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Relevant bibliographies by topics / Beinecke Rare Book and Manuscript Library

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Academic literature on the topic 'Beinecke Rare Book and Manuscript Library'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Beinecke Rare Book and Manuscript Library"

1

Turner, Frank. "The Beinecke Rare Book and Manuscript Library." Tocqueville Review 27, no. 2 (2006): 587–88. http://dx.doi.org/10.3138/ttr.27.2.587.

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The Beinecke Rare Book and Manuscript library is the largest repository* of special collections in the Yale University library System. ITiose collections include a wide array of European books and manuscripts from the Middle Ages to the present, a major collection of Western Americana, and a vast collection of books and manuscripts relating to American literature. Scholars from all over the world wishing more information on the collections and fellowship program of the Beinecke should consult its website:

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2

Roberts, Joni R., and Carol A. Drost. "Internet Reviews." College & Research Libraries News 81, no. 6 (2020): 308. http://dx.doi.org/10.5860/crln.81.6.308.

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Davis, Rosemary K. J. "Ephemeral/Material." Camera Obscura: Feminism, Culture, and Media Studies 36, no. 3 (2021): 141–43. http://dx.doi.org/10.1215/02705346-9349469.

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Abstract This piece examines the transfer of Barbara Hammer's archive to the Beinecke Rare Book and Manuscript Library at Yale University. The archivist working with the collection highlights the complex emotions involved with this process and reflects on how her own archival work was influenced by Hammer.

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Kilpatrick, G. D., and S. A. Stephens. "Yale Papyri in the Beinecke Rare Book and Manuscript Library II." Vigiliae Christianae 41, no. 3 (1987): 306. http://dx.doi.org/10.2307/1584002.

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5

Jones, Brice C. "A Coptic Fragment of the Gospel of John withHermeneiai(P.CtYBR inv. 4641)." New Testament Studies 60, no. 2 (2014): 202–14. http://dx.doi.org/10.1017/s0028688513000374.

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This article discusses briefly a category of New Testament manuscripts with ‘hermeneiai’ before offering a critical edition of P.CtYBR inv. 4641, a Coptic codex leaf containing portions of the text of John that was recently discovered by the present author in the Beinecke Rare Book and Manuscript Library, Yale University. Unidentified until now, this codex leaf represents the first known example of ahermeneiamanuscript of John written solely in Coptic. As such, the Yale fragment has much significance for discussions about the ἑρμηνεία manuscripts, their origin, influences and functions.

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6

Engh, Line Cecilie, Stefka G. Eriksen, and Francis F. Steen. "Homo renovatur de die in diem: Transforming Selves and Communities." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 1–7. http://dx.doi.org/10.5617/acta.7797.

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"This special issue of Acta ad archaeologiam et artium historiam pertinentia (from now on Acta) interrogates religious practices of reading, writing, praying and engaging with texts, images, architecture, music, and ritual spaces in late antique Rome and medieval Europe. More specifically, it aims to analyze and deepen our understanding of how liturgy and religious practice modeled and modified selves and communities, how they shaped and transformed identities and built communities - both individual and collective, religious and lay".  On cover:Monks singing the Office and decorate

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7

Westwell, Arthur. "The Ordines Romani and the Carolingian Choreography of a Liturgical Route to Rome." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 63–79. http://dx.doi.org/10.5617/acta.7800.

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This article examines a number of Carolingian liturgical manuscripts (Wolfenbuttel Herzog August Bibliothek Wissenbourg 91, Cologne Dombibliothek MS 138, Vienna Österreichische Nationalbibliothek cod.ser.n. 2762 and Paris Bibliothèque de l'Arsenal 227) each containing texts now known as the ordines romani. These texts are "stage directions" for the liturgy, distinguished by their reference to the practices of the church of Rome. While the ordines romani certainly give precious information about Roman liturgical practice, the Frankish contribution to shaping and displaying these texts inline wi

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8

Sussman, Herbert. "VICTORIANS LIVE: WILLIAM MORRIS: “THE BEAUTY OF LIFE”." Victorian Literature and Culture 34, no. 1 (2006): 346–50. http://dx.doi.org/10.1017/s106015030623119x.

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“THE BEAUTY OF LIFE” : William Morris & the Art of Design was a visual delight. Curated by Dianne Waggoner, the exhibition originated at the Huntington Library and was first shown at the Yale Center for British Art, enriched by additions from the Yale Center for British Art, the Beinecke Rare Book and Manuscript Library, and the Yale University Library. For those who missed this Victorianists' treat at New Haven and San Marino, the fine catalog edited by Waggoner provides illustrations and detailed accounts of the items as well as perceptive critical essays.

