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Relevant bibliographies by topics / Beauty and the beast (Tale)

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Academic literature on the topic 'Beauty and the beast (Tale)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Beauty and the beast (Tale)"

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DAVIS, LAURA. "Intensely Original." Study and Scrutiny: Research on Young Adult Literature 5, no. 1 (December 31, 2021): 67–84. http://dx.doi.org/10.15763/issn.2376-5275.2021.5.1.67-84.

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The story of Beauty and her beast is truly a tale as old as time: a beautiful girl falls in love with a beast and her love transforms him into a prince. This project is framed by Joosen’s (2011) argument regarding fairy tale retellings disrupting Jauss and Benzinger’s (1970) claim that fairy tales and retellings align with the horizon of expectations. Using Kemmerer’s A Curse so Dark and Lonely (2019), a “Beauty and the Beast” retelling, this essay tests Joosen’s (2011) theory to determine if the retelling remains true to or diverges from the original parent material.

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Banerjee, Priyanka, and Rajni Singh. "Challenging Hegemonic Gender Norms in Emma Donoghue’s “The Tale of the Rose” and Disney’s Beauty and the Beast." Folklore: Electronic Journal of Folklore 84 (December 2021): 77–96. http://dx.doi.org/10.7592/fejf2021.84.banerjee_singh.

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While heteronormativity remained at the core of the classic fairy tale, a queer subtext existed in the form of subtle symbolic codes. By reflecting the changing socio- cultural discourses about sexuality and gender in time, the representation of queer sexuality in fairy tales has also developed. This paper attempts a queer reading of the revisioning of Madame Beaumont’s “Beauty and the Beast” in Emma Donoghue’s “The Tale of the Rose” and the 2017 Disney version. This paper demonstrates how Emma Donoghue’s adaptation deconstructs the heteronormativity of Beaumont’s tale by dismantling the binaries of Beauty/Beast and man/woman and represents queer sexuality and desire through multi-layered language. This paper also examines how in the Disney version the story takes a new dimension in close proximity to twenty-first century media culture and lends itself to queer interpretation.

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Taş Gürsoy, İlkay. "Beauty and the Beast: A Fairy Tale of Tourismphobia." Tourism Planning & Development 16, no. 4 (April 23, 2019): 434–51. http://dx.doi.org/10.1080/21568316.2019.1582086.

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Shabatini W, Gabrilla, Rathinam Alias Shanmugasundarie K, and Susmitha M. "EVOLUTION OF LOVE: EXAMINING BELLE AND THE BEAST'S RELATIONSHIP IN “BEAUTY AND THE BEAST”." Pedagogy and Education Management Review, no. 2(16) (June 30, 2024): 12–17. http://dx.doi.org/10.36690/2733-2039-2024-2-12-17.

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The tale of "Beauty and the Beast" has captivated audiences for generations, with its timeless message of love, acceptance, and the transformative power of inner beauty. This article, "Evolution of Love: Examining Belle and the Beast's Relationship in 'Beauty and the Beast,'" explores the development of the relationship between Belle, a compassionate young woman, and the Beast, a prince cursed due to his selfish nature. By analyzing key versions of the story, including those by De Beaumont and Villeneuve, and drawing from a range of scholarly perspectives, the study examines the characters' evolution, symbolic elements, and socio-cultural and psychological implications of their relationship. The literature review highlights various interpretations, focusing on the symbolic meanings of elements like the enchanted rose, and how they contribute to the narrative's themes of transformation and redemption. The article also discusses modern adaptations and their resonance with contemporary audiences, particularly in terms of psychological themes and societal expectations. The aim of this study is to provide a comprehensive understanding of the evolution of love in "Beauty and the Beast." Objectives include analyzing character development, exploring symbolic elements, assessing socio-cultural contexts, and evaluating psychological perspectives. The methodology involves a multifaceted approach, including a literature review, character analysis, symbolic analysis, socio-cultural analysis, and comparative analysis. The findings suggest that "Beauty and the Beast" offers a rich narrative that challenges traditional gender roles and societal norms while emphasizing the importance of empathy and compassion. By examining the relationship between Belle and the Beast through various theoretical lenses, the article provides deeper insights into the complexities and enduring appeal of this timeless tale.

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Stone, Kay F., and Betsy Hearne. ""Beauty and the Beast": Visions and Revisions of an Old Tale." Journal of American Folklore 104, no. 411 (1991): 137. http://dx.doi.org/10.2307/541157.

