Relevant bibliographies by topics / Bataille de Waterloo (1815)

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  2. Dissertations / Theses
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Academic literature on the topic 'Bataille de Waterloo (1815)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Bataille de Waterloo (1815)"

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Wilbrenninck, D. E. W. "John Waterloo Wilson (1815-1883)." Cahiers Bruxellois – Brusselse Cahiers XLVIII, no. 1 (2016): 5. http://dx.doi.org/10.3917/brux.048.0005.

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Colson, Bruno. "Waterloo." International Bibliography of Military History 34, no. 2 (December 5, 2014): 171–92. http://dx.doi.org/10.1163/22115757-03402004.

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La campagne de Waterloo est sans doute la plus étudiée de toute l’histoire. Après une première période où les acteurs, Napoléon surtout, s’efforcèrent de justifier leur conduite, une approche plus scientifique des faits se développa entre 1871 et 1918, même si elle était grevée par le contexte d’un nationalisme croissant. Après une certaine interruption due aux guerres mondiales, de nouvelles études apparurent. On assista à quelques tentatives d’équilibrer les points de vue nationaux, de réévaluer les récits traditionnels et surtout à une nouvelle approche des réalités de la bataille au travers du vécu des hommes. L’histoire culturelle introduit depuis de nouveaux thèmes, alors que se manifeste aussi un désir de retourner aux sources de première main. Cela pourrait susciter une histoire intégrale de la campagne, combinant les archives de tous les camps. Car actuellement, en dépit de la pléthore de publications sur Waterloo, une telle étude n’existe pas.
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Mentzel, Sophie. "François Pernot, 1815…Waterloo! «morne plaine»." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 535–36. http://dx.doi.org/10.4000/studifrancesi.5358.

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Seaton, A. V. "War and thanatourism: Waterloo 1815–1914." Annals of Tourism Research 26, no. 1 (January 1999): 130–58. http://dx.doi.org/10.1016/s0160-7383(98)00057-7.

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Forrest, Alan. "CONTRASTING MEMORIES OF A BATTLE: WATERLOO, 1815." Ural Historical Journal 63, no. 2 (2019): 31–40. http://dx.doi.org/10.30759/1728-9718-2019-2(63)-31-40.

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Esdaile, Charles, and Peter Hofschroer. "1815, The Waterloo Campaign: The German Victory." Journal of Military History 64, no. 3 (July 2000): 834. http://dx.doi.org/10.2307/120882.

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Manzini, Francesco. "1815… Waterloo! ‘morne plaine!’Par FranÇois Pernot." French Studies 70, no. 3 (June 5, 2016): 447–48. http://dx.doi.org/10.1093/fs/knw104.

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Crumplin, Michael. "Medical aspects of the Waterloo campaign of 1815." Bulletin of the Royal College of Surgeons of England 98, no. 2 (February 2016): 70–73. http://dx.doi.org/10.1308/rcsbull.2016.70.

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Logie, Jacques. "Waterloo. 18 juin 1815. Le dernier pari de Napoléon." Annales historiques de la Révolution française, no. 348 (June 1, 2007): 221–22. http://dx.doi.org/10.4000/ahrf.9603.

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Bell, D. A. "From Valmy to Waterloo: France at War, 1792-1815." French History 26, no. 3 (July 28, 2012): 429–30. http://dx.doi.org/10.1093/fh/crs070.

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Dissertations / Theses on the topic "Bataille de Waterloo (1815)"

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Largeaud, Jean-Marc. "Waterloo dans la memoire des francais (1815-1914)." Lyon 2, 2000. http://www.theses.fr/2000LYO20011.

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L'histoire de la memoire de waterloo decrit les processus de transformation d'un evenement en memoire. Les enjeux politiques sont analyses selon le point de vue des gouvernements (de 1815 a 1870), et en fonction de l'attitude des groupes politiques qui usent de waterloo comme d'un theme d'opposition. Entre rememoration d'un traumatisme et volonte de controle de la memoire, la fonction et le contenu du mythe en font un element du sentiment national dans l'histoire, la litterature, l'imaginaire et les representations sociales. Mais seuls les republicains francais ont donne de la bataille une explication en termes de conscience nationale utilisable dans l'education a la patrie. L'inscription de l'evenement dans le temps long de l'histoire s'explique par l'evolution du rapport a la revolution, a la legende napoleonienne, a l'histoire de napoleon et de la france en 1815. Elle est aussi tributaire de mecanismes particuliers : identites personnelles, identites de vaincus d'autres combats (politiques ou militaires), construction ideologique et sociale de la notion d'heroisme. L'exemple de waterloo revele l'emergence, les variations et les lecons ambigues d'une culture de la defaite.
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Bartlett, Keith John. "The development of the British army during the wars with France, 1793-1815." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/699/.

