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Dissertations / Theses on the topic 'Bassoon Concerto'

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Published: 4 June 2021

Last updated: 8 February 2022

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1

Widstrand, Alex Christopher. "Lev Konstantinovich Knipper's concerto for bassoon and string orchestra: introduction and critical performing edition." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6338.

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Recent studies of bassoon music in twentieth-century Russia have unearthed a rich trove of previously little-known repertoire. Despite the abundance of original Russian bassoon music, little of it approaches the sophistication of the bassoon writing within the late nineteenth- and early twentieth-century Russian symphonic tradition. One work which does come close to equaling those aesthetic standards is Lev Knipper’s Concerto for Bassoon and String Orchestra (1970), which confronts the bassoonist with far greater expressive and technical demands than previous Russian solo bassoon works. In ord

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2

Wilson, Jacqueline May. "The Concerto for Bassoon and Low Strings by Sofia Gubaidulina: a performance guide." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1109.

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When Bruno Bartolozzi published his revolutionary treatise New Sounds for Woodwind in 1968, composers worldwide were inspired to create new compositions which incorporated the use extended techniques. Since, extended techniques have become an inevitable requirement of the contemporary performer, becoming more and more common place as time has progressed. However, it seems that Bartolozzi's original complaint and call for change regarding the general pedagogical reluctance to incorporate these techniques into a standard woodwind, or more specifically bassoon, curriculum has been met with contin

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Ott, Janelle (Bassoonist). "The Concerto for Bassoon by Andrzej Panufnik: Religion, Liberation, and Postmodernism." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849689/.

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The Concerto for Bassoon by Andrzej Panufnik is a valuable addition to bassoon literature. It provides a rare opportunity for the bassoon soloist to perform a piece which is strongly programmatic. The purpose of this document is to examine the historical and theoretical context of the Concerto for Bassoon with special emphasis drawn to Panufnik's understanding of religion in connection with Polish national identity and the national struggle for democratic independence galvanized by the murder of Father Jerzy Popieluszko in 1984. Panufnik's relationship with the Polish communist regime, both

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4

Wildey, Sarah Anne. "Historical performance practice in cadenzas for Mozart's concerto for bassoon, K. 191 (186e)." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3404.

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Mozart's Concerto for Bassoon, K. 191 has long been an important part of the Classical era bassoon repertory. Few composers of the Classical period wrote for the bassoon as a solo instrument, and even fewer still paired it with an orchestral backing. K. 191 not only is unique within the bassoon repertory, but also stands out in the compositional career of Mozart as being his first completed wind concerto, composed at the age of eighteen. Mozart did not write cadenzas for K. 191; therefore a large part of the performance itself is untouched by Mozart's hand. Depending on personal (or teacher) p

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5

Spaniol, Douglas E. "The F major bassoon concerto (RTT Schacht 30) of Theodor Von Schacht (1748-1823) /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487949836204228.

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6

Patronik, Emily. "Concerto for Bassoon and Orchestra by Ellen Taaffe Zwilich:Background, Analysis, and Performance Application." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373995878.

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7

Payne, Andrew J. "The Development of the Bassoon Idiom as Seen in Three Concerti by Antonio Vivaldi, Johann Christian Bach, and Wolfgang Amadeus Mozart." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1607082064118953.

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8

Turley, Sarah Leigh. "Richard Strauss's Duett-Concertino a study of the programmatic elements for the performer /." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.unt.edu/theses/open/20041/turley%5Fsarah%5Fleigh/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2004.<br>Accompanied by 5 recitals, recorded Feb. 26, 2001, Nov. 12, 2001, Aug. 8, 2002, July 21, 2003, and Oct. 27, 2003. Includes bibliographical references and discography (p. 40-46).

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9

Dodd, Raymond H. "Four musical compositions (with accompanying notes) : Prezzo Concertante for symphony orchestra; Concerto for bassoon and chamber orchestra; Sea Gods for 8-part chorus; Improvisation for wind quintet." Thesis, University of Aberdeen, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262477.

