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Journal articles on the topic 'Bauls'

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1

Zalil, M. A., M. Samsujjoha, and M. S. Islam. "CHANGES IN BAUL’S TRADITIONAL TRENDS: AN EXPERIMENTAL STUDY AT LALON AKHRA IN KUSHTIA." International Journal of Business, Social and Scientific Research 11, no. 1 (July 5, 2023): 65–70. http://dx.doi.org/10.55706/ijbssr11113.

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Identifying the development of traditional Baul inclinations and their underlying reasons was the aim of this investigation. The major goal of this study was to determine how historic trends in Baul had changed. Baul’s trends refer to a particular cult that originates from the diverse folk beliefs and ideas of a particular group of people who are considered the ambassadors of folk religious activities, beliefs, and thoughts. This Baul group has some original and traditional trends. With the passage of time, the Bauls have begun to mix with the non-Bauls and lead lives like them, and their traditional trends are changing for some specific reasons. Therefore, this study has attempted to focus on the changes in Baul’s traditional trends in relation to their basic and original trends through empirical data collected through interviews and survey activities with a view to finding out what the causes are behind all such changes. This study was conducted at Kushtia district from October 2022 to March 2023. For the investigation of this present study, 40 Bauls were randomly selected from Lalon Akhra of Kushtia district. A number of pieces of literature related to this study have been reviewed to corroborate and support the primary data of this study. The data have been analyzed using descriptive and contextual methods. The findings of this study reflect that the Bauls are influenced by modernism, technology, media, and greed. The traditional trends of the Bauls are changing because of these influencing factors. This study has presented good findings on the causes of changes in Baul’s traditional trends. Thus, this study provides insightful information regarding the changes in Baul’s traditional trends.
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2

Mahmud, Nazia B. "The Aesthetic Asceticism of the Mad." COMPASS 3, no. 1 (September 29, 2023): 8–19. http://dx.doi.org/10.29173/comp68.

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The Bauls of Bangladesh, West Bengal, and other parts of India are a distinct ascetic sect that practices spirituality through songs, music, and poetry that were passed down orally from a teacher (Guru) to a disciple (Shirsha). Their ideology is a mix of yogic-tantric practices of Buddhist Sahajiya, Vaishnavism Sahajiya, and later Sufi thoughts. Bauls are often called a heretic sect because of their rejection of institutionalized religion, consumerism, society, and, for many Bauls, even marriage. Baul songs and spirituality emphasize the search for the connection between man and the Divine and love and symbolize the Bengali folk identity. In this paper, placing Baulism within the Anthropology of Art vs. Aesthetics discourse, I show how Baul songs, and their lifestyle can be both. I discuss the rising appropriation of Baul folk music and aesthetics by modern media and in capitalist spaces and how it started to gain traction when the elite society started to acknowledge Bengali folk music. Baul giti (song) is an established genre of music, and they tend to mediate between both art while providing aesthetic appreciation. With the rise of village core aesthetics and romanticization, their music, style, and philosophy have found new spaces in media, fashion, and business.
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3

Crovetto, Helen. "Embodied Knowledge and Divinity: The Hohm Community as Western-style Bāāuls." Nova Religio 10, no. 1 (August 1, 2006): 69–95. http://dx.doi.org/10.1525/nr.2006.10.1.69.

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ABSTRACT: Hohm Sahaj Mandir (Hohm Innate Divinity Temple) is a new religious movement that has achieved international status under the name "Western Bauls." The Western Bauls have a number of similarities to the Bauls of Bengal, wandering minstrels with an ecstatic inclination whose lives are consumed by their search for the divine. Like many Tantric groups, the Western Bauls believe the body is a microcosm of the universe in which divinity is present. Their spiritual praxes are bodybased. In the advanced stages they include an esoteric yoga called kaya sadhana as well as other practices of aropa, the mystical conversion of matter to spirit practiced by the Bauls of Bengal. The close-knit members of the Hohm Community include a high percentage of talented artists, writers, performers, singers and musicians. They emphasize poetry and writing in addition to music, dance, and song, for which the Bengali Bauls are known.
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4

Dutta, Uttaran, Panchali Banerjee, Soham Ghosh, Priyam Ghosal, Samya Srimany, and Sahana Mukherjee. "Songs of Dissent and Consciousness: Pronouncements of the Bauls of Rural Bengal." Religions 12, no. 11 (November 18, 2021): 1018. http://dx.doi.org/10.3390/rel12111018.