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The British Army that fought the engagement at Waterloo in 1815, was outwardly little changed from that which was engaged in the initial campaigns of the Wars, twenty-two years previously. Line upon line of red-coated, musket-armed infantry, manoeuvred as chess pieces across open fields, deciding the issue by volley and bayonet, having spent a hungry night exposed to rain and cold. The cavalry were still beautifully and often impractically clad, and were always seeking the decisive charge, on their unfed and often sickly mounts. The Army's commander still viewed his troops as 'the scum of the earth', who were rarely paid, and predominantly enlisted for life. It would therefore appear that little had altered from 1793 to 1815, and that this will be a study of continuity rather than change. However, this thesis will show that despite outward appearances, the Army that took the field at Waterloo was intrinsically different from the one that entered the conflict in 1793, being modernised in line with other institutions of state, and other European armies. This thesis is first and foremost intended to be a contribution to the history of the British Army from the outbreak of war with Revolutionary France in 1793, to the reduction of the forces after the battle of Waterloo in 1815. It proceeds from an assumption that the understanding of not only that history, but the history of the developing British state, will be significantly advanced through a study of the operation of, and the changes which took place within, the Army during the Wars with France.
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Pryor, Kevin. "THE MOBILIZATION OF MEMORY: THE BATTLE OF WATERLOO IN GERMAN AND BRITISH MEMORY, 1815-1915." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/312.

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This Thesis examines the evolution of the Battle of Waterloo from the perspective of both British and German historical memory over the course of a century. In popular media, Waterloo emerged as a potent symbol for the unity of the nation in both German and British contexts. The Thesis's comparative study of historical memory argues that historical memory is integrally related to a society's development; subsequent generations of Britons and Germans reimagined themselves fighting Waterloo in such diverse media as poetry, editorials, popular history, and iconography. In the British context, the memory of Waterloo from 1815-1914 was partial to small-scale commemorations that reflected expanded notions of Britishness that was more in synch with Britain's political development. This use of a historical memory in effect helped to define what was British. The memory of Waterloo was far less straightforward in the case of Germany during the same period, where the erratic course of German political evolution stymied efforts to turn Waterloo into a national public symbol. Paradoxically, the volatility of German politics only served to intensify efforts to shape Waterloo into a national memory because emphasizing a German victory over Napoleon in 1815 simplified and obscured the complexities of German historical development. All these intertwined strains of memory found themselves at play during the centennial of Waterloo in 1915 as intellectuals and artists mobilized memory of Waterloo for the war effort. In this wartime environment, Waterloo became instrumentalized along four interlocking iterations in both nations as they used Waterloo to present a case for the legitimacy of their respective war efforts. This memory's failure to predict the course of the First World War ultimately rendered Waterloo irrelevant to each society as a master symbol of historical memory.
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Nicolas, Aude. "L’art et la bataille : représenter les campagnes d’Italie : (1800 ; 1859)." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100188.

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Cette étude a pour but d’analyser les représentations peintes – mais aussi, à chaque fois que cela était pertinent pour le propos, les dessins, les photographies et les sculptures – des campagnes d’Italie de 1800 et de 1859. L’approche comparative de ces deux événements met en parallèle les héritages et les innovations artistiques d’« un Napoléon à l’autre », en posant à chaque fois la question de la volonté de précision et des connaissances des artistes chargés d’immortaliser les grandes phases de ces conflits, de manière à apporter un regard principalement centré sur les aspects militaires de ces représentations, en recourant notamment à l’étude iconographique. S’il s’agit avant tout d’un travail d’histoire de l’art, s’appuyant sur l’analyse stylistique et sur la réception critique des œuvres, l’approche méthodologique proposée croise d’autres disciplines afin de détailler la conception et l’organisation des œuvres : topographie, stratégie, tactique et, plus largement, d’autres domaines plus spécifiquement liés au patrimoine militaire (uniformologie, emblématique, armement…). Les œuvres sont également confrontées aux objets conservés et à l’histoire militaire qu’elles représentent, afin de comprendre comment les artistes ont conçu leurs productions et sont parvenus à rendre les faits. L’organisation du propos est divisée en trois parties, étudiant successivement la représentation topographique (les artistes se sont-ils rendus sur les lieux, ont-ils cherché à être précis en rendant les paysages et les particularités géographiques ?), le rendu de la bataille (comment la traite-t-on au début et au milieu du siècle, trouve-t-on un véritable souci de faire figurer les bonnes unités aux bons endroits et de tenter de comprendre et / ou de recomposer les manœuvres tactiques ?) et la perception héroïque (comment met-on en valeur le héros d’une époque à l’autre et comment différencier une œuvre au rendu réaliste d’une autre vouée à la glorification ou à l’édification ?)
This work deals with a comparative analysis of military paintings representing the French Italian Campaigns (1800 and 1859), including drawings, photographs and sculptures when it is relevant. The parallel is established between artistic heritages and innovations from “a Napoleon to the other”, asking the artists’ willing of precision and military knowledge when they represented these events, so these works of art are studied in a different way focused on a military approach using iconography. Although the main work is in history of art, based on the analysis of formal handling and critical reception, the methodology resorts other sciences in order to examine the artworks composition and organisation in details: in that way, artworks are confronted to topography, strategy, tactic and also military heritage testimonies (uniforms, emblems, weapons…) and history they aimed to show. The work is divided in three parts, successively studying topographical representation (did the artists travelled to see the places and did they represented precise and recognizable geographical details?), the way of painting battles (how fights were figured at the beginning and in the middle of the 19th century, can regiments and tactical manoeuvres be identified correctly?) and heroic perception (how heroes were showed in 1800 and in 1859 and how artworks can be ranked, between glorification and realistic representations?)
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Cadet, Nicolas. ""Un paradis habité par des diables" : la guerre de Calabre de 1806-1807." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0041.