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The grouping of these four compositions is intended to create a balanced portfolio, illustrating the management of a variety of forms, media and compositional problems. The submission divides into two parts: Part I - The Compositions: (i) <I>Pezzo Concertante</I> A single-movement orchestral piece for double woodwind; 4 horns; 3 trumpets; 3 trombones; tuba; timpani; 4 percussionists; harp; strings. Duration c 11' This piece is a single-movement structure, compact and complete in itself, with some display elements for each section of the orchestra. It aims to provide both an interesting challen

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Varga, Karlsson Gabriella. "John Williams fagottkonsert The Five Sacred Trees 1. Eó Mugna 2. Tortan : analys av musikaliskt innehåll samt instudering." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2288.

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John Williams är att betrakta som en av giganterna inom den amerikanska filmmusikkompositionen. Förutom filmmusik så har han komponerat ett flertal beställda solokonserter för betydande instrumentalister och orkestrar, däribland The Five Sacred Trees för fagott och symfoniorkester som är skriven för New York Philharmonics 150-års jubileum och denna orkesters solofagottist Judith LeClair. I detta examensarbete analyseras de första två satserna från ett motiviskt, strukturellt och i viss mån harmoniskt perspektiv, samt genomgås hur det kan påverka instuderingsprocessen och författarens interpret

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11

Zuniga, Chanto Fernando. "Alternative Strategies for the Refinement of Bassoon Technique Through the Concert Etudes, Op. 26, by Ludwig Milde." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/145124.

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This document demonstrates that study and performance of newly-composed versions of four etudes from Ludwig Milde's Concert Etudes, Op. 26 (publ. post. 1935) can prepare advanced bassoon students for performance of not only the etudes themselves (which includes advanced techniques such as rapid single tonguing, double tonguing, difficult slurring, tapering, an execution of complicated scales and arpeggios in the context of a musical passage, half-hole, vibrato, flicking, and control of long notes in extreme registers), but also can be used to address both performing and technical issues not c

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Koberstein, Gustavo Herman. "Francisco Mignone's Concertino para clarineta e fagote: A performance edition." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1665.

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Francisco Mignone was born in São Paulo on September 3, 1897 and died on February 19, 1986. A representative of Brazilian Nationalism and one of the most influential national composers, Mignone was active and prolific through his entire life. Few works of Francisco Mignone's late period are known and performed; nevertheless the interest in Mignone's work has been growing. Since many of his works are not published, efforts to discuss and prepare performance editions of his scores are of great importance. The Concertino para clarineta e fagote is representative of Francisco Mignone's last compos

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Duda, Cynthia M. "The City, The Girls, The Composer…The Phenomenon: Influences on the Performance of Vivaldi’s Bassoon Concertos at The Ospedale della Pietà." University of Akron / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=akron1249490783.

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Duda, Cynthia M. "The city, the girls, the composer--the phenomenon influences on the performance of Vivaldi's bassoon concertos at the Ospedale della Pietà /." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1249490783.

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Thesis (M.Mus.)--University of Akron, School of Music, 2009.<br>"August, 2009." Title from electronic thesis title page (viewed 11/11/2009) Advisor, Brooks A. Toliver; Faculty Reader, Galen S. Karriker; School Director, William K. Guegold; Dean of the College, James M. Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.

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Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is

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16

Gillick, Amy Suzanne. "Experimentation and nationalism in Francisco Mignone's works for basson a performance guide to the IInd wind quintet and Concertino /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435601&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Schmidt, Johann Christoph. "Motetto Auf Gott hoffe ich: Für Alto-Solo, Coro (Soprano, Alto, Tenore, Basso) und 2 Clarini in D, 2 Trombe in D, Tympani, 2 Flauti allemando, 2 Violini, 2 Viole Fagotto e Basson concertato, Violoncello, Organo, Tiorba: Partitur." Ries & Erler, 2020. https://slub.qucosa.de/id/qucosa%3A74090.

