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Saylor, Lawrence (Lawrence Emory). "W. B. Yeats's "The Cap and Bells": Its Sources in Occultism." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278020/.
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While it may seem that "The Cap and Bells" finds its primary source in Yeats's love for Maud Gonne, the poem is also symbolic of his search for truth in occultism. In the 1880s and 90s Yeats coupled his reading of Shelley with a formal study of magic in the Golden Dawn, and the poem is a blend of Shelleyan and occult influences. The essay explores the Shelleyan/occult motif of death and rebirth through examining the poem's relation to the rituals, teachings, and symbols of the Golden Dawn. The essay examines the poem's relation to the Cabalistic Tree of Life, the Hanged Man of the Tarot, two Golden Dawn diagrams on the Garden of Eden, and the concept of Kundalini.
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Kozlova, Yulia V. "Sources of inspiration in selected piano works by Sergei Slonimsky." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117574266.
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Thesis (Ph. D.)--Ohio State University, 2005.Title from first page of PDF file. Document formatted into pages; contains xi, 103 p.; also includes graphics. Includes bibliographical references (p. 100-103). Available online via OhioLINK's ETD Center
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Merabet, Mehdi. "Abordagem terapêutica em reabilitação da paralisia facial periférica: revisão da literatura." Bachelor's thesis, [s.n.], 2018. http://hdl.handle.net/10284/6729.
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Projeto de Graduação apresentado à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Licenciado em FisioterapiaIntrodução: A paralisia facial periférica (PFP) é uma patologia dos músculos da face mais frequentemente encontrada pelos fisioterapeutas. Para além da perda motora dos músculos faciais, a assimetria facial leva a uma alteração psicológica, com perda da autoestima, autoconfiança, alteração da personalidade e preconceito estético. Objetivo: Analisar as diferentes intervenções terapêuticas na reabilitação de pacientes com PFP. Metodologia: Foi realizada uma pesquisa nas bases de dados, Pubmed e PEDro, com as palavras de pesquisa paralisia facial, paralisia de Bell e fisioterapia cumprindo os critérios de seleção. Resultados: Foram incluídos nesta revisão 7 estudos randomizados controlados e ensaios clínicos com qualidade metodológica de 5,2/10 na escala de PEDro. Os estudos abordam a diferentes intervenções terapêuticas tais como agentes físicos, técnicas orientais e exercícios terapêuticos. Conclusão: Concluiu-se que os diferentes programas de intervenção terapêutica em pacientes com PFP foram eficazes, sendo que o laser de alta intensidade, a electroacupunctura/acupunctura e exercícios neuromuscular mostraram os resultados mais significativos.
Introduction: Peripheral facial paralysis (PFP) is a facial muscle pathology most frequently encountered by physiotherapists. In addition to the motor loss of the facial muscles, facial asymmetry leads to a psychological change, with loss of self-esteem, self-confidence, personality change and aesthetic prejudice. Objective: Analyse the different therapeutic interventions in the rehabilitation of patients with PFP. Methods: A research was carried out in the databases, Pubmed and PEDro, with the words search facial palsy, Bell's palsy and physiotherapy, fulfilling the selection criteria. Results: We included 7 randomized controlled trials and clinical trials with methodological quality of 5.2/10 on the PEDro scale. The studies address different therapeutic interventions such as physical agents, oriental techniques and therapeutic exercises. Conclusion: It was concluded that the different therapeutic intervention programs in patients with PFP were effective, and the high intensity laser, electropuncture/acupuncture and neuromuscular exercises showed the most significant results.
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Riegel, Marcus L. "An analytical and historical examination of six works for middle level wind band: Bells of freedom (grade 1) by David Gillingham, Rising star (grade 1) by Samuel R. Hazo, Achilles’ wrath (grade 2) by Sean O’Laughlin, Kenya contrasts (grade 2.5) by William Himes, On the wings of swallows (grade 3) by Michael Sweeney, and Old churches (grade 3) by Michael Colgrass." Kansas State University, 2008. http://hdl.handle.net/2097/1130.
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Master of MusicDepartment of Music
Frank C. Tracz
The following document is research and analysis from the comprehensive examination question based on the Graduate Conducting Recital of Marcus L. Riegel. The recital, performed by the Chapman Middle School Sixth, Seventh, and Eighth Grade Bands, was given in the District Gymnasium at the Spring Arts Concert on April 22, 2008 at 7:00 pm. The repertoire included but was not exclusive to Bells of Freedom by David Gillingham, Rising Star by Samuel R. Hazo, Achilles’ Wrath by Sean O’Loughlin, Kenya Contrasts by William Himes, On the Wings of Swallows by Michael Sweeney, and Old Churches by Michael Colgrass. This document contains theoretical and historical analysis- and outlines the procedures of planning and performing the graduate conducting recital.
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Macário, Paula Gomes 1975. "Neo-gregos da Belle Epoque brasileira." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270024.
