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Books on the topic 'Becoming (Deleuze and Guattari)'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Bogue, Ronald. Deleuze and Guattari. London: Routledge, 1989.

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Deleuze and Guattari. London: Routledge, 1989.

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3

Buchanan, Ian, K. George Varghese, and N. Y. Manoj. Deleuze, Guattari and India. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003217336.

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4

Antonioli, Manola. Géophilosophie de Deleuze et Guattari. Paris: L'Harmattan, 2003.

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5

Deleuze and Guattari for architects. London: Routledge, 2007.

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6

Géophilosophie de Deleuze et Guattari. Paris: L'Harmattan, 2003.

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7

1925-1995, Deleuze Gilles, and Guattari Félix 1930-1992, eds. Deleuze and Guattari on architecture. New York, NY: Routledge, 2015.

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8

Aracagök, Zafer. Atopological Trilogy: Deleuze and Guattari. Brooklyn, NY: punctum books, 2015.

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9

O’Sullivan, Simon. Art Encounters Deleuze and Guattari. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230512436.

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1980-, Preteseille Benoît, ed. Deleuze & Guattari à vitesse infinie. Paris, France: Ollendorff & Desseins, 2009.

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11

Who's afraid of Deleuze and Guattari? London: Continuum, 2006.

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12

Lambert, Gregg. Who's afraid of Deleuze and Guattari. London: Continuum, 2008.

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13

1972-, Porter Robert, ed. Dramatizing the political: Deleuze and Guattari. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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14

Abou-Rihan, Fadi. Deleuze and Guattari: A psychoanalytic itinerary. London: Continuum, 2008.

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15

MacKenzie, Iain, and Robert Porter. Dramatizing the Political: Deleuze and Guattari. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230353244.

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16

Deleuze and Guattari: Aesthetics and politics. Cardiff: University of Wales press, 2009.

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17

Felix Guattari and Gilles Deleuze: A bibliography. Santa Cruz, CA: Reference and Research Services, 1992.

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18

Gilles Deleuze et Félix Guattari: Biographie croisée. Paris: Découverte, 2007.

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19

Gilles Deleuze and Félix Guattari: Intersecting lives. New York: Columbia University Press, 2010.

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20

Dosse, François. Gilles Deleuze et Félix Guattari: Biographie croisée. Paris: Découverte, 2007.

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21

Zepke, Stephen, and Simon O'Sullivan. Deleuze, Guattari and the production of the new. London: Continuum, 2011.

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22

Thakkar-Scholz, Arnim. Die Schizoanalyse von Félix Guattari und Gilles Deleuze. Essen: Verlag Die Blaue Eule, 2004.

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23

Art encounters Deleuze and Guattari: Thought beyond representation. New York: Palgrave Macmillan, 2005.

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24

Literature, ethics, and aesthetics: Applied Deleuze and Guattari. New York: Palgrave Macmillan, 2012.

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25

Bazzanella, Emiliano. Il ritornello: La questione del senso in Deleuze-Guattari. Milano: Mimesis, 2005.

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26

Deleuze and Guattari: An introduction to the politics of desire. London: SAGE, 1996.

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27

Gilles Deleuze, Félix Guattari et Gilles Châtelet: De l'expérience diagrammatique. Paris: Harmattan, 2012.

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28

Masny, Diana. Cartographies of Becoming in Education: A Deleuze-Guattari Perspective. BRILL, 2013.

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29

Glowczewski, Barbara. Indigenising Anthropology with Guattari and Deleuze. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.001.0001.

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‘Radical alterity is not about exotism and exclusion but about imagination of how to weave different worlds in respect of their singularities always in becoming, how to recreate outsideness in our minds.’ This is what Barbara Glowczewski calls ‘indigenising anthropology’ in this collection of essays that chart her intellectual trajectory as an anthropologist involved since 1979 with Warlpiri people from central Australia and other Indigenous people in the Kimberley and on Palm Island. The book shows how the many ways in which Aboriginal men and women actualise virtualities of their Dreaming totemic space-time into collective networks of ritualised places resonate with some of Deleuze’s and Guattari’s concepts and also with reticular digital memories. It is a tribute to Indigenous cosmovisions and art, as well as the creative affirmation of collective movements in Oceania, in Brazil and France, who struggle to defend existential territories that could restore a multiplicity of commons to heal the earth from past colonisation and present destruction. Glowczewski draws on 40 years of shared experiences with Indigenous peoples, her own conversations with Guattari, her participation in decolonial ecological debates and engagement for an ‘earth in common’ (https://encommun.eco/), to deliver an innovative agenda for radical anthropology which offers new avenues for research on environmental and social justice based on the value of difference and creative resistance.