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Die „Denkmäler der Tonkunst in Dresden“ veröffentlichen in sieben Bänden Werke des Dresdner Hofkapellmeisters Johann Christoph Schmidt (1664-1728) aus Hohnstein/Sächsische Schweiz, einem von der Dresdner Musikgeschichtsschreibung vergessenen Komponisten. Als erster Band erscheint unter der Editionsnummer 22 die Partitur des Motetto „Auf Gott hoffe ich“ für Alt-Solo, Chor und Orchester für 14 Stimmen. Die Ausgabe basiert auf einer Übertragung von Kirchenmusikdirektor Ulrich Meier, Auerbach/Vogtland, die im Rahmen einer Diplomarbeit an der Hochschule für Kirchenmusik Dresden 2001 entstand. Das W

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Mantilla, Morales Gabriela. "Modélisation des transferts de nitrates, confrontation des concepts, des données et des informations : application au bassin de la Charente." Phd thesis, Ecole Nationale des Ponts et Chaussées, 1995. http://pastel.archives-ouvertes.fr/pastel-00569426.

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La modélisation du transfert de nitrates a été étudiée à différentes échelles de bassins versants. Un modèle semi-distribué à pas de temps journalier a été élaboré et testé sur des sous-bassins de la Charente (France). Il prend en compte les transferts d'azote depuis les apports de fertilisants jusqu'à la dénitrification dans le cours d'eau. Le but principal recherché est la simulation de la concentration en nitrates à l'exutoire des bassins versants. Un modèle hydrologique de type conceptuel (GR3) a été choisi et adapté à la simulation du transfert de nitrates. Le modèle conceptuel de lessiva

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Bogard, Rick. "The Trumpet in Selected Solo and Chamber Works of Paul Hindemith : Elements of Trumpet Technique and Their Relationship to the Gebrauchsmusik Concept, a Lecture Recital, Together with Three Recitals of Selected Works of J.N. Hummel, A. Jolivet, C. Chaynes, and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278128/.

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The trumpet was one of the wind instruments Hindemith used frequently in his chamber music, and he employed it prominently in five works from 1925 to 1954. These works are the Sonate fur Trompete (1939), the Konzert fur Trompete in B und Fagott mit Streichorchester (1954), Drei Stucke (19251 the Septett fur Blasinstrumente (1949), and "Morgenmusik," from the collection Plöner Musiktag (1932). This study examines and compares Hindemith's writing for the trumpet in these selected works, noting features in his use of the instrument which determine the applicability of the works to the Gebrauchsmu

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Lauzent, Mathilde. "Etude de l’écodynamique des polluants organiques persistants et des micropolluants halogénés d’intérêt émergent dans les milieux aquatiques." Thesis, Bordeaux, 2017. http://www.theses.fr/2017BORD0733/document.

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Les PCB (polychlorobiphényles), PBDE (éthers de biphényles polybromés) et OCP (pesticides organochlorés) sont des composés d’origine anthropique classés comme POP (polluants organiques persistants) dont l’usage a progressivement été restreint ou interdit. Ces composés, de par leur caractère ubiquiste, persistant et bioaccumulable, sont néanmoins toujours présents dans l’environnement, d’où l’importance de continuer à étudier leur présence, leur dynamique et leur impact. Du fait de la restriction de leurs usages, d’autres composés sont maintenant utilisés pour les remplacer, tels que les retard

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Gbur, Bruce Edward. "The bassoon concertos and contrabassoon concerto of Victor Bruns." 2001. http://purl.galileo.usg.edu/uga%5Fetd/gbur%5Fbruce%5Fe%5F200112%5Fdma.

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Cooper, Timothy Patrick. "Concerto for Bassoon and Chamber Orchestra." 2011. http://trace.tennessee.edu/utk_gradthes/964.

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The Concerto for Bassoon and Chamber Orchestra is a three-movement composition for solo bassoon accompanied by an ensemble of modest proportions. This piece is composed in partial fulfillment of the requirements of the degree Master of Music with a concentration in Composition from the University of Tennessee, Knoxville. The Concerto was composed during the 2010-2011 academic year. This paper provides a narrative analysis of the Concerto in terms of the parameters of its musical content, and relationships thereof. In so doing, references are made to related or influential compositions of the l

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王怡佳. "Carl Stamitz :Bassoon Concerto in F major." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/21022689265813464601.

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Ying-Ju, Huang, and 黃英如. "The Analysis and Interpretation of Weber''s Bassoon Concerto." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/88703815970946491837.