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Petersen, Nils Holger. "Danielis ludus: Transforming Clerics in the Twelfth Century." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 197–209. http://dx.doi.org/10.5617/acta.7807.

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A twelfth-century so-called liturgical drama (preserved in a unique copy of the thirteenth century, preserved in British Library, London), the Danielis ludus (Play of Daniel), based mainly on chapters 5 and 6 from the Book of Daniel has been much discussed in scholarship. It has been seen by scholars, not least Margot Fassler, as a (music) drama intended to establish a role model for young clerics in connection with ecclesiastical attempts at reforming the celebrations for New Year's in Beauvais, the so-called Feast of Fools. In this article, with consideration also of a recent discussion of t

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10

Gillespie, Stuart. "William Popple's Horatian Satires: Further Texts from the Osborn Manuscript." Translation and Literature 31, no. 2 (2022): 179–229. http://dx.doi.org/10.3366/tal.2022.0508.

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Samples of William Popple's unprinted Horatian imitations of the 1750s appeared in this journal in 2007 (Vol. 16 Part 2), their texts taken from two manuscript volumes at the Beinecke Rare Books and Manuscripts Library. The best of Popple's remaining, and still unpublished, Satires of Horace are here edited and printed: Satires 1.4, 1.6, 1.9, 2.1, and 2.3. At the same time, fuller information now available on Popple, and on the social and professional circles to which these works make reference, allows some further account of the historical and biographical context of these Horatian imitations

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Dissertations / Theses on the topic "Beinecke Rare Book and Manuscript Library"

1

Liles, Linda Kathleen. "Guide to the pilgrim churches at Rome a late 15th century manuscript in Yale University's Beinecke Rare Book and Manuscript Library /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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2

Theodoropoulou, Marina. "Alessandro Scarlatti - soprano cantatas : edition, commentary and recorded performances of the autograph cantatas in Yale University, Beinecke Rare Book and Manuscript Library, Osborn Music MS 2." Thesis, University of York, 2012. http://etheses.whiterose.ac.uk/3808/.

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The current doctoral study uncovered and revived 28 autograph cantatas for Soprano and Basso Continuo composed between 1704 and 1705 by Alessandro Scarlatti (1660-1725). The studied cantatas are held in a manuscript containing 36 cantatas (one of which misses the beginning) in Yale University, Beinecke Rare Book and Manuscript Library, James Marshall and Marie-Louise Osborn Collection, Call Number: Osborn Music MS 2. The historical context in which the cantatas were written and performed is introduced. A physical description of the manuscript follows, with the aim to assist the reader in achie

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Books on the topic "Beinecke Rare Book and Manuscript Library"

1

Stephen, Parks, Babcock Robert Gary 1958-, and Beinecke Rare Book and Manuscript Library., eds. The Beinecke Library of Yale University. Beinecke Rare Book & Manuscript Library, 2003.

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2

Shailor, Barbara A. The medieval book: Illustrated from the Beinecke Rare Book abd Manuscript Library. Published by University of Toronto Press in association with the Medieval Academy of America, 1988.

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3

Shailor, Barbara A. The medieval book: Illustrated from the Beinecke Rare Book and Manuscript Library. University of Toronto Press in association with the Medieval Academy of America, 1988.

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4

James, Kathryn. The power of pictures: Images from the collections of the Beinecke Rare Book & Manuscript Library : a collaborative project of the Beinecke Library staff. Yale University, 2013.

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5

Beinecke Rare Book and Manuscript Library. The Beinecke Rare Book & Manuscript Library: A guide to the collections. Yale University Library, 1994.

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6

James, Kathryn. By hand: Celebrating the manuscript collections of Yale University's Beinecke Rare Book & Manuscript Library. Edited by Sammons Christa, Martz Rebecca 1977-, and Beinecke Rare Book and Manuscript Library. Beinecke Rare Book & Manuscript Library], 2013.

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7

James, Kathryn. Reading English: An exhibition celebrating the James Marshall & Marie-Louise Osborn Collection. Beinecke Rare Book and Manuscript Library, Yale University, 2014.

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8

Tennyson, Tennyson Alfred. Tennyson, the manuscripts at the Beinecke Library, Yale University. Garland, 1990.

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9

Library, Beinecke Rare Book and Manuscript. Catalogue of Medieval and Renaissance manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University. Medieval & Renaissance Texts & Studies, 1987.

