Relevant bibliographies by topics / Beethoven Museum (Vienna, Austria)

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Academic literature on the topic 'Beethoven Museum (Vienna, Austria)'

Author: Grafiati
Published: 24 February 2023
Last updated: 3 March 2023

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Journal articles on the topic "Beethoven Museum (Vienna, Austria)"

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Liepa-Zemesa, Mara. "THE IMAGE OF VIENNA: CITY AS MUSEUM OR DYNAMIC DEVELOPED METROPOLIS?" Mokslas - Lietuvos ateitis 2, no. 3 (June 30, 2010): 18–23. http://dx.doi.org/10.3846/mla.2010.048.

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The article discusses trends of Vienna’s architectonic spatial development. Vienna is a city that, one the one hand, lives in its historical arhitecture and city planning and, on the other hand, has allowed innovative building in certain areas. Historical development of Vienna was analyzed, underlining aspects which have had the most impact to the current urban fabric. Since in the federal country of Austria Vienna is a state and a municipality at the same time, it has created its own special planning instruments and regulation for city planning. In achieving more sucessfull city planning results, city planners have admitted that development of informal planning is necessary, paying large attention to involving society in the planning process.
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Lukeneder, Alexander, Petra Lukeneder, and Mathias Harzhauser. "The St. Veit Klippen Unit in Vienna (Austria) – Jurassic to Cretaceous biostratigraphy and facies based on historical fossil collections." Austrian Journal of Earth Sciences 113, no. 1-2 (June 1, 2020): 251–74. http://dx.doi.org/10.17738/ajes.2020.0016.

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Abstract Historical fossil assemblages from the Lower Jurassic to Lower Cretaceous of the Sankt Veit Klippen Unit (SVK) on the western outskirts of Vienna were re-evaluated. Collections of the material from the St. Veit Klippen Unit comprise 3497 specimens. An appropriate nomenclature was used, and the taxonomy was partly revised. Historical collections from Franz Toula (1845–1920) and Friedrich Trauth (1883–1967) were investigated in the collections of the Natural History Museum Vienna, the Geological Survey Vienna, the Department of Geology and the Department of Palaeontology (both University Vienna). Additional collections were studied in the district museums Hietzing (13th district Vienna) and Liesing (23rd district Vienna), in the district municipal office of Hietzing and in the Wienerwald Museum (Eichgraben, Lower Austria). The study area is situated in the easternmost part of the St. Veit Klippen Unit in the Wienerwald (Vienna Woods), part of the 13th Viennese district Hietzing. New data allowed a revision of the biostratigraphy of several lithological units of the SVK. Two main fossil complexes could be distinguished: 1) the Hohenauer Wiese assemblage from the wildlife park Lainz (= “Lainzer Tiergarten”) and 2) the Glasauer quarry assemblage from St. Veit.
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Fahy, Thomas. "The Freud Museum." Bulletin of the Royal College of Psychiatrists 12, no. 10 (October 1988): 414–15. http://dx.doi.org/10.1192/pb.12.10.414.

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Sigmund Freud spent the last year of his life at 20 Maresfield Gardens, an impressive redbrick Hampstead residence. The house was bought by his friends after the penniless psychoanalyst and his family fled from Vienna in 1938. His personal assets had been extorted from him by the authorities following the Anschluss of Austria to the Third Reich. When the family took up residence, Freud's daughter, Anna, organised his new study to resemble his Viennese consulting rooms. Before her own death in 1982, Anna arranged for the house to become a museum in honour of her father. Once again the study was refashioned to Freud's original specifications. This time capsule was opened to the public in July 1986.
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Querner, Pascal, and Stephan Biebl. "Using parasitoid wasps in Integrated Pest Management in museums against biscuit beetle (Stegobium paniceum) and webbing clothes moth (Tineola bisselliella)." Journal of Entomological and Acarological Research 43, no. 2 (August 20, 2011): 169. http://dx.doi.org/10.4081/jear.2011.169.

