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Books on the topic 'Beethoven, Ludwig van, Musical analysis'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Rich, Alan. Ludwig van Beethoven: Play by play. HarperCollins, 1995.

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2

Beethoven and the Grosse Fuge: Music, meaning, and Beethoven's most difficult work. Scarecrow Press, 2010.

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3

Drake, Kenneth. The Beethoven sonatas and the creative experience. Indiana University Press, 1994.

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4

The Beethoven sonatas and the creative experience. Indiana University Press, 2000.

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5

Menuett oder Scherzo?: Untersuchungen zur Typologie lebhafter Binnensätze anhand der frühen Ensemble-Kammermusik Ludwig van Beethovens. P. Lang, 1997.

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6

Beethoven's Hair: An Extraordinary Historical Odyssey and a Scientific Mystery Solved. Broadway Books, 2000.

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7

Beethoven's piano sonatas: A short companion. Yale University Press, 2002.

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8

Ludwig van Beethoven: Musical pioneer. Childrens Press, 1989.

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9

Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. Oxford University Press, 2001.

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10

Caplin, William Earl. Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. Oxford University Press, 1998.

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11

Wu, Kuei-Mei. Die Bagatellen Ludwig van Beethovens. Dohr, 1999.

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12

Sage, Alison. Play Beethoven: The life and music of Ludwig van Beethoven. Barron's, 1988.

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13

Sage, Alison. Play Beethoven: The life and music of Ludwig van Beethoven. Octopus Books, 1988.

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14

Viegas, Jennifer. Ludwig van Beethoven: Musical genius of the nineteenth century. Rosen Pub. Group, 2006.

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15

Haydn and the classical variation. Harvard University Press, 1993.

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16

Ludwig van Beethoven, die Klaviersonaten: Betrachtungen zu Werk und Gestalt. Kamprad, 2011.

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17

Krützfeldt, Werner. Ludwig van Beethoven, Klavierkonzert Nr. 5 op. 73 in Es-Dur. Junker, 2001.

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18

Martin, Robert L., (Ed.), ed. Beethoven Quartet Companion. Univ.California P., 1996.

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19

Hatten, Robert S. Musical meaning in Beethoven: Markedness, correlation, and interpretation. Indiana University Press, 2004.

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20

Musical meaning in Beethoven: Markedness, correlation, and interpretation. Indiana University Press, 1994.

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21

Chua, Daniel K. L. The " Galitzin" quartets of Beethoven: Opp. 127, 132, 130. Princeton University Press, 1995.

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22

Bellofatto, Luigi D., and Luigi D. Bellofatto. Alexander Wheelock Thayer, the greatest biographer of Ludwig van Beethoven: A study in nineteenth-century American music criticism. Edwin Mellen Press, 2011.

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23

Alexander Wheelock Thayer, the greatest biographer of Ludwig van Beethoven: A study in nineteenth-century American music criticism. Edwin Mellen Press, 2011.

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24

De fis van Euler: Een nieuwe visie op de muziek van Schubert, Beethoven, Mozart en Bach. Aramith, 1989.

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25

Beethoven, the sonatas for piano and violin: Thoughts on their interpretation. Toccata Press, 1985.

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26

1949-, Cooper Barry, ed. b companion to Beethoven's pianoforte sonatas: Bar by bar analysis. Associated Board of Music of the Royal Schools of Music, 1998.

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27

A companion to Beethoven's pianoforte sonatas: (bar-to-bar analysis). Associated Board of the Royal Schools of Music, 1989.

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28

The first four notes: Beethoven's fifth and the human imagination. Alfred A. Knopf, 2012.

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29

Beethoven's Fifth and Seventh symphonies: A closer look. Continuum, 2008.

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30

Lockwood, Lewis. Inside Beethoven's quartets: History, interpretation, performance. Harvard University Press, 2008.

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31

Lockwood, Lewis. Inside Beethoven's quartets: History, interpretation, performance. Harvard University Press, 2008.

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32

Richard, Wagner. Ein deutscher Musiker in Paris: Novellen und Aufsätze (1840 und 1841). Bärenreiter, 1987.

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33

Beethoven and the construction of genius: Musical politics in Vienna, 1792-1803. University of California Press, 1995.

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34

Listening well: On Beethoven, Berlioz, and other music criticism in Paris, Boston, New York, 1764-1890. Peter Lang, 2009.

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35

Kivy, Peter. The possessor and the possessed: Handel, Mozart, Beethoven, and the idea of musical genius. Yale University Press, 2001.

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36

Musik und musikalische Öffentlichkeit: Musikbeilagen von Philipp Emanuel Bach, Ludwig van Beethoven, Robert Schumann, Franz Liszt, Richard Wagner und anderen Komponisten in Zeitungen, Zeitschriften und Almanachen vom 18. bis zum 20. Jahrhundert. Edition Lumière, 2013.

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37

Musical life in Biedermeier Vienna. Cambridge University Press, 1988.

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38

Beethoven's Ninth Symphony: A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature As Well. Yale University Press, 1992.

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39

Beethoven's Symphonies: Unlocking the Masters Series (Unlocking the Masters). Amadeus Press, 2008.

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40

Walton, Benjamin, and Nicholas Mathew. Invention of Beethoven and Rossini: Historiography, Analysis, Criticism. Cambridge University Press, 2017.

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41

Lewis, Lockwood, and Kroll Mark, eds. The Beethoven violin sonatas: History, criticism, performance. University of Illinois Press, 2004.

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42

The Beethoven violin sonatas: History, criticism, performance. University of Illinois Press, 2004.

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43

(Editor), Lewis Lockwood (Editor), and Mark Kroll (Editor) (Editor), eds. The Beethoven Violin Sonatas: History, Criticism, Performance. University of Illinois Press, 2004.

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44

Beethovens Tempest Sonata Perspectives Of Analysis And Performance. Peeters, 2010.

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45

Rosen, Charles. Beethoven`s Piano Sonatas: A Short Companion. Yale University Press, 2001.

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46

The Invention Of Beethoven And Rossini Historiography Analysis Criticism. Cambridge University Press, 2013.

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47

Heinrich Schenker And Beethovens Hammerklavier Sonata. Ashgate Publishing Group, 2013.

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48

Beethoven's Hair. Bloomsbury Pub Ltd, 2000.

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49

Beethoven's Hair. Broadway Books, 2002.

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50

Beethoven's Hair. Bloomsbury Publishing PLC, 2001.

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