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Journal articles on the topic 'Batak Culture'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Giawa, Wengky Billy Putra, Raimundus Pakpahan, and Yulianto Yulianto. "STUDI PERBANDINGAN ARSITEKTUR TRADISIONAL ANGKOLA DENGAN ARSITEKTUR TRADISIONAL BATAK TOBA DITINJAU DARI STRUKTUR BANGUNAN." ALUR : Jurnal Arsitektur 2, no. 2 (2019): 30–41. http://dx.doi.org/10.54367/alur.v2i2.531.

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The Batak are the majority in North Sumatra. The Batak tribe even has another sub-tribe, namely TobaÂ Â Batak, Karo Batak, Simalungun Batak, Mandailing Batak and Angkola Batak. Every Batak tribe has its ownÂ Â distinctive culture and identity. Batak tribes have traditional buildings which are traditional BatakÂ Â architectural identities. The diversity of the Batak tribe caused the phenomenon of visual aspect equality inÂ Â traditional buildings because of the effects of secession and cultural integration. The Toba BatakÂ Â architecture has the concept of a stilt house and pointed gable constr

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Simangunsong, Pandi Barita Nauli, Syarifah Fadillah Rezky, and Dewi Wahyuni. "Simalungun Batak Culture Learning Based On Multimedia Applications Using The Computer Assisted Instruction (Cai) Method." Jurnal Teknovasi 7, no. 02 (2020): 69–76. http://dx.doi.org/10.55445/jt.v7i02.38.

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Simalungun Batak culture is a custom inherited from previous generationsthat still exists today. Still, the influence of the development of the current era is the lack of community knowledge of Simalungun Batak cultures such as Batak scripts, Batak traditional houses, musical instruments, and others, this due to the lack of education given to the community especially to school children so that the knowledge of the Simalungun Batak culture becomes less. The introduction of Simalungun Batak culture is applied with a multimedia-based learning model to be more practical and more comfortable to und

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3

Br Karo, Hera Sapira, Maya Rani Manurung, and Dian Syahfitri. "Pengenalan Budaya Sumatera Utara Melalui Permainan Kincir Angka pada Pemelajar BIPA." Edu Cendikia: Jurnal Ilmiah Kependidikan 4, no. 03 (2024): 1806–24. https://doi.org/10.47709/educendikia.v4i03.5583.

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Culture is the result of human thought that can be in the form of objects or actions, which need to be preserved in order to maintain the nation's historical heritage. This study focuses on the introduction of two ethnic groups, namely Batak Toba and Batak Karo. In Batak Toba, marriage customs are one of the prominent cultures in the lives of the Batak Toba people. Meanwhile, Batak Karo has a typical food, namely Cimpa. The uniqueness of these two cultures enriches the diversity of Indonesian customs that attract the attention of many people, including foreign speakers. BIPA teaching research

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4

Andini, Andini, and Mhd Syahminan. "Komunikasi Budaya Patriarki dalam Etnis Batak di Kota Medan: Studi Kasus Keluarga Bapak Sulaiman." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 10, no. 3 (2024): 559. http://dx.doi.org/10.32884/ideas.v10i3.1860.

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Patriarchal culture glorifies masculinity and subordinates women, influencing their career choices and ambitions. Patriarchal culture oppresses women. Patriarchal society destroys and isolates women. Verbal and pictorial data are presented in this descriptive qualitative research. This research aims to analyze how patriarchal culture shackles and discriminates against women. Patriarchal society degrades women and inhibits their socialization. This descriptive qualitative research presents data verbally and graphically. In micro studies, social sciences and humanities apply qualitative research

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Pasaribu, Bernad Arifin, Made Suastika, and Sri Yuliani. "DESIGN STRATEGY OF BATAK SOCIO-CULTURAL PARK AS A TOURIST DESTINATION WITH LOCAL WISDOM APRROACH IN LAKE TOBA REGION." ARSITEKTURA 16, no. 2 (2018): 275. http://dx.doi.org/10.20961/arst.v16i2.22490.

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<p><em>Indonesia is a country that has various ethnics and cultures. </em><em>One of the tribes found in Indonesia is Batak tribe located in North Sumatra, Batak tribe can be divided into six sub-tribe of Batak Karo, Toba, Simalungun, Mandailinng, Angkola, Pakpak. In today's modern era, cultural degradation has caused the values of the nation being eroded so that these cultures need to be preserved to avoid them from extinction. </em><em>This study describes the idea of accommodating activities that are preserving the culture of the Batak tribe as a Batak so

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Simbolon, Julius Putra, and Nelson Siahaan. "Design of Batak Toba Art and Culture Museum Center In The City of Medan By Applying Neovernacular Architecture Themes." International Journal of Architecture and Urbanism 5, no. 2 (2021): 161–71. http://dx.doi.org/10.32734/ijau.v5i2.6835.

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Medan City is a city that has a variety of cultures and traditions. This diversity can give color to the world of tourism, especially in the city of Medan. One of the customs and cultures in the city of Medan is the Batak Toba, a native of the North Sumatera province. Tourism with high cultural value will make a positive impact on visitors who come to study and recreate in the tourism area, especially this museum. The design involves two different aspects where the design must be able to unite the Vernacular aspects that exist in the existing site as well as the modern touch of Neovernacular A

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7

M, Asia, Ridwan Ridwan, and Earline Griselda Rembon. "Gambaran Budaya Batak dalam Novel Terminal Cinta Terakhir Karya Ashadi Siregar: Antropologi Sastra." Nuances of Indonesian Language 5, no. 1 (2024): 71–77. http://dx.doi.org/10.51817/nila.v5i1.860.

