To see the other types of publications on this topic, follow the link: Belarusian Aesthetics.
Journal articles on the topic 'Belarusian Aesthetics'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 37 journal articles for your research on the topic 'Belarusian Aesthetics.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Lamm, Mariya A. "The development of Belarusian literature in a multicultural context." Slavic Almanac, no. 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.
Full textAbstract:
Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusian literature during Soviet period are examined particularly, especially the literature about Second World War. The national aspects of literary comprehension of the experience of German-fascist occupation in Belarusian literature during Soviet period are revealed. The important characteristic of the modern Belarusian literature after the Chernobyl disaster that has started in 1986, is emphasized upon.
2
Krivolap, Alexei D. "Aesthetic Dimension of the Creative Industries." Vestnik of Samara State Technical University. Series Philosophy 5, no. 1 (March 31, 2023): 5–10. http://dx.doi.org/10.17673/vsgtu-phil.2023.5.1.
Full textAbstract:
The article deals with the topic of rethinking the Soviet cultural heritage by means of creative industries. It offers a possible approach to working with manifestations of Soviet cultural practices by means of creative industries as a desire to discover a new aesthetics. The theoretical basis is the concept of aesthetic forms by H. Marcuse, as well as the approach of B. Groys, according to which the Sovietness is understood as a great style. The presented data outlines the possibilities of creative industries in the process of rethinking of the Soviet aesthetic forms on the example in the modern Belarusian urban culture.
3
Nawickaja, Walentyna. "Мадэрнiсцкi дыскурс у прозе Уладзiмiра Караткевiча пачатку 1960-х гадоў." Białorutenistyka Białostocka 13 (2021): 223–36. http://dx.doi.org/10.15290/bb.2021.13.15.
Full textAbstract:
The article discusses and identifies the renewal of ideological and semantic content of V. Korotkevich’s creative explorations in the early 1960s as well as an artistic-aesthethic development of his talent during studies in Moscow (1958–1960, 1960–1962). The novelty and significance of the obtained results are manifested in scientific and conceptual understanding of the peculiarities of aesthetics, characteristic to the author’s artistic thinking in “The Legend of the Poor Devil and Satan’s Lawyers” and in the novel “The Rook of Despair”. The author reveals the essence of romantic, realistic and fantastic relationships in an artistic image of reality. Not only does the author define principles of using Biblical contents and images, historical facts and literary processes in various epochs but she also recommends to reread V. Korotkevich’s books and find the writer’s understanding and artistic treatment of a Belarusian. Moreover, the author discusses the functions of intellectual aesthetics in the artistic and typological structure of the image of the impoverished Rogochev nobleman Gervasiy Vylivakha and she outlines the nature of the writer’s creative experiments, which determined the intellectual discourse in the novels “Christ landed in Gorodnya” and “Black Castle Olshansky”.
4
Kriklivets, E. V. "MYTHOPOETICS OF NOVELS BY V. SHUKSHIN “VIBURNUM RED” AND A. KUDRAVETS “RADANITSA”." Siberian Philological Forum 10, no. 2 (April 30, 2020): 16–26. http://dx.doi.org/10.25146/2587-7844-2020-10-2-39.
Full textAbstract:
In the last third of the twentieth century, Russian and Belarusian traditionalist prose activates mythopoetic archetypes, and there is a synthesis with individual elements of romantic, modernist and postmodern aesthetics. The purpose of the article is to identify national features of the appeal of Russian and Belarusian writers of the twentieth century to mythological structures (on the example of novels by V. Shukshin “Viburnum red” and A. Kudravets “Radanitsa”). The results of the study. Mythologism in the works by Russian and Belarusian writers in the last decades of the twentieth century is deeply conscious, reflective in nature, which determines the philosophical, intellectual orientation of their works. Separate mythologemes, reminiscences, allusions are used by writers so that they could be recognized by a reader and contain the “code” of the artistic message. The article reveals the ways V. Shukshin and A. Kudravets address mythological structures, the meaning and functions of the elements of mythopoetics in realistic prose. The author of the article notes that the compositional organization of the novels “Viburnum red” and “Radanitsa” correlates with the gospel parable of the prodigal son, which made it possible to reveal some existential issues that were relevant in the last third of the twentieth century
5
Sadko, Ludmiła. "Эстэтыка i паэтыка «садысцкiх вершыкаў» у полiсiстэме сучаснай беларускай i замежнай паэзii." Białorutenistyka Białostocka 13 (2021): 249–59. http://dx.doi.org/10.15290/bb.2021.13.17.
Full textAbstract:
The article describes peculiar features of aesthetics and poetics of “sadistic verses” in the creative work of modern Austrian poet E. Yandle, Russian author A. Grygoriev and Belarusian masters of artistic word V. Zhybul and V. Burlak. Using the means of grotesque, carnivalization, illogic and black humour the authors show their protest against an excessive normativity and nihilistic pathos to modern reality with its standards, and create a peculiar lyrical hero – a weirdo, an eccentric person who falls into the chain of catastrophes, crashes and accidents.
6
Paulovich, Natallia. "How Feminist is the Belarusian Revolution? Female Agency and Participation in the 2020 Post-Election Protests." Slavic Review 80, no. 1 (2021): 38–44. http://dx.doi.org/10.1017/slr.2021.22.
Full textAbstract:
Belarusian women stand at the forefront of post-election protests. Their participation is seen as unprecedented and is often perceived as a “revolution with a female face.” It did not start as a feminist project, however, but rather as a reaction to mass-scale arrests of male participants during the first days of protests. At the same time, is it possible to characterize female involvement in women's chains of solidarity and then regular Saturday demonstrations as a “feminist project” when one takes into account the usage of traditional feminine images and feminine aesthetics during the protests? On the other hand, even the symbolic subversion of patriarchal stereotypes present on the posters seems to have its limits when violence is inflicted by the representatives of special military forces. This essay will examine the agentic nature of female protests and the ways of expressing dignity in times when a basic sense of security is lacking. I will look at situational individual acts of agency and how these acts characterize female participants of the protests as a group that is aware of its resources and power. The text will be based on the analysis of media discourse and visual materials.
7
Brusevich, A. A. "The poetry of Maria Konopnicka in the context of belarusian-polish literary connections." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 69, no. 2 (April 29, 2024): 141–48. http://dx.doi.org/10.29235/2524-2369-2024-69-2-141-148.
