Academic literature on the topic 'Bell music'

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Journal articles on the topic "Bell music"

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Kieffer, Alexandra. "Bells and the Problem of Realism in Ravel’s Early Piano Music." Journal of Musicology 34, no. 3 (2017): 432–72. http://dx.doi.org/10.1525/jm.2017.34.3.432.

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Early in his career Maurice Ravel composed two pieces that take bells as their subject: “Entre Cloches” from Sites auriculaires, composed in 1897, and “La vallée des cloches,” the final movement of the 1905 work Miroirs. Although these pieces can be contextualized within a nineteenth-century lineage of French piano pieces that depict bell peals, they also set themselves apart by virtue of their heightened attention to the particularities of bell sonorities. Relying heavily on repetitive ostinato patterns, quartal harmonies, and intense dissonances, these pieces play in the nebulous space betwe
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Lehr, André. "III. From Theory to Practice." Music Perception 4, no. 3 (1987): 267–80. http://dx.doi.org/10.2307/40285370.

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Modern digital computation techniques have made it possible to compute a base profile for a bell so that it will have some particular, predetermined eigenfrequencies. Practice has shown that with a combination of these modern techniques and the traditional skills of an experienced bell founder, a carillon bell can be made that contains an unconventional "major-third" partial and is in other respects at least as well-tuned as traditional carillon bells of high quality. An experimental movable carillon with 47 major-third bells was built and was found to be aurally quite distinguishable from a c
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Zhang, Leyu. "Acoustic Design of Elliptical Bells for Chime Sound Simulation." Highlights in Science, Engineering and Technology 72 (December 15, 2023): 1378–94. http://dx.doi.org/10.54097/kefdrw59.

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This project seeks to unravel the opulent acoustical characteristics and sonic effects of ancient Chinese chime bells. Initially, distinctive features of the chime bells are encapsulated, highlighting the bifonic phenomenon and elucidating the role of fundamental and harmonic frequencies in chime bell sound production, while emphasizing the timbral diversity attributable to its multifrequency sound source. An exploration into the impacts of various factors on chime bell sound, such striking position, is conducted through experimentation with a bronze chime bell model, underscoring their signif
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Bell, Adam Patrick, and Leila Adu-Gilmore. "Appropriately eclectic: Music technology and popular music education." Journal of Popular Music Education 7, no. 3 (September 1, 2023): 235–39. http://dx.doi.org/10.1386/jpme_00124_2.

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Editors of the Special Issue on music technology and popular music education, adam patrick bell and Leila Adu-Gilmore, discuss the impact of the COVID-19 pandemic and the murder of George Floyd on global society to contextualize the period in which the articles in the issue were written. They suggest that popular music education can be a vehicle to examine inclusive musical practices. bell and Adu-Gilmore detail that in their original call for papers they wanted to avoid defining the term ‘music technology’ with the hope that authors would interpret and define music technology in diverse and/o
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Studwell, William E. "From “Jingle Bells” to “Jingle Bell Rock”." Music Reference Services Quarterly 5, no. 1 (September 20, 1996): 1–20. http://dx.doi.org/10.1300/j116v05n01_01.

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Campbell, Patricia Shehan. "Bell Yung on Music of China." Music Educators Journal 81, no. 5 (March 1995): 39–46. http://dx.doi.org/10.2307/3398855.

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Halsted, Margo. "Tower bell music through the centuries." Journal of the Acoustical Society of America 101, no. 5 (May 1997): 3073. http://dx.doi.org/10.1121/1.419289.

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Schoofs, A., F. Van Asperen, P. Maas, and A. Lehr. "I. Computation of Bell Profiles Using Structural Optimization." Music Perception 4, no. 3 (1987): 245–54. http://dx.doi.org/10.2307/40285368.

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This article describes the design of the profile for a major-third bell using structural optimization strategies. First a sequential linear programming method was used to find a prototype of the bell. The necessary analyses were done using the finite element method. Next, a fast analysis model was derived by numerical experimental design techniques. This analysis model led to the final geometry of the major-third bell.
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ILCHUK, LINA. "CONTENTS OF METHODICAL TRAINING OF FUTURE TEACHERS-MUSICIANS FOR THE USE OF BELL RINGING MEANS IN PROFESSIONAL ACTIVITY." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, no. 2 (April 6, 2021): 60–69. http://dx.doi.org/10.25128/2415-3605.20.2.9.

