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Journal articles on the topic 'Bataille'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Prushkovska, Anastasiia. "Conception of a man in Bataille’s anthropology of chance." Grani 23, no. 6-7 (2020): 75–83. http://dx.doi.org/10.15421/172067.

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The purpose of this article is to present the conceptшщт of G. Bataille’s philosophy (the anthropology of chance) through the analysis of the nature of concept of «chance» and its relation to the conception of a man in the «ontologies of negativity» of M. Heidegger, J.-P. Sartre and A. Kojève. Theoretical basis. The author defines Bataille's anthropology as anthropology of chance based on its comparison with the ontologies of negativity of the twentieth century. Scientific novelty. The author presents the anthropological concept of G. Bataille, in which a person is understood as a "chance". Th

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2

Chagnon, Louis. "1916 ou l’année de rupture en matière d’utilisation de l’arme aérienne." Revue Historique des Armées 242, no. 1 (2006): 36–47. http://dx.doi.org/10.3917/rha.242.0036.

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L’année 1916 fut une année charnière dans l’histoire de l’aviation militaire dans le sens où celle-ci s’imposa comme une arme essentielle dans la préparation et l’exécution des offensives terrestres. La bataille de Verdun fut la première bataille qui commença par une lutte pour la supériorité aérienne. Cette importance du facteur aérien fut intégrée par les alliés et appliquée lors de la bataille de la Somme. Depuis, le combat pour acquérir la maîtrise de l’air est devenu le gage indispensable de la victoire dans les batailles terrestres.

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3

Déruelle, Aude. "Galerie des Batailles et histoire-bataille." Romantisme 169, no. 3 (2015): 55. http://dx.doi.org/10.3917/rom.169.0055.

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4

De Leeuw, Ursula. "'A kiss is the beginning of cannibalism'." Exchanges: The Interdisciplinary Research Journal 7, no. 2 (2020): 215–28. http://dx.doi.org/10.31273/eirj.v7i2.463.

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In this article, I will put Julia Ducournau’s 2016 coming-of-age horror film Raw in dialogue with Georges Bataille’s general economic theory of transgression. The Bataillean saying ‘a kiss is the beginning of cannibalism’ is taken literally by Raw’s protagonist Justine, as she explores her sexuality while simultaneously acquiring a taste for human flesh. I will begin by mapping the interplay between the transgressions of Raw and Bataille’s general economy, moving forward to Raw’s treatment of transgression as it both converges and diverges with Bataille’s notion of sacrifice. While the film ul

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5

Brennan, Eugene. "The Politics of Religious Fervour: New Considerations on Georges Bataille and Religion." Theory, Culture & Society 35, no. 4-5 (2017): 217–31. http://dx.doi.org/10.1177/0263276417719325.

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The recent publication of a new translation of On Nietzsche invites renewed consideration of one of Georges Bataille’s most intriguing and complex texts. This work was originally situated within La Somme athéologique, Bataille’s unfinished project for a set of texts exploring the paradoxes of religious atheism. These texts are often consumed with a religious fervour and seem far from the explicitly political considerations of Bataille’s anti-fascist texts in the 1930s, or from the more measured analytical tone of The Accursed Share. However, as some critics have suggested, these texts have a p

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6

Meiches, Benjamin. "Wars of excess: Georges Bataille, solar economy, and the accident in the age of precision war." Security Dialogue 51, no. 2-3 (2019): 268–84. http://dx.doi.org/10.1177/0967010619887845.

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Both classical and critical studies of warfare often comment on the relationship between war and excess. However, even in richly theoretical work, this connection is unanalyzed. This article focuses on the link between excess and war, and seeks to deepen our understanding of why excess reappears so frequently in the study of armed conflict and security studies. Specifically, the article turns to the work of Georges Bataille, an overlooked figure in the critical tradition, who extensively theorized linkages between excess and war. In Bataille’s thought, excess is a key term for explicating the

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7

Fifield, Peter. "“Accursed Progenitor!” and Georges Bataille." Samuel Beckett Today / Aujourd'hui 22, no. 1 (2010): 107–21. http://dx.doi.org/10.1163/18757405-022001008.