Full textAbstract:
The purpose of the article is to study the artistic features of the lyrics of Maria Konopnicka, analyze the ideological and aesthetic foundations of her creative method and poetic style, as well as scientific understanding of the place and role of this bright representative of Polish positivism literature within the Belarusian cultural and historical paradigm. The introduction substantiates the novelty and relevance of the study of the poetic heritage of M. Konopnicka in the context of Belarusian-Polish literary ties. In the main part, on the example of individual poems, the ways of artistic comprehension by the poetess of a number of aesthetic, philosophical and socio-political ideas that are relevant both among the Polish and Belarusian creative intelligentsia are shown. This fact led to the emergence of literary followers, translators and interpreters of M. Konopnicka’s work, one of which is Yanka Kupala, the first national poet of Belarus. Also, the genuine interest of Belarusians in the Polish writer is explained by common cultural and historical values and traditions, a similar orientation towards representatives of the previous era (Adam Mitskevich, Juliush Slovatsky and some other Polish-Litvinian romantics). In summary, conclusions are formulated about the ideological and aesthetic searches of M. Konopnicka, as well as about the place of her poetry in the system of realism and the context of Belarusian-Polish literary ties.
8
Крикливец, Елена Владимировна. "Neo-mythological ways of embodying the theme of mentoring in the novels by Mariam Petrosyan “The Gray House” and Victor Kozko “Chronicle of an orphanage garden”." Tomsk state pedagogical university bulletin, no. 1(231) (January 26, 2024): 132–40. http://dx.doi.org/10.23951/1609-624x-2024-1-132-140.
Full textAbstract:
Сравнительное изучение близкородственных литератур представляется актуальным направлением современной гуманитаристики. Такой ракурс исследования позволяет выявить творческую уникальность произведения, национальную основу и способы литературной рецепции посредством раскрытия литературных и социокультурных связей, формирует открытость сознания к восприятию инонациональных культурных кодов и смыслов. Творческая индивидуальность Виктора Козько сформировалась в белорусском литературном процессе последней трети ХХ в., когда происходит усиление экзистенциальной направленности прозы. Мифопоэтизм белорусской прозы обладает национальной спецификой. Основные стилевые изменения происходят на стыке художественных систем «реализм – модернизм», «реализм – постмодернизм». Возникновение диффузных явлений обусловлено как индивидуально-авторским творческим экспериментом, так и общими стилевыми тенденциями эпохи. Модернистские интенции в белорусской литературе имеют ярко выраженную фольклорно-мифологическую основу, которая обусловила преобладание аутентичных элементов, помогла вербализировать бессознательные категории, сделать их предметом авторской и читательской рефлексии. Мариам Петросян осуществляла работу над романом «Дом, в котором…» на протяжении почти двух десятилетий (1991–2009). Литературный процесс рубежа ХХ–XXI вв., с одной стороны, демонстрирует завершение определенного социокультурного этапа, с другой – свидетельствует о начале нового исторического и культурного цикла. Не случайно аллегорическая природа романа удовлетворяет эстетические и когнитивные потребности времени – создать метонимическое изображение современного социума. Оба прозаика активно используют различные типы вторичной художественной условности. В зависимости от ее доминирующего типа и доминирующего художественного приема можно выделить следующие пути обогащения реалистической эстетики средствами неклассической художественности: актуализация сюрреалистической эстетики; синтез реалистического и фантастического; обращение к фольклорно-мифологическим мотивам, мифологическим способам познания мира. Мифологическая цитация, использованная в романах Мариам Петросян «Дом, в котором…» и Виктора Козько «Хроніка дзетдомаўскага саду» при воплощении образов учителей и воспитанников, топосов дома и сада, неомифологические приемы моделирования реальности позволили писателям создать уникальную пространственно-временную организацию произведений, эксплицировать национальные культурные коды. The comparative study of closely related literatures seems to be a relevant direction in modern humanities. This perspective of the study allows us to identify the creative uniqueness of the work, the national basis and methods of literary reception through the disclosure of literary and sociocultural connections, and forms the openness of consciousness to the perception of foreign cultural codes and meanings. The creative individuality of Viktor Kozko was formed in the Belarusian literary process of the last third of the twentieth century, when there was an increase in the existential orientation of prose. Mythopoeticism is characterized by its rootedness in the universal humanistic constants of national specificity. The main stylistic changes occur at the junction of the artistic systems of realism – modernism, realism – postmodernism. The emergence of diffuse phenomena is due to both the individual author’s creative experiment and the general stylistic trends of the era. Modernist intentions in Belarusian literature have a pronounced folklore and mythological basis, which determined the predominance of authentic elements, helped to verbalize unconscious categories, making them the subject of author and reader reflection. Mariam Petrosyan worked on the novel “The Gray House” for almost two decades (1991–2009). The literary process at the turn of the 20th–21st centuries, on the one hand, demonstrates the completion of a certain sociocultural stage, on the other, it indicates the beginning of a new historical and cultural cycle. It is no coincidence that the allegorical nature of the novel satisfies the aesthetic and cognitive needs of the time – to create a metonymic image of modern society. Both prose writers actively use various types of secondary artistic conventions. Depending on the dominant type of convention and the dominant artistic technique, the following ways of enriching realistic aesthetics with means of non-classical artistry can be distinguished: actualization of surreal aesthetics; synthesis of realistic and fantastic; appeal to folklore and mythological motifs, mythological ways of understanding the world. The methods of mythological quotation used in the novels by Mariam Petrosyan “The Gray House” and Viktor Kozko’s “Chronicle of an orphanage garden” when embodying the images of teachers and students, topoi of the house and garden, neomythological methods of modeling reality allowed the writers to create a unique spatiotemporal organization of works, explicate national cultural codes.
9
Mdivani, T. G. "About new stage genres in the music of the second half XX century." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 68, no. 2 (May 3, 2023): 130–39. http://dx.doi.org/10.29235/2524-2369-2023-68-2-130-139.
Full textAbstract:
New musical and theatrical genres that demonstrate post-non-classical musical thinking are considered. The most common are happening, performance and instrumental theater. Genres are considered differently by V. Petrov, M. Pereverzeva, Yu. Gnirenko and M. Katunyan, but, however, without disclosing their ontology and logical basis. The main distinguishing features of the new stage forms are the openness of the structure, the creative function of the performers and temporal unlimitedness, which indicates the rhizome and rhizome thinking of the composers. It is proposed to consider the new musical and theatrical realities as non-linear, in particular dissipative, based on a non-linear type of determinism – self-determinism. On its basis, a rational construct is established in the form of self-organization (performer), or performing will, which provide the musical material with the quality of integrity. Alternative musical theater is another form of new musical stage genres that have emerged in the post-non-classical era, or in the post-modern era. It is presented by alternative opera and alternative ballet, which establish the aesthetics of consonance, antimimesis and display (instead of experience), as well as the multivariant implementation of the musical and theatrical concept (concert, theater stage, etc.). The works of the American composer D. Cage, the Russian composer V. Martynov, the Belarusian composers V. Kuznetsov, L. Simakovich, A. Korotkina were selected as analytical material.