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Bauls, the wandering minstrels of rural Bengal (of both Bangladesh and India), are a socio-religiously marginalized cultural group. While the ritualistic practices and spiritual discourses of the Bauls have received scholarly attention, scholarship on Bauls’ songs about material and communicative adversities and their emancipatory visions is lacking. Bauls’ performances and discourses are precursors to envisioning alternative emancipatory possibilities that question dominant intolerances, oppressions, and exploitations. This article documents and reflects on the works of two contemporary Bauls—Shah Abdul Karim and Manimohan Das. Through their songs and performances, they (i) question the power structure and legitimize the sufferings and struggles of the downtrodden, and (ii) seek to raise societal consciousness in imagining a free and just society.
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5

Lorea, Carola Erika. "“Playing the Football of Love on the Field of the Body”: The Contemporary Repertoire of Baul Songs." Religion and the Arts 17, no. 4 (2013): 416–51. http://dx.doi.org/10.1163/15685292-12341286.

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Abstract This article analyzes the contemporary repertoire of a very popular genre of Bengali folk songs, performed by itinerant singers and practitioners of an esoteric cult known as Bauls. Considering the recent popularization and commercialization of Baul songs and their interference with the urban milieu, the discourse on the authenticity of Baul songs is explored from an inter-disciplinary perspective that embraces orality-literacy studies as well as social studies on cultural tourism, underlining the limits of previous academic works on the subject. This article offers, as an original contribution, the first results of ongoing fieldwork among the disciples of a śākta saint and composer of Baul songs known as Bhaba Pagla. Through discussion of the lyrics of songs performed in contemporary Baul festivals, this article argues that the contamination of Baul songs by urban élites and middle-class audiences, far from deteriorating the oral tradition, may enrich the vocabulary of the compositions and reinforce the underlying belief system. Contrarily to the popular and academic view of today’s Bauls, that labels the entertaining performer as a corrupted ally of show business, the priority of gānsādhanā (singing as a practice for self-realization) may be interpreted as an efficient way to conceal heterodox esoteric rituals vis-à-vis the increasing interest of cultural tourists in Baul culture and performances, protecting the secrecy of the tradition through an innovative and negotiated version of sandhyā-bhāṣā (twilight-language), the literary device that has accompanied Bengali esoteric songs since their origins.
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6

Chakrabarti, Sukanya. "Rabindranath Tagore and the Bauls: Representation and performance of Bauls as sociopolitical actors." Indian Theatre Journal 1, no. 1 (April 1, 2017): 67–81. http://dx.doi.org/10.1386/itj.1.1.67_1.

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7

Dutta, Uttaran, and Mohan Jyoti Dutta. "Songs of the Bauls: Voices from the Margins as Transformative Infrastructures." Religions 10, no. 5 (May 22, 2019): 335. http://dx.doi.org/10.3390/rel10050335.