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This article compares elements of Georges Bataille's (1928) with Beckett's (1957) and (1958), arguing for a possible influence. Focussing on the figure of Hamm, the paper traces the congruence with two published descriptions of Bataille's father. This includes comparison of manuscript precursors to and a description of Beckett's encounters with Bataille and his work.

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8

Volkova, Victoria A., and Albina R. Ishniyazova. "The Concept of Sovereignty and the Notion of Freedom in the Philosophy of F. Nietzsche and G. Bataille." Общество: философия, история, культура, no. 5 (May 21, 2025): 42–49. https://doi.org/10.24158/fik.2025.5.4.

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The article examines the concept of sovereignty in the framework of the philosophical dialogue between Frie-drich Nietzsche and Georges Bataille, focusing on issues related to individual freedom and critiques of moral and social norms. An attempt is made to identify the features of the paradoxical thinking of F. Nietzsche and J. Bataille, who embodied in their work the synesthesia of philosophy, literature, irony and play. The concept of sovereignty in the works of Nietzsche and Bataille is compared. The study demonstrates that both Nietzsche and Bataille propose alternative paradigms for unde

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9

Olson, Carl. "Eroticism, violence, and sacrifice: A postmodern theory of religion and ritual." Method & Theory in the Study of Religion 6, no. 1-4 (1994): 231–50. http://dx.doi.org/10.1163/157006894x00127.

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AbstractA fascinating and controversial theory of religion and ritual is offered by Georges Bataille, an influential French postmodern thinker and writer In his collected works he suggests that religion, which he identifies with the sacred, can best be understood by the interconnections and workings of eroticism, violence, and sacrifice. The key to understanding Bataille's theory is to focus on his concept of eroticism, which was one of his life-long obsessions. According to Bataille, a common feature of eroticism, sacrifice, and religion is violence which represents a danger to overflow at an

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10

Bataille, Georges. "Definition of Heterology." Theory, Culture & Society 35, no. 4-5 (2018): 29–40. http://dx.doi.org/10.1177/0263276418790349.

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In this text, Bataille clarifies his idea of the ‘excluded part’, i.e. that which is left behind by science. Bataille seeks to create an approach that would challenge the abstracted method of science, which presents the world as idealized and homogeneous. The aim of Bataille’s ‘science of the heterogeneous’ is to shed light on the unproductive expenditure of life, which moves between the sacred and the unclean. In pursuing this, he debunks the common idea that what is profane is already impure and vice versa. This text is notable for the new vocabulary that Bataille introduces in order to defi

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11

Lechte, John. "Bataille: Image and Victim." Theory, Culture & Society 38, no. 4 (2021): 3–22. http://dx.doi.org/10.1177/0263276420986618.

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This article aims to reveal aspects of the relation between the image and the victim in Georges Bataille’s writing, certainly as this applies to writings on art, but more particularly as it applies to Bataille’s relation to the victim of torture in the photographs of Chinese lingchi punishment, which entails physical dismemberment. It will be shown that Bataille does not have a ‘media specific’ approach to the image but reflects Sartre’s notion of the image. Critiques of Bataille’s relation to the lingchi photos will be addressed (notably that of Hollywood), so as to clarify what is at stake i

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12

Jean-Paul Delahaye. "Une bataille sans bataille." Bulletin 1024, no. 24 (November 2024): 207–10. https://doi.org/10.48556/sif.1024.24.207.

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13

Turvey, Malcolm. "Bataille and Eisenstein: In Defense of Michelson's View." October, no. 189 (2024): 169–88. http://dx.doi.org/10.1162/octo_a_00528.

