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Journal articles on the topic 'Bartlett School of Architecture (London, England)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

González, Alberto Fernández, and Mark Garcia. "A Posthuman Architectural Artificial Intelligence Speculum? Text and Images in Future Spaces." Architectural Design 94, no. 1 (2024): 22–29. http://dx.doi.org/10.1002/ad.3010.

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AbstractThe long‐term research project Posthuman AIchitectural Speculations is a collaboration between Alberto Fernández González and Mark Garcia, both of whom are lecturers at the Bartlett School of Architecture, University College London, and PhD candidates on the Architecture and Digital Theory programme there. Here they investigate how well artificial intelligence can help develop posthuman architectures and the symbiotic relationship between language and AI as a way of speculating about spatial futures.

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Dobraszczyk, Paul. "Beyond Domesticities: Posthuman Architectures for Animals We Farm." Architectural Design 94, no. 1 (2024): 76–83. http://dx.doi.org/10.1002/ad.3017.

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AbstractEver more astounding numbers of animals are being farmed for human consumption. Paul Dobraszczyk, a lecturer at the Bartlett School of Architecture, University College London, argues that humanity does not see or bother to comprehend the cruelty these animals are subjected to within industrialised farming processes and slaughterhouses. This, he says, is a design issue, requiring more effort to be made to give these animals a dignified life.

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Carpo, Mario. "On the Posthuman Charm of Slime and Mould." Architectural Design 94, no. 1 (2024): 46–51. http://dx.doi.org/10.1002/ad.3013.

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AbstractSlime moulds have no central nervous system and are single‐ cell organisms, yet they can build communities of themselves to create complex, food‐foraging cooperative networks. They are even known to solve mazes in search of something to eat. Mario Carpo, Reyner Banham Professor of Architectural History and Theory at the Bartlett School of Architecture, University College London, explains the unique position of slime moulds in recent complexity and emergence studies.

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Bottazzi, Roberto, Tyson Hosmer, and Mollie Claypool. "Disruptive Ecologies: Design with Nonhuman Intelligences." Architectural Design 94, no. 1 (2024): 30–37. http://dx.doi.org/10.1002/ad.3011.

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AbstractIn the last decade, the B‐Pro post‐professional Architectural Design Master's programmes in Architectural Design (AD) and Urban Design (UD) at the Bartlett School of Architecture, University College London have developed innovative research delving into various aspects of design and digital technologies. Such preoccupations include biotechnology, computation and artificial intelligence, digital fabrication and robotics. Programme directors Roberto Bottazzi and Tyson Hosmer, and Theory Coordinator Mollie Claypool, illustrate some of its recent thought‐provoking work.

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Carpo, Mario. "The Sustainable Lightness of Digital Fabrication." Architectural Design 94, no. 5 (2024): 14–21. http://dx.doi.org/10.1002/ad.3092.

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AbstractIt seems, in many quarters, that technology is viewed as bad for aspirations for a sustainable future. This Neo‐Luddite narrative is hampering the way the advantages and disadvantages of digital technology are perceived. Mario Carpo, Reyner Banham Professor of Architectural History and Theory at the Bartlett School of Architecture, University College London (UCL), argues that new technologies succeed older ones because they perform tasks better and more efficiently, innovatively and faster, both changing and responding to changes in societal and urban realms.

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Armstrong, Rachel. "Systems Architecture: A New Model for Sustainability and the Built Environment using Nanotechnology, Biotechnology, Information Technology, and Cognitive Science with Living Technology." Artificial Life 16, no. 1 (2010): 73–87. http://dx.doi.org/10.1162/artl.2009.16.1.16101.

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This report details a workshop held at the Bartlett School of Architecture, University College London, to initiate interdisciplinary collaborations for the practice of systems architecture, which is a new model for the generation of sustainable architecture that combines the discipline of the study of the built environment with the scientific study of complexity, or systems science, and adopts the perspective of systems theory. Systems architecture offers new perspectives on the organization of the built environment that enable architects to consider architecture as a series of interconnected

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Valdivieso, Alejandro. "J. OCKMAN (ed) - Architecture School. Three Centuries of Educating Architects in North America." ZARCH, no. 6 (September 16, 2016): 242. http://dx.doi.org/10.26754/ojs_zarch/zarch.201661471.

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JOAN OCKMAN (ed) with REBECCA WILLIAMSON (research editor)Architecture School. Three Centuries of Educating Architects in North AmericaMIT Press, Cambridge, Massachusetts -London, England, 2012 / Association of Collegiate Schools of Architecture, Washington D.C., 400 págs.54,95 $. Idioma: inglés (tapa dura)

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Carpo, Mario. "Every Dataset is a Canon." Architectural Design 94, no. 3 (2024): 14–19. http://dx.doi.org/10.1002/ad.3050.