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Orientador: Luiz Carlos da Silva DantasDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-04T17:50:28Z (GMT). No. of bitstreams: 1 Macario_PaulaGomes_M.pdf: 1318158 bytes, checksum: 70d5b81d80da11159db1418e6069b098 (MD5) Previous issue date: 2005
Résumé: L¿objetive de cet travail est identifier, recueillir et commenter une série de textes que forment une tendance particulier devant le conjoint de la producion littéraire brésiliene des premiers decades du vingtième siècle. Cette tendance se definit pour la utilisation de la thématique de la antiguité grecque e du paganisme pour exprimer idées de libéralisation morale. Idées que se mettait d¿accord avec le moment de transformation pour que passait une société en procés de modernisation. Pour fair cette lecture il a été nécessaire analyser come l¿universe de la antiguité grecque represéntait une référence symbolique de excellence esthétique et, en même temps, de une sensualité eloigné de la notion chétiene de péché. Aborder, puis, la notion historique de une société que s¿abouchait avec nouveaus et modernes usages, que donnaient visibilité a le cops. Finalement considérer come ces références ont été rassemblé pour un groupe de auteurs pour produire une littérature de face ornemental et sensuel, avec un sens de libéralisation
Resumo: O objetivo do trabalho é identificar, reunir e comentar textos que configurem uma tendência literária particular no panorama da literatura brasileira do início do vigésimo século. Tendência que se define pela utilização da temática da Grécia antiga e do paganismo como campo de explanação de ideais de liberalidade moral. Ideais que condiziam com o momento de transformação vivido por uma sociedade em processo de modernização. Para tanto coube analisar de que maneira o universo da antiguidade e do paganismo representara uma referência simbólica de tradicional sublimidade estética e, ao mesmo tempo, de uma sensualidade afastada da noção cristã de pecado. Abordar em seguida a noção histórica de uma sociedade em relação com novos e modernos hábitos, que conferiam destaque à corporalidade. E, por fim, considerar de que maneira tais referências foram reunidas e apropriadas por uma série de autores na construção de uma literatura hedonista e sensualizada, de feições ornamentais e sentido moralmente libertário
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
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Morizono, Vivian Yoshie Martins. "Os salões da Belle Époque nas crônicas sociais de Marcel Proust e João do Rio." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-24112016-130930/.
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Os salões eram considerados importantes locais de sociabilidade, onde eram travadas relações, alianças e casamentos desde o século XVIII. A crônica social, por sua vez, carrega a representação dessas sociabilidades para as páginas dos jornais e os torna espaço de reconhecimento da alta sociedade, descrevendo modas, frequentadores, acontecimentos e o próprio ambiente mundano. Através da análise comparativa desses textos produzidos por Marcel Proust e João do Rio, a presente pesquisa visa investigar esse gênero de grande destaque nos jornais e revistas da Belle Époque, tanto na França como no Brasil. Para isso, propomos, em primeiro lugar, uma contextualização histórico-cultural da alta sociedade, dos salões e da imprensa dos dois países. Em seguida, procuramos explorar os traços jornalísticos e literários presentes nas crônicas sociais. Como os escritores se serviam dos protocolos do suporte impresso? De que maneira os aspectos ficcionais são inseridos nessas seções dos periódicos? E por que? Como João do Rio produzia crônicas de salões em um país cuja população era majoritariamente formada por analfabetos? Esses foram alguns dos questionamentos levantados. Por meio de leituras sistemáticas, análises textuais e de gênero levando em conta o contexto dos jornais Le Figaro e Le Gaulois, no caso de Proust, e O Paiz, no caso de João do Rio, foi possível concluir que a crônica social é composta de uma tensão entre a tentativa de representar o esplendor dos salões da alta sociedade carioca e parisiense e a necessidade de responder às exigências midiáticas. Pode-se dizer que ambos compreendem o gênero e fazem bom uso tanto das regras midiáticas como de seus aspectos literários. Marcel Proust e João do Rio, apesar de estarem inseridos em cenários tão diversos, descrevem o ritual dos salões, cuja liturgia é conhecida e reconhecida pelos leitores e ainda inserem esse universo, ao mesmo tempo real e imaginado, entre as colunas econômicas e políticas.The salons were considered important sociability places, where relationships and alliances were settled and marriages arranged since the 18th century. The social article, in its turn, lead the representation of this sociability to the newspapers pages, turning them into a space of recognition for the high society, describing the fashion, the public, the events and the very worldliness ambiance. Through the comparative analysis of the texts by Marcel Proust and João do Rio, the present research intends to investigate this genre of great preeminence in newspapers and magazines form the Belle Époque in France and Brazil. In order to do so, we provide, in the first place, a historical and cultural context of the high society, the salons and the press from both countries. Then, we will exploit the journalistic and literary traits in the social articles. How did the writers take advantage of the printed media protocols? How fictional traits were inserted in these sections of the newspapers and why? How did João do Rio write salon articles in a country whose population was predominantly illiterate? Those were a few of the questions raised. Through systematic readings and analysis of text and genre on the newspapers Le Figaro and Le Gaulois regarding Proust, and O Paiz in the case of João do Rio, we were able to infer that the society pieces were made from a tension between the attempt to represent the Carioca and Parisian high societies salons splendor and the need to supply the demands of the media. We can state that both authors understand the genre and make good use of its rules and literary traits. Marcel Proust and João do Rio, despite being inserted in such different contexts, describe the salons rituals whose liturgy is know and acknowledged by its readers and yet place them into this universe, at the same time real and imagined, between economy and politics columns.