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The aim of this research is to find out what Batak culture is in the novel Terminal Cinta Akhir by Ashadi Siregar. The type of research used is qualitative research. In this research, data collection techniques were carried out using library techniques. This research data analysis technique was carried out in three stages, namely data reduction, data presentation, and drawing conclusions. The novel Terminal Cinta Terakhir is studied using literary anthropology studies. The results of the research show that there are several Batak cultures contained in the novel Terminal Cinta Terakhir. Even th

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Tumanggor, Raja Oloan. "Inkulturasi Iman Kristen dalam Konteks Budaya Batak: Suatu Tinjauan Misiologis." New Perspective in Theology and Religious Studies 2, no. 2 (2021): 37–48. http://dx.doi.org/10.47900/nptrs.v2i2.40.

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AbstractThe encounter between Christian faith and Batak culture is an important issue in mission activities. This encounter certainly faces various problems and tensions that can only be overcome by communication between cultures. This article seeks to map the experience of encounter Christian faith with Batak culture and religion. The inculturation of the Christian faith that was carried out at the beginning of the Catholic mission activities in the Batak lands was how to introduce the concept of a Christian God to the Batak people who actually have their own concept of God in their tradition

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Nababan, Christian Agung Jaya, and Doddy Yuono. "RUANG BUDAYA SEBAGAI REPRESENTASI PERKEMBANGAN MASYARAKAT BATAK DI KAWASAN CAWANG DAN CILILITAN." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 6, no. 2 (2024): 995–1006. http://dx.doi.org/10.24912/stupa.v6i2.30886.

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Cawang and Cililitan are areas located in Kramat Jati subdistrict, East Jakarta. This region is known for its predominantly Batak population and high crime rates. Historically, Cawang and Cililitan were associated with criminality, including ethnic conflicts between Bataks and Ambonese, UKI student unrest, and involvement with drugs and petty crime. However, despite these dark pasts, the areas have transformed into a popular cultural destination for Bataks from North Sumatra. The region has a long history and strong Batak culture, with Batak residents often involved in criminal activities such

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Sihotang, Koriana M., Polin DR Naibaho, and Emmy Ria Aritonang. "TIPOLOGI FASAD RUMAH ADAT BATAK TOBA." ALUR : Jurnal Arsitektur 2, no. 2 (2019): 13–21. http://dx.doi.org/10.54367/alur.v2i2.529.

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Batak Tobaâ€™s traditional houses is one of the relics of batak tribe tradition that up to now still many abandon the values ofÂ philosophy and beauty and create a natural picture that is considered to have soul. Batak traditional house is a building thatÂ characterizes the house or typical of the tribe of Batak which symbolizes the culture and characteristics of theÂ batakÂ community. Discussion in this research about typology facade of traditional Batak Toba house building in Tomok Village, HutaÂ Bolon and Huta Siallagan. Facade typology discussed in this research is the front view, the use

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Salsabila and Alex Sobur. "Makna Tanda Budaya Batak pada Film "Ngeri-Ngeri Sedap"." Bandung Conference Series: Communication Management 3, no. 2 (2023): 554–62. http://dx.doi.org/10.29313/bcscm.v3i2.7543.

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Abstract. Abstract. The research entitled “The Meaning of Batak Cultural Signs in the Film `Ngeri-Ngeri Sedap`” is motivated by Indonesia which has a variety of cultures, so that not a few Indonesian people do not know about other cultures that are far from everyday life. The purpose of this study is to find out the meaning of the signs contained in the film which will later take the required scene cuts. First, the level of reality which gets the meaning of Batak culture starting from Pak Domu who often visits the lapo, the traditional head covering of the Batak uis culture. Second, the

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Margolang, Dinda Pratiwi, and Abdi Mubarak Syam. "Cultural Acculturation: The Process of Migrating and Fundamentals of Batak-Mayur Culture in Kisaran, Asahan Regency." Al Qalam: Jurnal Ilmiah Keagamaan dan Kemasyarakatan 19, no. 3 (2025): 1347. https://doi.org/10.35931/aq.v19i3.4954.

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<p><em>The topic of this paper is about Cultural Acculturation. The main reason this research was raised because in Kisaran, Asahan Regency, there has been a cultural acculturation between the Toba Batak and Malay. The Toba Batak tribe located in Toba Regency is a migrant tribe that has entered the lowlands of the east coast, especially in Asahan Regency which is rich in agricultural and plantation resources. Cultural diversity between the Batak and Malay tribes occurred in Asahan when the Batak people migrated to the Malay lands. This study explains First, how the process of Batak

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13

Manullang, Megawati. "INKULTURASI DALIHAN NA TOLU BENTUK MISI KRISTEN DI TANAH BATAK." Jurnal Teologi Cultivation 2, no. 1 (2018): 15–28. http://dx.doi.org/10.46965/jtc.v2i1.193.

