Relevant bibliographies by topics / Belgium – History – 19th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Belgium – History – 19th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Belgium – History – 19th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Belgium – History – 19th century"

1

Monballyu, J. "The political responsibility for Royal pardons in Belgium during the 19th century (1830–1900)." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 75, no. 2 (2007): 153–78. http://dx.doi.org/10.1163/157181907781352582.

Full text
Abstract:
AbstractIn Belgium, the Royal Prerogative of pardoning convicted criminals was legally embedded in the Constitution of 14th February, 1831. It allowed the King to reduce a sentence or to grant a discharge of a sentence given by a court. Any Royal decision to pardon had, however, to be countersigned by a member of the Government, who took on the political responsibility of the decision towards Parliament. In most cases, the task fell upon the Minister of Justice. During the 19th century, in both Houses of the Belgian Parliament, the Minister of Justice was repeatedly questioned about the way the prerogative of pardoning was exercised. This usually occurred when a death sentence had been commuted to a lesser sentence. In such cases, members of the Chamber of Representatives or of the Senate would ask for an explicit justification of a particular pardon. Only exceptionally would a Government Minister be challenged about the legality of a decision either granting or refusing a pardon. Because of the constitutional convention which prevents exposing directly the political position of the King, Jules d'Anethan (Minister of Justice 1843–1847) defended the Minister's right to refuse to give any reasons for a decision regarding a pardon. He only acknowledged Parliament's right to question a Minister about his general policy on pardons. In his view, it was not within Parliament's powers to ask a Minister of Justice why a pardon had been granted or refused in a specific case. That view tended to limit considerably a Minister's responsibility for Royal pardons: it became no more than an empty shell. Another Minister of Justice, Théophile De Lantsheere (1871–1878), took an opposite view. He refused to state his general policy on pardons, but he accepted to explain the specific reasons why a Royal decision granting or refusing a pardon had been made. In his view, a pardon was in the first place a matter for the Minister's conscience. Parliament was therefore entitled to assess his particular actions. However, in the line of his predecessors' and successors' view, he believed that the reasons why the King had insisted on a pardon or refused to grant a pardon should not be mentioned to Parliament. Pardon was an issue between King and Government, not between King and Parliament. As the saying goes in Belgian constitutional law: The Crown should never be laid 'bare'.
APA, Harvard, Vancouver, ISO, and other styles
2

Laureyssens, Julienne. "L'esprit d'association and the Société Anonyme in Early 19th Century Belgium." Revue belge de philologie et d'histoire 80, no. 2 (2002): 517–30. http://dx.doi.org/10.3406/rbph.2002.4627.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Van Bavel, Jan. "Birth spacing as a family strategy: evidence from 19th century Leuven, Belgium." History of the Family 8, no. 4 (2003): 585–604. http://dx.doi.org/10.1016/j.hisfam.2003.03.001.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Beyen, Marnix. "A parricidal memory: Flanders’ memorial universe as product and producer of Belgian history." Memory Studies 5, no. 1 (2011): 32–44. http://dx.doi.org/10.1177/1750698011424029.

Full text
Abstract:
This article examines how the Belgian patriotic collective memory in Flanders during the 20th century was supplanted by a Flemish Nationalist counter memory. The article starts with a semiotic analysis of some concrete commemorative practices and discourses surrounding the brothers Van Raemdonck, two Flemish soldiers who died during the First World War and were venerated as Flemish heroes. Next, these cases are situated in some larger themes and tendencies dominating the intellectual construction of Flemish National collective memory during the 19th and 20th centuries. Finally, the success of these themes is related to the broader cultural, social and political context of Belgium. Through this widening perspective, the article shows not only that Flemish National collective memory was construed from within Belgian patriotic memory, but also that it profited from the weaknesses in the construction of the Belgian State to become the dominant ‘memorial universe’.
APA, Harvard, Vancouver, ISO, and other styles
5

van Rhee, C. H. "The role of the judge in civil litigation in the 19th century: Case-management avant la lettre in Geneva, The Netherlands and Belgium." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 75, no. 2 (2007): 189–98. http://dx.doi.org/10.1163/157181907781352636.