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Silva, Gelbart Souza. "Ephemeris belli Troiani Dictys Cretensis : estudo e tradução /." São José do Rio Preto, 2019. http://hdl.handle.net/11449/182250.
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Orientador: Cláudio AquatiBanca: Márcio Natalino Thamos
Banca: Norma Wimmer
Resumo: Neste trabalho, estudamos e traduzimos integralmente uma obra da literatura latina tardia conhecida como Ephemeris belli Troiani Dictys Cretensis (Diário da Guerra de Troia ), anônima e datável do século IV d. C. Ephemeris relata os eventos da Guerra de Troia do ponto de vista de um narrador em primeira pessoa que se apresenta como um soldado cretense de nome Díctis, alistado na tropa do comandante grego Idomeneu. A narração do prélio entre gregos e troianos, conhecida em literatura primordialmente pela leitura da Ilíada, de Homero, reveste se em Ephemeris de uma intenção racionalista ao diminuir os heróis à condição humana regular, ao diminuir a atuação dos deuses e ao estruturar a narrativa de forma lógica e cronológica. Composta de seis capítulos, precedidos por uma epístola e um prólogo, a obra é uma versão para o latim de um texto do século II originalmente em grego, o qual se encontra hoje fragmen tado. Ephemeris ganha importância no tocante à conservação do mito troiano, pois no Ocidente latino, desde o século I a. C. C., a história da Guerra de Troia era cada vez menos conhecida por intermédio dos poemas homérico e da literatura grega em geral em decorrência de uma precariedade na difusão do idioma grego por entre a elite romana. Acrescente se a esse fator a posterior e crescente pressão da Igreja que rechaçava os deuses não cristãos que habitavam a narrativa homérica. Desse modo, outras obras, compostas em latim, assumiram a transmissão da história troiana que nos...
Abstract: In this work, we study and translate integrally a late Latin work known as Ephemeris belli Troiani (Diary of the War of Troy ), anonymous and dating from the fourth century AD. Ephemeris reports the events of the Trojan War from the viewpoint of a first person narrator who presents himself as a Cretan soldier named Díctis, enlisted in the troop of the Greek com mander Idomeneu. The account of the battle between Greeks and Trojans, known in literature primarily by the reading of the Homer's Iliad, is dressed in Ephemeris of a rationalistic intention by diminishing the heroes to the regular human condition, by decr easing the performance of the gods and structuring the narrative logically and chronologically. Composed of six chapters, preceded by an epistle and a prologue, the work is a Latin version of a text of second century, written originally in Greek, which is now fragmented. Ephemeris gains importance with regard to the conservation of the Trojan myth. In the Latin West, since the first century BC, the story of Trojan War was less known through Homeric poems and Greek literature in general because of a precario usness in diffusion of the Greek language among the Roman elite. Add to this factor the later and growing pressure of the Church that rejected the polytheistic gods who inhabited the Homeric narrative. In this way other works composed in Latin assumed the transmission of the Trojan story that offered the Homeric epic. Of particular note is Ephemeris, which ...
Riassunto: In questo lavoro, studiamo e traduciamo integralmente uma opera latina conosciuta come Ephemeris belli Troiani (Diario della guerra di Troia ), anonima e risalente al secolo IV d. C. Ephemeris riporta gli eventi della guerra di Troia dal punto di vista di un narratore in prima persona che si presenta come un soldato chiamato Ditti Cretese, arruolato nell'esercito del comandante greco Idomeneo. La narrazion e del combattimento tra Greci e Troiani, nota in letteratura soprattutto per la lettura dela Iliade di Omero, si presenta in Ephemeris con un'intenzione razionalista poiché diminuire gli eroi alla condizione umana normale, ridurre il ruolo dele divinità e strutturare la narrazione in modo logico e cronologico. Composto da sei capitoli, preceduti da una lettera e un prologo, il libro è una versione latina di un testo greco del secolo II, che ora si conosce in frammenti. Ephemeris guadagni importanza per quan to riguarda la conservazione del mito troiano, perché nell'Occidente latino, dal primo secolo, la storia della guerra di Troia era sempre meno conosciuto attraverso i poemi omerici e l a letteratura greca in generale, a causa della bassa diffusione della li ngua greca tra l'elite romana. D'alt ra parte, l'ulteriore e crescente pressione della Chiesa respingeva le divinità non cristiane che abitavano la narrazione omerica. In questo modo, altre opere, composte in latino, presero la trasmissione della storia di Troia offerta dall'epopea omerica. Si distingue tra queste ...
Mestre
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Gillota, David. "Belly Laughs: Body Humor in Contemporary American Literature and Film." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/42.