10
Tkachenko, H., and I. Korotkevych. "BIBLCAL UNITS IN THE BELARUSIAN AND UKRAINIAN PHRASEOLOGY: A COMPARATIVE ASPECT." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 123–31. http://dx.doi.org/10.17721/2075-437x.2019.35.12.
Full textAbstract:
The article is a comparative analysis of phraseologisms of biblical origin in the Belarusian and Ukrainian languages. The impact of the Bible as a memorial to the world culture and a source of aphorisms and idioms is underlined. The general description of phraseological units, their use in the Belarusian and Ukrainian languages, as well as the features of phraseologism as a linguistic unit are covered.The article evaluates the classification of biblical phraseological units and analyzes the role of these units in the world of phraseologies. National language is an important part of the spiritual culture of every nation. And its units, such as phraseologisms, have long been a powerful means of knowing life, they truly reflect the thoughts, aspirations and hopes of the people, contribute to the cultivation of aesthetic tastes and ideals. It is they who have absorbed all the vital wisdom of the Belarussian and Ukrainian peoples, have been able to reflect their worldview in the smallest detail and are still widely used both in speech and in literature.
11
Lepishava, Alena. "BELARUSIAN EXPERIMENTAL DRAMA GENERATION «НЕТУТЭЙШЫЯ»: «KEYS» FOR READING, APPROACHES, NAMES." Odessa National University Herald. Series: Philology 26, no. 1(23) (July 22, 2022): 24–32. http://dx.doi.org/10.18524/2307-8332.2021.1(23).251882.
Full textAbstract:
The article is devoted to a special, emphasized experimental trend in modern Belarusian drama, controversial in aesthetic terms, but extremely indicative as an intention of literary development, which will save Belarusian literature with the experience of the world (post)avant-garde art. A new approach to the consciously unconventional texts that implemented it is proposed, which provides for taking into account the aesthetic concept of the artistic movement «Boom-Bam-lit» (mid-1990s), in the course of which the formation of author's intimidualities took place, as well as the main trend in the development of world drama and theater, marked by a performative-receptive turn.
12
Lepisheva, Elena M. "TERRA INCOGNITA OF BELARUSIAN LITERATURE." World of Russian-speaking Countries 5, no. 3 (2020): 56–73. http://dx.doi.org/10.20323/2658-7866-2020-3-5-56-73.
Full textAbstract:
The article is focused on the content and aesthetic potential of Belorussian literature, which still remains not widely known not for a foreign (including Russian) only, but native reader as well. It is shown that during its development from progressive beginning at the turn of XIX-XX centuries (Y. Kupala, Y. Kolos, M. Bogdanovich, etc.) to the postSoviet period (late “Sixtiers” 1960s, V. Bykov, A. Adamovich, S. Alexievich, V. Neklyaev and their young followers O. Bakharevich, Z. Vishnev, V. Martinovich), problematic array still focused on “marginal” point of view is showing stability. Interest in the problem is related to following historical, sociocultural factors that predetermined the peculiarity of the Belarusian cultural space as unstable national self-identity, geopolitical location at the multicultural cross-road of two major cultural influences of Europe and Russia. By the example of two texts: “Antinovel” by Zmitr Vishnev “If you look closely – Mars is blue” and “Dogs of Europe” by Olgerd Bakharevich (the second one was translated to Russian and granted the “Grand book" award, the reactualization of the “marginal” worldview in the modern Belarusian literature was presented, which actuality for Russian literature from Dostoyevsky to “other prose” late XX, comprehends the image of Russian-Belorussian literature references, caused by “existential type of artistic consciousness” common to a number of authors (V. Zamanskaya).
13
Kiklewicz, Aleksander, Julia Mazurkiewicz-Sułkowska, and Helena Pociechina. "Art in protest discourses – on the example of the Belarusian anti-government protest movement." Przegląd Wschodnioeuropejski 14, no. 2 (December 24, 2023): 303–21. http://dx.doi.org/10.31648/pw.9718.
Full textAbstract:
In protest discourses the problem of using aesthetic and artistic elements lies in the centre of attention. The authors draw empirical material from the Belarusian protest movement, especially the anti-government protests of 2020. In the current study the problem of the use of aesthetic elements in protest discourses is considered in two aspects: 1) in the aspect of artistic activism, i.e. the involvement of artists in resistance activities; 2) in terms of the use of aesthetic speech acts in various forms of protest activity, i.e. as a special rhetorical tool with emphatic and persuasive function, but also as a means of expression with the satisfying function. As a result of this dichotomy, the article is divided into two parts. The authors point out that even though public art is not developed in Belarus (e.g. in the field of visual arts), aesthetic creativity is a very characteristic feature of both street poster discourses and forms of protest in the Internet.
14
Brusewicz, Anatol. "Iдэйна-мастацкiя пошукi паэтаў беларуска-польскага памежжа: творчасць Адама Плуга." Białorutenistyka Białostocka 13 (2021): 109–22. http://dx.doi.org/10.15290/bb.2021.13.07.
Full textAbstract:
This article is devoted to the study of the ideological and aesthetic foundations of Adam Ploug’s poetry in organic correlation with the artistic experience of other representatives of the Belarusian-Polish literary borderland (A. Mitskevich, J.I. Krashevsky, etc.). It is worth noting that the formation of A. Ploug’s creative consciousness took place under the direct influence of a number of ideas of Western European Romanticism, including the sacralization of the homeland and its past (historical memory), the idealization of freedom, Christian humanism and non-conformism, the idea of the timelessness of art. At the same time, both the concept of the lyrical hero and the artistic space in A. Ploug’s works are all built on the basis of the traditions of the Belarusian folk culture, which makes it possible to assert that the poet belongs primarily to Belarusian Romanticism.
15
Brazgunou, A. U. "Emotion in “The Diary” by Samuel Maskievič." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 67, no. 1 (February 3, 2022): 104–9. http://dx.doi.org/10.29235/2524-2369-2022-67-1-104-109.
Full textAbstract:
Basing on the material of the “Diary” Samuel Maskievič, the article deals with the modes of presentation of the emotion as an essential sign of the author’s subjectivity in Belarusian literature of the first part of the 17th century. Emotionality is considering as the marker of an art and aesthetic level of the work. Specific textual manifestation of the emotionality in its explicit and implicit forms has been demonstrated, as well as its role in exposing of psychological situations, in coloured descriptions of exotic customs, and in its estimation by the author, too. The specific features of the author and of his work in Belarusian memoir literature of the period are defined.
16
BAGARADAVA, T. "IDEATORICAL AND AESTHETIC DOMINANTS IN WAR STORIES BELARUSIAN WRITERS BORN AT THE END OF THE ХІХ CENTURY AND IN THE BEGINNING OF THE XX CENTURY." Herald of Polotsk State University. Series A. Humanity sciences, no. 2 (February 28, 2024): 2–7. http://dx.doi.org/10.52928/2070-1608-2024-70-2-2-7.