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Abstract In October 188's “Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille,” Elena Vogman argues that there is an “affinity” between Sergei Eisenstein's and Georges Bataille's views, thereby contesting Annette Michelson's verdict that any similarities between them are “superficial.” This article contends that Michelson is right, and that Vogman provides no evidence of an affinity between Eisenstein's and Bataille's thinking. In doing so, I defend the important methodological principle, exemplified by Michelson's work, that theory should not be applied, top down and a priori, to

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14

Galletti, Marina, and Roy Boyne. "Heterology or ‘The Science of the Excluded Part’: An Introduction." Theory, Culture & Society 35, no. 4-5 (2018): 3–27. http://dx.doi.org/10.1177/0263276418790358.

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The text introduces the special issue on Georges Bataille and his idea of heterology. The editors, Marina Galletti and Roy Boyne, immediately point out the novelty of Bataille’s heterology, both in the academic and political contexts of the 1920s and the present day. It is suggested that Bataille’s heterology is neither a technical-philosophical notion nor a definitive concept. Rather, heterology represents the challenge of the illicit parts of our human existence to any constituted power that proclaims itself as hierarchical, authoritarian, absolute order. Heterology is the revolt of the excl

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15

Manghani, Sunil. "Barthes/Bataille: The Writing of Neutral Economy." Theory, Culture & Society 35, no. 4-5 (2018): 193–215. http://dx.doi.org/10.1177/0263276418769998.

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By his own admission, Roland Barthes was seemingly remiss in not placing Georges Bataille within his account of ‘zero degree’ writing. This article draws inference from this fact, but specifically examines commonalities between Bataille’s heterology and Barthes’ late project on the Neutral (in which reference to ‘zero degree’ is again raised). The article works through Barthes’ two key articles on Bataille, ‘The Metaphor of the Eye’ and ‘Outcomes of the Text’, and also considers Bataille’s statement on informe, a concept that can be said to resonate with Barthes’ use of the Neutral. Neither te

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16

Golubeva, Anastasia. "Is the Social Contract a Sacrifice? Georges Bataille and the Critique of Leviathan." Sociology of Power 36, no. 2 (2024): 97–112. http://dx.doi.org/10.22394/2074-0492-2024-2-97-112.

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This article examines the critique of social contract theory in Thomas Hobbes' Leviathan through the lens of Georges Bataille's notion of sacrifice. Bataille and Hobbes share several key motifs, including death, violence and sovereignty. However, they interpret these motifs in different ways. Hobbes rationalises these concepts by introducing the concept of the social contract, whereby individuals relinquish their freedom in exchange for security. For him, the state is a means of protecting people’s lives through rational submission to the social contract. In contrast, Bataille emphasises the r

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17

Golubeva, Anastasia. "Is the Social Contract a Sacrifice? Georges Bataille and the Critique of Leviathan." Sociology of Power 36, no. 2 (2024): 97–112. https://doi.org/10.22394/2074-0492-2024-2-97-112.

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This article examines the critique of social contract theory in Thomas Hobbes' Leviathan through the lens of Georges Bataille's notion of sacrifice. Bataille and Hobbes share several key motifs, including death, violence and sovereignty. However, they interpret these motifs in different ways. Hobbes rationalises these concepts by introducing the concept of the social contract, whereby individuals relinquish their freedom in exchange for security. For him, the state is a means of protecting people's lives through rational submission to the social contract. In contrast, Bataille emphasises the r

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18

Dumas, Emmanuel. "La défense du pont de Charenton par le bataillon d'Alfort le 30 mars 1814." Bulletin de la Société Française d'Histoire de la Médecine et des Sciences Vétérinaires 14, no. 1 (2014): 139–68. https://doi.org/10.3406/bhsv.2014.1029.

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En 1814, face à l’invasion du territoire national par les armées des coalisés, les élèves de l'École vétérinaire d'Alfort furent formés en un bataillon. Ce bataillon dit « bataillon d’Alfort » s’illustra par la défense du pont de Charenton lors de la bataille de Paris le 30 mars 1814. Cet article évoque la formation du bataillon d’Alfort, le combat du pont de Charenton ainsi que les pertes subies par le bataillon.

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19

Pérez Carvajal, Miryan Verónica. "El Sentido del Erotismo." Revista Ciencias y Humanidades 1, no. 1 (2025): 127–51. https://doi.org/10.61497/kwrke656.

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This article aims to develop, panoramically, Georges Bataille’s approach to one of the components of man’s inner life: eroticism, which is the one that stakes man himself. Bataille asserts that eroticism affirms life even in death. This speech exposes the author’s particular point of view, without intending to corrupt Bataille’s vision.

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20

Bujalka, Eva. "KVLTER than KVLT: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’." Popular Music 38, no. 03 (2019): 518–37. http://dx.doi.org/10.1017/s0261143019000333.

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AbstractAlthough there has recently been significant work published on the relationship between twentieth-century French (anti-)philosopher Georges Bataille's theories of religion and violence, and the sound and politics of black metal, little has been done to address Bataille's and black metal's shared concern with the problem of ‘authenticity’. Their concern, determined by their complicity with ‘evil’, is centred on a critique of modernity. I will read, with a specific focus on the second wave of Norwegian black metal, black metal's connivance with evil through Bataille's notion of authentic

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21

Urban, Hugh B. "DESEO, SANGRE Y PODER – GEORGES BATAILLE Y EL ESTUDIO DEL TANTRA HINDÚ EN EL NORESTE DE LA INDIA." Revista Científica Arbitrada de la Fundación MenteClara 1, no. 3 (2016): 26–48. http://dx.doi.org/10.32351/rca.v1.3.22.

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Este artículo analiza el tantra hindú y la adoración de la diosa en el noreste de la India. Para esto se vale de varias de las ideas de Bataille sobre el erotismo, el sacrificio y la transgresión, al tiempo que las repiensa de manera crítica. Específicamente, analiza la adoración de la diosa Kamakhya y su templo en Assam, que es venerado como uno de los más antiguos «centros de poder» o asientos de la diosa en el sur de Asia y como el centro del órgano sexual de la diosa. En muchos sentidos, el trabajo de Bataille es extremadamente útil para comprender la lógica de la transgresión y el uso de

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22

Guerlac, Suzanne. "The Useless Image: Bataille, Bergson, Magritte." Representations 97, no. 1 (2007): 28–56. http://dx.doi.org/10.1525/rep.2007.97.1.28.

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This paper explores Bataille's writings on primitive art, specifically his essay on the Lascaux cave, in order to elaborate a notion not of the informe (as contemporary art critics have done), but of the fictive figural image. It reads this "useless image"——a term borrowed from Bataille——in the work of Magritte through Bergson's notion of resemblance and the operation of attentive recognition.

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23

Goggin, W. Ezekiel. "Hegel and Bataille on Sacrifice." Hegel Bulletin 39, no. 2 (2018): 236–59. http://dx.doi.org/10.1017/hgl.2018.17.

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AbstractIn Georges Bataille’s view, the Hegelian interpretation of kenotic sacrifice as passage from Spirit to the Speculative Idea effaces the necessarily representational character of sacrifice and the irreducible non-presence of death. But Hegel identifies these aspects of death in the fragments of the 1800 System. In sacrificial acts, subjectivity represents its disappearance via the sacrificed other, and hence is negated and conserved. Sacrifice thus provides the representational model of sublation pursued in the Phenomenology as a propaedeutic to Science. Bataille’s critique clarifies th

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24

Austin, Guy. "The stink of the sacred: A Bataillean reading of Gainsbourg’s film Je t’aime moi non plus." French Cultural Studies 30, no. 1 (2019): 34–43. http://dx.doi.org/10.1177/0957155818810675.

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Although best known for his music, Serge Gainsbourg also starred in and directed several films. This article considers his directorial debut, Je t’aime moi non plus (1976) through the optic of Georges Bataille’s theorisation of the sacred and the heterogeneous. According to Bataille, bourgeois capitalism is characterised by material and moral values, respect for work and homogeneity. Against this he posits the outsider values of the sacred. Where capitalism is predicated on production and accumulation, the heterogeneous is defined by unproductive expenditure, such as sexual play, art and sacri

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25

Nancy, Jean-Luc. "L'excrit." Alea : Estudos Neolatinos 15, no. 2 (2013): 312–20. http://dx.doi.org/10.1590/s1517-106x2013000200004.

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Texte publié originellement dans Po&sie, n° 47, 1988, et inclus dans le recueil Une pensée finie (1990). Il se situe dans le contexte des travaux sur la communauté et Georges Bataile. Au printemps de 1983, sortait La communauté désœuvrée, dans la revue Alea (n° 4), par la suite (1986), repris dans le volume de même titre avec deux autres essais. Il s'agit ici comme là d'écrire "en communauté avec Georges Bataille". "Écrire", s'écrit dans ce cas, à partir d'une extériorité, marquée par le préfixe ex-, donc ex-crire; écrit, comme "excrit", où se joint l'homophonie de ex-cri (cri, de crier).

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26

Chen, Meng-Shi. "The Quest for Ecstatic Sovereignty: Georges Bataille’s Obsession with the Lingchi Photos." Culture and Dialogue 7, no. 2 (2019): 213–36. http://dx.doi.org/10.1163/24683949-12340067.

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Abstract This essay considers the way Georges Bataille associates sovereignty with ecstasy through his peculiar emotive reactions to the photographic images of lingchi execution. Aside from the traditional views relating to political authority, I show how Bataille holds an idiosyncratic notion of sovereignty that is firmly connected with ecstasy, which is disclosed and best exemplified in his fascination with the lingchi photos with intolerable imagery of torture and cruelty. I argue that the reasons for Bataille to seek ecstatic experience is to overcome banality and servility derived from th

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27

Richman, Michèle. "Bataille’s Prehistoric Turn: The Case for Heterology." Theory, Culture & Society 35, no. 4-5 (2017): 155–73. http://dx.doi.org/10.1177/0263276416636453.

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The contribution of this study to existing scholarship is threefold. First, it extends heterology’s timeline beyond the late 1930s to encompass the final phase of Bataille’s career (1955–62) devoted to prehistory. It argues that heterology’s keyword – the wholly other – furnished an entry point into the prehistoric past marginalized by traditional historiography. Second, it demonstrates that the exemplar of prehistory’s otherness is silence. Along with Maurice Blanchot, Bataille forged a modernist aesthetics that promotes silence as an interruption of speech. It therefore concludes that interr

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28

Devries, Kelly. "«Achilles versus Hector or Aeneas versus Turnus»: The Battle of Hastings revisited." Annales de Normandie 69e année, no. 1 (2019): 71–88. http://dx.doi.org/10.3917/annor.691.0071.

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La bataille d’Hastings est l’une des batailles des plus décisives de l’histoire. Guillaume, duc de Normandie, a remporté à juste titre le cognomen « le Conquérant » en vainquant Harold II Godwinson, roi d’Angleterre, dans une lutte où, après 8-10 heures, la cavalerie normande a prétendu battre en retraite ce qui a permis de briser le mur de boucliers anglo-saxon.

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29

White, Richard. "Bataille on Lascaux and the Origins of Art." Janus Head 11, no. 2 (2009): 317–29. http://dx.doi.org/10.5840/jh20091128.

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Batailles hook Lascaux has not received much scholarly attention. This essay attempts to fill in a gap in the literature by explicating Bataille's scholarship on Lascaux to his body of writing as a whole—an exercise that, arguably, demonstrates the significance of the book and, consequently, the shortsightedness of its neglect by critics who have not traditionally grasped the relevance of the text for illuminating Bataille's theory of art and transgression

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Kleinhubbert, Guido, and Baptiste Touverey. "Bataille autour de la bataille de Teutobourg." Books N° 110, no. 9 (2020): 57–59. http://dx.doi.org/10.3917/books.110.0057.

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Jeanne, Matthieu. "La « bataille de Paris », une bataille géopolitique." Hérodote 154, no. 3 (2014): 59. http://dx.doi.org/10.3917/her.154.0059.

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32

Sanbar, Élias. "La bataille de Palestine, bataille de ľindépendance." Revue d'études palestiniennes N° 78, no. 1 (2001): 5–6. https://doi.org/10.3917/repa.078.0005.

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33

Vojtíšková, Lenka. "The Subject Who Says “I Suffer”: The Semiotic in the State of Singularity." Acta Nova Humanistica: A Journal of Humanities Published by New Bulgarian University 1, no. 2 (2024): 89–101. https://doi.org/10.33919/anhnbu.24.1.2.8.

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The aim of this text is to explore how Kristeva deals with the question of unity and singularity in her early work, particularly in Revolution in Poetic Language. In particular, the conceptual pair of the semiotic and the symbolic, which is commonly subject to schematic evaluation, is confronted: the symbolic is a unifying element in discourse, whereas the semiotic is a pluralizing or destructive force, and the latter is favored by Kristeva over the former. I will argue, however, that the above-mentioned characteristics do not exhaust this pair of concepts. I will read Revolution in Poetic Lan

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34

Toscano, Alberto. "The Horrible Work of History." Qui Parle 32, no. 1 (2023): 105–35. http://dx.doi.org/10.1215/10418385-10427959.

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Abstract This article critically surveys Georges Bataille’s multiple engagements with G. W. F. Hegel from the early 1930s to the 1950s. It homes in on how Bataille’s conceptual, experiential, and parodic demarcation from Hegel targets not the German philosopher’s aspiration to totality but (via Bataille’s dialogue with Alexandre Kojève) his action-centered framing of the movement of history and the character of actuality. Against the dialectical mastery of history, Bataille seeks to articulate an unpolitical image of sovereignty and play that is ultimately poetic or literary in kind.

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35

Dişci, Zeliha. "Emancipation in Capitalist Society." Kilikya Felsefe Dergisi / Cilicia Journal of Philosophy 7, no. 2 (2020): 92–109. http://dx.doi.org/10.5840/kilikya20207215.

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This study aims to reveal the meaning of sovereignty in the context of Georges Bataille’s critique of capitalist society. In order to determine how Bataille thinks about sovereignty, it firstly touches upon the conception of the capitalist society of the thinker. It draws attention to the nature of the practices here limited to capitalist production and profit/usefulness. This limit causes people to be alienated and enslaved. Then, in the face of the limited, that is, homogeneous structure of capitalist society, this study deals with the heterogeneous structure of existence in Bataille’s view.

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36

Knudson, Cory Austin. "Animality and the Limits of Discourse in Djuna Barnes and Georges Bataille." Journal of Modern Literature 46, no. 4 (2023): 63–80. http://dx.doi.org/10.2979/jml.2023.a908974.

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Abstract: In the works of Djuna Barnes, and particularly the enigmatic final paragraphs of Nightwood , animals and animalistic qualities represent the terminal incapacity of language to encompass reality. Georges Bataille's concept of "animality," considered as a comparative heuristic, allows for a more coherent articulation of the theoretical underpinnings and implications of this presentation of the animal as a limit to the logical, sequential ordering of coherent meaning through language, or what Bataille refers to in shorthand as "discourse." Ultimately, Bataille theorizes and Barnes embod

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Knudson, Cory Austin. "Animality and the Limits of Discourse in Djuna Barnes and Georges Bataille." Journal of Modern Literature 46, no. 4 (2023): 63–80. http://dx.doi.org/10.2979/jmodelite.46.4.04.

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Abstract: In the works of Djuna Barnes, and particularly the enigmatic final paragraphs of Nightwood , animals and animalistic qualities represent the terminal incapacity of language to encompass reality. Georges Bataille's concept of "animality," considered as a comparative heuristic, allows for a more coherent articulation of the theoretical underpinnings and implications of this presentation of the animal as a limit to the logical, sequential ordering of coherent meaning through language, or what Bataille refers to in shorthand as "discourse." Ultimately, Bataille theorizes and Barnes embod

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38

Richardson, Michael. "Seductions of the Impossible." Theory, Culture & Society 15, no. 3-4 (1998): 375–92. http://dx.doi.org/10.1177/0263276498015003018.

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Theories about sacrifice generally focus on practice within ancient societies. In contrast, Georges Bataille sought the psychological truth that sacrifice embodies in the structure of contemporary society. This article considers Bataille's view of sacrifice against the background of the will of the surrealists to `reinvent love' and question traditional ideas of the relations between the sexes.

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Myklebust, Ragnar Braastad. "Georges Bataille." Agora 23, no. 03 (2005): 5–23. http://dx.doi.org/10.18261/issn1500-1571-2005-03-02.

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40

Confavreux, Joseph. "bataille dérangée." Vacarme 31, no. 2 (2005): 38. http://dx.doi.org/10.3917/vaca.031.0038.

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Vallois, Élise. "bataille navale." Vacarme 34, no. 1 (2006): 173. http://dx.doi.org/10.3917/vaca.034.0173.

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42

Zimmermann, Laurent. "Bataille fantôme." Littérature 152, no. 4 (2008): 105. http://dx.doi.org/10.3917/litt.152.0105.

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43

Pasquier, Renaud, and David Schreiber. "« L’histoire-Bataille »." Labyrinthe, no. 14 (May 1, 2003): 107–13. http://dx.doi.org/10.4000/labyrinthe.607.

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Weinstein, Michael A. "Virtual Bataille." Parallax 7, no. 1 (2001): 76–80. http://dx.doi.org/10.1080/13534640010015944.

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Parkes, Graham. "On bataille." History of European Ideas 14, no. 4 (1992): 596–97. http://dx.doi.org/10.1016/0191-6599(92)90194-h.

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Noland, Carrie. "Bataille Looking." Modernism/modernity 11, no. 1 (2004): 125–60. http://dx.doi.org/10.1353/mod.2004.0020.

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Tibloux, Emmanuel. "Bataille l’important." Textuel 34/44 30, no. 1 (1996): 73–82. https://doi.org/10.3406/textu.1996.1383.

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Doughty, Robert. "Témoignage : « Mon père était avec Leclerc »." Revue Historique des Armées 246, no. 1 (2007): 56–64. http://dx.doi.org/10.3917/rha.246.0056.

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Le 250 e bataillon d’artillerie de l’armée américaine a été entraîné à Paris, au Texas, et a débarqué à la fin juillet 1944 sur la plage de Utah. Au début août, le bataillon devait constituer le support d’artillerie de la 2e division blindée française dans la bataille de Falaise puis couvrir son avancée en direction du Mans et de Strasbourg. Le bataillon fut récompensé par les Français : les soldats reçurent 20 Croix de guerre et furent autorisés à porter la fourragère aux couleurs de la Croix de guerre. Après la guerre, les vétérans des deux unités restèrent longtemps en contact.

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Volkova (Lezier), Victoria A., and Albina R. Ishniyazova. "Existential Personality and the Specificity of the Philosophical Style of Georges Bataille: The Problem of Mutual Influence." Общество: философия, история, культура, no. 12 (December 20, 2023): 95–102. http://dx.doi.org/10.24158/fik.2023.12.12.

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The article examines the features of the existential personality, the ideological origins of creativity and the spe-cifics of the philosophical style of the French thinker J. Bataille. The features of J. Bataille’s paradoxical thinking are shown, the value of which is in the ability to analyze various mental states of a person, in the destruction of standard philosophical structures and the creation of new forms of philosophical understanding of reality. The application of the phenomenological approach made it possible to identify the features of J. Bataille’s literary and philosophical style,

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Boetzkes, Amanda. "Cold Sun • Hot Planet." South Atlantic Quarterly 120, no. 1 (2021): 91–102. http://dx.doi.org/10.1215/00382876-8795742.

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This article considers how Georges Bataille’s account of solarity informs a planetary perspective. Bataille is credited with formulating a critical analysis of “solar societies” whose economies are shaped by the exchange of solar energy. However, a sometimes understated facet of Bataille’s reading of solarity is the way he positions living beings at the axis of the sun and the earth, and in the midst of elemental forces such as cold, heat, light, and darkness. Bataille deploys these elemental forces in his writing in order to disfigure the restricted economy of capitalism and its bourgeois sub

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