Full text
Abstract:
AbstractThe present article discusses the powers of the judge in civil litigation in three jurisdictions that have been influenced by the French Code of Civil Procedure (1806). It shows that in the 19th century these jurisdictions adopted French law but at the same time tried to reduce party autonomy by increasing the judge's directive powers. This approach was most successful in Geneva. In The Netherlands, changes in the judge's position were less pronounced, whereas a 19th century Belgian draft code, which contained a number of measures that would have increased the judge's case-management powers, was not adopted in practice.
APA, Harvard, Vancouver, ISO, and other styles
6

van Gerwen, Heleen. "Studying the forms and functions of legal translations in history: the case of 19th-century Belgium." International Journal of Translation and Interpreting Research 11, no. 2 (2019): 106–18. http://dx.doi.org/10.12807/ti.111202.2019.a09.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

DECKERS, B., E. KERSELAERS, H. GULINCK, B. MUYS, and M. HERMY. "Long-term spatio-temporal dynamics of a hedgerow network landscape in Flanders, Belgium." Environmental Conservation 32, no. 1 (2005): 20–29. http://dx.doi.org/10.1017/s0376892905001840.

Full text
Abstract:
Although the importance of hedgerows for sustainable agriculture and conservation of rural biodiversity is increasingly being recognized, obtaining insight into the spatial and temporal dynamics of hedgerow networks remains an important challenge for landscape ecologists, with the key factors driving changes in rural landscape structure especially deserving further attention. The present study analyses the long-term history of a hedgerow network landscape in Flanders, Belgium. A detailed reconstruction of the hedgerow network is made at five points in time, starting at the end of the 18th century until present, for 367 distinct 400 m×400 m samples. Whilst hedgerows were mainly concentrated around historical village centres and within valleys at the end of 18th century, the network expanded progressively during the 19th century. In the 20th century, the hedgerow network degraded strongly, with hedgerow density and connectivity declining and mesh-size heterogeneity and network fragmentation increasing, although the network recovered slightly during the 1990s. Different trajectories of change in hedgerow network structure were observed depending on landscape position, with both topography and village proximity significantly affecting hedgerow network dynamics. The present network structure was mainly governed by land use, with highly developed networks being predominantly associated with pasture. Three main conclusions arise from the results of this study. First, the role of land use and landscape position as basic factors steering hedgerow network dynamics at the landscape scale is demonstrated. Second, the long-term perspective of the study enabled insight into the poorly known expansion phase of hedgerow networks, linked mainly with the development of small-scale labour-intensive agriculture. Finally, the findings confirm the large-scale degradation of linear semi-natural habitats in European agricultural landscapes during most of the 20th century, and indicate that a pro-active rural policy can halt and even reverse this process.
APA, Harvard, Vancouver, ISO, and other styles
8

Prysiazhniuk, Oleksii. "„Royal Commission on Monuments and Landscapes” as a guarantor of the cultural heritage of Belgium." Bulletin of Luhansk Taras Shevchenko National University, no. 6 (337) (2020): 54–63. http://dx.doi.org/10.12958/2227-2844-2020-6(337)-54-63.

