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Books on the topic 'Basso model'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

McCollum, Randy A. Bank protection, Bass Location, Willamette River, Oregon: Hydraulic model investigation. Vicksburg, Miss: Dept. of the Army, Waterways Experiment Station, Corps of Engineers, 1987.

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2

Robert, Jean-Pierre. Les modes de jeu de la contrebasse: Un dictionnaire de sons. Paris, France: Editions Musica Guild, 1995.

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3

Hamilton, Karen. Habitat suitability index models and instream flow suitability index curves: White bass. Washington, DC: Western Energy and Land Use Team, Division of Biological Services, Research and Development, Fish and Wildlife Service, U.S. Dept. of the Interior, 1985.

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4

Wright, Gordon P. Frank M. Bass and research in consumer choice behavior. West Lafayette, Ind: Institute for Research in the Behavioral, Economic, and Management Sciences, Krannert Graduate School of Management, Purdue University, 1986.

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5

Hurley, Noel M. Transport simulation of striped bass eggs in the Congaree, Wateree, and Santee rivers, South Carolina. Columbia, S.C: U.S. Geological Survey, 1991.

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6

Crance, Johnie H. Habitat suitability index models and instream flow suitability curves: Shortnose sturgeon. Washington, DC: National Ecology Center, Division of Wildlife and Contaminant Research, Fish and Wildlife Service, U.S. Dept. of the Interior, 1986.

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7

Yunus, Aydin Kerim, and PICES-GLOBEC International Program on Climate Change and Carrying Capacity., eds. The BASS/MODEL report on trophic models of the subarctic Pacific basin ecosystems. Sidney, B.C: North Pacific Marine Science Organization, 2003.

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8

A, McFarlane G., North Pacific Marine Science Organization., Global Ocean Ecosystems Dynamics (Program), and PICES-GLOBEC International Program on Climate Change and Carrying Capacity., eds. Report of the 2000 BASS, MODEL, MONITOR and REX workshops, and the 2001 BASS/MODEL workshop. Sidney, B.C: North Pacific Marine Science Organization (PICES), 2001.

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9

Douse, Cliff. Scales and Modes for Bass Guitar. Music Sales Ltd, 1993.

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10

Matheos, Chris. Mel Bay's 50 Modal Slap Bass Workouts. Mel Bay Publications, 2002.

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11

Fowler, William L. Scales And Modes For Bass Guitar (Tablature Series). Creative Concepts, 1992.

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12

Roth, Dana. Mel Bay Bass Chart of Scales and Modes. Mel Bay Publications, Inc., 1993.

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13

Report of the 2001 BASS/MODEL, MONITOR and REX workshops and the 2002 MODEL/REX workshop. Sidney, B.C: North Pacific Marine Science Organization, 2002.

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14

Brunel, Bunny. Mel Bay Pocket Modes for Bass (Booklet/CD Set). Mel Bay Publications, 2002.

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15

Roth, Dana. Mel Bay's Encyclopedia of Scales & Modes for Electric Bass. Mel Bay Publications, Inc., 1992.

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16

Emmel, Brian. Five String Bass: Complete Book of Scales, Modes and Chords. Centerstream Publications, 1995.

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17

1955-, Perry Richard Ian, North Pacific Marine Science Organization., and Global Ocean Ecosystems Dynamics (Program), eds. Workshop on Conceptual/Theoretical Studies and Model Development including the MODEL Task Team report, Bass Task Team report, Rex Task Team report. Sidney, B.C: North Pacific Marine Science Organization, 1997.

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18

Scales and Modes for Bass: A Fun and Easy Way to Use Scales and Modes in Your Playing. Alfred Publishing Company, 1992.

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19

Chaganti, Seeta. The Time of Reenactment in Basse Danse and Bassadanza. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.44.

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Fifteenth-century dance manuals reveal an important distinction between the work of historical reconstruction and that of theoretical reenactment. Basse danse and bassadanza manuals clarify that the difference between reenactment and reconstruction is a difference in temporal experience. When we use these documents simply to reconstruct—to piece together and attempt to replicate a past step pattern—we discern in the manuals and in their dances an anticipatory temporality that privileges looking toward the future. When, however, we approach these texts through the theoretical discourse of reenactment, we discover a different kind of time. It is recursive, multidirectional, and far more layered than the anticipatory model that the dance instructions appear on the surface to adopt. When this more complex temporal structure becomes visible, this chapter argues, we recognize how these early dances and their instruction manuals theorize their own uses of time and thus their own reenactment.
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20

Mink, Barbara P., Elizabeth A. Downes, and Keith Q. Owen. Open Organizations: A Model for Effectiveness, Renewal, and Intelligent Change (Jossey Bass Business and Management Series). Jossey-Bass, 1994.

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21

Tenney, James. Introduction to “Contributions toward a Quantitative Theory of Harmony”. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0010.

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James Tenney presents the introduction to his 1979 essay “Contributions toward a Quantitative Theory of Harmony.” In this introduction, Tenney discusses the history of consonance/dissonance, paying attention to the semantic problem, relations between pitches, qualities of simultaneous aggregates, and contextual as well as operational and functional senses of consonance/dissonance. He also explores the structure of harmonic series aggregates, focusing on harmonic intersection and disjunction, harmonic density, and harmonic distance and pitch mapping. Finally, he considers problems of tonality by analyzing harmonic-melodic roots and the “tonic effect,” along with harmonic (chordal) roots, the “fundamental bass,” and a model of pitch perception in the auditory system. In an epilogue, Tenney describes new harmonic resources as well as prospects and limitations of his contributions.
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22

The Fundraising Planner: A Working Model for Raising the Dollars You Need (Jossey-Bass Nonprofit and Public Management Series.). Jossey-Bass, 1999.

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23

Brunel, Bunny. Bunny Brunel's Power Bass: Soloing Secrets: Explore New Modes, Scales and Chords * Expand Your Improv Palette. Backbeat Books, 2003.

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24

Rockman, Ilene F., and and Associates. Integrating Information Literacy into the Higher Education Curriculum: Practical Models for Transformation  (The Jossey-Bass Higher and Adult Education Series). Jossey-Bass, 2004.

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25

Ockeghem's Missa Cuiusvis Toni: In Its Original Notation and Edited in All the Modes : Soprano/Alto/Tenor/Bass (Publications of the Early Music Institute). Indiana University Press, 1992.

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