Full textAbstract:
The article examines the evolution of the Belarusian war story in the works of older generation writers who were participants or witnesses of hostilities. Particular attention is paid to the works of authors who used the extrapolation method in their creativity and remained adherents of the realistic direction in conveying the military atmosphere. The literary analysis is based on a long historical period – from the 1910s. to the 1970s, as well as showing the directions of development of the genre of the Belarusian war story from fictionalized to realistic.
17
Mdivani, T. G. "Composer’s interpretation of the Christian ethos in the music art of sovereign Belarus." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 65, no. 2 (May 18, 2020): 203–8. http://dx.doi.org/10.29235/2524-2369-2020-65-2-203-208.
Full textAbstract:
For the first time in the Belarusian liturgical musicology analysis of the attitude of domestic composers to Christian sources: themes, images, style, church singing culture in general is carried out. It is proved that the interest of the Belarusian musicians of the period of state sovereignty focuses on two Christian denominations – the Western and Eastern European; that the compositions of composers in their essence are representatives of musical art, and not of liturgical singing practice, and also, that the basis of the composer’s work is the phenomenon of interpretation. Three types of composer interpretation of church tradition are distinguished: «leverage» (transposition, re-establishment), author’s transcription and conventionality. The main conclusion of the work: the spiritual stratum of the national musical culture of modern times, presented by composer creativity, is a peculiar aesthetic euphemism between Eastern and Western Christianity, which manifests itself in various aspects.
18
Nawasielcawa, Hanna. "Праблемна-тэматычная i жанрава-стылëвая полiфанiчнасць у раманах Вiктара Марцiновiча." Białorutenistyka Białostocka 13 (2021): 237–48. http://dx.doi.org/10.15290/bb.2021.13.16.
Full textAbstract:
Viktar Martsinovich’s novels reveal the aesthetic searches conducted in modern Belarusian literature. In the work “Sphagnum” the classical form of the social novel is originally reproduced, where various representatives of the society are convincingly shown in colorful images-types. The novels “Lake of Joy” and “Revolution” reveal first of all the psychological reflection of main characters, who act as symbolic incarnations of the spiritual aspirations of our time. Novels with assessments of psychological anti-utopia “Language” and “Night” represent the author’s prediction of the loss of national identity and spiritual literary tradition.
19
Shaladonau, I. M. "THE CONCEPT OF MAN IN THE ARTISTIC AND AESTHETIC SPACE OF THE 20th CENTURY BELARUSIAN STORY." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 63, no. 1 (April 6, 2018): 94–102. http://dx.doi.org/10.29235/2524-2369-2018-63-1-94-102.
Full text
20
Zernov, Dmitrij. "Belarusian Partisans in Soviet and Post-Soviet Cinema: the View of a Student Audience." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840024131-3.
Full textAbstract:
The article analyzes some changes in the image of the Belarusian partisans in the post-Soviet cinematography under the influence of the dominant attitude to aestheticization and nostalgic play on the Soviet heroic narrative. The narratives formed in Soviet and post-Soviet historiography are compared with the dominant strategies of representation in contemporary cinematography. The perception of these strategies by the audiences of young people is analyzed on the basis of the materials of ten focus groups. It is proved that post-Soviet films are characterized by the inconsistency between the conservative political message and the aesthetic or entertainment line aimed at the commercial exploitation of the viewer's emotions.
21
Maksimowicz, Valery. "Экзiстэнцыяльнае вымярэнне чалавечага быцця ў прозе Максiма Гарэцкага." Białorutenistyka Białostocka 13 (2021): 171–87. http://dx.doi.org/10.15290/bb.2021.13.11.
Full textAbstract:
In the article the works of Maxim Garetsky, a classic of Belarusian literature have been analyzed. The author directs his attention to multidimensionality, pluralism of artistic and aesthetic search, connection with existential-philosophical discourse, specificity of the writer’s approach to the essence of “existential” conflict, the problem of moral choice, responsibility for the evil. It is stated that the main line of the works is associated with the search for axiological priorities directly related to the problem of individual existence, to the option of “choice”, to the idea of preservation of human sovereignty and the protection of the right for a decent life.
22
Barouka, Vanda. "AESTHETIC IDEAL OF THE WRITER IN THE BELARUSIAN META-LITERARY PROSE OF THE XX – EARLY XXI CENTURY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 2(70) (June 14, 2018): 35–37. http://dx.doi.org/10.25264/2519-2558-2018-2(70)-35-37.
Full text
23
YURKOITS, D. "THE IMAGE OF THE FUTURE THROUGH BINARY OPPOSITIONS IN “MASS POETRY” OF WESTERN BELARUS." Herald of Polotsk State University. Series A. Humanity sciences, no. 2 (February 28, 2024): 37–42. http://dx.doi.org/10.52928/2070-1608-2024-70-2-37-42.
Full textAbstract:
The article reveals the distinctiveness of revealing “the image of the future” in the work of representatives of the “mass poetry” of Western Belarus. The main emphasis is placed on the depiction of typical “binary oppositions” (on the example of poems by A. Ivers). It is claimed that consideration of the ideological and aesthetic specificity of literary creativity requires the correct use of the terms “the image of the future”, “binary oppositions”, “mass poetry”, “Western Belarusian poetry”. Using specific examples, it is shown that the analysis of different versions of the same works (which are included in the periodicals of Western Belarus and Soviet editions) allows us to reveal a clear tendency in the evolution of images of the future.
24
Belaya, Elena. "A character’s Profession in the Belarusian Prose of the First Third of the 20th century: Social and Aesthetic Philosophical Value." Stephanos. Peer reviewed multilanguage scientific journal 28, no. 2 (March 30, 2018): 192–99. http://dx.doi.org/10.24249/2309-9917-2018-28-2-192-199.
Full text
25
Maksimovich, V. A. "Literary canon in Maksim Bogdanovich’s poetic heritage: genealogy, reception, semiosis." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 65, no. 4 (November 5, 2020): 476–85. http://dx.doi.org/10.29235/2524-2369-2020-65-4-476-485.
Full textAbstract:
On the example of works of the classic of Belarusian literature Maksim Bogdanovich, there is studied the role of literary canon in aesthetic selfidentification of national literature. It is noted that the literary canon acts as a strategy of cultural identity, one of the effective forms, and important condition of formation of the cultural symbolic world of meanings funded by the general cultural values of humankind. It is stated that historical, cultural, artistic, ontological, existential values and meanings explicated in the poetic canon of Maksim Bogdanovich became an important part of spiritual dimension, cultural integration, harmonization of social relations. A distinctive feature of the poet’s appeal to the canonical art form is securing for it the role of a symbolic consolidating referential sign designed to form a “cultural consciousness”, to instill the sense of general aesthetized ethnocultural unity, to serve as a means of spiritual integration and national consolidation of society.