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AbstrakMisi Kristen dalam perjalanannya selalu mengalami perkembangan dimana perkembangan tersebut seiring perkembangan paradigma teologi. Perkembangan paradigma teologi tersebut juga mengalami sentuhan dengan budaya-budaya yang mengakibatkan perubahan perkembangan misi Kristen. Orang Kristen di tanah Batak memiliki keunikan tersendiri dalam menjalankan misi Kristen di tanah Batak karena misi tersebut dipahami sebagai inkulturasi budaya didalamnya dan budaya yang cocok adalah budaya kekerabatan orang Batak yaitu Dalihan Na Tolu.Kata Kunci : Inkulturasi, Dalihan na ToluAbstractThe Christian mis

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Napitu, Hasian, Sunggul Gultom, Anggiat Sinurat, and Ulung Napitu. "Melestarikan Multikulturalisme Budaya Kesenian Simalungun Di Era Digitalisasi." Journal on Education 5, no. 4 (2023): 16327–33. http://dx.doi.org/10.31004/joe.v5i4.2786.

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The Simalungun tribe is one of the Batak tribes in the Simalungun Regency, North Sumatra Province. The Simalungun tribe is located between two cultures, namely the Toba Batak tribe and the Karo Batak tribe. Because the area of residence of the Simalungun Batak tribe is between the territories of the two Batak tribes, the Simalungun language is almost similar to the Toba and Karo languages. The Simalungun people's livelihood system is farming rice and corn, because rice is the daily staple food and corn is an additional food if the rice yield is insufficient. Buying and selling is carried out b

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15

Jesiska, Enjelia Purba, and Juliana Netty. "Development of Toba Batak Gorga Ornaments in Written Batik." International Journal of Social Science and Human Research 07, no. 12 (2024): 9198–203. https://doi.org/10.5281/zenodo.14531205.

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Medan is rich in culture, especially in ornamental crafts, this the development of Batak Toba ornament creations in batik tulis is carried out. The ornaments studied include the form of the Gorga desa Naualu, Gorga simeol-meol, and gorga hariara sundung di Langit which are developed into batik tulis cloth products. The purpose of this study was to determine the development of the Gorga desa Naualu, Gorga Simeol-Meol, and Gorga Hariara Sundung di Langit ornaments in batik tulis and to examine the feasibility of these ornaments in this context. The results of the study showed: (1) As many as 79%

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Hariati, Puji, and Purwarno Purwarno. "ANDALIMAN: HARMONIZATION OF SPICES WITH BATAK CULTURE." Indonesian EFL Journal 11, no. 2 (2025): 233–42. https://doi.org/10.25134/ieflj.v11i2.11673.

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This research aims to describe the relationship among ecolinguistics, andaliman, and Batak Culture. It explains how andaliman as Batak’s spices can hold ecolinguistics and Batak Culture. This study employs a qualitative research approach where the data is taken from observation, interviews, and documentation. The finding indicates that in Batak culture, andaliman is not just a culinary ingredient but also an important part of traditional rituals and festivities. The spice is deeply ingrained in the cultural identity of the Batak people such as: Social Interaction, Batak’s Connection to Nature,

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Agustry Vernando Simamora, Rocky, Hadriana Marhaeni Munthe, Henri Sitorus, Badaruddin Badaruddin, and Muba Simanihuruk. "The Role of HKBP Church in Preserving Batak Cultural Identity Among the Young Generation of Batak Christians (Case Studies Gereja HKBP Cinta Damai)." Jurnal Sosial Teknologi 4, no. 3 (2024): 198–205. http://dx.doi.org/10.59188/jurnalsostech.v4i3.1159.

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In the relationship between religion and culture, there are institutions that have legitimacy to overshadow both, one of which is religious institutions. Huria Kristen Batak Protestant (HKBP) as one of the religious institutions is seen as a place of spiritual fellowship and cultural fellowship (Batak) that has legitimacy to preserve. This preservation departs from the phenomenon of fading Batak cultural identity among the Young Generation of Batak Christians today in the midst of hybrid culture is an interesting thing to research. This research is a case study using qualitative methods with t

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Siregar, Eka Helena, Elson Lingga, and Mastia Lelyna Sinaga. "Perjumpaan Injil dengan Adat Batak: Memperbarui dan Menguatkan." IMMANUEL: Jurnal Teologi dan Pendidikan Kristen 2, no. 2 (2021): 103–26. http://dx.doi.org/10.46305/im.v2i2.80.

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The churches which being in midst of culture and custom of batak are result of mission in a long time. Gospel come and meet with Batak culture, face wrestling so that make difficult for have roots and growing and produce a church on the final as we can see today. The church stand in the centre of culture after culture roots and growing in a long time. They said that batak culture is their identity. With that reason, Church very important to know and understand about batak custom. The church also have to wise when its meet with Batak culture. That is important so that Christians not loosing tho

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Harianja, Eka Debora, R. Hamdani Harahap, and Zulkifli Lubis. "Budaya Batak Toba dalam Pelayanan Pariwisata Danau Toba di Parapat." PERSPEKTIF 10, no. 2 (2021): 301–12. http://dx.doi.org/10.31289/perspektif.v10i2.4306.