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Potabuga, Maryuni, Tini Mogea, and Delly Sabudu. "ROMANCE JEANE MARIE IN BEAUTY AND THE BEAST." SoCul: International Journal of Research in Social Cultural Issues 1, no. 01 (December 15, 2022): 11–20. http://dx.doi.org/10.53682/soculijrccsscli.v1i01.1695.

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This research is mainly to find out the causes of conflict which is reflected in Brown's novel entitled Beauty and the Beast through characters named Belle and the ugly prince. In conducting his research, the authors use qualitative research because the data collected is in the form of words, not numbers. An objective approach is used in analyzing the data. The results of this study found that there are very valuable lessons and knowledge, especially those related to the love relationship between two characters who come from different backgrounds. It is also stated that Belle was finally able to fall in love with the Ugly Prince even though she knew that the prince was not like humans in general. Although there are the differences between them, however in the end the two of them can be together forever because of the power of Belle's love that can break the curse on the ugly prince. Keywords : Romance, Fairy Tale, conflic

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Kliś-Brodowska, Agnieszka. "Of Fairies and “Docile Daughters”: Ubisoft Montreal’s Child of Light as an Adaptation of Gabrielle-Suzanne de Villeneuve’s Beauty and the Beast." Przegląd Kulturoznawczy, no. 4 (58) (2023): 579–98. http://dx.doi.org/10.4467/20843860pk.23.037.19186.

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The following article analyzes Ubisoft Montreal’s art game Child of Light (2014) as an adaptation of the eighteenth-century fairy tale Beauty and the Beast (1740) by Gabrielle-Suzanne de Villeneuve, the less famous original of Jeanne-Marie Leprince de Beaumont’s canonical “Beauty and the Beast” (1756). While Villeneuve drew from the late seventeenth-century French salon fairy-tale tradition, her novel-length tale represented an ideological turning point, ultimately subordinating women’s independence and freedom to act in the public sphere, propagated by older upper-class salonnières in their fairy tales, to the bliss of love and family, typical of the bourgeois private sphere. Judging by the designers’ announcements that the game was meant to concentrate on growing up to adulthood, self-sufficiency, and independence, instead of marriage, and thus did not feature the character of the Beast/Prince, Child of Light might appear to have a potential to restore the voice of the older conteuses by, again, concentrating on women empowerment and the ability to act in the public/outdoors. In particular, I focus on the game’s transposition of the tale’s chosen fragments, namely: Villeneuve’s caste of powerful, independent fairies; class division dramatized in the tale; and, somewhat surprisingly, the self-sacrificing heroine, ready to abdicate her desire, or a docile daughter. In the case of latter, Aurora may not sacrifice herself for the sake of the man, but still must sacrifice her longing for family to become an egalitarian ruler devoted to public service, which, in the end, appears to peculiarly disempower her. Thus, Child of Light may be seen to nonetheless reiterate conservative values rather than propose a tale of women empowerment.

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Hixon, Martha. "The Tale with a Thousand Faces: "Beauty and the Beast"." Children's Literature 34, no. 1 (2006): 214–17. http://dx.doi.org/10.1353/chl.2006.0010.

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Abdullah Rashed, Atoof, and Laila M. Al-Sharqi. "Roses in Amber: Gendered Discourse in Disney’s 2017 Adaptation of Villeneuve’s Fairytale Beauty and the Beast." Arab World English Journal For Translation and Literary Studies 5, no. 1 (February 15, 2021): 126–43. http://dx.doi.org/10.24093/awejtls/vol5no1.9.

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This study considers the dialogic relationship between the 2017 Disney live-action film Beauty and the Beast with Gabrielle-Suzanne de Villeneuve’s fairy tale and Disney’s 1991 animated version. Drawing on cultural and feminist discourse, the study seeks to examine Disney’s live-action film for incidents of cultural appropriation of gender representation compared to Villeneuve’s fairy tale and Disney’s 1991 animated version. The Study argues that the 2017 film adaptation reverses the traditional patriarchal notions and embraces a transgressive feminist discourse/approach as part of Disney’s strategy of diversity and inclusion of gender, race, class, and sexual orientation as constantly evolving cultural categories. This study finds significant alterations made to the physical and psychological attributes of the 2017 film’s three characters: Beauty/Belle, the Beast, and the Enchantress, changes that align with the film’s gendered discourse. By reversing the characteristic privileging of the male and the empowerment of the female, the live-action succeeds in addressing the contemporary audience demands of diversity and inclusion. The study concludes that the changes made in the 2017 film adaptation displace the oppressive patriarchal notions and stereotypical modes of representing the male and female as they have been perceived in the original fairy tale, for they are no longer compatible with contemporary cultures’ assumptions on gender.

