfarb, Nancy D. ""Charity Never Faileth": Philanthropy in the Short Fiction of Herman Melville." Thesis, 2014. http://hdl.handle.net/1805/6298.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>This dissertation analyzes the critique of charity and philanthropy implicit in Melville’s short fiction written for periodicals between 1853 and 1856. Melville utilized narrative and tone to conceal his opposition to prevailing ideologies and manipulated narrative structures to make the reader complicit in the problematic assumptions of a market economy. Integrating close readings with critical theory, I establish that Melville was challenging the new rhetoric of philanthropy that created a moral identity for wealthy men in industr
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Books on the topic "Bartleby The Scrivener"

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Melville, Herman. Bartleby the scrivener. Kessinger Pub., 2006.

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Melville, Herman. Bartleby, the scrivener. Melville House Pub., 2004.

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Melville, Herman. Bartleby the Scrivener. Independently Published, 2019.

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Melville, Herman. Bartleby, the Scrivener. Independently Published, 2019.

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Melville, Herman. Bartleby, the Scrivener. Independently Published, 2019.

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Melville, Herman. Bartleby, the Scrivener. Independently Published, 2018.

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Melville, Herman. Bartleby The Scrivener. Blue Unicorn Editions, 2000.

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Melville, Herman. Bartleby, the Scrivener. Independently Published, 2018.

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Melville, Herman. Bartleby, the Scrivener. Independently Published, 2019.

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Melville, Herman, and D. Angeles. Bartleby, The Scrivener. Independently published, 2019.

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Book chapters on the topic "Bartleby The Scrivener"

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Hollington, Michael. "Melville, Bartleby, the Scrivener." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-62592-8_121-1.

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Hollington, Michael. "Melville, “Bartleby the Scrivener”." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_121.

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Ensslen, Klaus, and Daniel Göske. "Melville, Herman: Bartleby, the Scrivener." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12132-1.

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Tumino, Stephen. "6. Bartleby." In Thinking Blue / Writing Red. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0324.06.

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Chapter Six ("Bartleby"): Melville's "Bartleby, the Scrivener: A Tale of Wall St." has become a signpost in cultural theory for a "new" politics of a "new" capitalism without borders in which wealth and inequality are assumed to acquire "materiality" in the circuits of exchange and thus invalidate the classical Marxist critique. Whether understood in terms of a "refusal of work" (Negri), or as signifying a "new" form of praxis of a "coming community" (e.g., Žižek, Agamben), contemporary readings of "Bartleby" serve as a lexicon in which capitalism is represented as having outlived its basic co
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Dechêne, Antoine. "Herman Melville’s “Bartleby, the Scrivener: A Story of Wall Street”." In Detective Fiction and the Problem of Knowledge. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94469-2_7.

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Fleming, Natalie M. "“I’d Prefer Not To”: Melville’s Challenge to Normative Identity in Bartleby, the Scrivener." In Critical Readings in Interdisciplinary Disability Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35309-4_10.

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Maria, Helen Santa. "Reading Autism in Herman Melville’s ‘Bartleby the Scrivener: A Story of Wall Street." In Rethinking Disability Theory and Practice. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137456977_5.

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Krilic, Alma. "Confinement and Jouissance in Herman Melville’s “Bartleby, the Scrivener: A Story of Wall Street”." In Lacan and the Environment. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67205-8_4.

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Fisher, Marvin. "Narrative Shock in “Bartleby, the Scrivener,” “The Paradise of Bachelors and the Tartarus of Maids,” and “Benito Cereno”." In A Companion to Herman Melville. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996782.ch28.

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"“BARTLEBY, THE SCRIVENER”:." In Melville’s Other Lives. University of Virginia Press, 2022. http://dx.doi.org/10.2307/j.ctv369c63n.6.

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