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10

Beinecke Rare Book and Manuscript Library. Catalogue of Medieval and Renaissance manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University. Medieval & Renaissance Texts & Studies, 1992.

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Book chapters on the topic "Beinecke Rare Book and Manuscript Library"

1

Parhizkar, Behrang, and Halimah Badioze Zaman. "Development of an Augmented Reality Rare Book and Manuscript for Special Library Collection (AR Rare-BM)." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-05036-7_33.

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2

"Appendix 3 New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Beinecke MS 410." In English Birth Girdles. De Gruyter, 2024. http://dx.doi.org/10.1515/9781501513909-014.

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3

"Chapter 4 New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Beinecke MS 410." In English Birth Girdles. De Gruyter, 2024. http://dx.doi.org/10.1515/9781501513909-005.

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4

Losappio, Domenico. "Il commento di Bartolomeo da San Concordio alla Poetria nova: alcuni appunti." In Filologie medievali e moderne. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-137-9/006.

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This paper proposes an excerpt of Bartolomeo da San Concordio’s commentary on the Poetria nova (vv. 1-263) on the basis of the two manuscripts that bequeath the work: the Casanatense 311 and the ms. New Haven, Yale University, Beinecke Rare Book Room and Manuscript Library, Osborn fa.6; the first one contains the exegetic text in its entirety, whereas the latter only the initial part. In this paper, the distinctive features of the commentary and the sources used by Bartolomeo are exposed. The potential similarities and relations with other ‘Italian’ coeval commentators of the Poetria nova – especially Guizzardo da Bologna – are examined in order to better define the cultural context in which Goffredo’s work was read and commented between the thirteenth and the fourteenth centuries in Italy.

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"Chapter 3 New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Takamiya Depository, Takamiya MS 56." In English Birth Girdles. De Gruyter, 2024. http://dx.doi.org/10.1515/9781501513909-004.

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6

"Appendix 2 New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Takamiya Depository, Takamiya MS 56." In English Birth Girdles. De Gruyter, 2024. http://dx.doi.org/10.1515/9781501513909-013.

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7

"Columbia University Rare Book and Manuscript Library." In The Index of Middle English Prose: Handlist XXIV. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv30pntw3.7.

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8

"Columbia University Rare Book and Manuscript Library." In The Index of Middle English Prose: Handlist XXIV. Boydell and Brewer, 2023. http://dx.doi.org/10.1515/9781800109773-006.

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9

Whearty, Bridget. "Digital Incunables." In Digital Codicology. Stanford University Press, 2022. http://dx.doi.org/10.11126/stanford/9781503632752.003.0004.

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Chapter 3 analyzes the rise of digitization from the mid-1990s to the mid-2010s through four separate digitization projects, each of which created a new digital manuscript of John Lydgate’s Fall of Princes: Digital Scriptorium and New York, Columbia University, Rare Book and Manuscript Library, Plimpton MS 255; a student-driven digitization of Victoria, University of Victoria, Ms.Eng.1; the British Library’s Catalogue of Illuminated Manuscripts and London, British Library, Harley MS 1766; and Bibliotheca Philadelphiensis and Philadelphia, the Rosenbach Museum and Library, Rosenbach MS 439/16. Even when digitized manuscripts exist in the atemporality of the internet, each is the product of particular institutional homes, creators, and moments in internet history. Reading these digital book histories together brings into view some of the overlooked ancestors of modern digital manuscripts, showing how these precedents have shaped digital manuscripts and our expectations of them today.

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10

Wijsman, Suzanne. "“On a Harp of Ten Strings I Will Sing Praises to You”." In The Oxford Handbook of Jewish Music Studies. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197528624.013.27.

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Abstract Three rare and striking illustrations feature women and music in the fifteenth-century Oppenheimer Siddur (Oxford Bodleian Library MS Opp. 776), a dated, user-produced Ashkenazic book of daily prayers completed in 1471. Women playing musical instruments occur rarely in Hebrew manuscript art, and, when they do, it is most often in a specific, archetypical context, such as narrative scenes in Passover Haggadot. Due to rabbinic prohibitions against instrumental music in the synagogue, the inclusion in a Jewish prayer book of women playing musical instruments is enigmatic and invites close study of this unusual aspect of the manuscript’s iconographic program. This chapter examines the symbolism of the feminine elements in these three compositions, examining how they relate to other illustrations in this prayer book, contemporaneous love iconography in Christian secular art of the period, and other medieval Hebrew illuminated manuscripts, as well as Jewish literature.

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