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Relevant bibliographies by topics / Beethoven, Ludwig van, 1770-1827. Works / Books

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Books on the topic 'Beethoven, Ludwig van, 1770-1827. Works'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Beethoven and the Grosse Fuge: Music, meaning, and Beethoven's most difficult work. Lanham, Md: Scarecrow Press, 2010.

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2

Rumph, Stephen C. Beethoven after Napoleon: Political romanticism in the late works. Berkeley: University of California Press, 2004.

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3

Robinson, Paul A. Ludwig van Beethoven, Fidelio. New York: Cambridge University Press, 1996.

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4

Beethoven essays. Cambridge, Mass: Harvard University Press, 1988.

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5

Solomon, Maynard. Beethoven essays. Cambridge, Mass: Harvard University Press, 1988.

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6

Solomon, Maynard. Beethoven essays. Cambridge, MA: Harvard University Press, 1994.

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7

Kinderman, William. Beethoven. 2nd ed. Oxford: Oxford University Press, 2009.

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8

Eberhardt, Klemm, ed. Biographie von Ludwig van Beethoven. 4th ed. Leipzig: P. Reclam, 1988.

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9

Beethoven, Pastoral symphony. Cambridge: Cambridge University Press, 1995.

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10

Beethoven, Missa solemnis. Cambridge, [England]: Cambridge University Press, 1991.

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11

Elliot, Forbes, ed. Thayer's Life of Beethoven. Princeton, N.J: Princeton University Press, 1992.

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12

Beethoven Symphony no. 9. Cambridge [England]: Cambridge University Press, 1993.

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13

Dahlhaus, Carl. Ludwig van Beethoven: Approaches to his music. Oxford: Clarendon, 1993.

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14

Barry, Cooper. Beethoven. Oxford: Oxford University Press, 2000.

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15

Matthews, Denis. Beethoven. New York: Vintage Books, 1988.

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16

Beethoven. Phoenix Mill: Sutton Pub., 1997.

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17

Beethoven. London: Dent, 1985.

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18

Barry, Cooper. Beethoven. Oxford: Oxford University Press, 2008.

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19

Cooper, Barry. Beethoven. Oxford: Oxford University Press, 2008.

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20

Stowell, Robin. Beethoven, Violin concerto. Cambridge: Cambridge University Press, 1998.

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21

Beethoven, Eroica symphony. Cambridge: Cambridge University Press, 1998.

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22

Beethoven essays. Cambridge, Mass: Harvard University Press, 1990.

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23

Solomon, Maynard. Beethoven essays. Cambridge, Mass: Harvard University Press, 1988.

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24

Barry, Cooper. Beethoven. Oxford: Oxford University Press, 2008.

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25

Winter, Jonah. The 39 apartments of Ludwig van Beethoven. New York: Schwartz & Wade Books, 2006.

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26

Jones, David Wyn. The life of Beethoven. Cambridge: Cambridge University Press, 1998.

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27

Costa, Nicoletta. Il gatto di Beethoven. Roma: Gallucci, 2009.

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28

Beethoven: His life & music. Naperville, Ill: Sourcebooks MediaFusion, 2006.

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29

Barry, Cooper. The Beethoven compendium: A guide to Beethoven's life and music. London: Thames & Hudson, 1996.

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30

Beethovens Sonata appassionata op. 57 im Lichte verschiedener Analysemethoden. Frankfurt am Main: P. Lang, 1992.

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31

Autexier, Philippe A. Beethoven: The composer as hero. New York: H.N. Abrams, 1992.

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32

Schindler, Anton Felix. Beethoven as I knew him. Mineola, N.Y: Dover Publications, 1996.

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33

Autexier, Philippe A. Beethoven: La force de l'absolu. Paris: Gallimard, 1991.

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34

Wegeler, Franz Gerhard. Beethoven remembered: The biographical notes. Arlington, VA: Great Ocean Publishers, 1987.

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35

Burnham, Scott G. Beethoven hero. Princeton, NJ: Princeton University Press, 1995.

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36

Wagner and Beethoven: Richard Wagner's reception of Beethoven. Cambridge [England]: Cambridge University Press, 1991.

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37

Mar, Norman Del. Conducting Beethoven. Oxford: Clarendon Press, 1992.

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38

Beethoven's piano sonata in E, op. 109. Oxford: Clarendon Press, 1995.

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39

Life of Beethoven: Including His Correspondence with His Friends, Numerous Characteristic Traits, and Remarks on His Musical Works. University of Cambridge ESOL Examinations, 2014.

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40

Moscheles, Ignaz, and Anton Schindler. Life of Beethoven: Including His Correspondence with His Friends, Numerous Characteristic Traits, and Remarks on His Musical Works. University of Cambridge ESOL Examinations, 2014.

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41

Waddell, Nathan. Moonlighting. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198816706.001.0001.

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How and why did the life and music of Ludwig van Beethoven (1770–1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven’s compositions. This book takes a different approach. It focuses on how early twentieth-century writers—chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf—profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven’s music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven’s music which had long before 1900 taken shape as habit, myth, cliché, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to profit from it.

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42

Konzertführer Ludwig van Beethoven, 1770-1827. Leipzig: VEB Deutscher Verlag für Musik, 1988.

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43

B. Schott's Söhne (Mainz, Rhineland-Palatinate, Germany), ed. Ludwig van Beethoven, 1770-1827: Konzertführer. Mainz: Schott, 1988.

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44

Ludwig van Beethoven. Children's Press, 2017.

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45

Beethoven. University of California Press, 1997.

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46

Ludwig, Emil. Beethoven. Juventud, 1998.

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47

Biographie von Ludwig van Beethoven. Olms, 1994.

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48

(Editor), Lewis Lockwood, ed. Beethoven Forum, Volume 5 (Beethoven Forum). University of Nebraska Press, 1996.

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49

(Editor), Elaine Sisman, ed. Beethoven Forum, Volume 7 (Beethoven Forum). University of Nebraska Press, 1999.

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50

(Editor), Glenn Stanley, ed. Beethoven Forum, Volume 3 (Beethoven Forum). University of Nebraska Press, 1995.

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