Relevant bibliographies by topics / Bassoon

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Bassoon'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Bassoon.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Bassoon"

1

Pastukhov, Oleksandr. "Bassoon in the 16–17 centuries: the issues of the bassoon practice development." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 139–50. http://dx.doi.org/10.34064/khnum2-19.08.

Full text
Abstract:
Background. The article deals with the interaction of the constructive evolution of the instrument and the development of bassoon performing of the 16–17 centuries. The aesthetics of that time was associated with the search for new expressive means, realization of which could be ensured by new instruments with rich and expressive sound. One of such instruments is bassoon; it was during the Baroque era when the bassoon took its shape and the sound image we know today. Thanks to technical evolution, the instrument acquired new artistic capabilities and new sound quality. A new repertoire was formed; bassoon became the part of such instrumental genres as sonata and concerto, it was firmly fixed in the score of the symphony orchestra. In music science, there are a number of studies devoted to wind instruments, the most significant of which are researches by G. Abadzhyan, V. Apatskiy L. Belenov, V. Berezin, V. Bohdanov, N. Volkov, V. Gromchenko, Yu. Dolzhikov, V. Kachmarchyk, V. Lebedev, V. Popov, I. Pushechnikov, Yu. Usov, and A. Kiziliayev. There are works, which focus on the bassoon, its history, expressive and technical capabilities (G. Abadzhyan, V. Apatskiy, V. Bubnovich, N. Karaulovsky, S. Levin, V. Leonov, V. Popov, V. Starko, Anthony Baines). It is worth noting the rather important and comprehensive work by V. Apatskiy “Bassoon from A to Z”. There are numerous scientific publications of international woodwind performers associations, such as the International Double Reed Society, the Australian double reed community, the British double reed community, the Japan bassoon society, the Finnish double reed community. The purpose of the article is to reveal the specifics of the relationship between the structural improvements of the bassoon and the performance on the bassoon in the period of 16–17 centuries. Achieving this goal will help to perform tasks such as a historical overview of the development of the bassoon in the Baroque era and identify the relationship between constructive changes, artistic possibilities, repertoire potential (including the genre palette of the instrument) and composer work for the bassoon of this period. The presented article is a material used in the candidate’s dissertation, which is devoted to a wide range of issues of performance on the bassoon from the origins to the present. Methodology. The main research methods are historical, organological and performing. The historical method is associated with the characterization of the historical conditions of origin and development of the bassoon; the organological method is necessary to establish the connection between the constructive changes of the instrument with the new quality of its sound; the performing method helps to reveal new tendencies in bassoon performance of the 16–17 centuries from the new repertoire to the functional purpose of the instrument. Research results. Around the middle of the 17th century, fundamental changes occurred in the construction of the bassoon. They were caused by the need to regulate the overall tuning system of the instrument in such a way that it could participate in joint music-making with other instruments, as well as by the desire to make the instrument more portable. At the turn of the 16–17 centuries, in the process of bassoon chromatization as the result of complication of composer creativity, fundamental changes were made in the design of the instrument: new “chromatic” holes and valves, as well as fork fingering appeared. It was all connected with the formation of certain musical and aesthetic needs and developed along with them. So, the evolution of the bassoon 16–17 centuries led to such qualitative changes in the sound of the instrument as: softness of the tone, pitch control, expansion of the working range, great power of sound, ease of playing the instrument. The above-mentioned factors entailed fundamental changes in the composers’ attitude towards the instrument. The bassoon enters a more complex functional level in the works of various music genres (interlude to the comedy “La Pellegrina” by Girolamo Bargalia, “Sacrae symphoniae” by Giovanni Gabrieli, “Messa a 4 voci et Salmi” by C. Monteverdi, “Fantasy for basso continuo” by Bartolome deSelma-i-Salaverde, sonata “Lamonica” by PhilipFriedrich Bodekher, nine sonatas for solo bassoon and basso continuo by Giovanni Antonio Bertoli, sonata for two bassoons by Philipp Friedrich Buchner, opera “Il pomo d’oro” by Antonio Cesti, singspiel “Seelewig” by Sigmund Theophil Staden). The role of Antonio Vivaldi in the formation of the concerto, including concerto for bassoon, is difficult to overestimate, and thirty-nine Vivaldi’s concertos for bassoon are evidence of that. The creative work of Antonio Vivaldi affected Johann Sebastian Bach, who wrote bassoon parts in his works of different genres. George Philippe Telemann, Bach’s contemporary, is known for a large number of pieces with bassoon parts. Conclusions. Constructive changes resulted in the arrival of the bassoon to a new timbre, figurative-intonational, genre, and performance level. Meanwhile, there is a linear rather than reciprocal relationship between the above-mentioned levels. On the one hand, there is a direct dependence in the evolution of bassoon performance: new constructive features – technical capabilities of the instrument – more individual timbre character – new expressive possibilities – solo parts – solo pieces. On the other hand, all this creates new requirements both for the performer and for the instrument, which brings the situation back to the need for further search. The results of this research can be used in further studies devoted to the history and theory of bassoon performance in the historical, organological and genre-stylistic directions.
APA, Harvard, Vancouver, ISO, and other styles
2