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Biscuit beetle (<em>Stegobium paniceum</em>) and webbing clothes moth (<em>Tineola bisselliella</em>) cause much damage to museum objects. Some objects and materials are very attractive to these two pest species and objects are often re-infested after treatment. For some years parasitoid wasps have been used in biological pest control to treat and reduce infestations of stored product pests in food processing facilities. Their application in museums is still new and in a research stage. Results from five different museums in Germany and Austria and their application are presented. <em>Lariophagus distinguendus</em> wasps were released against <em>Stegobium paniceum</em> in the municipal library Augsburger Stadtarchiv (Germany), the Ethnological Museum in Berlin (Germany) and the Picture Gallery in the Kunsthistorisches Museum in Vienna (Austria). <em>Trichogramma evanescens </em>were released against <em>Tineola bisselliella </em>in the Technisches Museum in Vienna (Austria) and in the Deutsches Museum Verkehrszentrum in Munich (Germany). Results show that for active biscuit beetle infestations good results can be expected using the <em>Lariophagus distinguendus </em>in museums. Active clothes moth infestations are harder to treat but with a very regular and long-term exposure to the wasps, the clothes moth population can be reduced over the years. We see the application of parasitoid wasps as part of an Integrated Pest Management concept that should be used besides regular insect monitoring and other preventive measures. Difficulties, limitations and research needs in the application of parasitoid wasps in museums are discussed.
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Jaeger-Klein, Caroline. "Monuments, Protection and Rehabilitation Zones of Vienna. Genesis and status in legislation and administration." International Journal of Business & Technology 6, no. 3 (May 1, 2018): 1–9. http://dx.doi.org/10.33107/ijbte.2018.6.3.10.

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Austria has a very long tradition in monument protection. Already in 1853, the central commission to research and preserve the built historic monuments started to operate. The current law on monument protection is from the year 1923. Hence, the most successful steps to secure the country’s built cultural heritage date back to a new provincial legislation, administration and finance system implemented in the early 70ies of the 19th century based on so-called Old-City Preservation Acts. By this sensitive approach, Austria safeguarded the most important historic city centers of Austria like Salzburg, Graz and Vienna vividly in their traditional characteristics without turning them into museum cities without contemporary life. Especially Vienna managed to balance the protection of its extent historic urban environments with parallel ongoing directed urban expansion. This paper will reflect the genesis of this very successful integrated conservation process for its capital Vienna in the context of the Austrian tradition of monument protection and the European Year of Architectural Heritage 1975. Further, it will outline its legal, administrative and financial framework. Finally, it will describe its different phases of development reacting on shifting goals during the course of the times.
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Thorpe, Julia. "Exhibiting the Austro-Hungarian Empire: The Austrian Museum for Folk Culture in Vienna, 1895-1925." Museum and Society 13, no. 1 (January 1, 2015): 42–51. http://dx.doi.org/10.29311/mas.v13i1.316.

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The Austrian Museum for Folk Culture (Österreichisches Museum für Volkskunde) was established in 1895 in Vienna, the capital of the Austro-Hungarian Empire. Initially founded as ‘monument of a state of nations [Völkerstaat]’ it acted on and facilitated larger imperial projects of statecraft, war and international diplomacy that spanned the Empire and its displacement in the interwar period (Schmidt 1960: 29). While much of the Museum’s collection was acquired in the years before the Empire’s collapse in 1918, I argue that it was only in the Empire’s afterlife that the Museum was able to perform its memory work for an entombed ‘state of nations’. The Museum projected this site of imperial memory initially onto a post-imperial pan-European map and then, following the rise of German nationalism in Germany and Austria, onto a pan-German vision of empire and nationhood.
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Augustat, Claudia, and Wolfgang Kapfhammer. "Looking back ahead: a short history of collaborative work with indigenous source communities at the Weltmuseum Wien." Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 12, no. 3 (December 2017): 749–64. http://dx.doi.org/10.1590/1981.81222017000300005.

