Relevant bibliographies by topics / Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas)

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas)'

Author: Grafiati
Published: 2 March 2023

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Journal articles on the topic "Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas)"

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Kleeberg, V. V. "Two banks of the same river. Thomas Mann and his publishers Samuel Fischer and Gottfried Bermann Fischer." Voprosy literatury, no. 2 (May 6, 2022): 220–31. http://dx.doi.org/10.31425/0042-8795-2022-2-220-231.

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The enduring collaboration between the outstanding German writer and Nobel Prize winner Thomas Mann and the Frankfurt-based publishing house S. Fischer Verlag started in the late 19th c., with the publication of Mann’s early novella Little Herr Friedemann [Der kleine Herr Friedemann]. The year 1897 marked the start of Mann’s correspondence with Samuel Fischer and then his successor Gottfried Bermann Fischer, which spanned more than fifty years; the committed publisher saw to the publication of such landmarks of 20th-c. German literature as Buddenbrooks [Buddenbrooks — Verfall einer Familie], The Magic Mountain [Der Zauberberg], Lotte in Weimar , the four installments of Joseph and His Brothers [Joseph und seine Brüder], Doctor Faustus [Doktor Faustus], and Felix Krull [Bekenntnisse des Hochstaplers Felix Krull]. The novels appeared in print even during the author’s enforced emigration at the time of Nazi persecution. Resulting from this collaboration with the publisher, which exemplifies preservation and propagation of German literature’s humanistic traditions, was the fact that, upon Mann’s death, none of his completed works ended up locked up in his desk — all having been published.
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Godé, Maurice. "Homosexualité, narcissisme et panérotisme dans les Bekenntnisse des Hochstaplers Felix Krull de Thomas Mann." Cahiers d’études germaniques 55, no. 2 (2008): 207–23. http://dx.doi.org/10.3406/cetge.2008.1782.

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Brittnacher, Hans Richard. "„[…] Denn mit dem Tode, Dem Genickbruch spielen sie alle.“ Die sprachlose Poetik des Zirkus in Thomas Manns Bekenntnisse des Hochstaplers Felix Krull." Roczniki Humanistyczne 69, no. 5 (2021): 65–81. http://dx.doi.org/10.18290/rh21695-4.

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„Bo ze śmiercią, ze skręceniem karku igrają tam wszyscy”. Niema poetyka cyrku w powieści Tomasza Manna Wyznania hochsztaplera Feliksa Krulla Rozdział poświęcony cyrkowi w powieści Tomasza Manna Wyznania hochsztaplera Feliksa Krulla stanowi punkt wyjścia do rozważań na temat powinowactwa między sztuką cyrkową i hochsztaplerstwem. Artystyczne pokazy, podczas których wykonawcy podejmują śmiertelne ryzyko, skłaniają Feliksa Krulla do głębokich antropologicznych i estetycznych rozważań: Czy artyści cyrkowi, którzy igrają ze śmiercią i swoje ciała doprowadzają do granic fizycznych możliwości, oraz klowni rzucający wyzwanie prawom i normom są jeszcze ludźmi? Czy cyrkowe wrażenia i sadystyczną ciekawość publiczności można odpowiednio opisać za pomocą kategorii estetycznych? Typowy dla pokazów cyrkowych ekstremalny charakter lekceważenia konwencji ma wiele wspólnego z hochsztaplerstwem. Co różni obydwa zjawiska? Am Beispiel des Zirkuskapitels in Thomas Manns Roman Die Bekenntnisse des Hochstaplers Felix Krull untersucht der Beitrag die Affinität von Zirkus und Hochstapelei. Angesichts des tödlichen Risikos der artistischen Darbietungen gerät Felix Krull in tiefsinnige anthropologische und ästhetische Grübeleien: sind Artisten, die so bereitwillig ihr Leben aufs Spiel setzen, die ihrem Körper das Äußerste abverlangen, die mit clowneskem Übermut den Gesetzen der Norm trotzen, überhaupt Menschen? Sind die Sensationen des Zirkus und die sadistische Schaulust des Publikums noch mit den Begriffen der Ästhetik angemessen zu fassen? In seiner Missachtung der Konvention hat der Extremismus der zirzensischen Darbietung eine große Affinität zur eigenen Hochstapelei. Worin unterscheiden sie sich?
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Yoon, Sun-Shik. "Eine Untersuchung des Romans Bekenntnisse des Hochstaplers Felix Krull von Thomas Mann - In Bezug auf die parodischen Aspekte." Koreanische Zeitschrift fuer Deutschunterricht 66 (September 30, 2016): 149–67. http://dx.doi.org/10.20456/kzfd.2016.09.66.149.

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Chung, Wonseok. "Dandyismus und Verbrechen – In Bezug auf Thomas Manns Roman Bekenntnisse des Hochstaplers Felix Krull." Deutsche Sprach- und Literaturwissenschaft 28, no. 3 (2020): 1–24. http://dx.doi.org/10.24830/kgd.28.3.1.

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Bub, Stefan. "„Stierkampf in Bayonne“ – Corrida in Lissabon." arcadia 53, no. 1 (2018): 18–38. http://dx.doi.org/10.1515/arcadia-2018-0001.