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AbstractFor architects, the construction of a dataset for use in AI, whether imported from somewhere else or newly created, is fundamentally an epistemological canon of references, likes and preoccupations often predicated on the selection of so‐called masterpieces of Western art. The canon represents ideals of beauty and knowledge, but it also reflects a bias in favour of art created by those who have occupied the most socially, politically and economically powerful positions in culture. Mario Carpo, architectural historian, critic and Reyner Banham Professor of Architectural History and Theo

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Kibble, Bob. "Sundials in London - Linking architecture and astronomy." International Astronomical Union Colloquium 162 (1998): 7–10. http://dx.doi.org/10.1017/s0252921100114691.

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Following the inclusion of Astronomy in the revised National Science Curriculum for England and Wales the Association for Astronomy Education, AAE, embarked on a programme of in-service training workshops for teachers to help them to understand the new ideas and deliver the new curriculum. Teacher confidence and knowledge has been the greatest challenge to establishing astronomy in school curricula. As part of the the AAE team I gave presentations on a host of activities including simple cut and paste sundials for pupil projects. We are now seven years on from the revised Science Curriculum an

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Smyth, Robert SD, Priti Acharya, and Nigel P. Hunt. "Is visual imagery ability higher for orthodontic students than those in other disciplines? A cross-sectional questionnaire-based study." Journal of Orthodontics 46, no. 3 (2019): 205–11. http://dx.doi.org/10.1177/1465312519851216.

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Objective: To investigate the effect visual imagery may have on career choice among current university students across a range of subjects and disciplines. Setting: University College London (UCL), UK. Design: Cross-sectional questionnaire-based study. Participants: The study compared four main groups of UCL students: current students at the Slade School of Fine Art; UCL Eastman Dental Institute; UCL Bartlett School of Architecture; and the Faculty of Laws. Method: A questionnaire based on the Vividness of Visual Imagery Questionnaire (VVIQ) was distributed along with questions regarding demog

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Pasquero, Claudia, and Marco Poletto. "Bio-digital aesthetics as value system of post-Anthropocene architecture." International Journal of Architectural Computing 18, no. 2 (2020): 120–40. http://dx.doi.org/10.1177/1478077120922941.

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It is timely within the Anthropocene era, more than ever before, to search for a non-anthropocentric mode of reasoning, and consequently designing. The PhotoSynthetica Consortium, established in 2018 and including London-based ecoLogicStudio, the Urban Morphogenesis Lab (Bartlett School of Architecture, University College London) and the Synthetic Landscape Lab (University of Innsbruck, Austria), has therefore been pursuing architecture as a research-based practice, exploring the interdependence of digital and biological intelligence in design by working directly with non-human living organism

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Ossa-Richardson, Anthony. "English architecture in 1963: a newly rediscovered view from Germany." Architectural Research Quarterly 26, no. 3 (2022): 222–35. http://dx.doi.org/10.1017/s1359135522000252.

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This article provides an English translation of an unpublished German typescript found in the archive of the architect Julius Posener in the Akademie der Kunst, Berlin. Posener, a professor of architectural history at the Hochschule für Bildende Künste (HBK), travelled with a colleague and fifteen students to England for a fortnight in March 1963. They met several prominent architects, saw a wide selection of their current and recently completed works, and attended events at the Architectural Association school. The typescript is an account of the trip that he wrote up from notes in his diary

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Simlinger, Peter. "Visual communication design." Information Design Journal 25, no. 3 (2019): 314–24. http://dx.doi.org/10.1075/idj.25.3.09sim.

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Abstract Having graduated in architecture at the University of Technology Wien [Vienna], I subsequently engaged in post-graduate studies at The Bartlett School of Architecture and Planning / University College London. Corporate design and signage design attracted my attention. Back home a major bank and Vienna airport (VIE), among others, were the first clients of my company. As chairman of Committee 133 “Public information symbols” of “Austrian Standards”, I was responsible for the elaboration of several theme specific national and international standards. In 1993 I founded the IIID Internati

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Martínez, Raúl Martínez. "The methodological approaches of Colin Rowe: the multifaceted, intellectual connoisseur at La Tourette." Architectural Research Quarterly 22, no. 3 (2018): 205–13. http://dx.doi.org/10.1017/s1359135518000489.