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Hearne, Betsy. "Beauty And The Beast: Visions and Revisions of an Old Tale: 1950-1985." Lion and the Unicorn 12, no. 2 (1988): 74–111. http://dx.doi.org/10.1353/uni.0.0146.

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Dissertations / Theses on the topic "Beauty and the beast (Tale)"

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Williams, Monica. ""Tale as Old as Time": The "Beauty and The Beast" Narrative As Vehicle for Social Resistance." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1494428297398244.

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Spinelli, Emanuele. "TALE AS OLD AS TIME La sfida dell'adattamento della colonna sonora nel live-action Disney Beauty and the Beast." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/14712/.

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Obiettivo del presente lavoro è dimostrare l’importanza rivestita da specifici elementi nell’adattamento in italiano e in francese delle canzoni del lungometraggio live-action Disney Beauty and the Beast. Dopo una breve panoramica sul mondo della traduzione multimediale e del genere musical, si passa alla descrizione e alla differenziazione dell’omonimo cartone animato e del live-action. In particolare, nel Capitolo 1 ci si concentra sul doppiaggio e sul vincolo del sincrono da esso generato, così come sulla traduzione di canzoni e sulla ricezione dei film musicali in Italia. Nel capitolo 2, invece, si sottolineano i fattori che hanno portato a determinate scelte traduttive nell’adattamento dalla versione originale del film alle due lingue in questione. Il Capitolo 3, infine, racchiude la parte pratica dell’elaborato, nella quale si analizza il campione completo dei tredici brani musicali presenti nel lungometraggio, studiandone per ciascuno sincrono labiale (e, laddove possibile, gestuale), parole chiave, rime, ripetizioni ed eventuali scarti di significato nelle due versioni adattate. Per comprendere la misura in cui Lorena Brancucci e Philippe Videcoq, i due adattatori, hanno seguito tali criteri nei prodotti di arrivo, fondamentali sono state le due interviste a loro rivolte, l’una riportata da un blog online a carattere disneyano, l’altra da noi direttamente indirizzata al dialoghista.

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Drewett, Anne. "Curses, Ogres and Lesbians : An Examination of the Subversion and Perpetuation of Fairy Tale Norms in Two Adaptations of Beauty and The Beast." Thesis, Umeå universitet, Institutionen för språkstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-117268.

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Fairy tales as a form of social acculturation can subvert and/or perpetuate potentially harmful social norms. In this essay, Chris Anne Wolfe’s lesbian romance novel Bitter Thorns (1994) and the film Shrek (2001) are analysed as adaptations of the fairy tale Beauty and the Beast, with a focus on the extent to which they challenge and/or reinforce three fairy tale norms: women as tradeable objects, heteronormativity and idealised beauty. Both these texts can be seen as subversive, Bitter Thorns in how it challenges heteronormativity and Shrek in how it challenges the norm of idealised beauty. This subversion, however, is limited, as both texts do more to perpetuate fairy tale norms than to challenge them. They both reinforce the idea of women as objects for trade, Bitter Thorns perpetuates the norm of idealised beauty, and Shrek advocates heteronormative relationships and the dominance of heterosexual masculinity.

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Sebree, Adrien E. "Living Fairy Tales: Science Fiction and Fantasy's Visionary Retellings of "Beauty and the Beast"." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/204.

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This thesis explores how science fiction and fantasy retellings of the fairy tale "Beauty and the Beast" bring visionary insights to the fairy tale. Stories such as Tanith Lee's science fiction novella "Beauty" and Mercedes Lackey's fantasy novel The Fire Rose constitute living and developing incarnations of "Beauty and the Beast." To better explore the visionary leaps made by these stories, they are placed in contrast with one of the original recordings of the story by Madame Marie Le Prince de Beaumont and the 1991 Disney film version, Beauty and the Beast.

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Anderson, Amanda L. "Scripts that Tame Us| "Beauty and the Beast" as Vehicle of Cultural Construction and Deconstruction." Thesis, University of Louisiana at Lafayette, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3615284.

