Academic literature on the topic 'Basilica di Trasacco (Italy)'

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Journal articles on the topic "Basilica di Trasacco (Italy)"

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Barazzetti, L., R. Brumana, D. Oreni, M. Previtali, and F. Roncoroni. "True-orthophoto generation from UAV images: Implementation of a combined photogrammetric and computer vision approach." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5 (May 28, 2014): 57–63. http://dx.doi.org/10.5194/isprsannals-ii-5-57-2014.

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This paper presents a photogrammetric methodology for true-orthophoto generation with images acquired from UAV platforms. The method is an automated multistep workflow made up of three main parts: (i) image orientation through feature-based matching and collinearity equations / bundle block adjustment, (ii) dense matching with correlation techniques able to manage multiple images, and true-orthophoto mapping for 3D model texturing. It allows automated data processing of sparse blocks of convergent images in order to obtain a final true-orthophoto where problems such as self-occlusions, ghost e
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Kinney, Dale. "Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 81–100. http://dx.doi.org/10.5617/acta.7801.

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The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community - are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up
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Fioretti, Giovanna, Alessandro D’Alessio, and Giacomo Eramo. "Archaeological Stratification in the St. Leucio Basilica (2nd Century BCE–6th Century CE, Canosa di Puglia, Southern Italy): Archaeometric Analysis of Pebble Pavements." Heritage 8, no. 6 (2025): 186. https://doi.org/10.3390/heritage8060186.

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This paper presents the results of an archaeometric investigation of the preparatory mortars of the pebble pavements of the Basilica of St. Leucio in Canosa di Puglia (Bari, Southern Italy). The main aim of the presented study is to contribute to the dating of some portions of the pebble pavements by analyzing the preparatory layers and determining whether they pertain to the basilica (6th century CE) or to the pre-existing temple (2nd century BCE–4th century CE). Further purposes are to provide information about the production technologies of the mortars and to identify the nature of the pigm
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TANGARI, NICOLA. "Mensural and polyphonic music of the fourteenth century and a new source for the Credo of Tournai in a gradual of the Basilica di Santa Maria Maggiore in Rome." Plainsong and Medieval Music 24, no. 1 (2015): 25–69. http://dx.doi.org/10.1017/s0961137115000029.

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ABSTRACTAn early fourteenth-century gradual produced for use in Avignon and today preserved in Rome at the Basilica di Santa Maria Maggiore is a new source for understanding the musical and liturgical exchange between France and Italy in the fourteenth century. The present article will consider compositions written after the main body of the gradual, and found now in the initial fascicle and on the last three folios of the manuscript. These folios contain a hitherto unknown source for the Credo of Tournai as well as other works not recorded elsewhere; for example, a polyphonic Gloria, a polyph
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Garramone, M., D. Jovanovic, D. Oreni, et al. "BASILICA DI SAN GIACOMO IN COMO (ITALY): DRAWINGS AND HBIM TO MANAGE ARCHEOLOGICAL, CONSERVATIVE AND STRUCTURAL ACTIVITIES." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 653–60. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-653-2023.

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Abstract. This paper aims at presenting the recording and modelling work developed in the framework of restoration and conservation activities for the Basilica di San Giacomo in Como, Italy, whose construction started in the 11th century. The project started in 2022 and involved the application of the Historical Building Information Model (HBIM) methodology through a Scan-to-BIM approach was assessed. High-detailed 3D survey techniques were used to acquire the specific shape of the church and annexed buildings. Then, through different modelling strategies, the HBIM environment allowed the repr
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Amoroso, Sara, Iolanda Gaudiosi, Marco Tallini, Giuseppe Di Giulio, and Giuliano Milana. "2D site response analysis of a cultural heritage: the case study of the site of Santa Maria di Collemaggio Basilica (L’Aquila, Italy)." Bulletin of Earthquake Engineering 16, no. 10 (2018): 4443–66. http://dx.doi.org/10.1007/s10518-018-0356-2.

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Di Maio, Rosa, Alessia Frisetti, Luigi Ferranti, Claudio De Paola, Mauro La Manna, and Ester Piegari. "Geophysical prospecting for the pre- and early-historical reconstruction of the subsurface underneath the Paleochristian Basilica of Santa Maria di Compulteria (northern Campania, Italy)." Journal of Archaeological Science: Reports 38 (August 2021): 103091. http://dx.doi.org/10.1016/j.jasrep.2021.103091.