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Toba Batak culture is very important for the development of Lake Toba tourism in Parapat. Toba 3H Batak culture (Hamoraon, Hagabeon, and Hasangapon) is a culture that is strongly held by the Toba Batak people. And the culture is carried out in daily living habits including the way the Toba Batak people in Parapat treat tourists and if tourists are satisfied, of course there will be tourism development. So in this study will look at the attitudes, attention, actions, and anticipation of tourism actors both local Toba Batak communities, business people and related parties in increasing the devel

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Sugiyarto, Sugiyarto. "Menyimak (Kembali) Integrasi Budaya di Tanah Batak Toba." Endogami: Jurnal Ilmiah Kajian Antropologi 1, no. 1 (2017): 34. http://dx.doi.org/10.14710/endogami.1.1.34-41.

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Toba Batak Land is one of the areas in North Sumatra Province that have dominant culture characterized by among others by: (1) the majority of indigenous Batak people; (2) Batak culture (Toba) becomes a reference for the behavior of the population in interacting in local public places; (3) Batak leadership is implemented based on elements of Batak culture. In the meantime, there are also ethnic groups of immigrants, Hindus and Christians. The embodiment of ethnicity of ethnic groups of migrants finally can integrate culturally because there are similarities of divine concepts such as Trimurti

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Pangaribuan, Stefani. "Interior Design of Batak Cultural Center With The Implementation Of Batak Toba Gorga In Medan City." TAMA: Journal of Visual Arts 1, no. 3 (2025): 15–21. https://doi.org/10.61405/ymen9773.

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Traditional culture, including Batak culture, is increasingly being overshadowed by modern influences. Medan City, which has the largest Batak population in Indonesia, still lacks a cultural center that truly represents Batak heritage. Furthermore, the relocation of the North Sumatera Cultural Park to PRSU has resulted in limited accessibility and functionality. To support cultural preservation efforts, establishing a Batak Cultural Center in Medan City is essential. The design of this cultural center incorporates the design programming method by David K. Ballast and the pictorial transformati

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Simangunsong, Nora Ervina, Herlyna Herlyna, and Priyoto Priyoto. "The Death Ritual in Bataknese Culture." JELL (Journal of English Language and Literature) STIBA-IEC Jakarta 10, no. 01 (2025): 75–84. https://doi.org/10.37110/jell.v10i01.280.

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In Batak society there are various kinds of rituals that have long been passed down from their ancestors and these rituals are still very much adhered to today. Starting from birth, marriage, death, to the stages of entering a new house, everyone uses ritual. However, this research focuses on Death Ritual in the Bataknese Culture especially in Batak Toba. The Death Ceremonies are also different. Starting from newborn children, toddlers, teenagers, for those who are married, already have children and even for those who are already having grandchildren also has different rituals. This research a

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Sitinjak, Kristin Rentha. "Analisis Personal Branding Perempuan Batak Toba Melalui Budaya Sinamot dalam Pernikahan Adat Batak Toba." Jurnal Ilmiah Komunikasi (JIKOM) STIKOM IMA 15, no. 03 (2023): 64. http://dx.doi.org/10.38041/jikom1.v15i03.295.

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Personal branding menjadi hal yang penting dalam diri untuk menciptakan citra diri yang positif dengan menggambarkan keadaan diri yang sebenarnya. Riset penelitian ini membahas mengenai Personal branding perempuan-perempuan Batak Toba melalui budaya sinamot dalam pernikahan adat Batak Toba. Tujuan dari riset penelitian ini untuk mengetahui peran sinamot dalam sistem pernikahan adat Batak Toba sebagai tolak ukur nilai seorang perempuan pada masyarakat adat Batak Toba dan mengetahui personal branding perempuan Batak Toba melalui budaya sinamot dalam pernikahan adat Batak Toba. Riset penelitian i

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Pohan, Muslim. "PERKAWINAN SEMARGA MASYARAKAT MIGRAN BATAK MANDAILING DI YOGYAKARTA." Al-Ahwal: Jurnal Hukum Keluarga Islam 10, no. 2 (2018): 134. http://dx.doi.org/10.14421/ahwal.2017.10202.

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Same clan marriage is prohibited in Batak tradition, as one clan is considered as descendant of blood from the father. There are 3 (three) tradition marriage systems, exogamy, endogamy, and eleutrogami. The same clan marriage carried out by the Batak community of Mandailing migrants in Yogyakarta experienced a shift in meaning from the Batak culture, from the exogamy marriage system to the eleutherogami marriage system that did not recognize the prohibition as well as in the exogamy or endogamy marriage system. Factors that affecting same clan marriage in Batak Mandailing migrants are caused b

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Ayuni, Tati, Herman Nirwana, and Netrawati Netrawati. "Self-Disclosure of Students with Minangkabau and Batak Cultural Backgrounds." International Journal of Applied Counseling and Social Sciences 2, no. 1 (2021): 88–93. http://dx.doi.org/10.24036/005401ijaccs.

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The expression is derived from the Minangkabau and Batak Toba cultures. This study aims to describe the self-disclosure of high school students in terms of Minangkabau and Batak Toba culture. The sample used in this study were 329 high school students consisting of 165 students with a Minangkabau cultural background and 164 students with a Toba Batak culture background. This research uses Proportional Random Sampling technique. The instrument used in this study was a system Self Disclosure Skala with a reliability of 0.91029. The data analysis used in this research is ANOVA (Analysis Of Varian

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Ainin, Qurratu, Mulyono Mulyono, and Edi Syahputra. "Development of Cooperative Learning Think-Talk-Write (TTW) Models Based on Batak Culture to Improve Students’ Mathematical Critical Thinking Ability." Al-Jabar : Jurnal Pendidikan Matematika 11, no. 2 (2020): 287–98. http://dx.doi.org/10.24042/ajpm.v11i2.7289.