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From Madame Le Prince de Beaumont to Francesca Lia Block, Walter Crane to Mercer Mayer, and Jacques Cocteau to the Walt Disney Company, authors, artists, and filmmakers are drawn to recreating "Beauty and the Beast." As a result "Beauty and the Beast" is reformatted to reflect shifts in cultural assumptions, particularly ideas of gender roles, sexuality, and identifying the Other. Therefore, by examining the recurring motifs of the feminine ideal, the Beast as Other, and the transposition of the tale to an Orientalized setting, within adaptations of "Beauty and the Beast," it becomes clear that the tale is a multi-voiced tool with which authors and illustrators use to simultaneously support and subvert the hegemonic status quo. Examining the significance of "Beauty and the Beast" offers insight as to the power that revised texts have over their precursor texts and their producing culture. By understanding the importance of "Beauty and the Beast" as a symbiotic text, one can understand how it functions within its cultural context. Such an examination reveals that not only does culture dictate the tales we tell, but also that the tales we tell dictate our cultural identity. Ultimately this project concludes that this tale works within Western culture to convey shifting cultural messages about Otherness, women, and Islam.

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Sharp, Ashli A. "Once Upon a Time in a Single-Parent Family: Father and Daughter Relationships in Disney's The Little Mermaid and Beauty and the Beast." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1630.pdf.

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Thesis (M.A.)--Brigham Young University. Dept. of Humanities, Classics, and Comparative Literature, 2006.
Colored illustrations in electronic copy only. Includes bibliographical references (p. 136-142).

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Kupsch, Mary. "The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22721.

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Feminist scholarship concerning fairy tales is too limited. While relationships between male and female characters have been explored extensively, this thesis focuses on masculinity as it is performed in interactions between male characters. It aims to bring more justices to traditional fairy tale gender binaries. Using Tony Coles’ Theory of Multiple Dominant Masculinities, this project examines four 17th-19th century animal/monster groom tales, studying male characters in order to understand how masculinity is constructed in selected tales and operates as a dynamic relationship between male characters. While the quest for dominance is often linked to violence, by employing the marvelous as an agent of change, these tales offer utopian perspectives in which shifts in male power occur without violence. The system of masculinity can be unfavorable and restrictive, presenting male characters with limited role options, but in fairy tales this system is also flexible, offering the possibility of change.

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Wilhelmsson, Cornelia. "Feminist Fairy Tales : Blurred Boundaries in Angela Carter’s Rewritings of Classical Fairy Tales." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-119063.

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This essay examines Angela Carter’s feminist rewritings of classical fairy tales. By examining the original fairy tales and comparing them to what Angela Carter published I aim to highlight a feminism that is subtle and non-binary. In the analysis I draw on ideas presented by Hélène Cixous as well as Simone de Beauvoir. Furthermore, a pedagogical reflection is included to show ways in which these stories could be incorporated in the upper- secondary school.

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Vogtman, Jacqueline. "The Preservation of Objects Lost at Sea." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1268930284.

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Johnson, Bridgette. "Beauty and the Beast: Across Cultures and Time." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/104.

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This thesis traces the fairy tale of Beauty and Beast across different cultures in classic versions of the tale to examine social and cultural factors and gender norms and compares those findings to modern retellings while examining the same themes as the classic tales.

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Books on the topic "Beauty and the beast (Tale)"

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East, Jacqueline. Beauty and the beast. Bath, England: Parragon, 2012.

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Disney Enterprises. Pixar Animation Studios. Beauty and the beast. Bath: Parragon, 2012.

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Disney Enterprises. Pixar Animation Studios. Beauty and the Beast. Bath: Parragon, 2015.

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Sachon, Susan. Beauty and the beast: A play. Altrincham: New Playwrights' Network, 1996.

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Dotrice, Roy. Beauty and the Beast. Bath: Parragon, 2015.

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Glennon, William. Beauty and the beast. Woodstock, Ill: Dramatic Pub., 1991.

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Morpurgo, Michael. Beauty and the beast. London: HarperCollinsPublishers, 2015.

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Editions, Disney, and Studio Dice (Art studio), eds. Beauty and the Beast: Belle's tale. Los Angeles, CA: TOKYOPOP, Incorporated, 2017.

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Janer, Maria de la Pau, 1966-, ed. Les rondalles de la bella i la bèstia. Palma de Mallorca: J.J. de Olañeta, 1996.