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Belly Laughs: Body Humor in Contemporary American Literature and Film Scholars are more than happy to laugh at but seem somewhat reluctant to discuss body humor, which is perhaps the most neglected form of comedy in recent criticism. In this dissertation, I examine the ways in which contemporary American writers and filmmakers use body humor in their works, not only in moments of so-called "comic relief" but also as a valid way of exploring many of the same issues that postmodern artists typically interrogate in their more somber moments. The writers discussed in this project-Philip Roth, Thomas Pynchon, Charles Johnson, and Woody Allen-were chosen for the divergent ways in which they present the body's comic predicament in psychological, metaphysical, and historical situations. The introduction explains the diverse traditions that these artists draw upon and considers how various theoretical approaches can affect our understanding of body humor. The first chapter examines Jewish-American novelist Philip Roth's use of absurd and grotesque body imagery as manifestations of his characters' moral dilemmas. The second chapter looks at how slapstick comedy informs a worldview dominated by paranioa and chaos in Thomas Pynchon's novels. Chapter Three looks at Woody Allen's early films, in which he parodies and revises the slapstick cinematic tradition of artists like Charlie Chaplin and The Marx Brothers. Chapter Four considers African-American writer and cartoonist Charles Johnson's depiction of the ways in which the body's desires and pitfalls complicate the quest for spiritual enlightenment.
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Ribeiro, Adriana Sardinha. "João do Rio e Olavo Bilac cronistas: duas visões da Belle Époque carioca." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=569.
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A partir da análise das crônicas de João do Rio e de Olavo Bilac, procedeu-se a estudo com o intuito de traçar um paralelo entre a produção dos dois escritores no que diz respeito à modernização da cidade do Rio de Janeiro na virada do século XIX para o XX. A pesquisa foi embasada por leituras capazes de oferecer subsídios teóricos para o entendimento das crônicas dentro do contexto histórico e social da cidade e do jornalismo, para se chegar a algumas conclusões sobre suas respectivas contribuições para a construção da modernidade carioca. O trabalho consiste, essencialmente, no encadeamento dessas leituras de base teórica com os textos literários/jornalísticos, de forma a proporcionar uma amostra vívida das semelhanças e diferenças entre os dois escritores, tidos como figuras paradigmáticas da Belle Époque tropicaAnalysing some familiar essays (crônicas) published in newspaper columns by João do Rio and Olavo Bilac, we developed a study aiming at tracing a parallel between the production of the two writers regarding the modernization of the city of Rio de Janeiro on the turn of the 19th to the 20th century. The research has been based on readings that offer theoretical subside to understand the essays within the historical and social context of the city and of the press at that moment, trying to get to some conclusions about its contribution to the construction of the carioca modernity. The work consists, in essence, on the enchainment of the theoretical readings together with the literary/journalistic texts, in order to offer a vivid sample of the similarities and the differences between the two writers, considered as paradigmatic figures of the tropical Belle Époque
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Moura, Fabiana Silveira. "A rua e seus olhares: A Belle Ãpoque carioca nas crÃnicas de JoÃo do Rio e de Machado de Assis." Universidade Federal do CearÃ, 2007. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=1545.
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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel SuperiorEste trabalho pretende abordar nÃo somente as transformaÃÃes urbanas e literÃrias vividas pela sociedade carioca no perÃodo que compreende as duas Ãltimas dÃcadas do sÃculo XIX e as duas primeiras do sÃculo XX, como tambÃm as tensÃes sociais ocorridas neste perÃodo, numa tentativa de reconstruir os aspectos considerados mais relevantes da HistÃria social e intelectual do Rio de Janeiro fin-de-siÃcle, por meio das crÃnicas de JoÃo do Rio e de Machado de Assis.
This work intends to report not only the urban and literary transformations lived by the Carioca society during the period of the last two decades of the XIX century and the first two ones of the XX century, but also the social tensions in this period, trying to reconstruct the most relevant aspects of the social and intellectual history of Rio de Janeiro fin-de-siÃcle, through the chronicles of JoÃo do Rio and Machado de Assis.
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VERANI, ANA CAROLINA. "LIMA BARETO S SAD END: LITERATURE, MADNESS AND SOCIETY IN BELLE ÉPOQUE`S BRAZIL." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=3997@1.
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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIORO objetivo do trabalho é, a partir da análise de algumas obras, escritos pessoais, artigos e crônicas de Lima Barreto, estabelecer uma relação entre aqueles personagens criados por Lima Barreto que têm, de alguma forma, uma ligação com a loucura, e a visão questionadora do escritor a respeito do novo cenário urbano que se desenvolvia, levando em conta dois aspectos fundamentais: a concepção de literatura defendida pelo escritor, que era de uma literatura utilitária, capaz de contribuir para o combate às distorções do regime republicano, e o momento de consolidação da psiquiatria, ressaltando as críticas do escritor ao caráter discriminatório da ciência no início do século XX.