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碩士<br>輔仁大學<br>音樂研究所<br>91<br>When the bassoonist is asked which are the important classics written for his instrument, two composers spring first to mind: Mozart and Weber. As regards the available editions of the works in question: in the case of Mozart''s K191, the earliest of all his concertos to be regularly heard today, this has recently been issued in a scholarly Urtext edition of the orchestral score in the Neue Mozart Ausgabe.By contrast,neither of the two works for the instrument that we possess by Weber have yet received from an editorial point of view, the attention that they deserv

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Liu, Kung-Ling, and 劉冠伶. "The Interpretation of Eric Ewazen-Concerto for Bassoon and piano." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/55180179371954653480.

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碩士<br>中國文化大學<br>音樂學系碩士班西洋音樂組<br>100<br>The author studies Eric Ewazen's Concerto for Bassoon in this research program.Eric Ewazen is an American composer who composes many contemporary works.We will discuss the backgrounds, musical forms, harmony and performance interpretation of two works that meet the composer’s original ideas and show the personal playing style contemporary.

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CHIA-YU, HSU, and 徐佳瑜. "An analysis and interpretation of Danzi Bassoon Concerto in F Major." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/61605850566983553862.

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碩士<br>國立臺灣藝術大學<br>音樂學系碩士班<br>99<br>Franz Danzi (c.1763-1826) was born in Germany in 1863, the prime time of the Mannheim School. While his father, Innocenzo Danzi (c 1730-98), was the cellist of the Mannheim Festival Orchestra, Franz Danzi showed a great influence of the Mannheim School in his works. The Bassoon Concerto Orchestra in F major is not only one of the most important works in the bassoon repertoire of the Classical Period but also the most popular of all five bassoon concertos written by Danzi. This paper investigates the life of Franz Danzi based on the information of The New Grov

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Fang, TsaiPi, and 蔡碧芳. "The Interpretation of Mozart K.V.191 in bB Major Bassoon Concerto." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/60420025995054390790.

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Ho, Shujung, and 何叔蓉. "The Analysis and Interpretation of Gordon Jacob《Concerto for Bassoon and Strings》." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/64293042268722592472.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>99<br>Music in the 20th century can be described as a developmental history full of changes, as well as an era of extreme diversity. As composers of most countries were continuously trying to strive for breakthrough and be futuristic, they had thus generated special creative techniques and effects. The British composer Gordon Jacob in the 20th century, however, was not affected by this wave of trend, but remained his personal creative philosophy to create his own style of works. The purpose of this study is to explore the personal creative style of Gordon Jacob’s w

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Li, Sin-Yi, and 李欣怡. "An Analysis and Interpretation of Franz Danzi's Bassoon Concerto in F Major." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/96zws6.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>105<br>This concerto in F major is a remarkably popular music piece among bassoon performers. However, because domestic research on this masterpiece or on Franz Danzi has remained scant, performers who wish to learn more about the composer as well as the “undertone” of the music piece are faced with obstacles. The present study is divided into five sections as follows: Section 1 describes the research motivation and methods; Section 2 uses the Mannheim school (a school to which Danzi belonged) as proof to introduce the composer’s personal history, his music creation t

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"An Analysis of the Concerto for bassoon and orchestra by Nino Rota." Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.15869.

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abstract: Nino Rota was a prolific composer of twentieth-century film and concert music, including the Concerto for bassoon and orchestra in b-flat major. Composing over 150 film scores for directors such as Federico Fellini, Francis Ford Coppola, Henry Cass, King Vidor and Franco Zeffirelli, Rota received distinguished acclaim from several film institutions, professional film reviewers and film music experts for his contributions to the art form. Rota also composed a great deal of diverse repertoire for the concert stage (ballet, opera, incidental music, concerti, symphonies, as well as sever