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Abstract In the last few years, collaborating with representatives of indigenous communities became an important topic for European ethnographic museums. The Weltmuseum Wien (former Museum of Ethnology Vienna, Austria) adheres to this form of sharing cultural heritage. Its Brazilian collection offers rich opportunities to back up Amazonian cultures in their struggle for cultural survival. However, to establish collaborative work in a European museum on a sustained basis is still a difficult endeavor. The article will discuss the projects which have been realized during the past five years with several groups from Amazonia, such as the Warí, Kanoé, Makushí, Shipibo and Sateré-Mawé. Projects were carried out in Austria, Brazil, and Guyana and ranged from short visit to longer periods of co-curating an exhibition. As for the Museum, results are documented in the collection, in two exhibitions and in the accompanying catalogues. It is less clear what the indigenous communities might take away from such collaborations. It will be argued that museum collaborations can help establish a new contact zone, ‘indoors’ and ‘outdoors’, in which members of heritage communities are able to break through the silence in the old contact zone and finally make their own voices heard.
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Seiter, Michael, and Christoph Hörweg. "The whip spider collection (Arachnida, Amblypygi) held in the Natural History Museum Vienna, Austria." Arachnologische Mitteilungen 46 (November 30, 2013): 47–53. http://dx.doi.org/10.5431/aramit4606.

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CHANI POSSE, MARIANA, and JOSE MANUEL RAMÍREZ SALAMANCA. "Two new synonyms in Neotropical Philonthina (Coleoptera: Staphylinidae)." Zootaxa 4608, no. 1 (May 17, 2019): 191. http://dx.doi.org/10.11646/zootaxa.4608.1.13.

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As part of an ongoing phylogenetic study on the Neotropical Philonthina (Coleoptera: Staphylinidae) that includes species of Belonuchus Nordmann, 1837, Hesperus Fauvel, 1874 and Paederomimus Sharp, 1885 (Chani Posse & Ramírez Salamanca in prep.), we examined type material of species belonging to these genera as well as conspecific material from different European and North American collections. Type and non-type material were either examined by MCP during a visit to the Natural History Museum, London, UK (BMNH) or borrowed from the following institutions: Field Museum of Natural History, Chicago, IL, USA (FMNH), Museum für Naturkunde der Humboldt-Universität, Berlin, Germany (ZMHB), Naturhistorisches Museum Wien, Vienna, Austria (NMW), Canadian National Collection of Insects, Ottawa, Canada (CNC) and Snow Entomological Collection, Natural History Museum/Biodiversity Research Center, University of Kansas, Lawrence, USA (SEMC). Based on our revision of relevant material from the abovementioned collections, two new synonyms are here proposed.
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Marinković, Slavica M., Philipp E. Chetverikov, Christoph Hörweg, and Radmila Petanović. "Supplementary description of three species from the subfamily Cecidophyinae (Eriophyoidea: Eriophyidae) from the Nalepa collection." Systematic and Applied Acarology 23, no. 5 (May 12, 2018): 838. http://dx.doi.org/10.11158/saa.23.5.5.

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Supplementary descriptions of three cecidophyine species based on topotype specimens recovered from vials from the Nalepa collection kept in the Natural History Museum (Vienna, Austria) are given: Cecidophyes galii (Karpelles 1884) from Asperula aparine M. Bieb. and Galium mollugo L. (Rubiaceae), Chrecidus ruebsaameni (Nalepa 1895) com. nov. (transferred from Cecidophyopsis) from Andromeda polifolia L. (Ericaceae) and Colomerus bucidae (Nalepa 1904) from Bucida buceras L. (Combretaceae). Observations on the morphological variability of Colomerus bucidae from different host plants are given. Morphological differences between two closely related species, Cecidophyes galii and Cecidophyes rouhollahi Craemer 1999 are discussed.
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Dissertations / Theses on the topic "Beethoven Museum (Vienna, Austria)"

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江蕙如, Hui-Ju Chiang, and 江蕙如. "Museum Cultural Districts and Urban Regeneration: Case Studies of Guggenheim Museum Bilbao in Bilbao, Spain and Museumsquartier in Vienna, Austria." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/7p67py.