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AbstractTwo bold descriptions of bullfighting in German literature – a section of Kurt Tucholsky’s Ein Pyrenäenbuch and the final episode of Thomas Mann’s Bekenntnisse des Hochstaplers Felix Krull – can be read in the context of French authors who (about the 1920 s and 1930s) were fascinated by the corrida and the idea of abject sacredness and transgres­sion. The comparison of striking motives (e. g., the art of the matador, the suffer­ing of the horses) reveals how literary texts reflect the ritual character of bullfighting, represent its disgusting aspects, and deal with the taurobolic “scandalon” of death and eros. Whereas Tucholsky encounters a trivial spectacle and nevertheless feels the attrac­tion of violence, Thomas Mann’s narrator is confronted with mythic thought (Mithras) and Dionysiac excess.
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Dissertations / Theses on the topic "Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas)"

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Kern, Stefan Helge. "Die Kunst der Täuschung Hochstapler, Lügner und Betrüger im deutschsprachigen Roman seit 1945 am Beispiel der Romane Bekenntnisse des Hochstaplers Felix Krull, Mein Name sein Gantenbein und Jakob der Lügner /." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972563768.

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Reid, Christopher W. "Invested identities : the economics of self-development in the "Bildungsroman" /." Ann Arbor, Mich : UMI, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000252601.

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Schonfield, Ernest. "Art and its uses : reflections on Thomas Mann's "Bekenntnisse des Hochstaplers Felix Krull" and on its place in his work." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444403/.

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This thesis is a re-evaluation of Bekenntnisse des Hochstaplers Felix Krull in terms of Thomas Mann's thought about art and in the context of the overall trajectory of his creative career. Until now, critics have tended either to dismiss the novel as light-weight or to invest it with mythological import. The interplay of aesthetic and social issues which it explores has barely been considered. This thesis analyses the way in which Felix Krull presents art as being central to the development of the individual and to the coherence of society. Since the novel conjoins Mann's early and later work, it can be seen as indicative of his main preoccupations, allowing us to trace how the earlier artist-problematic is modified by the insight that art is deeply implicated in the forms and allegiances of a society. Felix Krull is a novel which subverts the opposition between artist and public in a multiplicity of ways. The thesis contains three main thematic sections. The first, 'Art and the notation of identity', studies the involvement of art in the articulation and cultivation of the self, with reference to processes of identity formation and development. The second section, 'Art and the notation of community', adopts a socio-anthropological perspective to demonstrate that social interaction in Felix Krull involves a series of aesthetically modulated negotiations. The third section, 'Narrative performance in Felix Krull explores narrative features including play of genres, interaction with the reader, and polyvalent realism, concluding that the novel's form operates as a meta-commentary upon the thematics of the work as a whole. Each section concludes with a discussion of how these features relate to Mann's other works. In this way, the thesis seeks to demonstrate the overall continuity of Mann's literary achievement.
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Books on the topic "Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas)"

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Thomas Mann, Bekenntnisse des Hochstaplers Felix Krull: Interpretation. Oldenbourg, 1988.

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Frizen, Werner. Thomas Mann, Bekenntnisse des Hochstaplers Felix Krull: Interpretation. 2nd ed. Oldenbourg, 1995.

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Identitätsfindung und Rollenspiel in Thomas Manns Romanen Joseph und seine Brüder und Bekenntnisse des Hochstaplers Felix Krull. P. Lang, 2000.

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Thomas Manns "geneigte Leser": Die Publikationsgeschichte und populäre Rezeption der Bekenntnisse des Hochstaplers Felix Krull, 1911-1955. Winter, 2012.

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Madeira, Rogerio Paulo. O imaginário de Lisboa nos Romances Bekenntnisse des Hochstaplers Felix Krull de Thomas Mann e Schwerenöter de Hanns-Josef Ortheil. MinervaCoimbra, 2002.

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Erläuterungen zu Thomas Mann, Bekenntnisse des Hochstaplers Felix Krull: Band 456. Bange C. GmbH, 2008.

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Triendl, Dominica. Mahlzeiten in Thomas Manns Romanen: Eine Studie zu "Buddenbrooks", "Der Zauberberg" und "Bekenntnisse des Hochstaplers Felix Krull". Tectum Verlag, 2016.

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Book chapters on the topic "Bekenntnisse des Hochstaplers Felix Krull (Mann, Thomas)"

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Stauss, Bernd. "Bekenntnisse des Hochstaplers Felix Krull." In Wenn Thomas Mann Ihr Kunde wäre. Gabler Verlag, 2012. http://dx.doi.org/10.1007/978-3-8349-4031-5_4.

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Ridley, Hugh, and Jochen Vogt. "Mann, Thomas: Bekenntnisse des Hochstaplers Felix Krull." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12466-1.

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"4. Bernhard Sinkels Bekenntnisse Des Hochstaplers Felix Krull." In Thomas Mann auf Leinwand und Bildschirm. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110638509-009.

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"Thomas Mann: Bekenntnisse des Hochstaplers Felix Krull (1954)." In Chemie und Literatur - ein ungewöhnlicher Flirt. Wiley-VCH Verlag GmbH & Co. KGaA, 2013. http://dx.doi.org/10.1002/9783527671793.ch25.

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