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30

Deleuze and Guattari's Philosophy Of 'Becoming-Revolutionary'. Cambridge Scholars Publisher, 2020.

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31

Gardner, Colin, and Patricia MacCormack. Introduction. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0001.

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In spite of becoming-animal being a key concept in Deleuze and Guattari, this is the first volume to address the ambiguous idea of the animal as human and nonhuman life infiltrating all of Deleuze’s work. Contemporary applications of animality in Deleuze in film, television, music, gaming and art are collected alongside critical issues of ethics, activism and ecology in consideration of the future of our understanding of life and the animal as both the kingdom of which the human is part and the first dividing line of identity within the anthropocene. The Introduction provides summaries of all 16 chapters, tying them to common threads in Deleuze and Guattari’s writings as well as establishing innovative trajectories for future readings of animality in Deleuze in a variety of fields.

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32

MacCormack, Patricia, ed. Ahuman Abolition. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0002.

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‘The animal’ as a question, concept and catalyst toward a redress of human subjectivity enflames contemporary philosophy. Varyingly, Deleuze’s work, with and without Guattari, has been both celebrated and maligned. Donna Haraway’s scathing misreading of becoming-animal and Deleuze and Guattari’s potential fetishisation of nonhuman alterity is counterbalanced with their being utilised via their unique abstraction of ordering-concepts which call into question the function of species itself as a majoritarian practice. Thinking the nonhuman – be it nonhuman animals or our own ahumanity – is a project not for science or moral theory based on scientific operations, but philosophy, in that it is an ethical project. Through Deleuze on Spinoza, on dying well, and Deleuze and Guattari’s call to animal-abstraction and inhuman affects, this chapter argues the value of Deleuze for what is known as the extreme of animal rights – abolitionism. Beyond equivalence and any interpretation of the nonhuman perceived via human signifying systems, this chapter uses Deleuze with abolitionist ideas to argue for an absolute abolitionist stance, both philosophically and materially, in reference to contemporary tactics for ethical relations with both nonhumans and ultimately an end to humanism and humanity as the only option for creative becomings for nonhuman lives.

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33

Campbell, Edward. Music-Becoming-Animal in Works by Grisey, Aperghis and Levinas. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0007.

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The concept of ‘becoming-animal’ has rich potential for a discussion of a number of recent musical artworks. It links Deleuze and Guattari not only with Olivier Messiaen, the bird-lover par excellence, but also with composers Gérard Grisey, Michaël Levinas and Georges Aperghis. With Levinas's sonic hybridisations in the Ouverture pour une fête étrange (1979) sound is amplified to the point that it becomes ‘an almost animal living mob’. In the experimental music theatre piece Avis de tempête (2004) Georges Aperghis produces a ‘fetish reading' of Moby Dick in which 'Melville's universe impregnates the entire spectacle'. While the great whale does not appear anywhere in the libretto, the theme of fragmented subjectivity is prominent throughout. Finally, the temporalities at play in late works by Gérard Grisey embody aspects of animality. In Le Temps et l'écume (1989), three times – 'normal', extremely compressed and extremely slow, indicate the temporal frames of humans, birds and whales, and follow one another successively in the formal unfolding of the work. Beyond the representational or imitative qualities of earlier musics, the chapter argues that in each of these works, a Deleuze-Guattarian diagram is drawn in which music no longer evokes animality but rather itself becomes animal.

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34

Solomon, William. Becoming-Child. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040245.003.0005.