This work objective is to establish a relation, starting from the analysis of some of Lima Barreto s works, personal writings, newspaper articles and chronicles, between those characters - created by him - which are, in some way, bound to madness, and the author s questioning view on the new urban scene, then on development, considering two fundamental points: (1) the author s utilitarian conception of literature, by him defended, able to contribute to the fighting against republican regime distortions, and (2) the moment of consolidation of psychiatry, with prominence to the author`s critics towards this science s discriminatory character in early XXth Century.
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Hall, Simon Andrew. "The reception of Lucan's De Bello Civili in the nineteenth century." Thesis, University of Exeter, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287998.
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Cánepa, Mario. "Historia y máscara poética: sobre la poesía de C.G. Belli." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/103506.
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En la frase de Lezama Lima "la máscara, la transparencia" se alude a la alternativa del poeta que debe dejar que su obra hable por él. Esta condición hace que el lenguaje adquiera vital importancia y el texto, en consecuencia, logre un primer plano ante el autor invisible. Recordemos además, que sus palabras nombran las cosas, pero también aluden a su experiencia del mundo.Por lo tanto, la palabra enunciada, por el sólo hecho de su realización, participa de la historia, convirtiéndose en un hecho histórico y social: "El lenguaje humano es un modo específico de la realidad cultural e histórica", ha dicho Ma. del Carmen Bobes Naves.
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Minervino, Leandro Saade. "Marginalidade como posicionamento: trajetória literária de Lima Barreto na Belle époque carioca." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-16032016-152149/.
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As análises disponíveis sobre Lima Barreto tratam com pouca ênfase a questão do malogro de seu projeto de vida. A partir da construção de um ponto de vista inédito lançarei uma luz sobre a malfadada trajetória literária do autor. Para tanto, inicialmente será feita uma ampla reconstrução dos fluxos externos e internos que influenciam a carreira de Lima. Analisarei três aspectos fundamentais da atividade literária: a estrutura macrossocial e histórica da Belle Époque carioca; a trajetória de vida do escritor e como os diversos fluxos temáticos permeavam seus escritos. Com essa reconstrução será possível escapar das duas principais vias explicativas desenvolvidas pela literatura especializada: ou se imputa o insucesso à escolha do Recordações do Escrivão Isaías Caminha como livro de estreia ou então aceita-se a pecha de escritor maldito sem a necessária reflexão sobre esta construção. A conclusão da pesquisa demonstrará que é possível outra via explicativa para o fenômeno que comporte tanto a estrutura social como as escolhas individuais numa relação dialética.The available analysis on Lima Barreto\'s work give little emphasis to the failure of his life project. Starting from this new point of view, I will cast a light on the authors ill-fated literary trajectory. To do so, firstly I will rebuild the internal and external flows that exerted influence over Limas career. I will analyze three fundamental aspects of the literary activity: the macrosocial and historical structure of the carioca Belle Époque; the writers life trajectory; and how the different thematic flows pervaded his writing. By doing so, it will be possible to avoid the two most common explanations discussed on the specialized literature: either blaming his unsuccessfulness on the authors choice of Recordações do Escrivão Isaías Caminha as his first novel to be published, or accepting the image of the cursed writer without properly pondering over it. The researchs conclusion will demonstrate that a different explanation is possible, one that comprehends both the social structure and the individual choices on a dialectic relation.
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Basilio, Elena. "The translation of American radical feminist literature in Italy : the case of "Donne è bello"." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/18029.
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This thesis analyses the role played by the translation process in the diffusion of some North American radical feminist concepts in Italy and, in particular, focuses on Donne è bello, a volume which has been selected as a case study because of the particularly important role it played within the Italian feminist movement and also because of the particular circumstances of its creation. The introduction (chapter one) states the research questions and briefly explains the reasons that led to the focus on this specific volume. Chapter two focuses on the methodology adopted, which was inspired by Toury's descriptive translation analysis but was also adapted to the needs and characteristics of this research. Chapter three provides some basic historical information regarding the Italian and North American feminist movements. Particular attention is devoted to the second wave of feminism in both countries and to the characteristics that they had in common. Subsequently, chapter four focuses on the Anabasi movement and on the volume Donne è bello, which constitutes the focus of this research. This chapter also provides some unpublished information about the Anabasi collective and about Donne è bello provided by Serena Castaldi, the founder of this group. The second half of this thesis (chapters five, six and seven) concerns the textual analysis of some features of Donne è bello in order to reconstruct the translation process and assess the reception of the translation by Italian readers. In particular, the aspects analysed include the sexual revolution, the role traditionally played by women in society and the practice of consciousness-raising, which had great importance for Italian feminists. Finally, chapter eight summarizes the results of the research and provides answers to the research questions raised in the introduction.
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Hole, Anne. "Belly laughs and gut fears : the fat female body as site of comedy." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368496.
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Oates, Caroline Jane. "Rereading women's magazines : the feminist identity of Best, Bella and Take a Break." Thesis, University of Sheffield, 1997. http://etheses.whiterose.ac.uk/12776/.