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碩士
國立中興大學
科技管理研究所
102
While the structure of international economic development changes, many countries’ industries have gradually transited to knowledge and culture-based creative industries. Building Cultural districts becomes one of effective ways to promote urban regeneration in recent years. The most explicit form of museum cultural district is that constructed around economic networks or within an artistic community. Museum development and operating is the core of museum cultural district. The architectural patterns can be enclosed buildings, open buildings, or single building. It creates systemic effects which attract visitors and tourists. This research begins with discussions on the concept and category of cultural district, and then the definition and development of museum cultural district. Through further analysis of the case, I want to understand the relationship between the museum cultural district and the urban regeneration. Case selection was Guggenheim Museum in Bilbao, Spain and the Museumsquartier in Vienna, Austria. Museumsquartier in Vienna is known as the "Cultural Oasis in city center "; while Guggenheim Museum Bilbao rolled up the world, "Guggenheim effect" has become a model of urban renaissance. The research methodologies are in-depth interviews, secondary data analysis and case studies, with the 5P model used as the framework of the analysis, the Policy, Person, Process, Place and Product are then analyzed to explore the mechanism of urban regeneration with museum cultural district.
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Books on the topic "Beethoven Museum (Vienna, Austria)"

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Noggler-Gürtler, Lisa. Beethoven Museum. Wien]: Wien Museum, 2019.

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Adelbert, Schusser, and Historisches Museum der Stadt Wien., eds. Ludwig van Beethoven. [Vienna, Austria]: Historisches Museum der Stadt Wien, 1995.

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Vienna, Austria) Beethoven-Konferenz (2017. Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" revisited = Utopian visions and visionary art : Beethoven's "Empire of the mind"--revisited. Wien: Verlag Der Apfel, 2017.

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Das Heeresgeschichtliche Museum, Vienna. Graz: Styria, 2000.

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(Austria), Naturhistorisches Museum. Museum of Natural History, Vienna: Short guide. Vienna: Naturhistorisches Museum, 1988.

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Peter, Noever, and Österreichisches Museum für angewandte Kunst., eds. MAK: Austrian Museum of Applied Arts, Vienna. 2nd ed. Munich: Prestel, 1995.

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1951-, Kräftner Johann, Stockhammer Andrea, Körner Stefan, and Liechtenstein Museum (Vienna Austria), eds. The collections: Liechtenstein Museum Vienna. Munich: Prestel, 2004.

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Austria), Kunsthistorisches Museum (Vienna. Kunsthistorisches Museum, Vienna: The paintings. London: C.H. Beck/Scala Books, 1997.

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Harald, Leupold-Löwenthal, Lobner Hans, Scholz-Strasser Inge, and Sigmund Freud Museum (Vienna, Austria), eds. Sigmund Freud Museum: Katalog. Wien: C. Brandstätter, 1994.

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Wolfgang, Drechsler, Fuchs Rainer, and Müller Ulrike, eds. Museum of Modern Art, Ludwig Foundation Vienna. Munich: Prestel, 2002.

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Book chapters on the topic "Beethoven Museum (Vienna, Austria)"

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Harzhauser, Mathias, and Andreas Kroh. "WIEN: “To the Realm of Nature and its Exploration”: The Paleontological Collections of the Natural History Museum Vienna." In Paleontological Collections of Germany, Austria and Switzerland, 513–23. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77401-5_53.

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Rose, Louis. "Toward a Psychology of Art, 1919–32." In Psychology, Art, and Antifascism. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300221473.003.0002.

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This chapter looks at how Kris' status as a convert to Catholicism temporarily provided him with professional and personal protection. His work abroad with international collectors, museum directors, and art patrons supplied a safety net beyond Austria if it became necessary. When the Metropolitan Museum of Art required an expert to catalog its cameo collection, it brought Kris to New York in 1929 to undertake the job. At the same time, Kris kept close track of deteriorating conditions in Austria and employed his contacts to find work abroad for his younger, Jewish colleagues. A liberal royalist in post-imperial Vienna, Kris remained convinced of the irreversible disintegration of Austrian political life. At his first meeting with Ernst Gombrich, he made sure that the young researcher understood fully the uncertainties attached to an art historical career in Vienna.
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Jovanovic-Kruspel, Stefanie, and Mathias Harzhauser. "Nineteenth-century paleontological art in the Natural History Museum Vienna, Austria: Between demystification and mythologization." In The Evolution of Paleontological Art. Geological Society of America, 2021. http://dx.doi.org/10.1130/2021.1218(13).

