Academic literature on the topic 'Baudelaire'as'

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Journal articles on the topic "Baudelaire'as"

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Migeon-Lambert, Camile. "Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy?" Punctum. International Journal of Semiotics 06, no. 01 (2020): 221–42. http://dx.doi.org/10.18680/hss.2020.0011.

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This study examines how metal musicians appropriate Baudelaire’s poetry, one of the favorite sources of metal lyrics’ intersemiosis. We will consider several levels of intersemiosis, from the reference to the literal quotation, including the music inspired by Baudelaire’s life, inquiring what metal music, which is both counter-cultural and popular, does to a great classic of French poetry. Moreover, we intend to look closer at Baudelairean intersemiosis in the work of non-French-speaking metal musicians. When they retain the original French text, the lyrics reflect the vocalist’s relation to t
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Wanner, Adrian. "Populism and Romantic Agony: A Russian Terrorist's Discovery of Baudelaire." Slavic Review 52, no. 2 (1993): 298–317. http://dx.doi.org/10.2307/2499924.

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Charles Baudelaire (1821-1867) has been hailed by followers in many countries as a forerunner of symbolism, if not as the father of modern poetry tout court. In Russia, Andrei Belyi celebrated him together with Nietzsche in 1909 as a "Patriarkh Simvolizma"; and Valerii Briusov wrote in the same year: "Is it possible to question the importance of Baudelaire's Fleurs du mal for the formation of the whole worldview of modernity?" Ellis (L.L. Kobylinskii), the most zealous of all Russian symbolist "Baudelaireans," even tried to convince the menshevik social democrat, N. Valentinov, that Baudelaire
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Halpern, Rob. "Baudelaire's “Dark Zone”: The Poème en Prose As Social Hieroglyph; or The Beginning and the End of Commodity Aesthetics." Modernist Cultures 4, no. 1-2 (2009): 1–23. http://dx.doi.org/10.3366/e2041102209000434.

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Lyric poetry collides with the prose of history in Baudelaire's Petits poèmes en prose (1869), one of modernité's inaugural aesthetic projects. While the “prose poem” persists today with its own canons, anthologies, and journals, Baudelaire's poème en prose remains irreducible to the genre it is typically said to have originated. This essay makes a case for the generic singularity of Baudelaire's poème en prose by way of Paul de Man and Theodor Adorno, whose oblique references to Baudelaire's innovation are rich in unexamined implications, implications which illuminate the work of both theoris
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Culler, Jonathan. "Baudelaire's Destruction." MLN 127, no. 4 (2012): 699–711. http://dx.doi.org/10.1353/mln.2012.0104.

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VINCE, S. "BAUDELAIRE'S PARROTS?" French Studies Bulletin 11, no. 40 (1991): 16–17. http://dx.doi.org/10.1093/frebul/11.40.16.

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BUSST, A. J. L. "BAUDELAIRE'S 'COUVERCLE'." French Studies Bulletin 7, no. 23 (1987): 21. http://dx.doi.org/10.1093/frebul/7.23.21.

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Levay, John. "Baudelaire's Spleen." Explicator 50, no. 1 (1991): 18–19. http://dx.doi.org/10.1080/00144940.1991.9938695.

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Wright, Barbara. "Baudelaire's World." French Studies 61, no. 1 (2007): 108–9. http://dx.doi.org/10.1093/fs/knl205.

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McCann, J. "Baudelaire's World." French History 18, no. 3 (2004): 344. http://dx.doi.org/10.1093/fh/18.3.344.

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Chambers, Ross. "Baudelaire's Dedicatory Practice." SubStance 17, no. 2 (1988): 5. http://dx.doi.org/10.2307/3685135.

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Dissertations / Theses on the topic "Baudelaire'as"

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Vaitkevičiūtė, Kristina. "Mirties traktuotė Edgaro Allano Poe ir Charles'o Baudelaire'o kūryboje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070816_165627-52638.

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Magistrinio darbo tema – ,,Mirties traktuotė Edgaro Allano Poe ir Charles’o Baudelaire’o kūryboje“. Pagrindiniai keliami klausimai – kaip mirtis yra vaizuojama (panašumai ir skirtumai) bei ar autorių požiūris į mirtį, jų filosofinis mirties supratimas pakeitė požiūrį į literatūrą. Mirties traktuotė Poe ir Baudelaire’o kūryboje bus aptariama dviejuose skyriuose. Pirmame skyriuje jų kūryba lyginama pagal šiuos aspektus: mirtis ir meilė, gyvenimo iliuziškumas, gyvenimas – kelionė į mirtį, laikinumas, makabriškumas. Gyvųjų ir mirusiųjų pasauliai, įasmeninta mirtis, mirties gamtovaizdžiai. Pirmame
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Semichon, Laurent. "Charles Baudelaire's translations of Edgar Allan Poe." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/6871.

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Although one of the best-known cases of intercultural literary partnership, Charles Baudelaire's translations of Edgar Allan Poe's works have been little analysed with a methodology appropriate to Translation Studies. Relying on a functionally target-oriented approach to translation and an empirical methodology, the present thesis undertakes this analysis. Positioning the prospective function(s) of the translations as intended by the translator within their historical context, Chapter One explores the para-discourse of the translator and its contemporary reception. Beyond the Romantic critical
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Kennedy, Ann. "The language of colour in Baudelaire's art criticism." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385437.

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Corvini, Nicole. "Baudelaire's Universe: From the Concrete to the Conceptual." Thesis, Boston College, 2004. http://hdl.handle.net/2345/469.