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LIAO, YU-HSUAN, and 廖于萱. "The Analysis and Interpretation ofMozart’s Bassoon Concerto in B-flat, K. 191." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/11249645106065093962.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>105<br>Wolfgang Amadeus Mozart(1756-1791) was born in Salzburg. Mozart was an important classical composer of the eighteenth century. Bassoon Concerto in B-flat, K. 191 was the early works of Mozart and he completed in 1774. The thesis is divided into five chapters. Chapter 1 is “introduction”, including the motivation and methods. Chapter 2 is “composer’s life”, researching the biographical information and composition background. Chapter 3 is “The Analysis of the concerto”, investigating the musical form of each movement, and structural analysis. Chapter 4 is “p

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Hsu, An-Chih, and 許安志. "Study of The Bassoon Concerto No. 2, Op. 15 by Victor Bruns." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/91733817773327096188.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>104<br>The life of Victor Bruns (1904-1996) can be broadly divided into 2 parts, early days in Russia and later settlement in Germany. In this thesis, not only we touch base on his work, we also discuss how neo-classicalism influenced his compositions style. As a bassoon and contra-bassoon performer and composer, he wrote ninety-nine pieces mostly on bassoon Sonatas, concertos, and chamber music as well as six ballets and some symphonies. The "Bassoon Concerto No. 2, Op. 15" was not only one of the important woodwind pieces in Bruns’ work, it was also the first few

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Sue, Huang Ching, and 黃靖淑. "The Performance Research for C.M.von Weber concerto in F major Op.75 for Bassoon and Piano/ Huang Ching Sue Bassoon Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/22559568492890605498.

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碩士<br>東吳大學<br>音樂學系<br>92<br>The thesis researches this work from the following three parts:the background of creation,he analysis of music and the performance study. The backgrond of creation includes the history of Bassoon.By the motive,theme structure and harmony three dimensions,the music anaylsis its structure.The performance study is based on the analysis of music,and analyzed by collected CD data. In conclusion,the anter''s performance is based on those mention above. Programme 1. G.P.Telemann:Sonata in F minor 2. W.A.mozart:Concerto

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Chen, Pengchen, and 陳芃蓁. "The Analysis and Interpretation of Gordon Jacob’s work “Concerto for Bassoon and Strings”." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/75562144240216923736.

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Chen, Cheng-An, and 陳承恩. "An Analysis and Interpretation of Hummel´s Grand Concerto for Bassoon and Orchestra." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/bsyyve.

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Wang, Shih-Chun, and 王詩淳. "An Analysis and Interpretation of Johann Nepomuk Hummel Bassoon Grand Concerto in F Major." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8b9rh9.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>106<br>The subject of this paper is An Analysis and Interpretation of Johann Nepomuk Hummel “Bassoon Grand Concerto in F Major”. Hummel's musical works inherit the rigorous music structure of the classical period and combine variety of harmonic, melodic and ornamentation. This unique feature is well-presented in the Hummel “Bassoon Grand Concerto in F Major”. This paper categorized into five chapters. The first chapter is the introduction which describes the motive and method of the research. The second chapter is the general background information of the compo

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Chen, Yunting, and 陳筠婷. "An Analysis and Interpretation of W. A. Mozart’s Bassoon Concerto in B-flat Major KV191." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36401269479019787076.

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碩士<br>輔仁大學<br>音樂研究所<br>101<br>There are two stages for discussing Mozart’s life in this essay. The first one is the period from his birth in Salzburg to moving to Vienna. The second stage will focus on the life after he moved to Vienna. Moreover, we are going to introduce the music style during the Classical era, which is the time when Mozart was born as well. Mozart composed lots of masterpieces. The types of his composition are various, including over fifty concertos. (His works of piano concerto are the most typical and famous.) Mozart was influenced by J. C. Bach. Here, we will analyze the

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Hsu, Ya-Chu, and 許雅筑. "An Analysis and Interpretation of Andre Jolivet’s Concerto for Bassoon, Strings, Harp and Piano, 1954." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/4t6zs5.

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Hsing-Ping, Wang, and 王興蘋. "An Analysis and Interpretation of Johann Nepomuk Hummel Grand Concerto for Bassoon and Orchestra in F Major." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/46347922357721032205.