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ABSTRACT The nineteenth century was the dawn of scientific and systematic paleontology. The foundation of Natural History Museums—built as microcosmic “Books of Nature”—not only contributed to the establishment of this new discipline but also to its visual dissemination. This paper will take the metaphor of the “book” as a starting point for an examination of the paleontological exhibition at the Natural History Museum in Vienna. In keeping with “Natural Theology,” the earliest natural science museums in Britain were designed as expressions of the medieval idea of the “Holy Book of Nature.” Contrary to this, the Natural History Museum Vienna, opened in 1889, wanted to be a nonreligious museum of evolution. Nevertheless, the idea of the “book” was also influential for its design. According to the architects and the first director, it should be a modern “walk-in textbook” instructive for everyone. The most prominent exhibition hall in the museum is dedicated to paleontology. The hall’s decorative scheme forms a unique “Paleo-Gesamtkunstwerk” (Gesamtkunstwerk: total piece of art). The use of grotesque and mythological elements is a particularly striking feature of the hall’s decoration and raises the question of how this relates to the museum’s claim to be a hard-core science institution. As it was paleontology’s task to demystify the monsters and riddles of Earth history systematically, it seems odd that the decorative program connected explicitly to this world. This chapter sheds light on the cultural traditions that led to the creation of this ambiguous program that oscillates between science and imagination.
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"Questioning the Reality of Atoms on the Ground: Loschmidt, Mach, Boltzmann, and Ostwald (Germany and Austria)." In Traveling with the Atom A Scientific Guide to Europe and Beyond, 244–63. The Royal Society of Chemistry, 2019. http://dx.doi.org/10.1039/9781788015288-00244.

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We start with an explanation of the difference between “chemical atoms” and “physical atoms”. We discuss Josef Loschmidt's calculations that added to James Clerk Maxwell's earlier work on the kinetic molecular theory (KMT) of gases and how these results so avidly supported physical atoms. We move on to discuss the intense debates between Ernest Mach, the anti-atomist, and Ludwig Boltzmann, the atomist. We describe Mach's reasons for not believing in atoms, why he lost the debate, and how his bust now stands alone in the Vienna Rathauspark. We discuss Boltzmann's contributions to the KMT and his explanation of entropy – both of which are predicated on the existence of physical atoms – and his suicide in Trieste, partly attributed to his perception that he was losing the atomic debate. We visit the UniGraz@Museum in Graz and several sites in in Trieste and Vienna, including the Zentralfriedhof, where both Loschmidt and Boltzmann are buried. We discuss Wilhelm Ostwald's work in founding physical chemistry, his long-time belief that energy, not matter, was the chief component of the universe, and the evidence that finally turned him into an atomist. We end by describing his elaborate Energiehaus in Grossbothen, Germany.
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"Nuclear Physics with “the Pope”; Fission and the Hahn/Meitner Controversy: Fermi, Hahn, Meitner, Heisenberg (Italy, Germany, Austria, Sweden, and Norway)." In Traveling with the Atom A Scientific Guide to Europe and Beyond, 412–46. The Royal Society of Chemistry, 2019. http://dx.doi.org/10.1039/9781788015288-00412.

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The Italian physicist, Enrico Fermi, taught himself physics and after studying in Pisa, and quickly became a full professor at the University of Rome. Fermi and his “Panisperna boys” bombarded all the known elements with neutrons and discovered that slow neutrons are more effective at producing radioactive isotopes. We visit four sites in Rome, Pisa, and Florence that celebrate both Fermi and Galileo. Lise Meitner, a shy and reserved Austrian physicist, overcame extreme gender discrimination and became one of the best-known radiophysicists. She collaborated with the outgoing German chemist, Otto Hahn, at the Kaiser Wilhelm Institute of Chemistry in Berlin-Dahlem. Tragically exiled to Denmark in 1938, she and Otto Frisch explained that Hahn and Fritz Strassman had split the atomic nucleus, a process that Frisch called fission. Predictions that self-sustained nuclear chain reactions could produce nuclear power and weapons soon followed. At the onset of WWII, Werner Heisenberg stayed in Germany and led the efforts to produce an atomic bomb. For Hahn and Meitner, we explore sites in Vienna, Berlin, and Munich including the world-renown Deutsches Museum. After discussing Meitner sites in Kungälv, Sweden and Bramley, England, we explore two Heisenberg sites in Rjukan, Norway, and Haigerloch, Germany.
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