26
Kowalow, Siergiej. "Краіна мі-мінор. Ранняя лірыка Алега Бембеля (Зніча)." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 58, no. 1 (June 7, 2023): 95–114. http://dx.doi.org/10.36770/bp.774.
Full textAbstract:
The article analyzes the early philosophical and intimate lyrics of Oleg Bembel, which until now have not been the subject of research by literary critics. Oleg Bembel is known as a dissident philosopher, and author of the book Native Language and Moral and Aesthetic Progress (Родная мова і маральна-эстэтычны прагрэс, London, 1985), and also as a poet-monk, author of religious-patriotic and religious-prayer poems under the pseudonym Znich. The early secular lyrics of Oleg Bembel, published in the collective poetry collection Wing (Крыло, Minsk, 1984), are considered in the article: 1) as an important element in reproducing the creative evolution of the famous poet; 2) as an example of the intellectual and philosophical trend in the Belarusian poetry of the 80s. 20th century; 3) as valuable material for studying the relationship between censorship and artistic creation in Soviet Belarus and totalitarian society as a whole. It is difficult to compare the early philosophical and intimate lyrics of Oleg Bembel (Znich) with his dissident and religious poems in “samizdat” and emigration publications, but it can also be considered a manifestation of nonconformism.
27
Vladimirova, Tatyana E. "Semantic Potential of the Word: by the Material of the Mythologem of the Holy Marriage of Heaven and Earth." RUDN Journal of Language Studies, Semiotics and Semantics 13, no. 2 (July 14, 2022): 294–306. http://dx.doi.org/10.22363/2313-2299-2022-13-2-294-306.
Full textAbstract:
The study of the initial semantics of the word and its further development in the history of the language and its speakers, undoubtedly, belongs to the number of topical problems of modern semasiology. Of particular research interest is the disclosure of the historical and etymological origins of the word, which largely predetermine its further development. The focus of this article is the East Slavic mythologeme of the sacred marriage of Heaven-father and Earthmother, the semantics of which has absorbed the sacred mode of pagan existence and Christian value ideas. The material of the study was the myths and proverbs of closely related Belarusian, Rusyn, Russian and Ukrainian languages, which go back to the East Slavic mythologeme of the sacred marriage of Heaven-father and Earth-mother and preserve a common cultural and semantic memory. The undertaken consideration of this mythologeme against the background of the Greek myths about the “beginning of the world” made it possible to characterize its original historical, etymological, ethical and aesthetic features. As a result, an appeal to the history of the word from the standpoint of the concept of evolving consciousness G.G. Shpet led to the conclusion about the special role of cultural memory, which accumulates the accumulated experience of the existence of the word and thereby increases its semantic potential.
28
Новак, Н. В., and И. К. Луцкая. "Training in Tooth Shape Reproduction." Стоматология. Эстетика. Инновации, no. 3 (November 18, 2022): 280–91. http://dx.doi.org/10.34883/pi.2022.6.3.007.
Full textAbstract:
Для выполнения реставрационных работ, отвечающих требованиям современной эстетической стоматологии, на кафедре терапевтической стоматологии БелМАПО разработаны практикумы, направленные на поэтапное, последовательное освоение врачами-стоматологами навыков объемного моделирования, что является обязательным условием высокого качества эстетических работ. В разработанных четырех практикумах представлены этапы освоения навыков формообразования. На первом этапе основной задачей обучения является формирование высокой объективной оценки восприятия формы, размеров и рельефа зуба. На следующем этапе стоматологов обучают изображать простейшие формы в виде плоских фигур, затем осваивать навыки изображения на плоскости срезов объемных предметов, в том числе зубов. Последующее обучение направлено на воспроизведение объема трехмерных тел, в том числе зубов. Заключительный этап включает моделирование зуба в 3D-проекции, воссоздание групповой принадлежности зубов, макро- и микрорельефа, индивидуальных черт, а также послойного воспроизведения дентина и эмали в зависимости от возрастных изменений морфологии зубов пациента. To carry out restoration work that meets the requirements of modern aesthetic dentistry, the Belarusian Medical Academy of Postgraduate Education Department of Therapeutic Dentistry has developed workshops aimed at the phased, consistent development by dentists of volumetric modeling skills, which is a prerequisite for high quality aesthetic work. The developed four workshops present the stages of mastering shaping skills. At the first stage, the main task of training is to form a high objective assessment of the perception of the shape, size and relief of the tooth. At the next stage, dentists are trained to depict the simplest shapes in the form of flat figures, then learn the skills of image on the plane of sections of volumetric objects, including teeth. Subsequent training is aimed at reproducing the volume of three-dimensional bodies, including teeth. The final and final stage involves modeling the tooth in 3D projection, recreating the group belonging of the teeth, macro- and micro relief, individual features, as well as layer-by-layer reproduction of dentin and enamel depending on age-related changes in the morphology of the patient’s teeth.
29
Bradich, Bradich. "STRUCTURING THE SENSIBLE IN THE LYRICS OF ITHACA BY MILOS CRNJANSKI." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 198–216. http://dx.doi.org/10.17721/2075-437x.2019.35.20.
Full textAbstract:
In this essay I analyze the structuring the sensible in the canonical book of poetry Lyric of Ithaca by Milos Crnjanski. The approach is interdisciplinary and based upon the conceptions developed by the sensory history, psychoanalytical theory of Jacques Lacan, and philosophy of Jacques Rancière. The essay focuses on the staged split with the dominant regime of the sensible, in the experiences of love and sexuality, urban spaces, and war, in whose place Crnjanski’s poetry attempts to establish alternative modes of interaction with the world, which can be recognized as the “Sumatraist” regime of the sensible. Consequently, sensory reality will be interpreted as a space of contention between different poetics and ideologies, which will further the understanding of Crnjanski’s poetry, as well as modernism in Slavic literatures in general. National language is an important part of the spiritual culture of every nation. And its units, such as phraseologisms, have long been a powerful means of knowing life, they truly reflect the thoughts, aspirations and hopes of the people, contribute to the cultivation of aesthetic tastes and ideals. It is they who have absorbed all the vital wisdom of the Belarussian and Ukrainian peoples, have been able to reflect their worldview in the smallest detail and are still widely used both in speech and in literature.
30
Ivanov, Nikolay N. "Maxim Gorky and the Yaroslavl text." Verhnevolzhski Philological Bulletin 2, no. 29 (2022): 39–45. http://dx.doi.org/10.20323/2499-9679-2022-2-29-39-45.