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Aloisio, Angelo, Luca Di Battista, Rocco Alaggio, Elena Antonacci, and Massimo Fragiacomo. "Assessment of structural interventions using Bayesian updating and subspace-based fault detection methods: the case study of S. Maria di Collemaggio basilica, L’Aquila, Italy." Structure and Infrastructure Engineering 17, no. 2 (2020): 141–55. http://dx.doi.org/10.1080/15732479.2020.1731559.

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Demori Staničić, Zoraida. "Ikona Bogorodice s Djetetom iz crkve Sv. Nikole na Prijekom u Dubrovniku." Ars Adriatica, no. 3 (January 1, 2013): 67. http://dx.doi.org/10.15291/ars.461.

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Recent conservation and restoration work on the icon of the Virgin and Child which stood on the altar in the Church of St. Nicholas at Prijeko in Dubrovnik has enabled a new interpretation of this paining. The icon, painted on a panel made of poplar wood, features a centrally-placed Virgin holding the Child in her arms painted on a gold background between the two smaller figures of St. Peter and St. John the Baptist. The figures are painted in the manner of the fifteenth- and sixteenth-century Dubrovnik style, and represent a later intervention which significantly changed the original appearan
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Careddu, Nicola, Antonio Dessena, and Paola Meloni. "Virtutes Materiae: Cagliari, the City of Stone. Innovative Geo-tourist Itineraries Promoting the Use of Stone Resources Throughout Time." Geoheritage 17, no. 2 (2025). https://doi.org/10.1007/s12371-025-01099-0.

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Abstract The historical urban development of the metropolitan city of Cagliari (Sardinia, Italy) relied heavily on the versatile use of locally sourced stone. The city’s extensive exploitation of natural resources is reflected in many settlements, such as the Phoenician-Punic necropolis of Tuvixeddu and the complex of ruins from Roman times Villa di Tigellio. Among the calcareous lithological formations of the Miocene succession, Pietra Forte stands out for its physical–mechanical characteristics and durability, which has allowed it to be used specifically for the construction of iconic monume
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Dissertations / Theses on the topic "Basilica di Trasacco (Italy)"

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Hamilton, Adrianne. "Translating the Sacred: Piety, Politics and the Changing Image of the Holy House of Loreto." Thesis, Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/7765.

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Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.

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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and tr
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Ongaro, Giulio Maria. "The chapel of St. Mark's at the time of Adrian Willaert (1527-1562) a documentary study /." 1986. http://books.google.com/books?id=awWgAAAAMAAJ.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 1986.<br>Includes indexes. Publisher's no.: UMI 8711146. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [236]-249).
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Gillman, Matthew Elliott. "Medieval Glass and the Aesthetics of Simulation." Thesis, 2021. https://doi.org/10.7916/d8-bvgg-1667.

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Gemlike objects are a nearly ubiquitous phenomenon in the medium of glass, although culturally specific studies remain scarce. This dissertation considers the production of such works in the early medieval period, primarily in association with Abbasid rule. The first half attends to several accessory issues, including glass-related terminology, glass-coloring treatises, the lives of glassworkers, gemstone connoisseurship, and the legal status of such products. These demonstrate a range of coexisting attitudes, including the desirability of such works for their own sake rather than as surreptit
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Books on the topic "Basilica di Trasacco (Italy)"

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Leopoldo, Pozzi, and Viganò Antonio, eds. La basilica romanica di Agliate: The Romanesque Basilica in Agliate. Bellavite, 2001.

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Tomasella, Anna. La basilica patriarcale di Aquileia. Fondazione Società per la conservazione della basilica di Aquileia, 1994.

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Passamani, Bruno. La Basilica di Verolanuova. Comune di Verolanuova, Biblioteca civica, 1987.

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Dovere, Ugo. La Basilica di Santa Restituta. Arcidiocesi di Napoli, 2004.

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Loretta, Dolcini, Davanzo Poli Doretta, and Vio Ettore, eds. Arazzi della Basilica di San Marco. Rizzoli, 1999.