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Thesis advisor: Kevin Newmark<br>Herein, the universe of Charles Baudelaire is explored in light of his relationship to the city of Paris. The circumstances of Baudelaire's life necessitated that he seek refuge from the realm of reality in a realm of imagination. The construction of this universe is examined through relevant historical discussion and analysis of several of Baudelaire's works. These works include selections from his Tableaux Parisiens as well as from his prose poetry<br>Thesis (BA) — Boston College, 2004<br>Submitted to: Boston College. College of Arts and Sciences<br>Disciplin
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Finch-Race, Daniel Andrew. "Ecocritical approaches to Charles Baudelaire's urban verse, 1857-61." Thesis, University of Cambridge, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709515.

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Full, Bettina. "Karikatur und Poiesis die Ästhetik Charles Baudelaires." Heidelberg Winter, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2712884&prov=M&dok_var=1&dok_ext=htm.

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Full, Bettina. "Karikatur und Poiesis : die Ästhetik Charles Baudelaires /." Heidelberg : Winter, 2005. http://catalogue.bnf.fr/ark:/12148/cb40168267n.

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Wallaert, Ineke. "Baudelaire's rewriting of Poe : a para-textual critique of the translations." Thesis, University of Edinburgh, 2004. http://hdl.handle.net/1842/27607.

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In this thesis I present a critique of Baudelaire’s translations of Poe’s short fiction, applying the method of Translation Criticism proposed by Antoine Berman in <i>Pour une critique des traductions: John Donne </i>(Berman 1995). The post-structuralist theory of meaning which underlies Berman’s approach is elaborated, and its appropriateness for the description of translation products is explained by its perspective on translation as a form of rewriting, and by its recognition of the importance of para-text as a tool in Translation Criticism. The specific questions which Berman proposes for
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Stephens, Sonya Clare. "Baudelaire's kaleidoscope : narrative strategies and ironic perspectives in the Petits Poemes en Prose." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358789.

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Ballieu, Kristen. "Decanting the Rabelaisian Casks: Democratizing Neoplatonic Poetic Fury in Baudelaire's “L’âme du vin”." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/3955.

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The following document is a meta-commentary on the article "Decanting the Rabelaisian Casks: Democratizing Neoplatonic Poetic Fury in Baudelaire's 'L’âme du vin'," co-authored by Dr. Robert J. Hudson and myself, which will soon be submitted for publication. It contains an annotated bibliography of all our primary and secondary sources and an account of the genesis of the argument and the writing of the article. Our article is based upon an analysis of "‘L’âme du vin," the threshold poem of "Le Vin," the central section of Charles Baudelaire's celebrated volume Les Fleurs du Mal. As we demonstr
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Books on the topic "Baudelaire'as"

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Baudelaire's brain. Sub Rosa Press, 1988.

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Culler, Jonathan D. Baudelaire's satanic verses. University of London, 1994.

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Seeing double: Baudelaire's modernity. The University of Chicago Press, 2011.

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Drumbolis, Nick, ed. O Amiable Beast: Baudelaire's Cats. Letters, 1994.

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Parisian intersections: Baudelaire's legacy to composers. Peter Lang, 2012.

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Painted poetry: Colour in Baudelaire's art criticism. Peter Lang, 2011.

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Baudelaire's "argot plastique": Poetic caricature and modernism. University of Georgia Press, 1989.

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Dore, Ashton, Heckscher Museum, and Archer M. Huntington Art Gallery., eds. Baudelaire's voyages: The poet and his painters. Little, Brown and Co., 1993.

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R, Lawler James. Poetry and moral dialectic: Baudelaire's "secret architecture". Fairleigh Dickinson University Press, 1997.

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Maclean, Marie. Narrative as performance: The Baudelairean experiment. Routledge, 1988.

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Book chapters on the topic "Baudelaire'as"

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Pfotenhauer, Helmut. "Nietzsche als Leser Baudelaires. Nietzsches »Physiologie« und Baudelaires »Physiologie«." In Die Kunst als Physiologie. J.B. Metzler, 1985. http://dx.doi.org/10.1007/978-3-476-03203-4_18.

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Ramazani, Vaheed. "Writing in Pain: Baudelaire’s Urban Poetics." In Writing in Pain. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607231_5.

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Friedman, Geraldine. "4.1 Baudelaire’s Re-reading of Romanticism." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.27fri.

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Dieguez, Sebastian, and Julien Bogousslavsky. "Baudelaire’s Aphasia: From Poetry to Cursing." In Neurological Disorders in Famous Artists - Part 2. KARGER, 2007. http://dx.doi.org/10.1159/000102876.

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Ortlieb, Cornelia. "Eine Poetik der Figur: Baudelaires Erfindung." In Poetische Prosa. J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02836-5_2.

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Booth, Allyson. "“Unreal City”: Baudelaire’s “The Seven Old Men”." In Reading The Waste Land from the Bottom Up. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137482846_11.

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Küster, Burkhart. "Heines Bedeutung für Baudelaires Beurteilung von Kunst." In Heine-Jahrbuch 2009. J.B. Metzler, 2009. http://dx.doi.org/10.1007/978-3-476-00490-1_6.

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Krause, Robert. "Müßiger Dandy und arbeitsamer Dichter: Baudelaires Widersprüche." In Muße und Müßiggang im Zeitalter der Arbeit. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62250-6_4.

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Milner, Max. "Poetischer Enthusiasmus und Ironie in der Liebeslyrik Baudelaires." In Abkehr von Schönheit und Ideal in der Liebeslyrik. J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02695-8_21.

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Jayemanne, Darshana. "Serial Aesthetics – Gaming’s Metamorphic Bodies and Baudelaire’s ‘Argot Plastique’." In Performativity in Art, Literature, and Videogames. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54451-9_7.

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