O'Loughlin, Niall. "Bassoon." Musical Times 126, no. 1711 (September 1985): 542. http://dx.doi.org/10.2307/964473.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

O'Loughlin, Niall. "Bassoon." Musical Times 129, no. 1742 (April 1988): 193. http://dx.doi.org/10.2307/965322.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Waldman, Ken. "Bassoon." Massachusetts Review 57, no. 4 (2016): 716. http://dx.doi.org/10.1353/mar.2016.0115.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Fejtova, Anna, Daria Davydova, Ferdinand Bischof, Vesna Lazarevic, Wilko D. Altrock, Stefano Romorini, Cornelia Schöne, et al. "Dynein light chain regulates axonal trafficking and synaptic levels of Bassoon." Journal of Cell Biology 185, no. 2 (April 20, 2009): 341–55. http://dx.doi.org/10.1083/jcb.200807155.

Full text
Abstract:
Bassoon and the related protein Piccolo are core components of the presynaptic cytomatrix at the active zone of neurotransmitter release. They are transported on Golgi-derived membranous organelles, called Piccolo-Bassoon transport vesicles (PTVs), from the neuronal soma to distal axonal locations, where they participate in assembling new synapses. Despite their net anterograde transport, PTVs move in both directions within the axon. How PTVs are linked to retrograde motors and the functional significance of their bidirectional transport are unclear. In this study, we report the direct interaction of Bassoon with dynein light chains (DLCs) DLC1 and DLC2, which potentially link PTVs to dynein and myosin V motor complexes. We demonstrate that Bassoon functions as a cargo adapter for retrograde transport and that disruption of the Bassoon–DLC interactions leads to impaired trafficking of Bassoon in neurons and affects the distribution of Bassoon and Piccolo among synapses. These findings reveal a novel function for Bassoon in trafficking and synaptic delivery of active zone material.
APA, Harvard, Vancouver, ISO, and other styles
6

Taran, Vladimir. "CREATIONS WITH THE PARTICIPATION OF THE BASSOON SIGNED BY VLADIMIR ROTARU." Akademos 60, no. 1 (June 2021): 134–36. http://dx.doi.org/10.52673/18570461.21.1-60.18.

Full text
Abstract:
Vladimir Rotaru is one of the famous composers from the Republic of Moldova, whose compositions include both orchestral and chamber-instrumental works. In this article, the author made a brief analysis of the repertoire for bassoon that includes both solo and chamber compositions, such as Suite for flute, oboe, clarinet, and bassoon; Monothematic metamorphoses; Sonata-dialogue for bassoon and piano; Caprice for bassoon and piano. The aim of the article concerned is reviewing the creations for bassoon signed by Vladimir Rotaru, being in a succinct language features and architectonic creations componentistic concerned.
APA, Harvard, Vancouver, ISO, and other styles
7

Dieck, Susannetom, Lydia Sanmartí-Vila, Kristina Langnaese, Karin Richter, Stefan Kindler, Antje Soyke, Heike Wex, et al. "Bassoon, a Novel Zinc-finger CAG/Glutamine-repeat Protein Selectively Localized at the Active Zone of Presynaptic Nerve Terminals." Journal of Cell Biology 142, no. 2 (July 27, 1998): 499–509. http://dx.doi.org/10.1083/jcb.142.2.499.

Full text
Abstract:
The molecular architecture of the cytomatrix of presynaptic nerve terminals is poorly understood. Here we show that Bassoon, a novel protein of >400,000 Mr, is a new component of the presynaptic cytoskeleton. The murine bassoon gene maps to chromosome 9F. A comparison with the corresponding rat cDNA identified 10 exons within its protein-coding region. The Bassoon protein is predicted to contain two double-zinc fingers, several coiled-coil domains, and a stretch of polyglutamines (24 and 11 residues in rat and mouse, respectively). In some human proteins, e.g., Huntingtin, abnormal amplification of such poly-glutamine regions causes late-onset neurodegeneration. Bassoon is highly enriched in synaptic protein preparations. In cultured hippocampal neurons, Bassoon colocalizes with the synaptic vesicle protein synaptophysin and Piccolo, a presynaptic cytomatrix component. At the ultrastructural level, Bassoon is detected in axon terminals of hippocampal neurons where it is highly concentrated in the vicinity of the active zone. Immunogold labeling of synaptosomes revealed that Bassoon is associated with material interspersed between clear synaptic vesicles, and biochemical studies suggest a tight association with cytoskeletal structures. These data indicate that Bassoon is a strong candidate to be involved in cytomatrix organization at the site of neurotransmitter release.
APA, Harvard, Vancouver, ISO, and other styles
8

Brusky, Paula. "The High Prevalence of Injury Among Female Bassoonists." Medical Problems of Performing Artists 25, no. 3 (September 1, 2010): 120–25. http://dx.doi.org/10.21091/mppa.2010.3025.