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In this thesis the attraction of women's weekly magazines to their readers was explored. Three bestselling titles in Britain, Best, Bella and Take a Break, were analysed for their production, content and reception using Hall's (1980) encoding/decoding model as a theoretical framework. The production of the magazines was addressed via interviews with the three editors and documentary sources, all placed within an environment of postfeminism which characterised the magazines' launches. The editors claimed their publications were intended to act as more than entertainment to the readers and identified Best, Bella and Take a Break as incorporating feminist elements. This feminism was interpreted as an attempt to support working class women in their struggles with everyday life via two distinct approaches: first, to offer advice, reassurance and information in the editorial (for example health, articles on employment and finance) and second, to give women a voice in the true life stories from which other readers could draw strength. The editors' intentions for Best, Bella and Take a Break were realised (although with different results for each magazine) in the content, which was analysed using both qualitative and quantitative methods. It was found that despite the potential ambiguity of certain content, the magazines nevertheless incorporated a supportive feminist agenda, but this was not always recognised by the readers. Over one hundred women were interviewed individually or in focus groups and it was found that they interpreted the magazines in a number of ways. This finding expanded on Hall's original three decoding positions of accept, negotiate and oppose. Although readers did not necessarily decode the magazines as intended by the editors, further evidence for the supportive feminism was apparent in the community ethos generated by the sharing of magazines amongst readers. It was also found that the trust and mediated interaction between a reader and her magazine further encouraged a sense of community. It was concluded that Best, Bella and Take a Break were offering a supportive feminist agenda to their readers, some of whom recognised and used this content in their everyday lives.
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Hellmann, Risolete Maria. "Carmen Dolores, escritora e cronista: uma intelectual feminista da Belle Époque." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/158424.
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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.Made available in DSpace on 2016-01-15T14:51:50Z (GMT). No. of bitstreams: 1 337009.pdf: 5392141 bytes, checksum: 640b1ab6fee09c1f75400dec6128f0eb (MD5) Previous issue date: 2015
Investigamos, neste estudo, a obra jornalística e literária de Carmen Dolores (um dos pseudônimos de Emilia Moncorvo Bandeira de Mello), escritora, cronista, conferencista, dramaturga e crítica literária do século XIX, comumente caracterizada, no campo intelectual do seu tempo, como máscula, corajosa e ousada. Dessa obra, focalizamos a atuação jornalística, intelectual, crítica e feminista por meio da análise de suas crônicas publicadas no jornal O Paiz entre 1905 e 1910.Reconhecida pela crítica periodística de seu tempo, esquecida politicamente pela História da Literatura e Crítica Literária canônicas ao longo do século XX, ela vem sendo redescoberta pela crítica literária feminista contemporânea. Seguimos a tendência das pesquisas realizadas na linha de resgate da literatura de autoria feminina, preocupando-nos em descobrir seu acervo, para analisá-lo, desfazer equívocos repetidos consecutivamente, assim como interpretar o processo de inserção dessa mulher no contexto histórico-social-cultural, identificar os preconceitos enfrentados, ou seja, avaliar a posição feminista que ocupou no campo literário e intelectual. Desse modo, visamos, concomitantemente, dar visibilidade à obra de uma escritora feminista do século XIX, esquecida politicamente pelos estudos canônicos e contribuir com a releitura do cânone literário e com a construção da historiografia literária de autoria feminina brasileira. Objetivos que nos conduziram à tese de que o resgate dos escritos literário/jornalísticos, da vida e da atuação intelectual e feminista de Carmen Dolores pode proporcionar o reconhecimento e a visibilidade dessa escritora e jornalista como uma intelectual feminista da Belle Époque brasileira. Noções de Crítica Feminista, Estudos Culturais, Nova História e Crítica Biográfica perpassam todo o texto como um aporte teórico. No levantamento da fortuna crítica, nos valemos dos textos críticos de cronistas da Belle Époque, assim como de outras fontes secundárias: historiadores e críticos literários canônicos desde Silvio Romero (1888) a Luciana Stegagno-Picchio (1997); e das pesquisas acadêmicas das críticas feministas contemporâneas. No intuito de desfazer equívocos, completar informações desconhecidas por leitores contemporâneos e construir um perfil biográfico da autora a partir do seu contexto social e do seu campo literário, valemo-nos de fontes primárias (registros paroquiais, documentos institucionais, obituários e notas sociais publicadas em periódicos brasileiros durante o tempo de vida de Emilia Moncorvo Bandeira de Mello).