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This study aimed to develop valid, practical, and effective Think-Talk-Write (TTW) learning tools based on Batak culture. Plomp's research design was used in this study. This development research product was a valid, practical, and effective TTW learning tools based on Batak culture, which can improve students' mathematical critical thinking ability. The results of the study are (1) TTW learning model based on Batak culture belonged to the valid category; (2) the practicality of the TTW learning tools based on Batak culture belonged to the high category; and (3) the effectiveness of the TTW le

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Monang Asi Sianturi. "Music: Phenomenology of the Traditional Death Ceremony Performance of Saur Matua Batak Toba." Panamerican Mathematical Journal 35, no. 3s (2025): 404–12. https://doi.org/10.52783/pmj.v35.i3s.4397.

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Gondang Batak Toba music in death rituals has a central role in the traditional death ritual performances of the Batak Toba in North Sumatra, Indonesia. The arrival of Western culture to the Batak land greatly changed the main points of Toba Batak culture. Identification of the values of modernity, progress, education, and prosperity is often expressed with an affinity for what is considered modern. Interaction with new religions and Western values shook the old Batak traditional culture to its roots. Today's modern Toba Batak mourning ceremonies are no longer considered complete without Weste

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Gaol, Covin Lumban. "NILAI DALIHAN NA TOLU DALAM MEMBANGUN HIDUP BERSAMA: TINJAUAN RELASIONALITAS ARMADA RIYANTO." Studi Budaya Nusantara 8, no. 1 (2024): 22–42. http://dx.doi.org/10.21776/ub.sbn.2024.008.01.02.

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The author focuses on the kinship system in Batak Toba culture, known as Dalihan Na Tolu. This kinship system is interpreted as identity and even serves as a guiding principle in the traditional cultural activities of Batak Toba. Dalihan Na Tolu consists of three hearthstones used for cooking. These three hearthstones are depicted as the kinship system in Batak Toba culture. The three hearthstones are Hula-hula, Dongan Tubu, and Boru. In Batak Toba culture, each person will assume one of the roles among these three elements. For the Batak people, Dalihan Na Tolu plays an important role and ser

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Lamria Romaito Sidabutar, Rosmawaty Harahap, and Elly Prihasti Wuriyani. "Umpasa dalam Ritual Saur Matua Budaya Batak Toba (kajian semiotika)." Sintaks: Jurnal Bahasa & Sastra Indonesia 2, no. 1 (2022): 142–45. http://dx.doi.org/10.57251/sin.v2i1.374.

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Toba Batak culture has a variety of unique and distinctive cultural riches. This can be seen from the cultural elements that are different from other cultures. One of the Toba Batak cultural traditions that is still preserved today, namely Umpasa. The richness of the Toba Batak culture still exists today. Umpasa is an oral tradition in the form of rhymes used by the Toba Batak cultural community to convey messages in the form of wishes, hopes, and other life values. This Toba Batak oral literature is used by local people on certain occasions. One of them is Umpasa in the Saur Matua ritual. In

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Damayanti, Ega, Handriyotopo Handriyotopo, and Aris Setiawan. "Batak Cultural Change in Ngeri-ngeri Sedap Movie: Robert N Entman Framing Analysis." Soshum: Jurnal Sosial dan Humaniora 13, no. 2 (2023): 146–55. http://dx.doi.org/10.31940/soshum.v13i2.146-155.

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This research aims to reveal the changes in Batak culture in the movie Ngeri-ngeri Sedap. Ngeri-ngeri Sedap is a family-drama film with a Batak ethnic background, conveying the unrest of overseas children who are bound by customs and culture. The method used in this research is media text analysis with a critical approach. The theory used is Robert N ENtman’s framing analysis theory, which analyses using the scalpel of issue selection framing and issue highlighting. The selection of issues that will be highlighted in this film is the change in Batak culture. The results of the study show that

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Sitohang, Romauli, and Yanto Paulus Hermanto. "Strengthening Batak Tribe Gratitude Worship Overseas as the Preservation of Batak Culture." SERVIRE: Jurnal Pengabdian Kepada Masyarakat 3, no. 2 (2023): 75–89. http://dx.doi.org/10.46362/servire.v3i2.142.

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Bangsa yang kaya melestarikan budaya dan bahasanya sebagai sarana ikut serta membangun bangsa sesuai cita-cita NKRI, yang terdiri dari berbagai agama, suku, budaya dan Bahasa merupakan kekayaan alam Indonesia, diantaranya adalah suku Batak yang terdiri dari beberapa suku, Bahasa, budaya yang sangat unik. Mereka adalah satu kesatuan yang tidak dapat dipisahkan, walaupun ada di perantauan tetap memelihara budaya dan Bahasa itu lewat perkumpulan yang dibentuk di setiap daerah dan itu setiap marga, wujudnyatanya setiap bulan mengadakan ibadah arisan sebagai sarana untuk berkumpul bersama menjalin

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Gultom, Samuel, and Yanto Paulush. "Theological Criticism of the Batak Traditional Tradition regarding the Practice of Respecting One's Parents and Ancestors According to Exodus 12:1." Indonesian Journal of Christian Education and Theology 3, no. 2 (2024): 67–74. http://dx.doi.org/10.55927/ijcet.v3i2.8889.