Full text
Abstract:
Performance-related musculoskeletal disorders (PRMDs) are a frequent reality for practicing musicians. Aspects of the bassoon, such as the weight of the instrument and the musician’s asymmetrical body position, make bassoon players particularly susceptible to PRMDs. The International Bassoonist Questionnaire was distributed via the world wide web (n = 166; 58% male, 42% female) to investigate PRMDs in bassoon players. Great differences between genders were documented in bassoon players; females (100%) reported PRMDs more frequently than males (78%). Female bassoonists were particularly susceptible to PRMDs in the hands, arms, and wrists.
APA, Harvard, Vancouver, ISO, and other styles
9

Takao-Rikitsu, Etsuko, Sumiko Mochida, Eiji Inoue, Maki Deguchi-Tawarada, Marie Inoue, Toshihisa Ohtsuka, and Yoshimi Takai. "Physical and functional interaction of the active zone proteins, CAST, RIM1, and Bassoon, in neurotransmitter release." Journal of Cell Biology 164, no. 2 (January 19, 2004): 301–11. http://dx.doi.org/10.1083/jcb.200307101.

Full text
Abstract:
We have recently isolated a novel cytomatrix at the active zone (CAZ)–associated protein, CAST, and found it directly binds another CAZ protein RIM1 and indirectly binds Munc13-1 through RIM1; RIM1 and Munc13-1 directly bind to each other and are implicated in priming of synaptic vesicles. Here, we show that all the CAZ proteins thus far known form a large molecular complex in the brain, including CAST, RIM1, Munc13-1, Bassoon, and Piccolo. RIM1 and Bassoon directly bind to the COOH terminus and central region of CAST, respectively, forming a ternary complex. Piccolo, which is structurally related to Bassoon, also binds to the Bassoon-binding region of CAST. Moreover, the microinjected RIM1- or Bassoon-binding region of CAST impairs synaptic transmission in cultured superior cervical ganglion neurons. Furthermore, the CAST-binding domain of RIM1 or Bassoon also impairs synaptic transmission in the cultured neurons. These results indicate that CAST serves as a key component of the CAZ structure and is involved in neurotransmitter release by binding these CAZ proteins.
APA, Harvard, Vancouver, ISO, and other styles
10

O'Loughlin, Niall. "Modern Bassoon." Musical Times 129, no. 1744 (June 1988): 307. http://dx.doi.org/10.2307/964894.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Bassoon"

1

Worzbyt, Jason. "Music for solo bassoon and bassoon quartet by Pulitzer Prize winners a guide to performance /." connect to online resource. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20021/worzbyt%5Fjason/index.htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Worzbyt, Jason Walter. "Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3073/.

Full text
Abstract:
The Pulitzer Prize in Music has been associated with excellence in American composition since 1943, when it first honored William Schuman for his Secular Cantata No. 2: A Free Song. In the years that followed, this award has recognized America's most eminent composers, placing many of their works in the standard orchestral, chamber and solo repertoire. Aaron Copland, Samuel Barber, Walter Piston and Elliott Carter are but a few of the composers who have been honored by this most prestigious award. Several of these Pulitzer Prize-winning composers have made significant contributions to the solo and chamber music repertories of the bassoon, an instrument that had a limited repertoire until the beginning of the twentieth century. The purpose of this project is to draw attention to the fact that America's most honored composers have enlarged and enriched the repertoire of the solo bassoon and bassoon quartet. The works that will be discussed in this document include: Quartettino for Four Bassoons (1939) - William Schuman, Three Inventions for Solo Bassoon (1962) - George Perle, Canzonetta (1962) - John Harbison, Metamorphoses for Bassoon Solo (1991) - Leslie Bassett and “How like pellucid statues, Daddy. Or like a . . . an engine” (1994) - John Corigliano. Each chapter will include a brief biography of the composer, a historical perspective of where that composition lies in relation to their other works, background information about the work, a formal analysis and suggestions for performance.
APA, Harvard, Vancouver, ISO, and other styles
3

White, Paul James. "The early bassoon reed in the development of the bassoon from 1636." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385785.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Grothe, Timo. "Experimental Investigations of Bassoon Acoustics." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-150193.