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The urgency of improving the professional training of future music teachers in connection with the growing public demand for the professional qualities of teachers is substantiated. It is established that the teacher’s search for a new content of education, in particular among ethnopedagogical bell ringing means, the use of non-traditional methods and forms of teaching will promote creative development of an individual, the formation of value attitude to the traditions and customs of his/her nation. The necessity of formation of methodical readiness of future teachers-musicians for the use of
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LEE, M. OWEN. "Quarterly Quiz Bell-Shaped Tones." Opera Quarterly 10, no. 4 (1994): 91–94. http://dx.doi.org/10.1093/oq/10.4.91.

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Dissertations / Theses on the topic "Bell music"

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Kaminski, Jason. "Kolokol : spectres of the Russian bell." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2006. http://hdl.handle.net/2100/421.

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Kolokol: Spectres of the Russian Bell, submitted by Jason Kaminski in fulfilment of the requirements of PhD (Humanities and Social Sciences) candidature at the University of Technology, Sydney, is an interpretative history of Russian bells (kolokola) and bell music (zvon). As a cultural object and sign, the Russian bell is associated with ideas of transcendence, and ideological and creative ‘vision.’ This interpretation of the signification of the kolokol as a sign arises directly from the perception that the bell is essentially a physical (anthropomorphic) body that is capable of ‘projecting’
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Lee, Riley. "Yearning for the bell a study of transmission in the shakuhachi honkyoku tradition /." Connect to full text, 1992. http://hdl.handle.net/2123/1742.

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Thesis (Ph. D.)--University of Sydney, 1994.<br>Title from title screen (viewed Oct. 8, 2009). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Music, Faculty of Arts. Degree awarded 1994; thesis submitted 1992. Vol. 2 chiefly consists of musical examples. Includes tables. The thesis consists of 2 vol. Includes bibliographical references. Also available in print form.
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Botha, Alison. "A survey of the development of pitch perception theories, their application to bell sounds and an investigation of perceived differences between ringing and chiming bells." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002296.

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A brief overview of the workings of the human auditory system is followed by a review of literature concerning both the theories and experimental investigations of human pitch perception. The application of these theories to the inharmonic complex tones produced by bells is discussed, and further experiments using bell sounds are reviewed. A methodology for psychoacoustic experiments with specific reference to those investigating pitch perception of inharmonic complex tones is presented. This methodology is then implemented in an experimental investigation of pitch perception of ringing and ch
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Stein, Edward Garret. "An examination of major works for wind band, and chamber ensemble : "Pantomime" by Pierre Mercure, "From chaos to the birth of a dancing star" by Allan Gordon Bell, and "Tafelmusik" by Godfrey Ridout." Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/290.

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Olivieri, Catanzaro Tatiana. "La musique spectrale face aux apports technoscientifiques." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040118.

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La naissance de la musique spectrale et du modèle compositionnel qui la sous-tend a été conditionnée par un contexte technoscientifique spécifique, au carrefour de disciplines aussi diverses que la physique, la psychoacoustique, l’électronique, l’informatique ou la philosophie. Le présent travail de thèse en retrace certaines des étapes. Tout en remontant jusqu’à l’avènement de la science moderne au XVIIe siècle, elle aboutit à une caractérisation de ce courant esthétique comme un exemple de révolution non-cartésienne dans le sens que Bachelard donna au terme dans son Nouvel Esprit Scientifiqu
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Pérez, Arquillo Julia. "Experiencing Bel Canto : Getting deep into the style." Thesis, Stockholms konstnärliga högskola, Institutionen för opera, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-922.

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One of the styles that has influenced opera the most through history has been Bel canto. This work is a recompilation of personal research about its history, characteristics and one of its major exponents, G. Rossini. At the same time, it includes a personal approach on the topic of how to create and perform a character and some exercises aimed to improve the singing in the mentioned style.
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Williams, Evan Michael. "Prelude in Tempore Belli." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260.

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Lower, Jonathan. "Lead Belly: Race and Social Activism in Blues Music." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1405422192.