Abstract : In this study, we investigate the journalistic and literary work of Carmen Dolores (one of the pseudonyms of Emilia MoncorvoBandeira de Mello). Writer, chronicler, lecturer, dramaturgist and literary critic of the 19th century, she is commonly referred to as, in the intellectual field of her epoch, manlike, courageous, and audacious. From her work, we focus her journalistic, intellectual, critic and feminist acting by analyzing her chronicles published in O Paiznewspaper from 1905 to 1910. Recognized by the journalistic critic of her time, politically forgotten by canonical Literature History and Literature Critic along the 20th century, she is being rediscovered by contemporaneous feminist literary critic. We followed the trend of researches made in terms of retrieving works made by female writers, concerned about discover her collection, in order to analyze it, reveal repeated misconceptions, as well as to understand the insertion process of this woman into the historical-social-cultural context, identifying the prejudices faced by her; in other words, to evaluate the feminist position occupied by her in both intellectual and literary fields. This way, we aim to, concomitantly, give visibility to the work of a feminist writer of the 19th century, which waspolitically forgotten by the canonical studies, and to contribute with the rereading of the literary canon and to the construction of the literary historiography of Brazilian female writers. Such purposes conducted us to the thesis that the retrieval of literary and journalistic works, as well as the life and intellectual and feminist acting of Carmen Dolores, could lead to the recognizing and visibility of this writer and journalist as an intellectual feminist of the Brazilian Belle Époque. Notions of Feminist Criticism, Cultural Studies, New History, and Biographical Criticism are used in this work as theoretical support. Critical texts of chroniclers from the Belle Époque, other secondary sources, such as historians and canonical literary critics like Silvio Romero (1888) and Luciana Stegagno-Picchio (1997), as well as contemporary academic researches regarding feminism criticism were used in the literature review of this work. Aiming to undo misconceptions, to fulfill the lack of information of contemporary readers, and to build a biographical profile of the author from her social context and literary field, we make use of primary sources, such as parochial registers, institutional documents, obituaries, and social notes published in Brazilian periodicals during the lifetime of Emilia Mancorvo Bandeira de Mello.
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Sousa, Patrícia de Castro. "JOÃO DO RIO: O REPÓRTER COM ALMA DE FLÂNEUR CONDUZ A CRÔNICAREPORTAGEM NA BELLE ÉPOQUE TROPICAL." Universidade Federal de Santa Maria, 2009. http://repositorio.ufsm.br/handle/1/9806.
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The research has as its main object parts of João do Rio s writings found in A Alma Encantadora das Ruas (1908). The goal of the research and dissertation herein presented is to investigate the style present in these texts, intending to demonstrate that they represent a interwining transition between a strict literature contribution to a
specific jounalistic text: João do Rio would had established the bridge to contemporaneous journalistic writings. The research approach consists in the
analysis and classification of selected texts the
object under investigation usualy qualified as chronicles by literature experts. However, the relevance of a remarkable journalistic style is found in João do Rio s writings. The chapters of this dissertation add on each other leading to place his writings in the cathegory of chroniclereportage, the concept that motivated the research developed. The investigation encompasses: the writer biography and the background literature influencing him; the historical, social and economical context existing during the first decade of the 20th century, a period during which had appeared a number of writings that contributed to the framing of the interwining components of the journalistic and the literature styles. The flânerie incorporated by João do Rio in his texts and the outcomes of this practice on his writings are analysed in the present dissertation. Furthermore, comments on the stilistics were added demonstrating that the flanêur was not present in the environment he described. The evolution and definitions related to chronicle and reportage are addressed as demanded by the the coexistence of both
styles in João do Rio s writings. In addition, the contextual and conceptual components described are step by step followed by a detailed analisys of the investigated object.A pesquisa João do Rio: o repórter com alma de flâneur conduz a crônicareportagem na Belle Époque tropical tem como objeto alguns escritos que integram a obra A Alma Encantadora das Ruas (1908), de João do Rio. O objetivo do trabalho é discorrer sobre a problemática do gênero que envolve esses textos, visando demonstrar que se situam numa posição intermediária, de transição, entre as colaborações estritamente literárias e as especificamente jornalísticas, sendo João do Rio a ponte para o estabelecimento da reportagem contemporânea. A pesquisa se baseia na análise e classificação dos textos que compõem o objeto, os quais, usualmente, são categorizados como crônicas pelos críticos literários. É notória, entretanto, a relevância do discurso jornalístico nos textos de João do Rio. Os capítulos deste estudo acabam então por convergir no sentido de inserir os escritos na categoria de crônicareportagem, conceito que move esta pesquisa. O trabalho abarca, primeiramente, a biografia do escritor e suas influências literárias. A pesquisa perpassa o contexto histórico, social e econômico da primeira década do século vinte, período que contribuiu para a tessitura de textos que mesclam elementos literários e jornalísticos. A flânerie a que adere João do Rio e o desdobramento dessa prática na sua escrita são aqui analisadas. Ao mesmo tempo são feitas algumas considerações estilísticas que asseveram o não pertencimento do flanêur ao espaço que retrata. A evolução e definições da crônica e da reportagem são desenvolvidos no trabalho pelo fato dos textos de João do Rio estarem inseridos numa categoria que conjuga ambos os gêneros: a crônicareportagem. Além dos elementos contextuais e conceituais, o estudo é entremeado por análises detalhadas do objeto.
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Carvajal, Muñoz Osvaldo. "Josep Pla y Joaquín Edwards Bello: un ejercicio comparado de dos cronistas modernos." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109965.