Full text
Abstract:
The „Royal Commission on Monuments and Landscapes” of Belgium was one of the first European institutions to emerge in the 19th century and lay the foundations for the systematic protection of cultural heritage. In fact, it was created by decree of King Leopold I on January 7, 1835. The Royal Commission was set up a few years before the adoption of municipal and provincial laws, which became the backbone of the Belgian democratic and decentralized regime. In 1860, the structure of the Royal Commission changed – committees were established at the provincial level under the chairmanship of the governors. The committees were tasked with gathering information on the ground and overseeing the preservation of monuments or works of art. The Royal Commission was commissioned to make a general inventory of artifacts of art and antiquity belonging to public institutions, the preservation of which is important for the history of art and national archeology. Following the enactment of the Landscape Beauty Act of 1911, a section of landscapes appeared in the Royal Commission, approved by a royal decree of May 29, 1912. Since then, it has received its current name, the Royal Commission on Monuments and Landscapes. Members of the Royal Commission have developed an internal classification of monuments, as well as landscapes and places of most interest to the Kingdom. This practice led to the gradual adoption of the concept of classification, which was first approved in the Law of 7 August 1931 on the Preservation of Monuments and Landscapes. The law of 1931 was the culmination of almost a century of efforts by the Royal Commission. Thanks to him, Belgium has acquired a modern legal arsenal that allows for a real policy on heritage protection. Since then, the Commission has become the most important body for dealing with requests for work with classified objects and the official source of requests for classification proposals.
APA, Harvard, Vancouver, ISO, and other styles
9

Vandenbussche, Liselotte. "The Flemish Author, Bilingual Mediator, and Multilingual Translator Frans Rens and the Modest Transfer of Francophone Literature in 19th-Century Belgium." Revue belge de philologie et d'histoire 92, no. 4 (2014): 1311–26. http://dx.doi.org/10.3406/rbph.2014.8613.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

De Spiegeleer, Christoph. "Secularization and the Modern History of Funerary Culture in Europe : Conflict and Market Competition Around Death, Burial and Cremation." Trajecta. Religion, Culture and Society in the Low Countries 28, no. 2 (2019): 169–201. http://dx.doi.org/10.5117/tra2019.2.002.desp.

Full text
Abstract:
Abstract This article connects the history of attitudes toward death and funerary practices in 19th- and 20th-century Europe to the ongoing discussion on secularization. It emphasizes how recent scholarship on the history of death ‐ following broader trends within religious studies ‐ has abandoned the standard modernization-narrative of secularization, and moved to view the issue through the prism of conflict and market competition. Depending on the historical context and the Church-State relationship, a conflict and/or market competition perspective can deepen our understanding of the secularization of death and burial practices. In periods of intense socio-political struggle over the role of religion in the modern polity, a conflict perspective helps to grasp the processes of secularization. Once secular forces have succeeded in breaking the grip of the churches on death and burial, a market perspective can be more useful. Both serve as alternatives to the traditional understanding of secularization as an anonymous process of modernization. An in-depth analysis of the development of a secularist funerary culture in Belgium aptly demonstrates the shift in the master variable influencing secularization ‐ from socio-political conflict to market competition.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Belgium – History – 19th century"

1

Plisnier, René. "Contribution à l'étude de la vie culturelle d'une ville de province au XIXe siècle: le cas de Mons (1795-1914); enseignement, musées, bibliothèques, théâtres; musique, beaux-arts et sociétés." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212113.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

DeFina, Carol Ann. "Belgian avant-gardism, 1887-1889 : Les Vingt, L’Art Moderne and the utopian vision." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25378.