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碩士<br>輔仁大學<br>音樂研究所<br>97<br>As the bassoon was not a favorite instrument for composers of the 17th century, the surviving bassoon repertoire is scant. Apart from the works by prolific composers, such as A. Vivaldi (1678-1741), G. P. Telemann (1681-1767), and F. Danzi (1763-1826), common bassoon repertoires include the Concerto in B-flat Major, K191 by Wolfgang Amadeus Mozart (1765-1791) in the Classical period; and the Concerto in F Major, Op75 and Andante e Rondo Ungarese, Op. 35 by Carl Maria von Weber (1786-1826) in the Romantic period. Johann Nepomuk Hummel (1778-1837), a composer, p

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HUANG, HONG-HAO, and 黃宏豪. "An Analysis and Interpretation of Johann Nepomuk Hummel Grand Concerto for Bassoon and Piano in F Major." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/rrxyy9.

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碩士<br>中國文化大學<br>音樂學系<br>105<br>First of all, thought of social background at Hummel and in the history background - Introduction of the form of concerto that in popular at the time introducing the influence of music in classical music after the enlightenment activity, Hummel at that time introducing the Artistic contribution position. On conclusion, music analysis and commentary research Hummel 's Bassoon Concerto in F major.

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Liang, Shih Mi, and 梁詩覓. "An Interpretative Study of the First Movement of Bassoon Concerto in B-flat Major, RV. 504 by Antonio Vivaldi." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/w2yca7.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>105<br>The interpretative study of this thesis is based on the first movement of Bassoon Concerto in B- flat Major, RV. 504 by Antonio Vivaldi. It categorized into four chapters. The first chapter is an introduction which to explain the motivation, purpose, scope and method of this study. The second chapter introduces the growth and musical career of Vivaldi; further investigating the categories and characteristics of concerti, and explaining the structure of Solo concerto. The third chapter discusses Tutti and Solo parts in Ritornello form. There are four main the

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Overgaard, David. "Bassoon recital." Thesis, 1993. http://hdl.handle.net/2429/1941.

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Lapierda, Sanmartin Jose Lorenzo. "Bassoon recitals." Thesis, 1994. http://hdl.handle.net/2429/5214.

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Ferrari, Vanessa Kulisek Hakes Roy Wilson Russell Ferrari Christian Rose Christopher. "Selected bassoon concertos written by American composers since 1965." 2007. http://hdl.handle.net/1903/9723.

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Zepp, Jonathan. "Master's thesis recital (bassoon)." 2011. http://hdl.handle.net/2152/16612.

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Concerto for bassoon in F major, op. 75 / Carl Maria von Weber -- Sonatine / Alexandre Tansman -- Autumn leaves / Johnny Mercer -- Pent-up house / Sonny Rollins -- Concerto in F major, RV 485 / Antonio Vivaldi -- Three Botticelli pictures / Ottorino Respighi.<br>text

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Tran, Toan. "Master's thesis recital (bassoon)." Thesis, 2014. http://hdl.handle.net/2152/24463.

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Concerto for bassoon and orchestra, op.75 / Carl Maria von Weber -- Concerto in E minor / Antonio Vivaldi -- Parable for solo bassoon / Vincent Persichetti -- Concerto in B-flat major / Wolfgang Amadeus Mozart.<br>text

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Miller, Laura A. "Master's thesis recital (bassoon)." 2011. http://hdl.handle.net/2152/16423.

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Concerto in D minor, RV 481 / Antonio Vivaldi -- Parable for solo bassoon, op. 110 / Vincent Persichetti -- Suite concertino in F major, op. 16 / Ermanno Wolf-Ferrari -- Recit et allegro pour basson et piano / Noel-Gallon -- Trio pour piano, hautbois, et basson / Francis Poulenc.<br>text

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Heintzen, Ashely Keesecker Jeff Hertel Johann Wilhelm. "Tracing the development of early classical style The bassoon concerti of Johann Wilhelm Hertel /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-04072006-164934/.

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Treatise (D.M.A.) Florida State University, 2006.<br>Advisor: Jeff Keesecker, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-26-07). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.

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Chiu, Wen-Yu, and 邱文瑜. "An Analysis and Interpretation of Bitsch’s Concertino for Bassoon and Piano." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/ghzh3w.

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Huang, Sheng-Yuan, and 黃聖元. "An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/gxfusb.

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