Relevant bibliographies by topics / Basilico, Gabriele

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Basilico, Gabriele'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Basilico, Gabriele"

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Sonzogni, Annalisa, Valeria Carullo, Iain Borden, et al. "Gabriele Basilico: postcards." Journal of Architecture 24, no. 8 (2019): 1149–73. http://dx.doi.org/10.1080/13602365.2019.1706941.

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Tommasini, Alexandra. "Anti-icon icon: Gabriele Basilico’s photography of the Italian urban landscape." Modern Italy 21, no. 4 (2016): 427–40. http://dx.doi.org/10.1017/mit.2016.47.

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This article explores Gabriele Basilico’s photographs of the contemporary Italian environment and argues for their status as both iconic – that is to say, distinctive, highly visible, and memorable – and anti-iconic symbols or images. The discussion first explores the anti-iconic impulse in Basilico’s work. It marks out his standing as one of the most prominent proponents of the trend in contemporary Italian photography which sought to counter the mythic view of the country’s landscape and highlights his involvement in the trend’s seminal exhibition, Viaggio in Italia (1984). The article then
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Infussi, Francesco. "Gabriele Basilico e Alvaro Siza: "Incontro a Matosinhos"." TERRITORIO, no. 69 (May 2014): 162–73. http://dx.doi.org/10.3280/tr2014-069022.

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Valtorta, Roberta. "Architecture, city, landscape: a conversation with Gabriele Basilico." Journal of Architecture 24, no. 8 (2019): 1134–48. http://dx.doi.org/10.1080/13602365.2019.1706909.

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Tassi, Graziano. "Elogio funebre della fabbrica: Gabriele Basilico ed Ermanno Rea." HISTORIA MAGISTRA, no. 28 (March 2019): 112–20. http://dx.doi.org/10.3280/hm2018-028011.

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Rabissi, Francesco. "The body of Milan in Gabriele Basilico and Michelangelo Antonioni." Journal of Architecture 24, no. 8 (2019): 1084–95. http://dx.doi.org/10.1080/13602365.2019.1708777.

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Tommasini, Alexandra. "A ‘patient’ aesthetic: Exploring the visual language of Italian urban landscape photographer Gabriele Basilico." Journal of European Studies 47, no. 4 (2017): 411–25. http://dx.doi.org/10.1177/0047244117733910.

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This article stakes a claim on the word ‘patient’, both its nominal and adjectival format, as a discursive tool to explore Italian photographer Gabriele Basilico’s visual language. The ‘patient’ metaphor is also employed to investigate the critical questions regarding the status of the documentary value of Basilico’s work. The discussion focuses on four exemplary photographs that span Basilico’s career and depict European and international cities in order to understand the slow unfolding of his aesthetic throughout his over 30-year career. It debates the extent to which Basilico’s visual langu
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Tommasini, Alexandra. "‘My point of arrival’: Gabriele Basilico's photobooks." Journal of Architecture 24, no. 8 (2019): 1118–33. http://dx.doi.org/10.1080/13602365.2019.1704834.

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Deriu, Davide. "‘A dynamic attitude of the gaze’: Gabriele Basilico’s sense of vertical space." Journal of Architecture 24, no. 8 (2019): 1096–117. http://dx.doi.org/10.1080/13602365.2019.1704831.

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Basilio Fabris, Ailin, and Lucas Bruschetti. "Blázquez, Gustavo y Lugones, María Gabriela (Eds.) (2020). Celebrar. Una antropología de la fiesta y la performance. Córdoba, Editorial de la UNC, 336 páginas." Descentrada 7, no. 1 (2023): e203. http://dx.doi.org/10.24215/25457284e203.

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Dissertations / Theses on the topic "Basilico, Gabriele"

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Szumita, Lauren. "Toward a New Landscape: The Architectural Photography of Gabriele Basilico, 1978-1984." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18740.

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Trained as an architect shortly before becoming a photographer of urban spaces, Italian photographer Gabriele Basilico (1944-2013) is celebrated for his work on the city in transition. Beginning in 1978, Basilico refrained from photographing people and turned his attention to the architectural structures that make up a city, an approach that would define the remainder of his career. His focus on architecture and urban landscapes places Basilico in the realm of the "new landscape photography" in Italy, which is recognized for depicting previously overlooked areas of the city, such as defunct in
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Peretti, Veronica <1996&gt. "Sguardi sulla “città moderna non identificata” tra arte, architettura e società. Brescia fotografata da Gabriele Basilico e Dan Graham." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19385.

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La riflessione circa la dilatazione dello spazio, già a partire dai Futuristi e dai Dadaisti, assume un ruolo cruciale nel corso del Novecento, per poi diventare punto chiave delle ricerche artistiche a partire dagli anni Sessanta. In un contesto di democratizzazione dell’arte, gli artisti tendono a uscire dalle mura delle gallerie e dei musei per invadere lo spazio della realtà ed è proprio la rinnovata attenzione verso le forme del reale a imporre un nuovo contesto di ricerca, che fuoriesce dai limiti imposti dalle pareti espositive. Questo avvicinamento al reale, inoltre, porta gli artist
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3

Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.

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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and tr
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DE, VIVO TOMMASO. "La fortuna europea dello Zodiacus vitae di Marcello Palingenio Stellato." Doctoral thesis, 2015. http://hdl.handle.net/2158/1006634.

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The work primarily provides a new, wide bibliography (more than 200 pages) of the Zodiacus vitae of Marcello Palingenio Stellato, also enlighting his life and work (specifically in relation to its audience). Also, the work provides useful information aimed to scholars about a number of not well-known authors, like Giovita Rapicio, Lilio Gregorio Giraldi, Nicolas Bourbon (see the ‘tag’ section below for a more comprehensive list). However, the work should be considered an essay of a bibliographical work in itself, as well as an anthology of excerpts of great beauty and interest. L'opera forn
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Books on the topic "Basilico, Gabriele"

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Gabriele, Basilico, ed. Gabriele Basilico. Phaidon, 2001.

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Bonami, Francesco. Gabriele Basilico. Phaidon, 2005.

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Gabriele, Basilico, and Kunstmuseum Luzern, eds. Gabriele Basilico: Urbanscapes. Skira, 2014.

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Filippo, Maggia, and Taylor Ruth, eds. Gabriele Basilico: Berlin. Thames & Hudson, 2002.

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Corrias, Pino, 1955- writer of added text and Archivio Giovanni Sacchi, eds. Gabriele Basilico, Sesto Falck. Silvana editoriale, 2011.

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Gulbenkian, Fundação Calouste, ed. Gabriele Basilico: Lisboa 2006. Fundação Calouste Gulbenkian, 2006.

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7

Palazzo delle esposizioni (Rome, Italy) and Foto-Grafia (Festival), eds. Gabriele Basilico: Roma 2007. Baldini Castoldi Dalai, 2008.

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8

Basilico, Gabriele. Gabriele Basilico: Beyrouth 1991 (2003). Point du jour, 2004.

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Basilico, Gabriele. Gabriele Basilico: Silicon Valley, 07. Skira, 2008.

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10

editor, Madesani Angela, ed. Gabriele Basilico: Bord de mer. Contrasto, 2017.

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Book chapters on the topic "Basilico, Gabriele"

1

Lécole Solnychkine, Sophie. "20. Provincia Antiqua de Gabriele Basilico." In La France en albums. Hermann, 2017. http://dx.doi.org/10.3917/herm.antoi.2017.01.0283.

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Norcia, Audrey. "La résurgence des ruines antiques dans la photographie italienne contemporaine : Gabriele Basilico et Mimmo Jodice." In Que faire avec les ruines ? Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.52639.

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Arnold, Denis. "Venice." In Monteverdi. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164654.003.0003.

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Abstract The procurators of St Mark’s had made their choice with great speed. Usually they took their time in choosing a new maestro di cappella, with an interregnum of six months or more. They must have had unusual confidence in Monteverdi’s reputation and demeanour. He was old enough, had experience in administration and was a famous composer. Someone of this stature was very necessary, since Monteverdi’s predecessor had been a failure. Giulio Cesare Martinengo had come to St Mark’s from Udine Cathedral. He left no mark on history as a composer, and worse still, he seems to have had unsatisf
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