Full text
Abstract:
In 1883 a group of Belgian artists wishing to challenge the hegemony of the Brussels Academy founded the organization, Les Vingt, on the principles of egalitarianism and artistic freedom and elected Octave Maus, editor of the self-proclaimed avant-garde journal, L'Art Moderne, as its secretary. Henceforth, Les Vingt assumed the identity of Belgium's leading visual exponent of modernité and L'Art Moderne became its foremost champion. In actuality, the alliance the Vingtistes formed with L'Art Moderne allowed Octave Maus and his co-editor Edmund Picard to gain control of the group's operations. The journal's editors, through their association with the Belgian social reform movement, had formulated an artistic concept they called l'art social and Les Vingt was to become the incarnation of this new doctrine of social art. During the period of 1887 to 1889, however, while the Belgian workers' movement erupted in a succession of strikes and demonstrations, Maus and Picard radically changed their strategy in marketing Les Vingt to its viewing public. They campaigned for a revised, "depoliticized" avant-garde identity for the group, and the model they chose to represent this new identity was French divisionism. The group's appropriation of divisionism, however, signified a forfeiture of many of the group's original ideals. Furthermore, it became a point of conflict for those Vingtistes who chose to remain loyal to their own styles. This conflict is evident in the case of James Ensor, one of the group's important founding members. During this period, he developed his own personal imagery that was a synthesis of Flemish and modern themes and motifs. This imagery made a bold, critical attack upon Les Vingt's capitulation to French divisionism, which signified an acqui-esence to the ardently Francophile tastes of the Brussels bourgeoisie. The focus of this thesis is an analysis of Les Vingt's avant-garde identity as it evolved out of its relationship with L'Art Moderne, and how that relationship led to the importation of divisionism. Ensor's conflict with Les Vingt and his provocative Flemish imagery is also examined as a means of assessing the significance of Les Vingt's adoption of the French art style.<br>Arts, Faculty of<br>Art History, Visual Art and Theory, Department of<br>Graduate
APA, Harvard, Vancouver, ISO, and other styles
3

Daled, Pierre-Frédéric. "L'Université libre de Bruxelles et la religion: spiritualisme et matérialisme au XIXème siècle." Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212275.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pouillard, Véronique. "La publicité en Belgique (1850-1975): institutions, acteurs, entreprises, influences." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211380.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jaumain, Serge. "Les petits commerçants belges face à la modernité (1880-1914)." Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213069.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Zobl, Franz Xaver. "Regional economic development under trade liberalisation, technological change and market access : evidence from 19th century France and Belgium." Thesis, London School of Economics and Political Science (University of London), 2018. http://etheses.lse.ac.uk/3755/.

Full text
Abstract:
This PhD thesis analyses the spatial dimension of economic development in 19th century France and Belgium. During the 19th century Western European economies underwent a socio-economic and technological transformation to sustained rates of economic growth. The integration of domestic and foreign markets driven by declining transport costs and the reduction of trade barriers, shaped the economic geography of Western Europe. Consisting of three articles, this PhD thesis provides detailed empirical analyses of the spatial effects of trade liberalisation, technological change as well as the relative importance of market access and factor endowments. The first article studies the spatial effects of the Cobden-Chevalier treaty of 1860 which lifted all import prohibitions on British manufacturers, exposing French producers to intensified British competition. The results show that increased British competition has led to a shift in the spatial distribution of French production and employment. Regions located closer to Britain lost employment and output shares in industries which experienced a rising importance of British imports. The second article analyses the interrelatedness between the diffusion of power technologies and urbanisation. I ask the research question whether French adherence to water power, and slow diffusion of steam technologies, was associated with low urbanisation, limited gains from urban agglomeration and through this mechanism constrained economic development. I find that steam-powered firms were around twice as likely to be located in urban regions while water-powered firms were highly associated with rural municipalities. Moreover, urban firms paid higher wages and were more productive than their rural counterparts. The third article studies the importance of access to coal and markets to explain regional patterns of Belgian industrialisation. The analysis shows that both access to coal and markets played important roles, suggesting that supply and demand factors should be seen as necessary rather than sufficient conditions of 19th century industrialisation.
APA, Harvard, Vancouver, ISO, and other styles
7

Loir, Christophe. "Les transformations artistiques en Belgique entre 1773 et 1835: institutions, hommes et oeuvres." Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211521.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Vandervennet, Martine. "L'action des libéraux pour un enseignement public et laïque: le cas de Mons (ca. 1860-1914)." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211370.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Favry, Amélie. "Affirmation du sentiment national belge au travers de la représentation du paysage, 1780-1850." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211052.