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Au début de l'année 1806, Napoléon charge le maréchal Masséna de conquérir le royaume de Naples, afin de placer son frère Joseph sur le trône napolitain. Malgré la facilité avec laquelle s'effectue la conquête, les Français se trouvent rapidement confrontés à une insurrection latente. Soutenus par les Anglo-siciliens, les insurgés calabrais parviennent à mettre en échec les troupes du général Reynier, et obligent Masséna à intervenir personnellement. La Calabre devient alors un véritable laboratoire des méthodes de lutte anti-insurrectionnelle : les colonnes mobiles se livrent à un incessant quadrillage du terrain, utilisent des unités spécialement formées à la contre-guérilla, lèvent des auxiliaires parmi la population calabraise. Grâce à ces méthodes la région est progressivement pacifiée, mais la campagne se révèle fort coûteuse, et préfigure les difficultés que les Français rencontreront en Espagne. Progressivement, ces mesures parviennent à ramener un calme relatif en Calabre
At the beginning of 1806, Napoléon instructed marshall Masséna to conquer the kingdom of Naples, so as to put his brother Joseph on the Neapolitan throne. Although the conquest was very easy, the French soon meet numerous problems. Supported by the anglo-sicilians, the Calabrese insurgents managed to keep general Reynier's troops at bay, and compelled Masséna to interfere personally. Calabria then became a genuine laboratory for anti-insurrectional fighting methods. The French got flying columns engaged in a constant combing of the countryside, they used specially trained anti-guerilla units, and raised auxiliary troops out of the Calabrian population. Thanks to these methods, the country was progressively pacified, but the campaign turned out to be very costly, and foreshadowed the difficulties the French would soon meet in Spain. Gradually these measures manage to bring a relative quiet back to Calabria
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Cyr, Pascal. "Waterloo : la bataille de tous les enjeux." Thèse, 2007. http://hdl.handle.net/1866/6662.

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Black, Sara Elizabeth. "The Emperor and the Duke : a comparative leadership analysis of the Battle of Waterloo /." 2009. http://hdl.handle.net/10288/1261.

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Books on the topic "Bataille de Waterloo (1815)"

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Damamme, Jean-Claude. La bataille de Waterloo. [Paris]: Perrin, 1999.

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Waterloo: Une bataille pour l'Europe. Paris: Différence, 2012.

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Logie, Jacques. Napoléon: La dernière bataille. Bruxelles: Editions Racine, 1998.

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In love & war: The De Lanceys at Waterloo. Toronto: Macmillan of Canada, 1988.

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Humblet, Jean-E. Wellington et l'argent des Belges, ou, La seconde bataille de Waterloo. Bruxelles: L. Pire, 2001.

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La colonne Victor Hugo: Champ de bataille Waterloo 1815 : son histoire et son secret, du dénuement au dénouement. Namur: Les éditions namuroises, 2011.

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Waterloo, 1815. Paris: Perrin, 2015.

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1815, the Waterloo campaign. London: Greenhill Books, 1998.

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Bremm, Klaus-Jürgen. Die Schlacht: Waterloo 1815. Darmstadt: Theiss, 2015.

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Hugo, Victor. Waterloo. Arles: Editions B. Coutaz, 1992.

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Book chapters on the topic "Bataille de Waterloo (1815)"

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Stock, Paul. "“Repairing Shattered Thrones”: Post-Waterloo Europe and the Shelley-Byron Circle, June 1815–December 1816." In The Shelley-Byron Circle and the Idea of Europe, 39–63. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106307_3.

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Füssel, Marian. "Titelei/Inhaltsverzeichnis." In Waterloo 1815, 1–6. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-1.

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Füssel, Marian. "VIII. Epilog: Die berühmteste Schlacht der Welt." In Waterloo 1815, 115–20. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-115.

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Füssel, Marian. "Weiterführende Literatur." In Waterloo 1815, 120–23. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-120.

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Füssel, Marian. "Orts- und Personenregister." In Waterloo 1815, 123–28. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-123.

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Füssel, Marian. "Bild- und Kartennachweis." In Waterloo 1815, 128–29. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-128.

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Füssel, Marian. "Weitere Karten." In Waterloo 1815, 129–30. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-129.

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Füssel, Marian. "I. Der Flug des Adlers: Napoleons Rückkehr, die Armeen und Akteure." In Waterloo 1815, 15–28. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-15.

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Füssel, Marian. "II. Ligny und Quatre-Bras: Zwei Schlachten und keine Entscheidung." In Waterloo 1815, 28–40. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-28.

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Füssel, Marian. "III. Auf dem Weg nach Waterloo: Räume und Strategien." In Waterloo 1815, 40–48. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406676734-40.

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