Full textAbstract:
The work is devoted to determining the place of M. Gorky in the structure of the so-called Yaroslavl text. The material is interpreted in the event-biographical, historical and literary aspects; the results of the study are presented. It is probably the first time that Gorky is incorporated into the structure of a local text, the type to which the Yaroslavl text belongs. This scientific idea is realized through solving a number of tasks: to complement the definitions of the Yaroslavl text, and the author's myth, to determine their biographical, authorological, historical and literary contours; to correlate the space of the Yaroslavl text and the biography and creative pursuits of Gorky. The tasks have been solved through the study of creative connections, cross-references, parallels, personal and family relations. The author of the article presents some original findings and draws a number of conclusions.The biographical data on Gorky, the Volzhin sisters, and the Bogdanovich family - Adam Bogdanovich and his son Maxim, a classic of Belarusian literature - are of particular interest. The most significant results of the work were the following. Gorky is included in the space of the Yaroslavl text. The diary and the document are taken into account as a valuable element in the writer's heritage, and the attitude toward them as a secondary, auxiliary material is overcome. The approaches to the material used determined the novelty of Gorky's legacy and the interpretation of his biographical data. The article gives new assessments of famous works, clarifies the writer's position, and shows its connection with the writer's biography and his work. Some observations are made in the field of aesthetic and poetics of prose and the artistic nature of Gorky's writings. The article is addressed to philologists, literary critics, researchers of the XX century Russian literature and culture.
31
Tochitskaya, Nadezhda A. "Communicative strategies and tactics of speech influence in art journalism genres (review, reportage)." Media Linguistics 8, no. 3 (2021): 287–98. http://dx.doi.org/10.21638/spbu22.2021.307.
Full textAbstract:
The article examines the communicative strategies and tactics of speech influence used in the presentation of an artwork and a cultural event in art journalism. The accelerating process of the commercialisation of art with a greater degree of intensity actualises the work as a commodity. In the representation of artistic culture in media discourse, this is manifested in a weakening of the analytical component and aesthetic appreciation. Media texts increasingly use entertainment approaches, and there is a tendency towards performativity and shock value, an ironic style. This is reflected in the stylistics of the media text, which has contributed to the active use of attractive speech means. Transformation processes have also affected such genres as review and reportage. Today it is almost impossible to find a classic review, which would present an analysis of the merits and demerits of the work and a competent assessment. The aim of review in art journalism is to announce, to attract the audience’s attention both to the work and to the author’s search, to promote the values of a consumer society. In reportage, the classic characteristics have also undergone changes. Today, this genre is characterised by authorial subjectivism, which is expressed in vivid self-presentation. As a result of the analysis of the Belarusian online publications, the main communicative strategies of speech impact have been identified: the advertising strategy, which is exemplified in the review, and the image building strategy characteristic to the reportage. In art journalism, the use of these communicative and speech practices led to a downgrading of art and the perception of a cultural event as an entertainment show. The problem addressed is important due to the relevance of the topic of interaction between media language and modern culture.
32
Batsiayev, Vasil F. "Theatrical arts of Jews in Belarus." Humanitarian: actual problems of the humanities and education 21, no. 1 (April 14, 2021): 31–47. http://dx.doi.org/10.15507/2078-9823.053.021.202101.031-047.
Full textAbstract:
Introduction. Spiritual culture occupies an important place in the life of the Jews in Belarus. Its important component is art, including theatrical. In Belarus since the 16th century there are many different Jewish theatrical associations, but they have not been sufficiently studied to date. There are no special works on this problem in the ethnological literature. At the same time, the analysis of the process of their creation, repertoire and activity, determination of forms and structure is of great scientific interest and is of great practical importance. Research Methods. The structural method was applied for studying Jewish theater associations in Belarus. This method allowed to identify their forms (clubs, enterprises, studios, theaters) and structure. To consider the process of creating theater associations, activities in different historical periods, the comparative-historical method was applied. The functional method was also used, with the help of which the functions of theatrical associations were clarified. Results. On the basis of the analyzed scientific literature, the article examines the process of creating Jewish theatrical associations in Belarus, identifies their forms, structure, clarifies the drama and activities in various historical periods. Theatrical associations are also characterized, which used in their performances works of modern and classical drama, which absorbed the best features of Jewish culture on the Belarusian land, widely turned to Jewish literature, staged the first plays of many authors. Discussion and Conclusion. As a result of the study, it was revealed that the theatrical art of the Jews of Belarus began to develop in the 16th century, and the repertoire of Jewish theatrical associations (clubs, enterprises, studios and theaters) consisted mainly of Jewish classical and Soviet drama, Western European comedies. They also staged a high tragedy, vaudeville and operettas. The performances of these associations are characterized by a striving for bright stylized folk shows with sharp satirism, grotesque, buffoonery, carnivalism. Jewish theatrical art has made a notable contribution to Jewish culture. It contributed to the ideological, aesthetic and international education of the people.
33
Мардоса, Йонас. "Декоративные вербы в западной Беларуси и восточной Литве во второй половине ХХ–начале ХХI вв." Slavistica Vilnensis 58, no. 2 (January 1, 2013): 143–60. http://dx.doi.org/10.15388/slavviln.2013.2.1430.
Full textAbstract:
В статье рассматривается вопрос об особенностях функционирования декоративных верб в этнически и конфессионально смешанной среде западной Беларуси и восточной Литвы во второй половине ХХ–начале ХХI вв. На основе полевых этнографических материалов устанавливаются основные типы декоративных верб и определяется характер используемого для их украшения материала. Устанавливается связь пальмообразных и вильнюсских верб с этническими и конфессиональными характеристиками верующих, а также рассматривается использование освященного символа в послепраздничное время. Выясняется, что распространение декоративных верб во второй половине ХХ в. определяется их рецепцией как символа Вербного воскресенья, а также их эстетическими качествами. Связанные с конфессиональными и этническими характеристиками населения декоративные вербы функционируют в западной Беларуси и восточной Литве как отходящий от своей христианской основы и вместе с тем наполняющийся новой семантикой образец современной религиозной и, в частности, народной культуры региона.Ключевые слова: декоративная верба, ива, можжевельник, вильнюсская верба, западная Беларусь, восточная Литва, православные, католики, символ....Jonas MardosaThe decorated verba in Western Belarus and Eastern Lithuania in the second half of the 20th and the beginning of the 21st century Various consecrated symbols play a special role in folk culture and folk religion. In the Christian liturgy, the verba (palm) is a symbol having a concrete religious meaning. In the second half of the 20th century, in Western Belarus and Eastern Lithuania, a tendency to consider verba from the aesthetic point of view emerged. An exceptional case among the verba (between Belarusian, Russian, Polish, and Lithuanian believers) are the decorated symbol, which may be called palm-shape verba.Amongst the believers of Belarus, regardless of confession, the decorated verba (with flowers) has become a symbol of the contemporary religious identity. Verbas with decorations in Eastern Lithuania are more popular amongst Polish believers; in Western Belarus, they are blessed regardless of confessional and nationality differences. In the beginning of the 21st century, three main variants of palm-shaped verba may be found. The first variant is made from willow or juniper twigs decorated with dry and green flower blossoms (or the twigs of both trees are used together). The second and very popular decoration variant is artificial flowers attached to a willow twig. In the third variant, the blossoms made from threads are arranged along the whole length of a willow twig.An exceptional case among the decorated verbas in Eastern Lithuania are the Vilnius verba. This variant of decorated verba first appeared at the start of the 19th century in the surrounding areas of Vilnius. Originally, these verbas were associated with the Polish religious and folk culture of Southeast Lithuania. In the second half of the 20th century, the Vilnius verbas were strongly linked with the Catholic Lithuanian and Polish folk culture of the Vilnius region, but have not been popular amongst the believers of Belarus.Considerable differences may be noticed in the scope and content of decorative elements in the verba of Lithuania and Belarus. In Lithuania, decorated verbas are more popular among urban Catholics. Thus, verba reveals the diversity of the Christian tradition, which comprises the exceptional features of the contemporary folk religion in Eastern Lithuania and Western Belarus. Through the link between the verba and the ethnic and confessional communities, these variants of the symbol become an important identity-forming factor for the inhabitants of Western Belarus and Eastern Lithuania in the second half of the 20th and the beginning of the 21st century.