Full text
Abstract:
Entre 1780 et 1850, les Belges développent une image symbolique de leur environnement physique. Cette image, conjuguée à une action de transformation du terrain, participe à la structuration de l’environnement belge en un territoire national. Elle témoigne d’une grande stabilité durant l’époque considérée. Dans cette optique symbolique, l’environnement belge incarne les caractères de la communauté nationale, il exprime non seulement le long passé partagé par le sol et les hommes, les interactions séculaires qui les lient, mais aussi les aspirations nourries par les Belges à l’égard de l’avenir.<p>Les premières images mentales du territoire national développées dans le chef des Belges consistent en lieux génériques (les expressions en italiques sont empruntées à Bernard Debarbieux). Définis par le discours, ces lieux génériques sont des environnements physiques dont la physionomie résulte des donnés naturels et de leur transformation par l’homme. La physionomie de ces lieux est donc dominée par l’agriculture, l’industrie et l’habitat humain. Ces configurations génériques ne recouvrent en réalité qu’une partie du territoire national. Leur élection en tant que résumé idéal du territoire belge, reflète les aspirations de la communauté.<p>La qualité esthétique paysagère des lieux génériques du territoire belge n’apparaît pas cependant avec évidence aux contemporains. Un écart sépare le discours et la représentation picturale. Si le premier reconnaît souvent une qualité esthétique aux lieux génériques, qui deviennent alors des paysages, la représentation iconographique se montre plus réticente à leur égard.<p>Les Belges de l’époque développent une seconde facette symbolique de leur territoire. Ils soulignent l’omniprésence des souvenirs historiques nationaux dans leur environnement. La Belgique leur apparaît telle un ensemble de lieux de condensation. Le discours contemporain et les œuvres des peintres, lithographes ou graveurs, témoignant d’une cohésion remarquable, illustrent abondamment les lieux de condensation belges. <p>Les Belges cherchent à diffuser ces images mentales parmi leurs compatriotes. Ce projet collectif répond à une volonté de faire connaître et adopter ces paysages symboliques par l’ensemble des membres de la nation. Cette connaissance passe pour le socle sur lequel peuvent se développer les sentiments d’attachement à la patrie et d’identification à la nation. Le discours et l’image sont mobilisés à cette fin.<p>Ces préoccupations interviennent dans le travail des peintres de paysages. Toutefois, le choix d’un site par un paysagiste belge représentant l’environnement national, est d’abord guidé par des critères internes à la pratique picturale. Ses critères de choix rencontrent en effet ceux qu’émet le discours de l’époque définissant les normes de qualité esthétique d’un tableau. L’artiste tend en outre à satisfaire les attentes du public, lequel cherche à combler son envie d’évasion hors de la cité, mais aussi à se rassurer quant à l’harmonie et à la viabilité de la société contemporaine. Les peintres (et donc leur public) manifestent pourtant une faveur particulière envers les sites belges. Ce goût dénote une identification et un attachement au pays habité par la nation historique, telle que la décrit le discours contemporain. Même s’il vient après la satisfaction des critères esthétiques, le critère de l’identification à un site belge intervient de façon notable dans l’attrait exercé par un paysage peint. <p>Il apparaît ainsi que les lieux génériques (agricoles et industriels) passent difficilement le premier crible, esthétique, tandis que les lieux de condensation satisfont tant les attentes esthétiques que les attentes symboliques – qualité qui assure leur succès en tant que motifs picturaux.<p>Les paysagistes élaborent en outre une image paysagère générique de la Belgique qui est une adaptation, conforme aux critères d’appréciation en vigueur dans le champ de la représentation picturale, du paysage générique agricole et industriel défini par le discours contemporain. Leurs œuvres dépeignent en effet la Belgique comme un territoire réalisant les canons pittoresques, comme un environnement verdoyant, boisé, vallonné, peuplé, traversé de rivières, semé d’habitations, de moulins ou autres fabriques anciennes. Dans les années 1840, les paysagistes développent également une nouvelle facette dans ce paysage générique pictural, en représentant les étendues arides, stériles et très peu peuplées, présentes sur le territoire. Cette apparition inaugure une période nouvelle, durant laquelle l’image picturale de la Belgique se dédouble, embrassant, d’une part, les sites prisés durant les premières décennies du siècle et, de l’autre, les plaines de bruyères désertes peu à peu investies d’une valeur identitaire et élevées au rang de configuration générique nationale.<br>Doctorat en philosophie et lettres, Orientation histoire de l'art et archéologie<br>info:eu-repo/semantics/nonPublished
APA, Harvard, Vancouver, ISO, and other styles
10