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Bauls, the rural minstrels who sing songs of transformation, are a socio-economically and politico-religiously marginalized cultural population from rural Bengal (both from eastern and north-eastern, India and from Bangladesh). They identify themselves outside of any organized religion or established caste system in India, and therefore are constituted at the margins of contemporary global South. Voicing through their songs and narratives of emancipation, they interrogate and criticize material and symbolic inequalities and injustices such as discrimination and intolerance (including class and caste hierarchies, and other forms of disparities) perpetuated by hegemonic authorities and religious institutions. Embracing a critical communication lens, this paper pays attention to material and discursive marginalization of Bauls and Fakirs, foregrounding voice as an anchor to communicative interrogation of structural and cultural inequalities. Through voice, Bauls and Fakirs foreground reflexive spiritual and humane practices that raise societal consciousness and cultivate polymorphic possibilities.
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8

Dasgupta, Atis. "The Bauls and Their Heretic Tradition." Social Scientist 22, no. 5/6 (May 1994): 70. http://dx.doi.org/10.2307/3517903.

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9

Chatterji, Roma. "Book Review: Seeking Bauls of Bengal." Indian Economic & Social History Review 41, no. 4 (December 2004): 496–97. http://dx.doi.org/10.1177/001946460404100409.

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10

Lamb, Sarah. "Seeking Bauls of Bengal. Jeanne Openshaw." Journal of Anthropological Research 60, no. 4 (December 2004): 579–81. http://dx.doi.org/10.1086/jar.60.4.3631151.

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11

Banerjee, Kathakali. "Humanism as A Way of Life: Close Reading of Lalon Fakir and Bauls of West Bengal." Scholars Journal of Arts, Humanities and Social Sciences 11, no. 03 (March 9, 2023): 43–48. http://dx.doi.org/10.36347/sjahss.2023.v11i03.001.

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Religious forbearance and fondness for mankind is the central theme of Lalon’s philosophy. Baul tradition has been performing as an important element in creating and developing of aesthetics. Baul songs are essentially contains the elements of Hinduism, Vaishnavism, Islam, Sufism and Buddhism. The Baul community is still now at a swinging stage still they are not considered as an important part of society. The Bauls resides in West Bengal of India and Bangladesh but we all know they are the wanderer. There are three communities which is seen in the source of Baul community of West Bengal. Community is inhabitant of Birbhum, Bankura and Midnapur districts which are situated in the West sides of this state. There is disparity of their songs. The presentation of different singers different and they sing different tune. Sometimes they compose their own lyrics, those lyrics are very much deep and sometimes in their songs we can imagine this society, the different problems they face and most importantly the way society draw their image.The main objective of this research paper is to research on Baul community, their history, their position in the society, Baul philosophy, family relationship cosmic energy, cosmic love and cosmic relation and also a close study of Lalon Fakir and his role in this Baul community to be specific in this society.
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12

Karim, Anwarul, and Charles Capwell. "The Music of the Bauls of Bengal." Asian Folklore Studies 46, no. 1 (1987): 140. http://dx.doi.org/10.2307/1177905.

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13

Salomon, Carol, and Charles Capwell. "The Music of the Bauls of Bengal." Journal of the American Oriental Society 109, no. 2 (April 1989): 322. http://dx.doi.org/10.2307/604458.

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14

Manuel, Peter, and Charles Capwell. "The Music of the Bauls of Bengal." Ethnomusicology 32, no. 2 (1988): 145. http://dx.doi.org/10.2307/852047.

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15

Pudov, Gleb. "On a Type of Russian Chests Called «Baul» of the 18th-19th Centuries. History and Art Style." Bulletin of Baikal State University 30, no. 4 (December 30, 2020): 560–65. http://dx.doi.org/10.17150/2500-2759.2020.30(4).560-565.

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The study of specific types of chests is one of the most prolific areas of the research of Russian chest production. However, today they receive insufficient attention from researches. This paper deals with the history of one of the types of Russian chests called «baul». The issues of their appearance in Russia, their connection with European items (in particular, Scandinavian ones) are considered and specific museum works are analyzed. The comparative method is used to identify the artistic features of Russian «bauls». Items of Russian and foreign museum collections were used. The author draws several conclusions: the chest called «baul» is an independent type of Russian chests; the «baul» as a type of chest was most likely borrowed by Russian craftsmen from Western Europe; despite of the obvious similarity that can be seen in its form and design, Russian and foreign products have their own art style; Russian masters were participants in the pan-European cultural process.
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16

Openshaw, Jeanne. "The Radicalism of Tagore and the Bauls of Bengali." South Asia Research 17, no. 1 (April 1997): 20–36. http://dx.doi.org/10.1177/026272809701700103.