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Koch, Klaus-Peter. "Vladimír Čížik und Jana Lengová (Hg.), Exegi monumentum. Ján Levoslav Bella (1843-1936). Život a dielo v obrazových dokumentoch [Ján Levoslav Bella. Leben und Werk in Bilddokumenten], Banská Bystrica 1992, slowakisch und deutsch; Jana Lengová (Hg.), Ján Levoslav Bella v kontexte európskej hudobnej kultúry [Ján Levoslav Bella im Kontext der europäischen Musikkultur], Konferenzbericht Banská Bystrica 1993 (= Bibliotheca musicae Neosoliensis I), Banská Bystrica 1993, slowakisch und deutsch.; Jana Lengová (Hg.), Duchovná hudba v 19. storočí [Geistliche Musik im 19. Jahrhundert], Konferenzbericht Banská Bystrica 1994 (= Bibliotheca musicae Neosoliensis II), Banská Bystrica 1995, slowakisch und deutsch; Tradície európskej hudby 15. - 18. storočia [Traditionen der europäischen Musik des 15. - 18. Jahrhunderts], Konferenzbericht Bratislava 1995 (= Slovenská hudba [Slowakische Musik] XXII, Heft 3/4), Bratislava 1996 [Rezension]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222681.

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Bourne, Tracy Marie. "Perceptual, acoustic and physiological characteristics of music theatre singing." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15684.

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Most of the scientific research on the singing voice has focused on classical and operatic singing. Music theatre and contemporary voice are growing in popularity within Western musical culture, but little is known about safe and effective training methods, aesthetics and vocal health for students of these vocal styles. This research aims to combine pedagogical experience and objective data gathered from experimental studies in order to develop a more complete understanding of the perceptual, physiological and acoustic features of music theatre vocal styles. In study one, a series of semi-str
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Books on the topic "Bell music"

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Griffin, Patty. Silver bell. Santa Monica, CA: A&M/Universal, 2013.

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author, Sevri︠u︡kova Nadii︠a︡, ed. Midnyĭ holos vikiv. Lut︠s︡ʹk: Polihrafichno-vydavnychyĭ dim Tverdyni︠a︡, 2016.

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McCue, Lisa. Jingle bell mice. [Mahwah, NJ]: WhistleStop, Troll, 1997.

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Adrian, Karlo. Edison Bell Winner Records. 2nd ed. Bournemouth, England: E. Bayly, 1989.

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Chavers, Nicky. Klinkenschnell the Christmas bell: A children's Christmas musical. Greenville, S.C: Majesty Music, 1995.

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1932-, Douglas Sheila, and Perth & Kinross Libraries & Lifelong Learning., eds. The Atholl Collection catalogue: 300 years of Scottish music and poetry. [Perth]: Perth and Kinross Libraries, 1999.

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Mende, Bernd. Die Glocken der Weimarer Schlosskirche: Ein kostbares Erbe der Bachzeit im barocken Schlossturm. Weimar: Stadtmuseum Weimar, 2008.

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Marclay, Christian. The bell and the glass. Philadelphia, PA: 1000 Islands Phota Art, 2004.

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Wales, Tony. Ballads, bands and bell-ringers: Singers, musicians and story tellers in old Sussex. Horsham: Fieldand Furrow Books, 1985.

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Malʹt︠s︡ev, S. Nezemnai︠a︡ muzyka Rostova Velikogo. I︠A︡roslavlʹ: [publisher not identified], 2017.

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Book chapters on the topic "Bell music"

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Saltzman, Steven A. "Alan Edward Bell." In The Music of Film, 201–14. London: Focal Press, 2022. http://dx.doi.org/10.4324/9781003147749-22.

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Dvurečenskij, Anatolij. "Bell-Type Inequalities and Orthomodular Lattices." In Language, Quantum, Music, 209–18. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2043-4_19.

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Karagouni, Villy. "“Key Clacks and Bell Dings and Slamming Platens”: The Historical and Narrative Function of Music in E. L. Doctorow’s Homer and Langley." In 21st Century US Historical Fiction, 111–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_7.

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Zotter, Astrid. "Bells, auspiciousness and the god of music." In Worship Sound Spaces, 122–39. New York : Routledge, 2020. | Series: [Research in architecture]: Routledge, 2019. http://dx.doi.org/10.4324/9780429279782-8.

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Magnard, Pierre. "La grâce plus belle encore que la beauté." In Musica corporis, 301–8. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00212.

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"bell." In Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.01181.

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"alarum-bell." In Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.00545.

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"The Bell." In Music in Films on the Middle Ages, 44–62. Routledge, 2013. http://dx.doi.org/10.4324/9780203385470-9.

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"3. Chime-Bell Manufacture and Its Connotations." In Suspended Music, 98–126. University of California Press, 1994. http://dx.doi.org/10.1525/9780520911079-008.

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Juslin, Patrik N. "Ring My Bell." In Musical Emotions Explained, 303–15. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198753421.003.0021.

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This chapter considers the psychological mechanism known as evaluative conditioning. Evaluative conditioning is defined as a process whereby an emotion is evoked by a piece of music just because this stimulus has been paired, repeatedly, with other positive or negative stimuli, which are not necessarily logically connected to the music in any way. It is a special form of classic conditioning that involves the pairing of an initially neutral conditioned stimulus (CS) with an affectively valenced, unconditioned stimulus (US). After the pairing, the CS acquires the ability to arouse the same affective state as the US in the perceiver. The remainder of the chapter discusses the characteristics of evaluative conditioning, the emotions that conditioning might arouse, and the role of conditioning in everyday life.
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Conference papers on the topic "Bell music"

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Reuter, Christoph, Michael Plitzner, Marik Roos, Isabella Czedik-Eysenberg, Veronika Weber, Saleh Siddiq, Michael Oehler, and Andreas Rupp. "The Sound of Bells in Data Cells – Perceived Quality and Pleasantness of Church Bell Chimes." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001661.

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Bie, Zhian. "Research on the Music Performance of the Sheep Horn-bell." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.77.

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Joshi, Vedant, and Francine Battaglia. "A Risk Assessment of Pathogen Transport During an Indoor Orchestra Performance." In ASME 2021 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/imece2021-73290.

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Abstract The COVID-19 pandemic has shown that airborne pathogens and viruses have a detrimental impact on the health and well-being of an individual in an indoor space. Respiratory particles are released as droplets of varying velocities and diameters, where smaller droplets (aerosols) linger in air for prolonged periods, increasing the infection risk of individuals in an enclosed space. The pandemic has raised concerns regarding the safety of musicians due to respiratory particles released through woodwind and brass instruments. A collaboration with the Buffalo Philharmonic Orchestra was purs
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Won Gu, Ji, Ji-Hoon Hwang, Ryun-Seok Oh, and Jun-Ho Choi. "Analysis of Pre-evacuation Time and EEG for Fire Alarm when Wearing ANC Earphones." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002638.

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With the development of mobile technology and the progress of an Untact society, the number of people who listen to lectures or music in various urban environments is increasing. In response to such an increase in demand, Active Noise Canceling(ANC) earphones that remove ambient background noise or static and also enable stable listening have been developed, and the earphones are enjoying great popularity. However, these ANC earphones can put the user in a dangerous situation at any time because they block even major alarm sounds such as a car horn or fire alarm. In this study, 10 men and wome
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Van, Kesin. "Bel Canto's Influence on the Development of Modern Chinese Opera Singing." In All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98545.

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Since the emergence of bel canto in China, traditional Chinese singing has been greatly influenced. Modern Chinese opera not only inherits the essence of Chinese national music, but also includes the unique vocal abilities of bel canto. It is thanks to Chinese national music and bel canto, which give Chinese opera singing in modern opera a whole new artistic experience that makes contemporary Chinese opera singing aimed at diversified development. The article analyzes the direction of development of bel canto in the field of Chinese art and the influence of bel canto on the direction of develo
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Loureiro, Maurício, Tairone Magalhaes, Davi Mota, Thiago Campolina, and Aluizio Oliveira. "A retrospective of the research on musical expression conducted at CEGeME." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10440.

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CEGeME - Center for Research on Musical Gesture and Expression is affiliated to the Graduate Program in Music of the Universidade Federal de Minas Gerais (UFMG), hosted by the School of Music, Belo Horizonte, Brazil, since 2008. Focused on the empirical investigation of music performance, research at CEGeME departs from musical content information extracted from audio signals and three-dimensional spatial position of musicians, recorded during a music performance. Our laboratories are properly equipped for the acquisition of such data. Aiming at establishing a musicological approach to differe
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Barta, Judit. "A kiegészítő nyugdíjpillér ezen belül a magánnyugdíjpénztári rendszer aktuális helyzete és értékelése." In MultiScience - XXIX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2015. http://dx.doi.org/10.26649/musci.2015.079.

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Kovács, József, and Andrei Andras. "Reliability Analysis of the Belt Conveyors at Vulcan Mine Plant, Jiul Valley, Romania." In MultiScience - XXIX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2015. http://dx.doi.org/10.26649/musci.2015.032.

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Ding, Shuyue. "The Application of Bel Canto in National Vocal Music." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.51.

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Um, Eunkyung, and Yunfei Zheng. "Misunderstanding Analysis and Countermeasure Research in Vocal Music Teaching of Bel Canto." In Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/erss-18.2019.153.

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