Thieffry, Sandrine. "L'édition musicale à Bruxelles au temps de Léopold Ier, 1831-1865." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209941.

Full text
Abstract:
Cette thèse retrace l'histoire de l'édition musicale, depuis la création artistique jusqu'à sa consommation, en passant par toutes les étapes de sa confection et de sa distribution. Une époque :la première moitié du XIXe siècle. Un lieu :Bruxelles. Des acteurs, les éditeurs eux-mêmes, mais aussi l’ensemble de leurs collaborateurs, à commencer par les compositeurs, mais aussi les graveurs et lithographes, les imprimeurs, les commissionnaires et autres marchands de musique qui ont participé à ce commerce spécifique. Un support physique enfin :la partition imprimée devenue un nouveau produit commercialisable et consommable. <p>Seuls les éditeurs de musique les plus importants de cette période ont été envisagés ici. Ils sont au nombre sept dont un domine largement les six autres. Il s’agit de la maison Schott frères. Tous ces éditeurs ont été traités avec le même soin et de la même manière, autour de trois axes de recherche :la production, la diffusion et la consommation de la musique. <p><br>Doctorat en Histoire, art et archéologie<br>info:eu-repo/semantics/nonPublished
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Belgium – History – 19th century"

1

Vandenbreeden, Jos. The 19th century in Belgium: Architecture and interior design. Lannoo, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ochse, Orpha. Organists and organ playing in nineteenth-century France and Belgium. Indiana University Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Belgium and the Holy See from Gregory XVI to Pius IX, 1831-1859: Catholic revival, society, and politics in 19th-century Europe. Institut historique belge de Rome, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

L' Ecole républicaine française et ses miroirs: L'idéologie scolaire française et sa vision de l'école en Suisse et en Belgique à travers la Revue pédagogique, 1878-1900. P. Lang, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Annick, Houzé, ed. Neo-impressionist painters: A sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Théo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet. Greenwood Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gerhard, Finckh, and Von der Heydt-Museum, eds. James Ensor: Schrecken ohne Ende. Von der Heydt-Museum, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ensor, James. James Ensor: Etsen uit de verzameling van de Kredietbank. Kredietbank, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ensor, James. James Ensor: Gallerie civiche d'arte moderna, Palazzo Massari, 30 giugno-12 ottobre 1986. SIAE, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Germany), MARTa Herford (Herford, and Herforder Kunstverein, eds. James Ensor. MARTa Herford, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ensor, James. James Ensor: Musée du Petit Palais, 27 avril-22 juillet 1990. Paris-Musées, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Belgium – History – 19th century"

1

Volkov, V. "Innovation and technology in the 19th-century Belgian window glass industry." In History of Construction Cultures. CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-189.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Couttenier, Piet. "National Imagery in 19th Century Flemish Literature." In Nationalism in Belgium. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26868-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hall, Robert A. "19th-Century Italian." In The History of Linguistics in Italy. John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.11jal.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Driel, Lodewijk van. "19th-Century Linguistics." In The History of Linguistics in the Low Countries. John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.10dri.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Roberts, Adam. "Early 19th-Century SF." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Berg, Christian. "The Symbolic Deficit. French Literature in Belgium and 19th Century National Sentiment." In Nationalism in Belgium. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26868-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Vannatta, Seth. "The 19th Century and History." In Conservatism and Pragmatism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137466839_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gallarotti, Giulio M. "The 19th century conferences." In A History of International Monetary Diplomacy, 1867 to the Present. Routledge, 2021. http://dx.doi.org/10.4324/9781315732435-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Green, Michael D., and Theda Perdue. "Native-American History." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kay, A. Barry. "Landmarks in Allergy during the 19th Century." In History of Allergy. S. KARGER AG, 2014. http://dx.doi.org/10.1159/000358477.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Belgium – History – 19th century"