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Batak culture must continue to be preserved as a national culture. However, it is also necessary to have biblical boundaries, so that the Batak cultural actors can carry out this culture well and not sin against God. The purpose of writing this scientific work is to provide a theological critique of the practice of implementing Batak cultural traditions in carrying out acts of respect for parents and ancestors. This research is expected to provide enlightenment or biblical spiritual guidance for Batak traditional leaders in particular and the Batak community in general. The research method use

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Johan Pardamean Simanjuntak and Yakobus Ndona. "Eksistensi Nilai Ketuhanan Dalam Budaya Batak Toba." Garuda: Jurnal Pendidikan Kewarganegaraan Dan Filsafat 2, no. 2 (2024): 260–68. http://dx.doi.org/10.59581/garuda.v2i2.3272.

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This research was conducted with the aim of determining the existence of divine values in Toba Batak culture. This research method is to use a descriptive qualitative method with a literature study approach. This research is intended to find out the extent of the existence of divine values in Toba Batak culture, even though it is known that the Toba Batak people have different religions. In conclusion, the results of this research show that Toba Batak culture still highly upholds divine values, and the presence of God can be experienced through encounters with others and the universe. The

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Manurung, Sihar Daniel. "Kontroversi Istri Tunduk Kepada Suami dalam 1 Petrus 3:1-7 dan Evaluasinya dalam Pernikahan Suku Batak Toba." REAL DIDACHE: Journal of Christian Education 4, no. 1 (2024): 01–16. http://dx.doi.org/10.53547/rdj.v4i1.505.

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The letter of 1 Peter 3:1-7 is a controversial text with the assumption that the author has demeaned the position of women, moreover the patriarchal culture at that time did not treat women with respect. Patriarchal culture has also been deeply rooted in the Toba Batak tribe, where the majority adheres to Christianity. This study aims to explore advice regarding a harmonious household according to 1 Peter 3:1-7 and evaluate it in the Toba Batak culture. This study uses qualitative research with a descriptive approach. Although some experts argue that the advice in this text demeans women, this

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Bakara, Lyudmita Karolina M., Efriani Efriani, Susiana Susiana, Meliya Fransiska, and Oktaviana Supriani Ririn. "PERKAWINAN CAMPUR ANTARA ETNIS BATAK-DAYAK DI KALIMANTAN BARAT." ETNOREFLIKA: Jurnal Sosial dan Budaya 9, no. 2 (2020): 103–18. http://dx.doi.org/10.33772/etnoreflika.v9i2.828.

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Intermarriage is a familiar phenomenon in Indonesia, mainly because of various cultures, religions, and ethnicities.The phenomenon of intermarriage also occurs between the Batak ethnic and Dayak ethnic groups in West Kalimantan.The cultures of these two ethnicities are very different. Thus, this study proposes to examine the pattern of decision making in determining marital customs and also determine the kinship system passed on to offspring those born from intermarriage these two ethnicities. The study was conducted with qualitative methods which were carried out descriptively. Data, which co

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Simanjuntak, Akezia. "Local Wisdom Batak Toba and Nias Related to Chemical Content." Journal of Tropical Chemistry Research and Education 6, no. 1 (2024): 1–11. http://dx.doi.org/10.14421/jtcre.2024.61-01.

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This article talks about the local wisdom of the Batak Toba and Nias with the subject of chemistry. This article uses a qualitative method. The data collection techniques used are interview techniques and documentation, where the resource persons in this research are Selamat Sihombing (Batak Toba) And Gatina Halawa (Nias). The relationship between Toba Nias Batak culture and Chemistry shows that there is a tight relationship between culture and Chemistry. So every culture has good chemical elements in its manufacture, mixing, and so on., the results studies obtained conclusions of chemistry ar

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Siregar, Johnson P. Robinsar, Teddi Paul Sihombing, and Ro Sininta Hutabarat. "Land Theology: Intrigue View of Land According to the Culture of the Toba Batak People in Ecological Preservation." Eduvest - Journal of Universal Studies 3, no. 8 (2023): 1465–74. http://dx.doi.org/10.59188/eduvest.v3i8.895.

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The study aims to provide a critical understanding of the views of Toba Batak culture to examine the issue of ecological damage. The study discusses a qualitative approach with literature studies. The results show land theology provides an explanation of the understanding of the value of land intrigue according to the Culture of the Toba Batak People that their ancestors valued the land so much that the land was his own identity. The value of land restriction understood by the ancestors of the Toba Batak people departs from the totalitarian understanding that microcosmic and macrocosmic connec

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Siregar, Usmala Dewi. "UNGKAPAN MAKNA MAKIAN DALAM BAHASA MINANGKABAU DAN BATAK: STUDI KOMPERATIF." Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia 6, no. 1 (2019): 80–94. http://dx.doi.org/10.15408/dialektika.v6i1.11437.

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Abstract: Invective expression is different from its literal meaning. Invective expression reflect the speaker`s culture, customs, and social and historical backgrounds. Therefore, without knowing a target language, culture aspects as well as expressions, the meaning of expressions can not be concluded from the dictionary definition, speakers of foreign culture often face problems in understanding the actual meaning of the meaning of expressions, especially invective expressions. In the Minangkabau culture that uses invective expressions in their daily conversations, understanding that is not

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Simanjuntak, Dairi Sapta Rindu, and Yunisa Oktavia. "LANGUAGE CONTEXT NAMING SYSTEM BATAK TOBA CULTURE." JURNAL BASIS 8, no. 2 (2021): 311–18. http://dx.doi.org/10.33884/basisupb.v8i2.4493.