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Disney Enterprises. Pixar Animation Studios. Disney's Beauty and the beast. Bath: Parragon, 2007.

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Book chapters on the topic "Beauty and the beast (Tale)"

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Provan, Iain. "Jerusalem, Babylon, and Rome: A Tale of Three Cities (and More)." In “Who is Sitting on Which Beast?” Interpretative Issues in the Book of Revelation, 129–42. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.jaoc-eb.5.131931.

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Carney, Jo Eldridge. "Men, Women, and Beasts: Elizabeth I and Beastly Bridegrooms." In Fairy Tale Queens, 65–86. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137269690_4.

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Planché (Mme de Villeneuve), James R. "Beauty and the Beast." In Silver Magic, 135–200. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003297512-19.

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Bachar, Eytan. "Beauty and the Beast." In Psychodynamic Self Psychology in the Treatment of Anorexia and Bulimia, 165–70. New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000280-18.

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Simpson, Phil. "Beauty and The Beast." In Patrick Moore's Practical Astronomy Series, 37–104. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6941-5_3.

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Hildebrand, Eden. "Beauty and the Beast." In Fifty Key Stage Musicals, 216–20. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003009726-39.

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Kempe, Andy. "Beauty and the Beast." In The Routledge Handbook of Disability Arts, Culture, and Media, 87–99. 1st Edition. | New York: Routledge, 2019. | Series: Routledge international handbooks: Routledge, 2018. http://dx.doi.org/10.4324/9781351254687-7.

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Rousu, Matthew C. "Beauty and the Beast." In Broadway and Economics, 17. Abingdon, Oxon ; New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315168364-8.

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Ardeleanu, Stefan. "SQL: Beauty and the Beast." In Relational Database Programming, 17–30. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2080-1_2.

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Oelker, Aenne, Thomas Horger, and Christina Kuttler. "The Beauty of a Beast." In The Art of Theoretical Biology, 24–25. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_12.

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Conference papers on the topic "Beauty and the beast (Tale)"

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Bringula, Rex P. ""Beauty and the Beast"." In SIGITE/RIIT '15: The 16th Annual Conference on Information Technology Education and the 4th Annual Conference on Research in Information Technology. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2808006.2808008.

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Swierstra, Wouter, and Thorsten Altenkirch. "Beauty in the beast." In the ACM SIGPLAN workshop. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1291201.1291206.

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Klinaku, Floriment, Martina Rapp, Jörg Henss, and Stephan Rhode. "Beauty and the Beast." In ICPE '22: ACM/SPEC International Conference on Performance Engineering. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3491204.3527482.

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Jung, Jiwon, HoYeon Nam, Youn-kyung Lim, and Kun-pyo Lee. "Beauty and the Beast." In DIS '17: Designing Interactive Systems Conference 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3064857.3079120.

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Gupta, Deepa, Vaibhav Sharma, and Praveen Kumar. "Beast to Beauty data in Virtual Analytics." In 2018 Second International Conference on Green Computing and Internet of Things (ICGCIoT). IEEE, 2018. http://dx.doi.org/10.1109/icgciot.2018.8753051.

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Eilers, Nicole. "Representing "the Other" in Beauty and the Beast." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1427944.

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Yan, Yonghao. "Admiring American Fantasy Movies by Beauty and Beast." In 2018 8th International Conference on Social science and Education Research (SSER 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-18.2018.151.

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Yariv, Amnon. "Beauty and the Beast—Nonlinear Optical Propagation in Fibers." In Nonlinear Optics: Materials, Fundamentals and Applications. Washington, D.C.: OSA, 2000. http://dx.doi.org/10.1364/nlo.2000.sua1.

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Honscheid, Klaus. "Beauty and the Beast hadronic B decay and QCD." In Twenty beautiful years of bottom physics. AIP, 1998. http://dx.doi.org/10.1063/1.55119.

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Kusumajanti, Wahju, Ovi Winda Vristian, and Zulidyana Dwi Rusnalasari. "A Changing of Masculinity Hegemony of the Beast Character in “Beauty and the Beast” Stories." In International Conference on English Language Teaching (ICONELT 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200427.015.

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Reports on the topic "Beauty and the beast (Tale)"

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Bault, Shawn M. Beauty is in the Eye of the Beholder: A Tale of Strategic Context and Operational Art in Iraq, 2004-2008. Fort Belvoir, VA: Defense Technical Information Center, May 2012. http://dx.doi.org/10.21236/ada566709.

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