Full text
Abstract:
The bassoon is a conical woodwind instrument blown with a double-reed mouthpiece. The sound is generated by the periodic oscillation of the mouthpiece which excites the air column. The fundamental frequency of this oscillation is determined to a large extent by the resonances of the air column. These can be varied by opening or closing tone-holes. For any given tone hole setting a fine-tuning in pitch is necessary during playing. Musicians adjust the slit opening of the double-reed by pressing their lips against the opposing reed blades. These so-called embouchure corrections are required to tune the pitch, loudness and sound color of single notes. They may be tedious, especially if successive notes require inverse corrections. However, such corrections are essential: Due to the very high frequency sensitivity of the human ear playing in tune is the paramount requirement when playing music. This implies, that embouchure actions provide an important insight into a subjective quality assessment of reed wind instruments from the viewpoint of the musician: An instrument requiring only small corrections will be comfortable to play. Theoretical investigations of the whole system of resonator, reed, and musician by use of a physical model nowadays still seem insufficient with respect to the required precision. Therefore the path of well-described artificial mouth measurements has been chosen here. For the separate treatment of the resonator and the double-reed, existing classical models have been used. Modifications to these models are suggested and verified experimentally. The influence of the musician is incorporated by the lip force-dependent initial reed slit height. For this investigation a measurement setup has been built that allows precise adjustment of lip force during playing. With measurements of the artificial mouth parameters blowing pressure, mouthpiece pressure, volume-flow rate and axial lip position on reed, the experiment is fully described for a given resonator setting represented by an input impedance curve. By use of the suggested empirical model the adjustment parameters can be turned into model parameters. A large data set from blowing experiments covering the full tonal and dynamical range on five modern German bassoons of different make is given and interpreted. The experimental data presented with this work can be a basis for extending the knowledge and understanding of the interaction of instrument, mouthpiece and player. On the one hand, they provide an objective insight into tuning aspects of the studied bassoons. On the other hand the experiments define working points of the coupled system by means of quasi-static model parameters. These may be useful to validate dynamical physical models in further studies. The experimental data provide an important prerequisite for scientific proposals of optimizations of the bassoon and other reed wind instruments. It can further serve as a fundament for the interdisciplinary communication between musicians, musical instrument makers and scientists.
APA, Harvard, Vancouver, ISO, and other styles
5

Garcia, Noel A. "The Ergonomics of Playing Bassoon: A Natural and Stress Free Approach to Playing the Instrument." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1320327334.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Garduno-Albo, Jessica Esther. "The American Bassoon School: 1900-1950." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin14810318748756.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Buys, Brenda Willer, and Brenda Willer Buys. "The Bassoon Music of Libby Larsen." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625881.

Full text
Abstract:
Libby Larsen has written three pieces for the bassoon as a featured solo instrument. These pieces are Jazz Variations for Solo Bassoon (1977), Concert Piece for Bassoon and Piano (2008) and full moon in the city (2013). This document examines the origin, style, and form of these works to provide performers further information. Highlighted is Larsen's use of American vernacular elements in the pieces. American vernacular in this document refers to the use of influences derived from American culture, music, and language.
APA, Harvard, Vancouver, ISO, and other styles
8

Stomberg, Eric Wolf. "The Bassoon Sonatas of Victor Bruns: An Analytical and Performance Perspective (With an Annotated Bibliography of Works for Bassoon)." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085628883.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Brusky, Paula. "Performance Related Musculoskeletal Disorders in Bassoon Players." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5136.

Full text
Abstract:
Performance related musculoskeletal disorders (PRMDs) are a frequent reality for practicing musicians. Many aspects of the bassoon make bassoon players particularly susceptible to PRMDs. This thesis explored the prevalence of PRMDs among bassoon players and assessed the frequency, types, and locations of PRMDs. Also identified were treatments used for PRMDs, contributing factors to PRMD development, and the perceptions of the bassoon community regarding PRMDs. The International Bassoonist Questionnaire was distributed via the World Wide Web (n = 166, 58% male, 42% female). Eighty-six percent of bassoon players reported PRMDs. Pain was the most common PRMD symptom reported (78%). Females reported PRMDs (96%) more frequently than males (78%). Younger bassoon players reported more PRMDs. Most bassoon players (88%) were attempting to treat their PRMDs. The most common self-administered treatments were rest (60%) and reducing playing time (53%). Bassoonists attributed the cause of PRMDs to “long hours of practice” and “sudden increase in playing time.” Bassoon players felt strongly that the medical profession did not know how to treat a bassoon related injury. They believed that a knowledgeable teacher was the best resource against the onset of PRMDs even though technical aspects of playing were not identified as significant contributors to PRMDs. The bassoon playing population needs more information about PRMDs in order to develop treatment and prevention strategies.
APA, Harvard, Vancouver, ISO, and other styles
10

Brusky, Paula. "Performance Related Musculoskeletal Disorders in Bassoon Players." University of Sydney, 2009. http://hdl.handle.net/2123/5136.

Full text
Abstract:
PhD in Performance
Performance related musculoskeletal disorders (PRMDs) are a frequent reality for practicing musicians. Many aspects of the bassoon make bassoon players particularly susceptible to PRMDs. This thesis explored the prevalence of PRMDs among bassoon players and assessed the frequency, types, and locations of PRMDs. Also identified were treatments used for PRMDs, contributing factors to PRMD development, and the perceptions of the bassoon community regarding PRMDs. The International Bassoonist Questionnaire was distributed via the World Wide Web (n = 166, 58% male, 42% female). Eighty-six percent of bassoon players reported PRMDs. Pain was the most common PRMD symptom reported (78%). Females reported PRMDs (96%) more frequently than males (78%). Younger bassoon players reported more PRMDs. Most bassoon players (88%) were attempting to treat their PRMDs. The most common self-administered treatments were rest (60%) and reducing playing time (53%). Bassoonists attributed the cause of PRMDs to “long hours of practice” and “sudden increase in playing time.” Bassoon players felt strongly that the medical profession did not know how to treat a bassoon related injury. They believed that a knowledgeable teacher was the best resource against the onset of PRMDs even though technical aspects of playing were not identified as significant contributors to PRMDs. The bassoon playing population needs more information about PRMDs in order to develop treatment and prevention strategies.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Bassoon"

1

Koenigsbeck, Bodo. Bassoon bibliography =: Bibliographie du basson = Fagott bibliographie. Monteaux, France: Musica rara, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

The oboe and the bassoon. London: Batsford, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Joppig, Gunther. The oboe and the bassoon. Portland, Or: Amadeus Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Popkin, Mark. Bassoon reed making. Northfield, Ill. (200 Northfield Rd., Northfield): Instrumentalist Co., 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Josheff, Peter. Elegy for bassoon. Berkeley, Calif: Fallen Leaf Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schneider, Georg Abraham. Three duos for two bassoons. New York: International Music, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Capanna, Robert. Remembrance: For solo bassoon. Bryn Mawr, Pa: T. Presser, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Denisov, Ėdison Vasilʹevich. Fünf Etüden für Fagott solo =: Five studies for bassoon solo = Cinq etudes pour basson solo. Leipzig: Deutscher Verlag für Musik, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

The techniques of bassoon playing: Die Spieltechnik des Fagotts = La technique du basson. Kassel: Bärenreiter, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Johnston, Ben. Pursuit: Bassoon and tuba : 1992. [Baltimore]: Smith Publications, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Bassoon"

1

Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Bassoon." In The Teaching of Instrumental Music, 272–88. Fifth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-20.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bucur, Voichita. "Wood Species for Reed-Driven Instruments—Clarinet, Oboe, Bassoon and for Baroque Flute." In Handbook of Materials for Wind Musical Instruments, 127–66. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19175-7_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gooch, Jan W. "Basswood Oil." In Encyclopedic Dictionary of Polymers, 69. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_1121.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Balalykin, Dmitry A. "W. A. Bassow – der Begründer der chirurgischen Magenoperationslehre. Werdegang der Magenchirurgie im 19. Jahrhundert." In Russische Errungenschaften in der Physiologie der Verdauung, 1–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62044-1_1.

Full text
Abstract:
ZusammenfassungWassili Alexandrowitsch Bassow (1812–1879) war Ordinarius an der Moskauer Universität. Er galt als der bekannteste und beste Chirurg und Arzt seiner Zeit, der vielfach unentgeltlich arbeitete. Nach Aussagen von L. F. Zmejew kam W. A. Bassow „einem Vorbild des Evangeliums nahe“. Als erster wandte er viele verbesserte Verfahren westlicher Wissenschaft in Russland an. Bereits als Prosektor führte er in Moskau Vivisektionen ein und schon zu Beginn der 1850er Jahre die erste in Moskau vorgenommene Tracheotomie bei Kehlkopftuberkulose durch, bei dem Arzt Iwanow.
APA, Harvard, Vancouver, ISO, and other styles
5

Leung, Alexander K. C., Marcus Schmitt, Christie P. Thomas, Cord Sunderkötter, Meinhard Schiller, Thomas Schwarz, Mark Berneburg, et al. "Bassen-Kornzweig Syndrome." In Encyclopedia of Molecular Mechanisms of Disease, 209–10. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-29676-8_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lecacheux, J. "Examen programmé du bassin." In Réflexions autour du bassin, 39–46. Paris: Springer Paris, 2011. http://dx.doi.org/10.1007/978-2-8178-0220-6_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ely, Mark C., and Amy E. Van Deuren. "Bassoon." In Wind Talk for Woodwinds, 598–716. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195329186.003.0006.