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A name as part of a language used as a marker of a person's identity. The name will also show the culture of the owner of the name. For example, if you hear the names Johannes, Markus, Samsul, Pardomuan, Rumondang, Sujono and Paijo, it will at least give us an idea of the religion or ethnicity of the owners of these names. In this case, the author will try to uncover the naming system on the Batak Toba ethnic group. In Batak Toba culture itself the naming system is given to a person more than once according to the status of the individual. From birth to death, a person will get several names.

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Sinaga, Nurtaty. "The exploration Batak Toba culture based on Schwartz Basic Values Theory: A descriptive analysis of cultural value Dalihan Na Tolu." Psikologia: Jurnal Pemikiran dan Penelitian Psikologi 19, no. 2 (2024): 92–98. http://dx.doi.org/10.32734/psikologia.v19i2.15632.

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Indonesia is a country rich in ethnic and cultural diversity, one of which is the Batak Toba culture. Batak Toba culture places great importance on the philosophy of Dalihan Na Tolu, a traditional framework that emphasizes social harmony and respect. This study explores the relationship between Schwartz’s fundamental human values and the philosophy of Dalihan Na Tolu in Batak Toba culture. The research respondents comprised 143 Batak Toba individuals aged between 16 and 29 years, 44 men and 99 women. The instrument used was the Portrait Values Questionnaire(PVQ-40), adapted to the Indonesian c

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Nisa, Roh Matun. "Elements of Batak Culture in Ngeri-Ngeri Sedap Movie (Roland Barthes Semiotics Analysis)." TABAYYUN 4, no. 2 (2023): 466–83. http://dx.doi.org/10.19109/tabayyun.v4i2.19026.

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This research is entitled "Elements of Batak Culture in Ngeri-Ngeri Sedap Movie (Roland Barthes Semiotics Analysis)". This research is motivated by the author's interest in one of the films in Indonesia entitled Ngeri-Ngeri Sedap which was released on June 2, 2022, this film tells the Batak culture and how disputes occur in the family. The purpose of this research is to find out the meaning of denotation, connotation and myth that presents the elements of Batak culture. The approach method used in this research is descriptive qualitative research that utilizes qualitative data and is described

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Dicky Andreas Simbolon, M.Aldri Romatua Pohan, Muammar Rifqi, and Muhammad Ghazi Al Ghifari Lubis. "Betel Eating Culture on Periodontal Health Batak Karo Women." Indonesian Journal of Medical Anthropology 5, no. 2 (2024): 44–47. http://dx.doi.org/10.32734/ijma.v5i2.17633.

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The culture of eating betel has become a strong tradition in Batak Karo society, especially among women. This tradition is not only an ordinary habit, but also has important social, spiritual and identity meaning. However, on the other hand, the ingredients used in eating betel, such as betel leaves, areca nut, lime, and tobacco, are known to have potential risks to oral health, especially periodontal health. This study aims to explore the relationship between betel eating culture and periodontal health status in Batak Karo women. A literature study was carried out to look for previous researc

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Firmando, Harisan Boni, Elvri Teresia Simbolon, and Roida Lumbantobing. "Relasi Agama, Kebudayaan dan Politik pada Masyarakat Batak Toba di Kabupaten Samosir." Jurnal Sosiologi Agama Indonesia (JSAI) 4, no. 3 (2023): 293–312. http://dx.doi.org/10.22373/jsai.v4i3.2939.

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Religion, culture, and politics form a unified entity in society that cannot be separated. These three elements shape human life both socially and as citizens. The purpose of this study was to explore the relationship between religion, culture, and politics within the Toba Batak community in Samosir Regency. This research utilized qualitative methods to comprehensively understand the experiences of the subjects. The findings reveal that the relationship between religion, culture, and politics is evident in the implementation of the 'dalihan na tolu' kinship system. The Toba Batak community exh

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Panjaitan, Lopiana Margaretha, and Dadang Sundawa. "Pelestarian Nilai-Nilai Civic Culture dalam Memperkuat Identitas Budaya Masyarakat: Makna Simbolik Ulos dalam Pelaksanaan Perkawinan Masyarakat Batak Toba di Sitorang." Journal of Urban Society's Arts 3, no. 2 (2016): 64–72. http://dx.doi.org/10.24821/jousa.v3i2.1481.

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Penelitian ini bertujuan untuk memahami pelestarian nilai-nilai civic culture dalam memperkuat identitas budaya masyarakat Batak Toba melalui makna simbolik ulos dalam pelaksanaan upacara perkawinan. Fokus penelitian ini adalah upaya yang dilakukan oleh masyarakat dalam melestarikan nilai-nilai civic culture, dan mengapa masyarakat Batak Toba perlu untuk melestarikan nilai-nilai civic culture tersebut. Desain penelitian yang digunakan adalah kualitatif dengan metode studi kasus. Teknik pengumpulan data dilakukan dengan wawancara, observasi, dokumentasi, dan partisipasi langsung. Hasil peneliti

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Harahap, Betsaida, Sudirman Lase, Harisan Boni Firmando, Elisamark Sitopu, and Bambang T.J Hutagalung. "Akulturasi Budaya Batak Angkola dan Batak Toba Dalam Upacara Adat Perkawinan di Desa Padang Parsadaan, Kecamatan Pangaribuan." Journal of Comprehensive Science (JCS) 3, no. 10 (2024): 4852–63. http://dx.doi.org/10.59188/jcs.v3i10.980.

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Traditional marriage ceremonies in the Bataknese community, especially Batak Angkola and Batak Toba have very unique rules and traditions. Exogamus marriage in Batak Toba forbid marriages between the same and as well as Batak Angkola which applies a patrilineal system with the “jujur” custom involving the payment of sinamot from the man to the woman,the main reason of marriage for the society of Batak Angkola and Batak Toba are to reach prosperty (hamoraon) owning many descendants (hagabeon) and obtaining honor (hasangapon). Acculturation is the process where elements from two or more diff cul

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Simangunsong, Reka, Tasnim Lubis, and T. Thyrhaya Zein. "TABOO AND EUPHEMISMS IN BATAK TOBA CULTURE." Linguistik, Terjemahan, Sastra (LINGTERSA) 2, no. 2 (2021): 31–39. http://dx.doi.org/10.32734/lingtersa.v2i2.8553.

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Even though both are prohibitions, the terms taboo and taboo are two different things. Taboo causes violators to be plagued, while taboo only causes physical sanctions or social sanctions. To avoid violating the pronunciation of taboo words, substituting words or sentences that are considered taboo is carried out. Suppose spoken in a context to change the connotation of the consequences of the mention (euphemism). This study focuses on finding out what taboos and euphemisms are in the Toba Batak culture. The method used in this research is descriptive qualitative by using observation and inter

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Aini, Saripah, and Akmal Akmal. "Local Wisdom of Batak Culture in Supporting the Tolerance Character of the Tapanuli Society." MUHARRIK: Jurnal Dakwah dan Sosial 5, no. 1 (2022): 15–26. http://dx.doi.org/10.37680/muharrik.v5i1.853.

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This article discusses how the local cultural wisdom of the Batak ethnic group in Lumut District, Central Tapanuli Regency, such as in weddings, deaths, and other holidays contains a very high value of tolerance. This strength is inseparable from the Batak ethnic kinship value system, known as Dalihan na tolu. The kinship system outlines and establishes very detailed rules for social relations for the Batak ethnic. This article uses a qualitative research method using an ethnographic approach. This approach as described by Malinowski seeks to describe and build the socio-cultural structure of

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Matanari, Oang Gabriel, I. Komang Darmayuda, and Ni Wayan Ardini. "“Belenggu Benalu”: Komposisi Kolaborasi-Interpretatif mengenai Pengaruh Akulturasi Budaya Barat pada Musik Batak Toba “Uning-uningan”." Journal of Music Science, Technology, and Industry 2, no. 1 (2019): 85. http://dx.doi.org/10.31091/jomsti.v2i1.612.

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Budaya asing yang masuk ke tanah Batak di Sumatera Utara, Indonesia, membawa pengaruh yang besar bagi perkembangan musik Batak Toba atau Uning-uningan, yaitu ansambel hasil transformasi antara Gondang Hasapi yang terdiri atas Sarune Etek, Hasapi Doal, Hasapi Ende, Garantung, serta Hesek, dengan Gondang Sabangunan/Bolon (Taganing, Ogung (Gong), Odap, dan Hesek serta Sarune Bolon). Dalam perkembangan zaman ini, sebagian besar acara adat Batak Toba menyajikan konsep musik Uning-uningan dengan iringan keyboard, bahkan dalam banyak situasi, ketika terdapat keterbatasan dana di dalamnya, otomatis ad

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Elvi Mailani, Johan Berkat Tubesta Lase, Meita Krisnadya Lumban Gaol, Naomi Priska Aprillia Hutapea, and Nur Rarastika. "Kajian Etnomatematika Konsep Geometri dalam Corak Kain Ulos Sumatera Utara." Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika 2, no. 6 (2024): 135–43. https://doi.org/10.61132/arjuna.v2i6.1320.

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Ethnomathematics studies how mathematics interacts with culture, traditions, and customs of society. With ulos as its identity, this study will investigate one of the Indonesian tribes through its art, namely Ulos art by the Batak tribe of North Sumatra. The form of the Batak ulos variety can be associated with geometric mathematics, so that mathematics can be studied culturally in ethnomathematics studies by integrating the introduction and instillation of culture in the mathematical concepts taught. This research was collected from literature or libraries using a qualitative approach. This s

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Olly Sardiman Situmorang, Megawati Naibaho, and Antonius P. Sipahutar. "Teologi Katolik Menerangi Pemahaman Masyarakat Batak Toba Tentang Roh." Journal New Light 2, no. 1 (2024): 59–71. http://dx.doi.org/10.62200/newlight.v2i1.94.

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The writing of this thesis begins with the emergence of the author’s awarenes of the importance of understanding spirits of the Toba Batak culture in harmony with Catholic Theology. The meaning of spirit in Toba Batak culture is often understood both among the Toba Batak people and from other tribes, as a custom of idol worship. Chatolic Theology confirms that the spirit is a divine power that work in every creation, transport in all living things and is active in humans, specifically the Holy Spirit that is bestowed by God in every human being. The existence of the Holy Spirit in human being

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