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Letizia, Pani Ermini, Salmi Mario 1889-1980, and Fausti Luigi, eds. La Basilica di San Salvatore di Spoleto. Fondazione Centro italiano di studi sull'alto Medioevo, 2012.

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Lorenzoni, Giovanni. Il duomo di Modena e la basilica di San Zeno. Banca popolare di Verona, 2000.

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Saccardo, Pietro. La cappella di S. Isidoro nella Basilica di San Marco. Procuratoria di San Marco, 1987.

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Lopreato, Paola. Il lapidario di Grado: Basilica di Sant'Eufemia. Edizioni della laguna, 1989.

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Luciano, Romano, ed. La Basilica di Santo Stefano. F.M. Ricci, 2006.

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Book chapters on the topic "Basilica di Trasacco (Italy)"

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Passuello, Angelo. "Le committenze architettoniche di Atto nella Toscana del XII secolo: uno sguardo d’insieme e un epigono veneto." In Atto abate vallombrosano e vescovo di Pistoia. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0335-7.12.

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The paper deals with the architectural commissions of Atto, during the thirty years in which the religious was first prior general of the Vallombrosani and then bishop of Pistoia (1125-1153). The churches that still have the structure and decorations of the 12th century are particularly analyzed, for example: Santa Maria di Montepiano, San Michele di Plaiano and San Michele di Salvenero in north-western Sardinia, San Paolo a Ripa d'Arno in Pisa and others. Before the year 1140 Atto obtained a relic of san Jacopo the Major, which in 1145 was placed in a chapel in the first two spans of the sout
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"Atoms Go South: The Italians Volta, Avogadro, and Cannizzaro (Italy)." In Traveling with the Atom A Scientific Guide to Europe and Beyond. The Royal Society of Chemistry, 2019. http://dx.doi.org/10.1039/9781788015288-00222.

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No chapter on Italian science could be complete without mentioning Galileo whose works mark the beginning of modern science. In Rome, we visit Campo de' Fiori to contemplate the hooded statue of Giordano Bruno who was burned at the stake for holding views akin to those of Galileo. Galileo sites in Pisa are followed by those in Florence including the Galileo Museum and his tomb in the Basilica di Santa Croce. Next, we discuss Alessandro Volta's background, his correspondence with Ben Franklin, his skepticism regarding Luigi Galvani's “animal electricity”, and the construction of his “voltaic pi
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Schroeder, F., A. Merritt, C. Menkiti, M. Caianiello, D. Potts, and R. Sorge. "Assessing the effects of constructing the Colosseo/Fori Imperiali station on the Basilica di Massenzio in Rome, Italy." In Numerical Methods in Geotechnical Engineering. CRC Press, 2014. http://dx.doi.org/10.1201/b17017-143.

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Carter, Tim. "Resemblance and Representation: Towards a New Aesthetic in the Music of Monteverdi." In Con che soavità Studies in Italian Opera, Song, and Dance, 1580-1740. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198163701.003.0006.

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Abstract By the mid-1620s, Claudio Monteverdi had been maestro di cappella of St Mark’s, Venice, for over a decade. He was widely recognized as the leading composer in Italy, was head of a prestigious musical establishment, and was supported by gifted assistants who could carry the day-to-day burdens of administering, rehearsing, and directing music in the Basilica. As the composer entered middle age, his thoughts turned to more relaxing endeavours. There was still the unfinished business of the treatise he had (perhaps foolishly, he now felt) promised Artusi in his famous polemic with the Bol
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Conference papers on the topic "Basilica di Trasacco (Italy)"

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Utting, Brittany, and Daniel Jacobs. "PALM-HOUSE." In 2021 ACSA Teachers Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.teach.2021.24.

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The Botanic Gardens of Padua, Italy (Orto Botanico di Padova) were founded by the University of Padua in 1545 for medicinal plant research. Located south of the Basilica of Sant’Antonio, the herbarium takes the form of a circle divided into four quadrants each containing a carefully curated arrangement of specimens. The herbs and plants in the garden, imported from all over the world, were used to train medical students to identify specific species for medical and therapeutic remedies. ¹ Because of the rarity of the specimens housed inside, the Orto Botanico was fortified against theft with a
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