Full text
Abstract:
Abstract Acoustical Properties: The acoustical and physical tonal characteristics of an instrument that affect its sound quality. Traditionally made of wood, the bassoon is a conically shaped tube closed at one end (the double reed end) and open at the other (the bell end). 9is construction, along with the vibration of a double reed, produces its characteristic timbre. These design characteristics result in a tone that produces a full complement of partials. The bassoon overblows the octave. 9at is, some of the Fingerings used in the lower octave (e.g., A-natural through D-natural) will produce a note one octave higher when the instrument is overblown or when the whisper key is opened. Only the First (fundamental) and second partials are used for the majority of the normal playing range. See also Acoustical Basics, page 3; Construction and Design, page 618; Harmonics, page 32 Action: See Action, page 3 Adjusting Pitch: The process of raising or lowering the pitch of notes. A general discussion of adjusting pitch is under Intonation in chapter 1. Specific suggestions for adjusting pitch on bassoon are under Intonation in this chapter.
APA, Harvard, Vancouver, ISO, and other styles
8

"The Bassoon." In The Teaching of Instrumental Music, 175–90. Routledge, 2015. http://dx.doi.org/10.4324/9781315665016-20.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"The bassoon." In Baroque Woodwind Instruments, 13–44. Routledge, 2017. http://dx.doi.org/10.4324/9781315096629-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"bassoon, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/6383805552.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Bassoon"

1

BROWN, AE. "REED ACTION IN THE BASSOON." In Acoustics '87 1987. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/21936.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

BROWN, AE. "SOME ASPECTS OF INTONATION ON THE BASSOON." In Acoustics '90. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/21238.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"Analysis of Embouchure and Breath Control of Bassoon." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.077.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

BROWN, AE. "SOME FACTORS AFFECTING INTONATION AND TONE-QUALITY OF THE BASSOON." In Spring Conference '84 (Musical Acoustics and Biological Acoustics). Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22583.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gonzalez, Yubiry, and Ronaldo C. Prati. "Applications of FFT for timbral characterization in woodwind instruments." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19428.

Full text
Abstract:
The conceptualization of the musical timbre, which allows its quantitative evaluation in an audio record, is still an open-ended issue. This paper presents a set of dimensionless descriptors to assess the musical timbre of woodwind instruments in recordings of the fourth octave of the tempered musical scale. These descriptors are calculated from the Fast Fourier Transform (FFT) spectra using the Python Programming Language, specifically the SciPy library. The characteristic spectral signature of the clarinet, bassoon, transverse flute, and oboe are obtained in the fourth musical octave, observing the presence of degeneration for some musical sounds, that is, two given different aerophones may present the same harmonics. It is concluded that the proposed descriptors are sufficient to differentiate the aerophones studied, allowing their recognition, even in the case that there present the same set of harmonic frequencies.
APA, Harvard, Vancouver, ISO, and other styles
6

Courtois, Héloïse, Chloé Plat Victori Jalabert, and Adèle Raigneau. "Grand bassin." In SA '18: SIGGRAPH Asia 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3278625.3278641.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chowdhury, Manabesh, Arun Babu Nalamara, VR Sunder, Pankaj Kumar, Pinakadhar Mohapatra, and Savitri Roy. "Utilization of Spectral Gamma Ray Logs to Ascertain Stratigraphic Surfaces in Carbonate Reservoir and Integration with Seismic Interpretation: An Integrated Case Study from Eocene-Oligocene Carbonate Reservoirs, D31 Cluster, Mumbai Offshore Basin, India." In SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/205709-ms.

Full text
Abstract:
Abstract D31 cluster is located in the prolific Mumbai Offshore Basin, Western part of India. B-192Afield is part of this cluster, where Bassein (Middle Eocene),Mukta and Panvel (Early Oligocene)Formations are the main reservoirs. The reservoirs are complex in terms of reservoir heterogeneity. They were deposited in a shallow marine carbonate platform.Sea level fluctuations andchange in depositional environment impacted the porosity development. The main objective of this study was to integrate spectral gamma ray signatures with seismic interpretation for demarcating significant stratigraphic surfaces and differentiating depositional environments for robust reservoir characterization. Regionally, Bassein Formation (Middle Eocene) is characterized by thick foraminiferal and algal wackestone, packstone and occasional grainstone facies.The Mukta Formation (Early Oligocene),which unconformably overlies the Bassein Formation, is characterized by presence of fossiliferous limestone with shale intercalations. In the present study, data from four exploration wells data have been analyzed, where spectral gamma ray log patterns in carbonate reservoirs appear to have a distinctive relationship to depositional facies and stratigraphic surfaces in the Bassein and Mukta Formations. Different cross plots have also been utilized for analyzing the depositional conditions (i.e. oxic or anoxic).Later, the spectral log interpretations have been integrated with seismic interpretation. This study is part of a larger effort for reservoir characterization, as a basis for seismic interpretation and integrated reservoir modelling. The spectral gamma ray signatures demarcated significant stratigraphic surfaces. In BasseinFormation, three different units have been marked as Upper, Middle and Lower Bassein. The major lithological boundary between the Bassein and Mukta Formation is also well demarcated with spectral GR signature. The carbonate strata of Bassein & Mukta Formation have also been subdivided with U-Th-K abundance.The "Low Th-Low U" units indicative of pure carbonate and deposition in oxidizing environment whereas "Low Th-High U"is indicative ofreducing environment, which gave a relative sea level fluctuation in the area.The major stratigraphic boundaries identified from these spectral GR logs has been incorporated in the seismicinterpretation and used for regional seismic mapping.As porosity development is governed by thesea level fluctuations,this study also gave an indication of the possibility of porous zonein the reservoir section. These results can be useful as a basis for applying spectral GR signature as a tool for stratigraphic interpretation in un-cored heterogenous carbonate sections. Along with the petrophysical interpretation, integration of core analysis, biostratigraphy and seismic attribute are critical for detailed carbonate reservoir characterization incorporating depositional environment.This approach can be applied to support commercial development of the complex carbonate reservoirs.
APA, Harvard, Vancouver, ISO, and other styles
8