1

Ismail, Amnah Saay, B. Jalal, M. Md Saman, and Wan Kamal Mujani. "19th Century Pahang Islamic Scholars in 'A History of Pahang'." In 2017 International Conference on Education, Economics and Management Research (ICEEMR 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iceemr-17.2017.49.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

NECHITA, Constantin. "DECLINE HISTORY OF OAKS IN 20TH CENTURY FOR ROMANIAN EXTRA-CARPATHIAN REGIONS." In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/3.2/s14.087.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Tleubekova, G. "Late 19th – early 20th century European travelers account of the nomadic people of Central Asia." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-07-2020-05.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Stansfield, Billy, and William B. Ouimet. "HISTORY, MAPPING, AND PHYSICAL PROPERTIES OF 18TH – 19TH CENTURY RELICT CHARCOAL HEARTHS IN EASTERN CONNECTICUT." In 54th Annual GSA Northeastern Section Meeting - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019ne-328410.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Shaidurov, Vladimir. "MIGRATIONS AND THEIR INFLUENCE ON THE ETHNIC COMPOSITION OF THE NORTHERN ASIAN POPULATION IN THE SECOND HALF OF THE 19TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.068.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mitina, Rimma. "STAGES OF FORMATION AND DEVELOPMENT OF OFFICIAL PERIODICALS IN RUSSIAN PROVINCES IN THE 19TH CENTURY (FOR EXAMPLE NEWSPAPERS PERM PROVINCIAL GAZETTE)." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.076.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wozniakowski, Arkadiusz. "THE EASTERN BATTERY IN SWINOUJSCIE, POLAND � HISTORY AND ARCHITECTURE OF A PRUSSIAN COASTAL FORT FROM THE 19th CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.077.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

FONSECA, Letícia Pedruzzi. "Graphic innovations implemented in the Brazilian press by Julião Machado in the end of the 19th Century." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-075.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Tsydene, Shirap. "Pre-Revolutionary Historiography of the History of Local Self-Government in Buryat." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.53.

Full text
Abstract:
With the inclusion of Buryats in the Russian state, the need arose to create management mechanisms and inclusion are of the Buryats in Russian culture. This need became the subject of research by theoreticians of scientific thought and state building, which formed over the 19th century, the historiographic foundation. The article highlights the issues formed and the development of historiography on the history of local self-government.
APA, Harvard, Vancouver, ISO, and other styles
10

Carr, Matthew A. "The Impact of Steam Innovations on Ship Design: An Abbreviated History of Marine Engineering." In ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-43767.

Full text
Abstract:
The adaptation of steam engines for marine propulsion caused a dramatic shift in naval and commericial ship design during the 19th Century. The transition from sail to steam hastened the demise of several classes of ships and altered shippings routes from the trade winds to great circle routing. The conduct of naval warfare was always influenced by the limits of available propulsion technology. Throughout maritime history, innovative naval commanders sought ways to overrun, outmaneuver, and outlast their opponents. Coincident developments in armaments and armor, facilitated by this “new” propulsion technology, rendered the world’s sailing navies largely obsolete within a relatively brief period of the 19th Century. This presentation highlights the major technological advances in steam propulsion from the early combination of low-speed single-acting reciprocating engines driving paddle wheels through high-speed turbines and reduction gears driving multiple-blade variable-pitch propellers; and, boilers heated by hand-fed wood and coal through nuclear fission.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Belgium – History – 19th century' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography