Relevant bibliographies by topics / Belga Films Studio

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Belga Films Studio'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Belga Films Studio"

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Hirsch, Narcisa. "Aigokeros. Cuadernos patagónicos (fragmentos)." Hyperborea. Revista de ensayo y creación, no. 6 (November 25, 2023): 121–48. https://doi.org/10.5281/zenodo.5290559.

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Selecci&oacute;n: Ana L&iacute;a Gabrieloni y Rub&eacute;n Guzm&aacute;n.&nbsp; Las im&aacute;genes son del tr&iacute;tptico filmogr&aacute;fico<em> La ciudadela (2014) </em>de Rub&eacute;n Guzm&aacute;n &copy; Raymond Beluga Studio; Les Films Figures Libres; TLT Toulouse. Dise&ntilde;o: Gerardo Pati&ntilde;o&nbsp; Agradecemos a la autora la autorizaci&oacute;n para reproducir los fragmentos aqu&iacute; reunidos.
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Martínez, Alejandra, and Aldo Merlino. "Discourse and socialization in children´s cinematographic productions." Comunicar 13, no. 26 (2006): 125–30. http://dx.doi.org/10.3916/c26-2006-19.

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Understanding that cultural products for children transmit social representations and reproduce specific outlines of attitudes and behaviours, this paper focuses on the gender construction based on specific messages in children´s films. We analyze here, the 1991 Disney´s Company cartoon film «The Beauty and the best». Entendiendo que los productos culturales dirigidos a los niños son transmisores de representaciones sociales y reproducen esquemas específicos de actitudes y comportamientos, este artículo aborda la temática de la construcción de los géneros a partir de mensajes específicos en pr
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Garofalo, Damiano. "Deicides, sacrifices and other crucifixions: for a critical reinterpretation of Italian Holocaust cinema." Modern Italy 22, no. 2 (2017): 143–53. http://dx.doi.org/10.1017/mit.2017.15.

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This essay analyses the evolution of the Holocaust film genre in Italy through the paradigm of sacrifice, understood both as a process of martyrisation and Christianisation of the Holocaust, and from the point of view of the instrumental use of the figure of the national hero. Using the examples of the opening sequence of the deicide and the metaphorical crucifixion of Matteo Blumenthal at the end ofL’ebreo errante(The Wandering Jew, Goffredo Alessandrini, 1948); the sacrifice of Giulia inL’oro di Roma(The Gold of Rome, Carlo Lizzani, 1961), who follows her Jewish nature faced with the round-u
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Sawyer, Mark, and Philip Goldswain. "Reframing Architecture through Design." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2800.

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Re-Framing Participation in the Architecture Studio Recently, within design literature, significant attention has been given to collaboration across different disciplines (see for instance, Nicolini et al.; Carlile), as well as consideration of the breakdown of traditional disciplinarity and the corresponding involvement of users in co-generation (Sanders and Stappers, “Co-Creation” 11–12) through the development and deployment of structured methods and toolkits (Sanders et al., “Framework”; Sanders and Stappers, “Probes”). Relatively less attention has been paid to the workings of the “commun
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Dissertations / Theses on the topic "Belga Films Studio"

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Burton, Mary Ashley. "Contextos nacionales y transnacionales: la nueva reencarnación del melodrama mexicano en la película Bella (2006, Alejandro Monteverde)." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1334192023.

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Robak, Kazimierz. "Cultural response to totalitarianism in select movies produced in Czechoslovakia, Hungary and Poland between 1956 and 1989." [Tampa, Fla.] : University of South Florida, 2009. http://digital.lib.usf.edu/?e14.2857.

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Books on the topic "Belga Films Studio"

1

Jappens, Ludo. Spraakmakende stomme films uit Machelen: De Belga Films Studio (1922-1926). Heemkundige Kring Machala, 2008.

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2

Villa-Sella, Nicoletta. La vita è bella (Life is beautiful): Film study program. Edizioni Farinelli, 2009.

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3

Rothermel, Dennis. Becoming-Animal Cinema Narrative. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0014.

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This chapter connects distinctive animal territories to specific uses of film language through a series of case studies, most notably Robert Bresson’s Au hasard Balthazar (1966), Michelangelo Frammartino’s Le Quattro Volte (2011), Bela Tarr’s The Turin Horse (2011), and Ang Lee’s Life of Pi (2012). Significantly, becoming-animal cannot be represented by conventional point-of-view and shot-reverse-shot editing (the structural mainstay of filmic suture), because it ties the animal to the conventional (and thus delimiting) human vectorial space of Deleuze’s action-image. Instead, inspired by Pier
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4

Death on the Nile: Un film événement de 20th Century Studios. Librairie des Champs-Elysées, 2020.

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Book chapters on the topic "Belga Films Studio"

1

Avcı, İkbal Bozkurt. "Deleuzian Feminism." In Research Anthology on Feminist Studies and Gender Perceptions. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-4511-2.ch036.

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Minority refers to a distinct deviation from something of which standards and norms are clear. In this direction, “becoming-woman,” which is revealed by Deleuze as the first becoming type is quite impressive for feminist theory. Women can enter into becoming-woman by disturbing the dichotomic order with their line of flight instead of acting according to the identities imposed on them. This study is based upon the concept of becoming-woman in the context of Deleuzian feminism tries to approach the issue of “becoming-woman” in the new Turkey cinema based on the film Zephyr (2011) by Belma Baş.
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Kelly, Catriona. "Nonexistent Reality." In Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.003.0005.

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This chapter explores the understanding of “film art” that prevailed at Lenfilm during the last three decades of the Soviet Union’s existence. It was unusual for filmmakers at this period to produce manifestos or detailed discussions of their own artistic practices, but the studio discussions over nearly thirty years allow conclusions to be drawn about overall aesthetic aims. Though the term “socialist realism” was used seriously only by official figures from the film management and Communist Party worlds, filmmakers were deeply concerned with the representation of lived reality, even if they
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Ellenberger, Allan R. "All This, Jack Warner, and Bette Davis, Too." In Miriam Hopkins. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813174310.003.0014.

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Jack Warner cancels All This, and Heaven Too, a decision that Hopkins doesn’t take well. They agree that when the film is produced, Hopkins will do it. When her divorce is granted, she returns to Hollywood and is blackmailed by Jack Warner. At an impasse, Hopkins relinquishes All This, and Heaven Too and accepts a role opposite Errol Flynn. On Virginia City, Hopkins battles with Flynn and director Michael Curtiz. Zuckmayer returns to Vermont; Hopkins is devastated. Warner Bros. produces All This, and Heaven Too with Bette Davis. Hopkins is almost broke. She appears in The Guardsman for Bela Bl
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Bartlett, Becky. "Bad Acting and the Cultification of Bad Actors." In Badfilm. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474450423.003.0005.

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This chapter examines the characteristics of bad acting, drawing on a range of textual and other evidence to propose a means of understanding subsequent cultification and re-evaluation – or lack thereof. A range of case studies are included, from the cultification of ‘has-beens’ like Bela Lugosi, to bad acting in sexploitation films, as well as critical analysis of performances by director-actors, such as Ed Wood, and cult personalities like Criswell. As the various case studies demonstrate, bad acting reveals the work of acting and therefore has the potential to collapse the boundaries betwee
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