Parisot, Jean-Paul, Jeanne Diet-Davancens, Aldo Sottolichio, Elise Crosland, Chloé Drillon, and Romaric Verney. "Modélisation des agitations dans le bassin d’Arcachon." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 2008. http://dx.doi.org/10.5150/jngcgc.2008.042-p.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

PERHERIN, Céline. "Étude d'agitation dans le bassin de Port 2000." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 2010. http://dx.doi.org/10.5150/jngcgc.2010.013-p.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Alileche, N., J.-C. Buvat, L. Estel, D. Olivier, and V. Cozzani. "Étude des effets dominos sur un bassin industriel." In Congrès Lambda Mu 19 de Maîtrise des Risques et Sûreté de Fonctionnement, Dijon, 21-23 Octobre 2014. IMdR, 2015. http://dx.doi.org/10.4267/2042/56135.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Bassoon"

1

Dolby, G. Palynological analysis of Carboniferous outcrop and corehole samples from the 1993–1995 Magdalen Basin NATMAP Project, with updated data files, locality data, and lists of taxa identified, Prince Edward Island, Nova Scotia, New Brunswick, and Quebec. Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/pcqvf1214e.

Full text
Abstract:
Le projet NATMAP du bassin de la Madeleine était un effort de coopération et de collaboration visant à aborder l'histoire géologique de la fin du Paléozoïque et le potentiel de ressources de l'ouest du bassin des Maritimes. Ce bassin se trouve sous une grande partie du golfe du Saint-Laurent et peut être étudié à terre dans certaines parties de cinq provinces de l'est du Canada. Environ trente participants, représentant les services géoscientifiques régionaux et nationaux du gouvernement, des universités et du secteur privé, ont entrepris des études multidisciplinaires des parties terrestres du bassin entre 1993 et ​​1995. Des études stratigraphiques de ce vaste bassin sédimentaire ont soutenu cet effort collectif. De telles études ont été historiquement étayées par la paléontologie des invertébrés, qui permet de situer les roches dans une époque géologique relative. Comme les fossiles utilisés plus traditionnellement sont largement indisponibles dans un bassin dominé par des roches non marines, la palynologie, en particulier l'étude des spores et du pollen, a fourni un outil idéal adapté à l'étude des roches terrestres. Graham Dolby, consultant et l'un des deux seuls spécialistes en palynologie du Carbonifère au Canada à cette époque, a apporté un soutien fondamental aux études tout au long du projet du Bassin de la Madeleine. Les matériaux analysés provenaient en grande partie d'affleurements rocheux de la Nouvelle-Écosse et du sud-est du Nouveau-Brunswick, où se concentraient les activités du projet. La palynologie de certains puits d'exploration forés en Nouvelle-Écosse, à l'Île-du-Prince-Édouard et au Nouveau-Brunswick, ainsi que de plusieurs puits d'hydrocarbures profonds forés au large dans le golfe du Saint-Laurent, a également été analysée. Le but de ce fichier ouvert à plusieurs composants est de rendre publiques les contributions NATMAP de Dolby. Les données palynologiques présentées dans ce dossier ouvert sont aussi précieuses aujourd'hui qu'elles l'étaient dans les années 1990, mais au cours des trente années qui ont suivi, des améliorations significatives dans la compréhension de la distribution du pollen et dans l'application à la stratigraphie du bassin des Maritimes ont été réalisées. Dans la présente version, Dolby a mis à jour les implications stratigraphiques qui peuvent être tirées de ses analyses antérieures des échantillons NATMAP pour refléter des zonages plus actuels. Les données palynologiques mises à jour ont été appliquées par Atkinson et al. (2020), dans leur évaluation des ressources pétrolières du bassin des Maritimes, dans le cadre du programme de projets de conservation marine. Pendant que le projet NATMAP du bassin de la Madeleine était opérationnel, les données palynologiques et l'évaluation de la position biostratigraphique ont été renvoyées au projet en fonction uniquement de l'identification de l'échantillon ou du nom du puits, car les emplacements des échantillons soumis étaient bien connus des géologues participants. Pour remédier à ce manque de données de localisation, les données sommaires, y compris la plupart des emplacements d'échantillonnage ainsi que les listes de taxons récupérés, ont été extraites de BASIN, une base de données d'archives majeure de la Commission géologique du Canada – Atlantique. Ces données sont fournies sous forme de feuille de calcul et sont accessibles dans BASIN ici : https://basin.marine-geo.canada.ca/wells/natmap_index_e.php
APA, Harvard, Vancouver, ISO, and other styles
2

Lewis, C. F. M. Contributions to the glacial and postglacial history of Houghton Lake Basin in the northern part of the Lower Peninsula of Michigan, U.S.A. Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/p7kqtc0m23.