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In England, the establishment of art history as a professional discipline was consolidated by the foundation of the Courtauld Institute of Art in 1932, and the Warburg Library's move from Hamburg to London the following year due to the rise of the Nazi régime; a political situation that caused the emigration of German-speaking scholars such as Fritz Saxl, Ernst Gombrich and Rudolf Wittkower. Colin Rowe, an influential member of the second generation of historians of modern architecture, was educated as part of this cultural milieu in the postwar period, studying at the Warburg Institute in Lon

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GOLDIE, MARK. "VOLUNTARY ANGLICANS Restoration, reformation, and reform, 1660–1828: archbishops of Canterbury and their diocese. By Jeremy Gregory. Oxford: Oxford University Press, 2000. Pp. 355. ISBN 0-19-820830-8. £45.00. The church in an age of danger: parsons and parishioners, 1660–1740. By Donald A. Spaeth. Cambridge: Cambridge University Press, 2000. Pp. 279. ISBN 0-521-35313-0. £40.00. The Quakers in English society, 1655–1725. By Adrian Davies. Oxford: Oxford University Press, 2000. Pp. 262. ISBN 0-19-8280820-0. £40.00. Hawksmoor's London churches: architecture and theology. By Pierre de la Ruffinière du Prey. Chicago: University of Chicago Press, 2000. Pp. 179. ISBN 0-226-17301-1. £26.50 (hb); 2003. ISBN 0-226-17303-8. £17.50 (pb). The national church in local perspective: the Church of England and the regions, 1660–1800. Edited by Jeremy Gregory and Jeffrey S. Chamberlain. Woodbridge, Suffolk: Boydell Press, 2003. Pp. 315. ISBN 0-85115-897-8. £50.00." Historical Journal 46, no. 4 (2003): 977–90. http://dx.doi.org/10.1017/s0018246x03003388.

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The historiography of the eighteenth-century Church of England remains peculiarly preoccupied with vindicating that institution from the condemnation heaped upon it by Anglo-Catholics and Evangelicals in the nineteenth century. The chapters of Jeremy Gregory's Restoration, reformation, and reform characteristically begin with quotations from Victorians on the somnolence and negligence of the Hanoverian Establishment. The starting point is, as it were, a Hogarth cartoon of a corpulent curate and a snoozing congregation. In part this preoccupation is indicative of how little has been done on the

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"Theory and practice." Architectural Research Quarterly 8, no. 2 (2004): 99. http://dx.doi.org/10.1017/s1359135504000119.

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With the UK's 2008 Research Assessment Exercise looming, we make no apologies for publishing a further exploration of the nature of architectural research. In her paper (pp141–147), Jane Rendell makes a lucid and persuasive case that design is a complex interdisciplinary activity that sits uneasily within current definitions of research. For Rendell, architectural design, just as much as writing, can be practised as a form of criticism, a proposition that was explored at ‘Critical Architecture’, the recent conference at the Bartlett School in London (pp105–108).

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17

Mitrache, Matei Alexandru. "Canvassing the Concept 2023. Architects in dialogue." Argument Spațiul construit Concept și expresie 15 (2023). http://dx.doi.org/10.54508/argument.15.16.

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Canvassing the Concept event took place in May 2023 in the form of a dialogue with presentations held by young London architecture graduates - in online format. The organization, script and moderation of the 4 sessions were managed by Matei Mitrache, architect and university assistant at Bartlett School of Architecture, UCL and University Westminster, London. The idea of these meetings - presentations was provided by the Educational Forum of Architecture and Urbanism - FEdAU - held within the "Ion Mincu" University of Architecture and Urbanism, a project promoting the connection of UAUIM with

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18

Denison, Edward, and Shahid Vawda. "MoHoA introduction: Contributions and reflections on Modern Heritage in the Anthropocene." Curator: The Museum Journal, January 2024. http://dx.doi.org/10.1111/cura.12586.

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AbstractModern Heritage in the Anthropocene draws from a critical selection of the 54 papers presented at the second International MoHoA conference Modern Heritage in the Anthropocene, (October 26–28, 2022), hosted by The Bartlett School of Architecture, University College London, in partnership with the University of Liverpool's School of Architecture. The conference expanded MoHoA's aim of encouraging equitable approaches to modern heritage as an urgent and essential response to an age of planetary crises whose roots are entangled with centuries‐old culture of extraction, exploitation, and d

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Denison, Edward, and Shahid Vawda. "Introduction: MoHoA guest editorial." Curator: The Museum Journal, January 22, 2024. http://dx.doi.org/10.1111/cura.12585.

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AbstractThis special edition of Curator on Modern Heritage in the Anthropocene draws on the 2nd International MoHoA conference of the same title held from October 26 to 28, 2022, at The Bartlett School of Architecture, University College London (UK), in partnership with the University of Liverpool's School of Architecture. As a global collaborative established in 2020, MoHoA is concerned with decentring the theory and practice of modern heritage and joins the wider global effort to decolonize institutional practices that engage with the research, collection, valorization, or transformation of

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20

Raftery, Philomena, Mazeda Hossain, and Jennifer Palmer. "An innovative and integrated model for global outbreak response and research - a case study of the UK Public Health Rapid Support Team (UK-PHRST)." BMC Public Health 21, no. 1 (2021). http://dx.doi.org/10.1186/s12889-021-11433-0.

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Abstract Background Despite considerable institutional experimentation at national and international levels in response to calls for global health security reform, there is little research on organisational models that address outbreak preparedness and response. Created in the aftermath of the 2013–16 West African Ebola epidemic, the United Kingdom’s Public Health Rapid Support Team (UK-PHRST) was designed to address critical gaps in outbreak response illuminated during the epidemic, while leveraging existing UK institutional strengths. The partnership between the government agency, Public Hea

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21

Bottazzi, Roberto. "Expanded Design." Technophany, A Journal for Philosophy and Technology, December 1, 2024, 1–19. https://doi.org/10.54195/technophany.18043.

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The introduction of automated algorithmic processes (e.g. machine learning) in creative disciplines such as architecture and urban design has expanded the design space available for creativity and speculation. Contrary to previous algorithmic processes, machine learning models must be trained before they are deployed. The two processes (training and deployment) are separate and, crucially for this paper, the outcome of the training process is not a spatial object directly implementable but rather code. This marks a novelty in the history of the spatial design techniques which has been characte

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Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g

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Jaaniste, Luke Oliver. "The Ambience of Ambience." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.238.

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Well, you couldn't control the situation to that extent. The world just comes in on top of you. It creeps under the door. It falls out of the sky. It's all around. (Leunig) Like the world that cartoonist Michael Leunig describes, ambience is all around. Everywhere you go. You cannot get away from it. You cannot hide from it. You cannot be without it. For ambience is that which surrounds us, that which pervades. Always-on. Always by-your-side. Always already. Here, there and everywhere. Super-surround-sound. Immersive. Networked and cloudy. Ubiquitous. Although you cannot avoid ambience, you ma

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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f

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Sandi Sukandi, Syayid. "EFL STUDENTS’ RESPONSES ON ONLINE LEARNING PROCESS DURING COVID-19 SITUATION IN INDONESIA." English Language Education and Current Trends (ELECT), October 24, 2022, 140–53. http://dx.doi.org/10.37301/elect.v1i2.61.

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Indonesian EFL students faced online teaching and learning in such a rapid process. Therefore, this research was carried out to search for EFL students in Indonesia about their responses on teaching and learning online. This research applied the action research method with the paradigm of quantitative descriptive approach. Data for this research was collected via an online questionnaire, distributed to one class size sample consisting of 32 students in the even semester of the 2019/2020 academic year at one of the private colleges in the West Sumatra province of Indonesia. The data were analys

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Page, John. "Counterculture, Property, Place, and Time: Nimbin, 1973." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.900.

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Property as both an idea and a practice has been interpreted through the prism of a liberal, law and economics paradigm since at least the 18th century. This dominant (and domineering) perspective stresses the primacy of individualism, the power of exclusion, and the values of private commodity. By contrast, concepts of property that evolved out of the counterculture of the 1960s and early 1970s challenged this hegemony. Countercultural, or Aquarian, ideas of property stressed pre-liberal, long forgotten property norms such as sociability, community, inclusion and personhood, and contested a p

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Brien, Donna Lee. "Unplanned Educational Obsolescence: Is the ‘Traditional’ PhD Becoming Obsolete?" M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.160.

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Discussions of the economic theory of planned obsolescence—the purposeful embedding of redundancy into the functionality or other aspect of a product—in the 1980s and 1990s often focused on the impact of such a design strategy on manufacturers, consumers, the market, and, ultimately, profits (see, for example, Bulow; Lee and Lee; Waldman). More recently, assessments of such shortened product life cycles have included calculations of the environmental and other costs of such waste (Claudio; Kondoh; Unruh). Commonly utilised examples are consumer products such as cars, whitegoods and small appli

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Fredericks, Bronwyn, and Pamela CroftWarcon. "Always “Tasty”, Regardless: Art, Chocolate and Indigenous Australians." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.751.

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Black women are treated as though we are a box of chocolates presented to individual white women for their eating pleasure, so they can decide for themselves and others which pieces are most tasty (hooks 80). Introduction bell hooks equates African-American women with chocolates, which are picked out and selected for someone else’s pleasure. In her writing about white women who have historically dominated the feminist movement, hooks challenges the ways that people conceptualise the “self” and “other”. She uses a feminist lens to question widespread assumptions about the place of Black women i

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