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17

Sharma, Satish. "Carriers of Popular Indian Culture: The Bauls of Bengal." Popular Culture Review 17, no. 2 (December 2006): 91–100. http://dx.doi.org/10.1002/j.2831-865x.2006.tb00706.x.

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18

Das, Debasmita, Debangshu Chanda, Sanchita Ghosh, and Amitava Sengupta. "Reviewing Borderline Personality Through the Lens of Baulism: A Theoretical Exploration." Indian Journal of Health Studies 05, no. 01 (2023): 80–105. http://dx.doi.org/10.56490/ijhs.2023.5105.

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Baulism is an esoteric cult based lifestyle cum philosophy, based on detachment and search for self. It is one of the rare eastern Indic cultures, which incorporates lifestyle and serenity of oneself. In Baul philosophy, self-clarity means a practical picture of the mirroring the self, which can be realized and not explicitly empirically justified. People with Borderline Personality (BP) have an unstable sense of self leading to irritability, doubtfulness, and even self-harm. This lack of security leads to unsafe activities including multiple random relationships and sex, which includes a risk of sexually transmitted diseases. Self-compassion is a missing factor too. Since lifestyle is one primary element that impacts the psyche and the body, one with BP should try to modulate how one perceives oneself and others, in order to re-establish balance. The objective was to explore and understand BP through the lens of Baulism. Bauls have a penchant for selfstability and focus on humanism and kindness, while BP involves a sense of unstable self. Theoretically, it was found that there are chances for improvement regarding impulsivity and perceived vulnerability of persons with BP, if Baul practices are imbibed in one’s life. Further modules could be developed for developing practical awareness regarding the self, through Baul songs and philosophy, practice of Baul rituals and music.
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19

Das, Rahul Peter. "Problematic Aspects of the Sexual Rituals of the Bauls of Bengal." Journal of the American Oriental Society 112, no. 3 (July 1992): 388. http://dx.doi.org/10.2307/603078.

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20

Galey, Jean-Claude. "Kristin Hanssen: Women, Religion and the Body in South Asia. Living with Bengali Bauls." Norsk antropologisk tidsskrift 31, no. 04 (December 7, 2020): 297–300. http://dx.doi.org/10.18261/issn.1504-2898-2020-04-05.

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21

Capwell, Charles, Francis Comini, Dominique Vander Heym, A. M. Ziauddin, Francoise Grund, and Dacca Ziauddin. "Shahjahan Miah: chants mystiques bauls du Bangladesh dans la tradition de l'ordre Lalan Shahi." Ethnomusicology 39, no. 2 (1995): 324. http://dx.doi.org/10.2307/924444.

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22

Capwell, Charles. "The popular expression of religious syncretism: the Bauls of Bengal as Apostles of Brotherhood." Popular Music 7, no. 2 (May 1988): 123–32. http://dx.doi.org/10.1017/s0261143000002701.

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About a thousand years ago in northeastern India a group of spiritual adepts known as siddhācāryas sang poems about the discipline required of the individual who seeks ultimate release. These carýāpadas, as the poems are called, were eventually compiled and recorded in a manuscript found about a century ago in the Nepali Court Library by a Bengali scholar (Sastri), since when concordances have been recognised in the Tibetan scriptures and numerous articles have been written about them by a variety of learned scholars. The carýāpadas have aroused considerable interest, among other reasons, because of their language, which is considered the earliest record of the Bengali tongue (Chatterji 1970, pp. 90–116), and because of their religious precepts, which are based upon tantra (Bagchi 1933, 1956A, B). Tantra teaches the individual to pursue his own release from phenomenal existence through direct, empirical means, through the manipulation of his own physical and psychical constitution, and these means are learned viva voce from a preceptor who also demonstrates the necessary techniques.
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23

Knight, Lisa I. "“I Will Not Keep Her Book in My Home”: Representing Religious Meaning among Bauls." ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts 23, no. 1 (March 1, 2016): 30. http://dx.doi.org/10.16995/ane.159.

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24

Ferrari, Fabrizio M. "Mystic Rites For Permanent Class Conflict: The Bauls Of Bengal, Revolutionary Ideology And Post-Capitalism." South Asia Research 32, no. 1 (February 2012): 21–38. http://dx.doi.org/10.1177/026272801203200102.

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25

Fitzpatrick, John L., and Stefan Lüpold. "Evolution: Big Bawls, Small Balls." Current Biology 25, no. 22 (November 2015): R1084—R1086. http://dx.doi.org/10.1016/j.cub.2015.09.060.

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26

Oliver, Paul. "Introduction: aspects of the South Asia/West crossover." Popular Music 7, no. 2 (May 1988): 119–22. http://dx.doi.org/10.1017/s0261143000002695.

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‘Budding ethno-musicologists, step this way. If you ever wanted a bit of everything on a record, this is it,’ wrote a reviewer in the Melody Maker for 18 April 1981. The record that covered ‘a baffling amount of ground’ was Revenge of the Mozabites by the Suns of Arqa on Rocksteady Records MICKLO1. Other reviewers were as puzzled, and in some cases, stimulated by the issue. To Johnny Black writing in London Trax theysound as if they lost their front door key back in 1969 and have been trapped in the living room of 8 Higher Road, Urmston ever since, with only albums by the Incredible String Band, the Bauls of Bengal and Hapshash for company. From time to time they hear the John Peel prog, and have thus gleaned a passable understanding of dub. Towards the end of 1980 they were set free, had a shave and a haircut and trundled their acoustic guitars, castanets, tablas, fiddles and harmoniums to a portable recording studio in the back of a Morris 1000 Traveller where they recorded this album.
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27

Henry, Edward O. "The Music of the Bauls of Bengal. By Charles Capwell. Kent, Ohio: The Kent State University Press, 1986. x, 242 pp. Appendixes, Tables, Index. $32.50." Journal of Asian Studies 46, no. 2 (May 1987): 424–25. http://dx.doi.org/10.2307/2056046.

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28

Samuel, Geoffrey. "Capwell, Charles. Sailing on the sea of love: the music of the Bauls of Bengal. xiv, 242 pp., maps, illus., musical notation, bibliogr. CDs. Calcutta: Seagull Books, 2011. £16.00 (paper)." Journal of the Royal Anthropological Institute 19, no. 2 (May 1, 2013): 426–27. http://dx.doi.org/10.1111/1467-9655.12042_21.

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29

Colás, Rafael, Oscar Zapata-Hernández, Luis A. Reyes, Carlos Camurri, Claudia Carrasco, and Nelson F. Garza-Montes-de-Oca. "Quenching simulation of steel grinding balls." Revista de Metalurgia 51, no. 3 (September 14, 2015): e049. http://dx.doi.org/10.3989/revmetalm.049.

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30

Balsamo, Jean. "“O que c’est un mol et doux chevet, et sain, […]”. Montaigne lecteur." Colloquium 9788879168564 (November 2018): 27–42. http://dx.doi.org/10.7359/856-2018-bals.

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31

Buskirk, Jim Van. "Balls." Harrington Gay Men's Fiction Quarterly 7, no. 2 (July 15, 2005): 57–62. http://dx.doi.org/10.1300/j152v07n02_07.

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32

Falco, Ed. "Balls." Missouri Review 41, no. 4 (2018): 40–49. http://dx.doi.org/10.1353/mis.2018.0043.

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33

Dewan, Maya, and L. Nelson Sanchez-Pinto. "Crystal Balls and Magic Eight Balls." Pediatric Critical Care Medicine 20, no. 12 (December 2019): 1197–99. http://dx.doi.org/10.1097/pcc.0000000000002147.

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34

Truscott, Tadd T., Michael M. Wright, Ken R. Langley, and Jesse Belden. "Holy balls! Balls that walk on water." Physics of Fluids 24, no. 9 (September 2012): 091103. http://dx.doi.org/10.1063/1.4746071.

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35

Kagan, David. "Happy Balls, Unhappy Balls, and Newton's Cradle." Physics Teacher 48, no. 3 (March 2010): 152. http://dx.doi.org/10.1119/1.3317443.

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36

Sanzone, R. Zachary. "Foul Balls." NINE: A Journal of Baseball History and Culture 31, no. 1 (September 2022): 21–25. http://dx.doi.org/10.1353/nin.2022.0008.

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37

Anonymous. "Exercise Balls." Orthopedics 21, no. 9 (September 1998): 1010–20. http://dx.doi.org/10.3928/0147-7447-19980901-29.

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38

Rockney, R., A. J. Alario;, S. A. Weinzimer, P. S. Thornton;, J. M. Chalett, and L. T. Nerenberg. "Blue Balls." PEDIATRICS 108, no. 5 (November 1, 2001): 1233–34. http://dx.doi.org/10.1542/peds.108.5.1233.

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Levy, D. N. L. "Crystal Balls." ICGA Journal 20, no. 2 (June 1, 1997): 71–78. http://dx.doi.org/10.3233/icg-1997-20203.

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40

Harpham, Wendy S. "Matzo Balls." Oncology Times 29, no. 13 (July 2007): 37. http://dx.doi.org/10.1097/01.cot.0000282503.80323.79.

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41

Rimer, Thomas. "Alexander Balus." Opera Quarterly 3, no. 3 (1985): 208–9. http://dx.doi.org/10.1093/oq/3.3.208.

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Ackerman, Elliot. "Charlie Balls." Ecotone 9, no. 1 (2013): 81–90. http://dx.doi.org/10.1353/ect.2013.0034.

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Holzmann, Gerard J. "Curve Balls." IEEE Software 35, no. 2 (March 2018): 18–21. http://dx.doi.org/10.1109/ms.2018.1661321.

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Balachandran, A. P., B. Rai, G. Sparano, and A. M. Srivastava. "Isospin balls." Physical Review Letters 59, no. 8 (August 24, 1987): 853–56. http://dx.doi.org/10.1103/physrevlett.59.853.

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Pluim, B. M. "Fuzzy balls." British Journal of Sports Medicine 40, no. 5 (May 1, 2006): 378. http://dx.doi.org/10.1136/bjsm.2006.026039.

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Brihaye, Yves, and Betti Hartmann. "InteractingQ-balls." Nonlinearity 21, no. 8 (July 10, 2008): 1937–52. http://dx.doi.org/10.1088/0951-7715/21/8/011.

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Garetier, M., and J. Rousset. "Thoracic balls." Canadian Medical Association Journal 183, no. 14 (August 29, 2011): E1091. http://dx.doi.org/10.1503/cmaj.110529.

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48

Law, Debbie. "Bursting Balls." Physiotherapy 75, no. 12 (December 1989): 708. http://dx.doi.org/10.1016/s0031-9406(10)62422-4.

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WOLF, LAUREN. "bowling balls." Chemical & Engineering News 86, no. 27 (July 7, 2008): 31. http://dx.doi.org/10.1021/cen-v086n027.p031.

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Li, Gege. "Slime balls." New Scientist 247, no. 3290 (July 2020): 28–29. http://dx.doi.org/10.1016/s0262-4079(20)31210-0.

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