Full text
Abstract:
Deux contributions ont été apportées à une étude de l’histoire glaciaire et postglaciaire du bassin du lac Houghton dans le nord de la péninsule inférieure du Michigan, aux États-Unis. La première contribution décrit la variation des niveaux d’eau du lac Huron (environ 130 m) et du lac Michigan (environ 100 m), qui ont permis de contrôler les niveaux de base pour l’écoulement des eaux souterraines et de surface dans la péninsule inférieure du Michigan au cours des 14 000 dernières années. Cette variation a probablement eu une incidence sur la sédimentation dans de petits lacs comme les lacs Backus, Pup et Marl. De plus, des changements ayant touché le lac Higgins font en sorte que la variation a probablement eu une incidence partielle sur ce lac, dont la taille est plus importante. Toutes ces étendues d’eau se trouvent dans le bassin du lac Houghton. La deuxième contribution fournit une estimation du soulèvement crustal différentiel dans le bassin du lac Houghton, au nord d’une zone d’affaissement crustal. Les données suggèrent que la nature du soulèvement crustal dans le nord de la péninsule inférieure du Michigan est semblable à celle du soulèvement dans l’ensemble du bassin des Grands Lacs. Comme nous ne disposons que des élévations des fragments du rivage d’un lac glaciaire pour l’ensemble du bassin du lac Houghton, cette estimation est fondée sur des élévations expérimentales des différences actuelles entre les isobases de 190 m et de 185 m du lac Algonquin. Une différence d’élévation actuelle de 15 m suggère que les isobases de 190 m et de 185 m étaient à leur niveau il y a au moins 16 à 15 ka BP, et que le bassin du lac Houghton, en forme de cuvette, soutenait probablement un grand lac, soit le lac glaciaire Roscommon. Le lac glaciaire Roscommon a peut-être existé plus tôt, car on suppose que le retrait du lobe glaciaire de Mackinac a commencé vers 19 ka.
APA, Harvard, Vancouver, ISO, and other styles
3

Benoit, N., J. W. Molson, M. Y. Brun Koné, and M. Nastev. Modèle hydrogéologique 3D du bassin versant de la rivière Chaudière. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2015. http://dx.doi.org/10.4095/295674.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Mul, M., E. Obuobie, R. Appoh, K. Kankam-Yeboah, E. Bekoe-Obeng, B. Amisigo, F. Y. Logah, B. Ghansah, and M. McCartney. Évaluation des ressources en eau du bassin de la Volta. International Water Management Institute (IWMI)., 2016. http://dx.doi.org/10.5337/2016.201.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Turner, R. J. W., R. G. Franklin, B. Taylor, M. Ceh, S E Grasby, B. Symonds, M. Adams, et al. Hydropanorama du bassin de l'Okanagan : l'eau et le mythe de l'abondance. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2006. http://dx.doi.org/10.4095/222918.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wade, J. A. La Stratigraphie du Bassin du Banc de Georges et ses Rapports avec le Bassin Neo-Écossais [Chapitre 5: Géologie de la Marge Continentale du Sud-Est du Canada]. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1990. http://dx.doi.org/10.4095/132703.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

N., Grondard, Pavoine L., Molina S., Rageade M., Pledran O., and Atyi R.E. Appui à la gestion durable des forêts du bassin du Congo et du bassin amazonien brésilien: Composante 3 – Action 1: développement de projets de démonstration. Center for International Forestry Research (CIFOR), 2013. http://dx.doi.org/10.17528/cifor/004379.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Davies, G. R., and W. Nassichuk. Chapitre 13: Histoire Carbonifère et Permienne du Bassin de Sverdrup de l'Archipel Arctique. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/134023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Caron, O., M. Lamothe, N. Benoit, and M. Nastev. Modélisation géologique 3D des sédiments quaternaires du bassin versant de la rivière Chaudière, Québec. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2014. http://dx.doi.org/10.4095/295183.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Burwash, R. A., A. G. Green, A. M. Jessop, and E. R. Kanasewich. Chapitre 3: propriétés géophysiques et pétrologiques du socle dans le Bassin de l'Ouest du Canada. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/192390.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Bassoon' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography