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Journal articles on the topic 'Basilico, Gabriele'

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1

Sonzogni, Annalisa, Valeria Carullo, Iain Borden, et al. "Gabriele Basilico: postcards." Journal of Architecture 24, no. 8 (2019): 1149–73. http://dx.doi.org/10.1080/13602365.2019.1706941.

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2

Tommasini, Alexandra. "Anti-icon icon: Gabriele Basilico’s photography of the Italian urban landscape." Modern Italy 21, no. 4 (2016): 427–40. http://dx.doi.org/10.1017/mit.2016.47.

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This article explores Gabriele Basilico’s photographs of the contemporary Italian environment and argues for their status as both iconic – that is to say, distinctive, highly visible, and memorable – and anti-iconic symbols or images. The discussion first explores the anti-iconic impulse in Basilico’s work. It marks out his standing as one of the most prominent proponents of the trend in contemporary Italian photography which sought to counter the mythic view of the country’s landscape and highlights his involvement in the trend’s seminal exhibition, Viaggio in Italia (1984). The article then
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3

Infussi, Francesco. "Gabriele Basilico e Alvaro Siza: "Incontro a Matosinhos"." TERRITORIO, no. 69 (May 2014): 162–73. http://dx.doi.org/10.3280/tr2014-069022.

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4

Valtorta, Roberta. "Architecture, city, landscape: a conversation with Gabriele Basilico." Journal of Architecture 24, no. 8 (2019): 1134–48. http://dx.doi.org/10.1080/13602365.2019.1706909.

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5

Tassi, Graziano. "Elogio funebre della fabbrica: Gabriele Basilico ed Ermanno Rea." HISTORIA MAGISTRA, no. 28 (March 2019): 112–20. http://dx.doi.org/10.3280/hm2018-028011.

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6

Rabissi, Francesco. "The body of Milan in Gabriele Basilico and Michelangelo Antonioni." Journal of Architecture 24, no. 8 (2019): 1084–95. http://dx.doi.org/10.1080/13602365.2019.1708777.

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7

Tommasini, Alexandra. "A ‘patient’ aesthetic: Exploring the visual language of Italian urban landscape photographer Gabriele Basilico." Journal of European Studies 47, no. 4 (2017): 411–25. http://dx.doi.org/10.1177/0047244117733910.

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This article stakes a claim on the word ‘patient’, both its nominal and adjectival format, as a discursive tool to explore Italian photographer Gabriele Basilico’s visual language. The ‘patient’ metaphor is also employed to investigate the critical questions regarding the status of the documentary value of Basilico’s work. The discussion focuses on four exemplary photographs that span Basilico’s career and depict European and international cities in order to understand the slow unfolding of his aesthetic throughout his over 30-year career. It debates the extent to which Basilico’s visual langu
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8

Tommasini, Alexandra. "‘My point of arrival’: Gabriele Basilico's photobooks." Journal of Architecture 24, no. 8 (2019): 1118–33. http://dx.doi.org/10.1080/13602365.2019.1704834.

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9

Deriu, Davide. "‘A dynamic attitude of the gaze’: Gabriele Basilico’s sense of vertical space." Journal of Architecture 24, no. 8 (2019): 1096–117. http://dx.doi.org/10.1080/13602365.2019.1704831.

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10

Basilio Fabris, Ailin, and Lucas Bruschetti. "Blázquez, Gustavo y Lugones, María Gabriela (Eds.) (2020). Celebrar. Una antropología de la fiesta y la performance. Córdoba, Editorial de la UNC, 336 páginas." Descentrada 7, no. 1 (2023): e203. http://dx.doi.org/10.24215/25457284e203.

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11

Shinkle, Eugenie. "The city inhabits me: space, topology, and Gabriele Basilico’s Milano. Ritratti di fabbriche." Journal of Architecture 24, no. 8 (2019): 1070–83. http://dx.doi.org/10.1080/13602365.2019.1704832.

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12

Maggi, Angelo. "‘Silence, lights, and a situation of expectation’: influences and themes in Gabriele Basilico's oeuvre." Journal of Architecture 24, no. 8 (2019): 1053–69. http://dx.doi.org/10.1080/13602365.2019.1704833.

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13

Kościukiewicz, Jakub. "Cello in the Baroque, part 2: Cello literature in the 17th century." Notes Muzyczny 2, no. 10 (2018): 9–23. http://dx.doi.org/10.5604/01.3001.0012.9810.

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The present text is the second instalment of the cycle of articles based on its author’s doctoral dissertation entitled The birth of cello as a solo instrument – instruments, prac-tice, and selected literature examples (Academy of Music in Łódź, 2017). It is an at-tempt to systematise the knowledge about the first cello literature creators and their compositions. The text includes descriptions (characterisations) of the first pieces writ-ten for the cello as early as in the 17th century along with short biographical sketches of their composers. The article characterises the main centres of dev
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14

Gouvêa, Lucas, Elizabeth Santana dos Santos, Solange Moraes Sanches, et al. "Abstract P4-12-13: CDK4/6 inhibitors (iCDK4/6) in breast cancer (BC): Is it possible to predict response?" Clinical Cancer Research 31, no. 12_Supplement (2025): P4–12–13—P4–12–13. https://doi.org/10.1158/1557-3265.sabcs24-p4-12-13.

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Abstract Background: Up to 20% of luminal BC patients presents recurrent disease in the first 10 years. The development of iCDK4/6 has changed treatment paradigms because of their significant improvement in treatment outcomes. Despite extensive translational research developed until now, no predictive biomarker has been identified so far. There is also a lack of evidence for iCDK4/6 efficacy in specific populations (such patients carrying pathogenic germline) and situations (as treatment sequencing, combinatorial strategies, and the role of post-iCDK4/6 therapy). Methods: We performed a retros
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15

Sodini, Jean-Pierre. "L'île de Cos et ses basiliques protobyzantines - ISABELLA BALDINI, MONICA LIVADIOTTI (a cura di), ARCHEOLOGIA PROTOBIZANTINA A KOS: LA BASILICA DI S. GABRIELE (Alma Mater Studiorum - Università di Bologna, Dipartimento di Archeologia; Studi e Scavi nuova serie 28; Ante Quem, Bologna 2011). Pp. xiv + 312, many figs. including colour. ISBN 978-88-7849-060-4. EUR. 30." Journal of Roman Archaeology 26 (2013): 848–52. http://dx.doi.org/10.1017/s1047759413000895.

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16

CMICA, Revista. "Resúmenes de Trabajos Libres." Revista Alergia México 65 (June 9, 2018): 1–147. http://dx.doi.org/10.29262/ram.v65i0.1278.

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Presentación En septiembre de 2017, la Asociación Colombiana de Alergia, Asma e Inmunología (ACAAI) y la Organización Mundial de Alergia (WAO) celebraron conjuntamente en la Ciudad de Cartagena, Colombia, dos eventos únicos: el XI Congreso Colombiano de Alergia, Asma e Inmunología y el Simposio WAO “Alergia a ácaros: de la ciencia básica a las aplicaciones clínicas”. Los organizadores se esmeraron a fondo en ofrecer un programa de contenido novedoso e interesante, pero también en lograr una convocatoria numerosa y de calidad que motivara la presentación de trabajos libres. Para ello, se empren
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17

Urbański, Piotr. "Scena Zwiastowania (Łk 1, 26-38) i jej interpretacja w nowożytnych projektach architektonicznych Bazyliki Zwiastowania w Nazarecie." Seminare. Poszukiwania naukowe 43, no. 3 (2022). http://dx.doi.org/10.21852/sem.2022.3.04.

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The Basilica of the Annunciation in Nazareth recalls the mystery of the Incarnation and hides the grotto where the angel Gabriel announced to Mary that she would become the Mother of the Messiah. The event of the Annunciation has been described by St. Luke in his Gospel (Luke 1: 26-38). The modern temple was built in the 1960s and replaced the previous, smaller church. Antonio Barluzzi, Italian architect known in the Holy Land, was originally commissioned to design and build the church. However, his design was not accepted and the temple was erected by another Italian architect, Giovanni Muzio
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18

Marina, Toumpouri. "Church of Panagia (Our Lady) Angeloktisti, Kition." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573679.

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The church of Panagia Angeloktisti (meaning "built by angels" in Greek) was erected in the village of Kiti in Cyprus. According to the foundation legend, the population of ancient Kition moved to the present village of Kiti for fleeing the Arab invasions. In their new dwelling they set about to build a church in honour of the Virgin. During the construction of the church, the foundations had moved to a different location overnight. After the occurrence of the miracle, they continued to build the church on the new site and returned every morning to find that work had progressed overnight in the
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19

Nicolyna, Enriquez. "Church of the Panagia and Christ the Savior, Roustika (Rethymnon), Crete." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574665.

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The twin basilica churches dedicated to the Dormition of the Virgin and the Transfiguration of Christ are located in the center of the village of Roustika in the Rethymnon province. Dated by inscription to 1390-91, only the northern church, the one dedicated to the Panagia retains its paintings in good condition. Each of the two churches has a pointed barrel vault interior and a saddle roof exterior. Two later archways, one in the nave and one in the sanctuary, connect the two churches from the inside. Incorporated at an unknown date, these two internal archways damaged several of the surround
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