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This chapter takes the concept of “becoming-child” from Gilles Deleuze and Félix Guattari's study of Franz Kafka in order to account for the peculiarity of Harry Langdon's screen persona. The bizarrely babyish acting style of Langdon offers a valuable point of access to one of the fundamental traits of silent screen comedy as a whole: its sustained appeal to immature behaviors and correlative rejection of adult standards of behaviors, as well as the normative sexual roles these tend to enforce. What emerges here is one of the strongest links between slapstick film and the counterculture generation's affirmation of youthful irreverence as an oppositional stance.

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35

Bednarek, Joanna. The Oedipal Animal? Companion Species and Becoming. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0004.

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This chapter raises the issue of Deleuze and Guattari’s tendency to perpetuate the anthropocentric limitations of philosophy. Does Capitalism and Schizophrenia provides us with tools for dismantling anthropocentrism or is it another majoritarian philosophical work centering on the human being? What is the position of empirical, ‘molar’ nonhuman animals in Deleuze and Guattari’s philosophy? When answering these questions, the chapter focuses on the category of becoming-animal, and juxtaposes it with Donna Haraway’s concepts of ‘co-evolution’, ‘becoming-with’ and ‘companion species.’ Haraway’s critique of the wolf-dog opposition in A Thousand Plateaus shows that its authors do little more there than employ conventional imagery of domestic and wild animals. Using Haraway’s term, becoming could be modified into becoming-with in order to stress the reality of a molar dimension of the minor term of becoming as well as the connection between molecular transformations occurring in the process of becoming and their effect on the molar being of the minor term. From this perspective, the history of humans’ and dogs’ co-evolution may be viewed as a space in which becoming-with can take place.

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36

Pekerman, Serazer. Becoming-Wolf: From Wolf-Man to the Tree Huggers of Turkey. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0017.

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Focusing on the May 2013 anti-government demonstrations in Turkey, widely known as the “Gezi Park Resistance”, this chapter uses Deleuze and Guattari’s “becoming-animal” and Freud’s “Wolfman” case study to explore the damaged memories of all its participants. During and after the protests, independent from being in denial or in defence, both the protesters and the police often claimed that they did not remember what actually happened. In some cases, they had a difficult time acknowledging that they committed certain acts despite seeing themselves in videos and pictures. This reminds us of fictional werewolf characters, who are accustomed to wake up and find themselves naked under a tree, feeling afraid or guilty, with bruises, scars, and no memory of how they got there. Thus the chapter explores how and why the Gezi Park protesters have common characteristics with the werewolves (of myth and fiction), how it is also connected to the Government's brutal response and how these resemblances might help us understand the resistance, in other words, start seeing the order of the chaos: How “becomings-animal” of people open up places and spaces of resistance and how they are actually unstoppable on a Deleuze & Guattarian plane of resistance.

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37

Deleuze and Guattari. London: Routledge, 2001.

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38

Gary, Genosko, ed. Deleuze and Guattari. London: Routledge, 2001.

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39

Gary, Genosko, ed. Deleuze and Guattari. London: Routledge, 2001.

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40

J, Stivale Charles, ed. Deleuze and Guattari. Madison: University of Wisconsin, 1991.

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41

Deleuze/Guattari & ecology. Basingstoke [England]: Palgrave Macmillan, 2009.

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42

1964-, Herzogenrath Bernd, ed. Deleuze/Guattari & ecology. Basingstoke [England]: Palgrave Macmillan, 2009.

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43

Bogue, Ronald. Deleuze and Guattari. Routledge, 2008. http://dx.doi.org/10.4324/9780203181812.

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44

Artmachines: Deleuze, Guattari, Simondon. Edinburgh University Press, 2016.

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45

Artmachines: Deleuze, Guattari, Simondon. Edinburgh University Press, 2016.

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46

Deleuze Guattari Emergent Law. Routledge Cavendish, 2013.

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47

The Deleuze And Guattari Dictionary. Continuum, 2013.

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48

Dosse, François. Gilles Deleuze and Felix Guattari. Columbia University Press, 2010.

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49

The Deleuze And Guattari Dictionary. Continuum, 2013.

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50

Murray, Jamie. Deleuze and Guattari: Emergent Law. Taylor & Francis Group, 2014.

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