34
Teterina, Olga B. "COMPARATIVE PARADIGM IN WORKS OF Y. BOYKO-BLOKHYN: APPROACHES “INTERWEAVING AND INTERCROSSING”." Alfred Nobel University Journal of Philology 2, no. 24 (December 20, 2022): 49–62. http://dx.doi.org/10.32342/2523-4463-2022-2-24-5.
Full textAbstract:
The article analyzes Y. Boyko-Blokhyn’s comparative model as an important integral concept element of Ukrainian emigre scholars comparative literary studies in the 1930s-1980s period (Y. Boyko-Blokhyn, M. Hnatyshak, S. Hordynsky, V. Derzhavyn, I. Kaczurowskyj, D. Chyzhevsky, Y. Sherekh and others). Approaches of the emigre scholar to literature comparative exploration are interpreted in the context of global comparative studies main trends, and placed against the views of the mainland comparative literary studies representatives. We clarified the distinguishing features of Y. Boyko-Blokhyn’s model, proved its multidimensional and multivector character, and ascertained comparatist attitudes relevance towards modern comparative literary studies, taking into account their development potential. This goes according to the purpose of the work and its tasks. This research applies advances in comparative historical analysis, methodology of both historic cultural and receptive aesthetic schools. Conceptual idea of the scholar shows his attention to contact-genetic relationship as well as typological similarities and differences. The author interprets functionality problem of inter-literary/ intercultural communication preeminently as a national literature stylistic development factor. The study reveals the interdisciplinary nature of Y. Boyko-Blokhyn’s works (with access to the realm of philosophy, psychology and cultural studies), and demonstrates his integration of contextual, intermedial and other approaches, which fundamentally enriched methodological tools of comparative literary studies. Reflections of Y. Boyko-Blokhyn on the problem of Slavic literatures comparative study, while witnessing the author’s inherent interest in national identity problem, emphasized and deepened research of Slavic, specifically East Slavic, literatures as a fundamental component of the European cultural space. They also substantiated the demand for changes in approach to study the East Slavic region, particularly historical and literary processes in Belarusian, Ukrainian, and Russian literatures. Scientist’s observations and conclusions, aimed at understanding Ukrainian literature in the European context, broaden drastically the idea of its peculiarity, with an emphasis on the features conditioned by its development (T. Shevchenko – G. Byron, R. Burns, J.W. Goethe, A. Dante, G. Leopardi, A. Mickiewicz, T. Moore, Novalis, S. Petőfi, W. Shakespeare, F. Schiller; I. Franko – G. Byron, E.T.A. Hoffmann, A. Chamisso; Lesya Ukrainka – G. Hauptmann, M. Maeterlinck, O. Wilde and others). The researcher traces occurrences of literary reception by the national literature of other nations artistic and aesthetic experiences at various levels of comparative poetics (themes, motives, style, etc.) Conclusion. We proved an important role of Y.Boyko-Blokhyn’s comparative model, who developed impactful traditions of national comparative literary studies of the second half of the 19th century – first third of the 20th century, and at the same time rethought (including through denial) western methodologies, in development not only of Ukrainian, but also of the global literature science as a whole. Insights and ideas of the emigre scholar, many of which were often ahead of his foreign colleagues ideas (A. Balakian, H. Bloom, U. Weisstein, D. Durishin, A. Popovich, H.R. Jauss and others), remain relevant even nowadays. Y. Boyko-Blokhyn’s approaches to comparative study of literatures in the world context with a special emphasis on the problem of national identity apparently acquired the utmost importance during the era of globalization. Similar logic of thinking is affine to those modern authors who insist to study first differences between national creative writings, which according to their deep conviction enrich and diversify the global cultural universe (A. Balakian, C.Bernheimer, E. Kaspersky, F. Toudoire-Surlapierre and others). In contrast to “cultural unification scenarios”, Y. Boyko-Blokhyn’s reflections which draw attention to different literatures/cultures polylogue phenomenon, their mutual understanding and enrichment, are based on the following fundamental thesis: “originality is a runner to commonality” (it is also of fundamental importance for formation of comparative literary history concept). It’s emblematic that the Ukrainian scientist back then strongly denied the position of R. Wellek and R.Warren, who absolutized the tendency to universalization of the global literary process. Instead, Y. Boyko-Blokhyn argued for study of national version of pan-European style (romanticism, realism, modernism), traditional plots and characters, and he also scaled out radically the influence range idea as a manifestation of literary reception, with an emphasis on its creative character (from influence as a repulsion to influence as an “activity stimulus”, “impulse for self-movement”). In fact, these reflections of Y. Boyko-Blokhyn anticipated approaches of those scholars who justified later the concept of active perception as opposed to passive influence, actualizing the role of recipient in the process of inter-literary communication (H.R. Jauss), thesis about the decisive role of the recipient literature (D. Durishin), interpretive theory – “fear of influence” (H.Bloom). Y. Boyko-Blokhyn’s conceptual thoughts about understanding the “reverse influences” problem, as well as related matter of contribution of each Slavic, in particular East Slavic, literature to the global cultural heritage, are extremely consonant with arguments that have been in the researchers’ focus even in these recent times (M. Boehmig, O. Pachlovska). In conclusion we can say that Y. Boyko-Blokhyn’s comparative model which is characterized by nation-centric orientation emphasizes fundamentally the prospects for further scientific research in historical, literary and comparative dimensions, first of all in projection of such methodologies inherent to modern comparative literary studies as imagology, theory of intertextuality and cultural transfer
35
Bowman, Sarah Lynne, Evan Torner, William J. White, Mohamad Rabah, Weronika Szatkowska, Tadeu Rodrigues Iuama, Rian Rezende, et al. "International Journal of Role-playing 14 -- Full Issue -- IJRP." International Journal of Role-Playing, no. 14 (September 19, 2023): 1–98. http://dx.doi.org/10.33063/ijrp.vi14.350.
Full textAbstract:
IJRP 14: Full Issue
Table of Contents
Evan Torner, Sarah Lynne Bowman, and William J. White -- "Editorial: Transformative Play Seminar 2022: Role-playing, Heritage, and Culture"
This special issue is the second of a two-part series collecting the short articles presented during the Transformative Play Initiative Seminar, held at Uppsala University Campus Gotland in Visby, Sweden on October 20-21, 2022.
"Statement by Mohamad Rabah"
The statement reveals why the keynoter from Palestine was unable to attend the seminar in Visby due to a delayed visa approval by the Swedish Embassy in Israel. The statement emphasizes the importance of play as a tool for hope for young children, but also its limitations in the face of oppression.
Weronika Szatkowska, "The People: A Serious Role-playing Game Designed to Address a Humanitarian Crisis"
This article presents a case study of a serious role-play game called The People. The game was created as a response to the migration crisis on the Polish-Belarusian border in cooperation with an engaged collective of researchers and groups of activists.
Tadeu Rodrigues Iuama, "Towards the Post-Modern Art Week: Anthropophagic Reflexes in the Brazilian Larp Scenes"
This article reflects on larp using the concept of anthropophagy. The metaphor, created by Oswald de Andrade in 1928 in Brazil, is characterized by the de-hierarchization of the hegemonic places of culture and by the critical digestion of the Other.
Rian Rezende and Denise Portinari -- "Playing with Wonders: Objects, Role-Playing Games, and the Cultural Legacy of Bispo do Rosário for the City of Rio de Janeiro"
This work focuses on an art object called “The Presentation Cloak.” The cloak forms a central element of micro role-playing games created to encourage people to experience stories linked to Brazilian cultural heritage.
Yuqiao Liu --"Experiencing China’s Intangible Cultural Heritage in Role-playing Games: Comparative Studies between MMORPGs and Larps"
Using case studies from MMORPGs and Jubensha, this article explores the great potential role-playing games have to promote the learning of intangible cultural expres sions and traditions of China and make them available to a wider public.
Bálint Márk Turi and Mátyás Hartyándi -- "Playing With The Fictitious “I”: Early Forms of Educational Role-playing in Hungary, 1938-1978"
This article analyzes various sources to determine what forms of transformative play were present at the Bánk vacation program in Hungary (1938-1978). The authors discuss the program as a unique heritage of educational role-playing.
Evan Torner -- "Jeppe and Maria Bergmann Ham-ming’s Literary-Musical Larp Adaptations"
This article addresses analog RPG authorship through an analysis of three music-based blackbox larps by Jeppe and Maria Bergmann Hamming. The larps bear a unique signature, using aesthetic idealism and high culture to explore themes of decadance and downfall.
Josephine Baird -- "Larp as a Potential Space for Non-Formal Queer Cultural Heritage"
This article argues that larp design seeking to reflect and represent queer cultural production in social and performance spaces may allow for non-formal education on LGBTQIA+ lives and heritage, as well as personal (gender) expression, exploration, and embodiment.
Hilda Levin -- "Bridging Historical and Present-Day Queer Community Through Embodied Role-playing"
This article argues that in the affirmative space of larp, playing queer personality traits that might be suppressed can offer opportunities for personal growth and community building. Such impacts are especially possible with metareflection and integration.
Henry Korkeila and J. Tuomas Harviainen -- "Gaming Capital in Contemporary Role-playing Game Platforms"
This study approaches the formation of gaming capital within both Massively Multiplayer Online Role-Playing Games (MMORPGs) and Dungeons & Dragons (1974), emphasizing information flow and social space perspectives.
36
Khamraev, A. T. "Features of translation into Uigur languageof children's fairy tale "Shuburshun" by A. Karlyukevich." Keruen 3, no. 68 (September 15, 2020). http://dx.doi.org/10.53871/2078-8134.2020.3-04.
Full textAbstract:
“Shuburshun” is the work of the Belarusian writer A. Karlyukevich and its figuratively and metaphorically is replete with an abundance of tropes with elements of national irony. The text is structurally complex, spiritually rich and elegant. The translator was able to show in translation the national color, spirit and ideal of the fairy tale, he felt the literary world behind the text that inspired the author and sought to recreate it in a holistic way. A significant amount of literary and aesthetic information is encoded in the work as well. Moreover, some words, in particular: “Shuburshun”, “Svisloch’”, etc., appear as the dominant units of the Uighur text. Authors lexemes and glossaries “entered” into the Uyghur text make the work mysterious, because of it they have a reverse effect. The Uygur translation of “Shuburshun” as a new independent aesthetic phenomenon, due to the interpenetration of various contents and forms, is experiencing internal implicit conjugation changes that rigidly interlink textual connections at a new level. This is how the principles of aesthetic interferences work and interact in any literary translation that acts as the dominant feature of bicultural aesthetics. It is about the emergence of a “different”literary and aesthetic reality in translation. In particular, we are witnessing an objective process of “entering” (or “invasion”) of Belarusian words into the Uyghur text, which affect the aesthetic consciousness of the reader.
37
Safina, Gulnara Ildarovna, Taisiya Olegovna Pushkar, Lubov Markelovna Yao, and Juliana Gennadievna Emanova. "The formation of national identity in process of aesthetic education of youth." Revista on line de Política e Gestão Educacional, March 1, 2021, 600–609. http://dx.doi.org/10.22633/rpge.v25iesp.1.15000.
Full textAbstract:
The paper discusses the issues of national identity, and patriotism formation by means of national art and folk culture, which are able to arouse love for the family, their home, their national and territorial community. To study the process of formation of national identity, a constructionist approach was taken, within which a constructed phenomenon was considered. The identity system of modern youth was studied by compiling a test by T. Kuhn and T. MacPartland "Who Am I?" The test was offered to students of Kazan National Research University (1997; 2012), and students of Kazan Federal University (2019). A tendency to increase the proportion of students who determined their national identity (Tatar man / Tatar woman, Russian man / Russian woman) was identified. The paper reveals specific examples of the methods of forming a national identity in the process of aesthetic education: the revival of folk art, since it is inextricably linked with national and religious traditions; familiarization with the arts and crafts, reflecting the distinctive features of each nation. All the peoples of the Middle Volga live in Tatarstan: except for Tatars and Russians, the Chuvash, Mari, Mordovians, Ukrainians, Belarusians live in the republic. All nationalities of the republic have formed their institutional formations, or cultural-national communities, spend their holidays, which go beyond the framework of the republican and become all-Russian and international.