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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica mención LiteraturaEl presente informe final del seminario de grado Teoría y Crítica Latinoamericana es un estudio comparado que opera en tres niveles. En primera instancia, compara dos tradiciones críticas de estudios literarios, la ibérica y la latinoamericana, con respecto al estudio que se ha hecho en ellas, hasta el momento, de un género: la crónica. Ésta considerada como un género moderno de carácter híbrido, en el cual convergen elementos propios de los géneros literarios, pero que se publica originalmente en un medio periodístico, los diarios y revistas. En el segundo nivel de comparación se encuentran dos cronistas de la primera mitad del siglo XX, que pertenecen a dos contextos de producción distintos: el primero es Joaquín Edwards Bello, escritor chileno, y el segundo es Josep Pla, escritor catalán. Se consideran en este estudio los múltiples factores que influyen en la escritura de sus crónicas: su relación con la institución periodística y la institución literaria de su época y cómo influyen estas relaciones en determinadas características del género que cultivan. Finalmente, en el último nivel de análisis, se encuentran los corpus de crónicas de cada autor. El corpus analizado de Josep Pla corresponde a ocho artículos que el autor escribió en Italia y publicó entre el 11 de julio y el 8 de agosto de 1928 en el diario El Sol, de Madrid. Estas crónicas, bajo el epígrafe de “Cartas de Italia”, se encuentran en una compilación, a cargo de Narcís Garolera, publicada el 2001 por la editorial Destino, de Barcelona, titulada Cartas europeas: crónicas en El Sol, 1920-1928. El corpus de Edwards Bello escogido para trabajar corresponde a seis crónicas publicadas entre el 4 de octubre de 1934 y el 24 de julio de 1936 en el periódico chileno La Nación, que fueron compiladas en 1981 por Alfonso Calderón, bajo el título Joaquín Edwards Bello. Corresponsal de guerra. Guerra civil española. Segunda guerra mundial y publicadas por Ediciones universitarias de Valparaíso, Universidad Católica de Valparaíso.
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Belkin, Olga. "Entre formalisme et intimisme: «Elle était belle comme une idée» de Normand de Bellefeuille." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=117154.
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By the 1980s, Quebec formalists, including Bellefeuille, had abandoned the formalist practice typical of the previous decade. Bellefeuille then chose to write differently, integrating the expression of both self and reality in his work. He didn't, however, exclude the formalist contribution altogether, wishing rather to find a mixed aesthetic, combining both formalist and intimist elements. The dissertation will consider this aesthetic as exemplified in the poetry collection entitled Elle était belle comme une idée, a work encompassing an awareness of one's self as well as the Other and the world, while exploring the need of making room for reality and the difficulty this entails. The study examines the poet's overall approach as well as his attempts at opening up to the Other and his quest for a different way of writing. It concludes that the resulting aesthetic represents a compromise between formalism and intimism, two seemingly opposite poles.Dès les années 1980, les formalistes québécois, dont Bellefeuille, abandonnent la pratique centrée sur la forme caractéristique de la décennie précédente. Bellefeuille choisit alors d'écrire autrement en intégrant l'expression de soi et du réel dans son oeuvre. Toutefois, il n'exclut pas d'emblée les acquis formalistes et désire plutôt les intégrer dans une esthétique métissée, traversée à la fois d'éléments formalistes et intimistes. Ce mémoire se penche sur cette esthétique à partir du recueil de poèmes Elle était belle comme une idée, une oeuvre à la fois consciente de l'Autre, du Monde et de l'état intime du locuteur, et qui réfléchit sur l'urgence de s'ouvrir au réel, mais aussi sur la difficulté de cette ouverture. L'étude examine d'abord le parcours du poète, puis ses tentatives de s'ouvrir à l'Autre et de trouver une nouvelle écriture. Elle conclut que l'esthétique mixte constitue un compromis entre formalisme et intimisme, deux pôles apparemment opposés.
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Navarro, Martínez Encarnación. "La Intertextualidad, Literatura y Bellas Artes en José Lucas : una investigación de enfoque analítico-semiótico." Doctoral thesis, Universidad de Murcia, 2015. http://hdl.handle.net/10803/307538.
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El presente trabajo tiene como objetivo fundamental analizar la obra del pintor José Lucas desde un enfoque semiótico, como un acto de “lectura” que actualiza su significado y su sentido desde una perspectiva intertextual. Se han desarrollado además, otros objetivos como concebir la pintura como una obra abierta, teniendo en cuenta conceptos como el lector implícito y el intertexto lector; realizar un enfoque de valores heterosémicos de la obra por su encuentro intertextual con el mundo artístico del autor y con el mundo estético del lector; proporcionar enlaces intertextuales con la obra artística de José Lucas desde el reconocimiento y comprensión del alcance poliédrico de su producción en diversos aspectos y textos como pretextos poéticos que los une; e interpretar la pintura ecfrástica de José Lucas como elemento mediador entre el cuadro y la realidad. Esta tesis doctoral ha seguido una metodología cualitativa, fundamentada principalmente en la interpretación de datos a través de un análisis triangular: investigación del tesinando, revisión del director de la Tesis, confrontación con las ideas del autor. La recogida de datos realizada para este estudio se puede dividir en tres grandes categorías: la observación directa, las entrevistas en profundidad y el empleo de documentos. Es importante destacar que también se han conseguido numerosos textos inéditos que nos han acercado a la obra de José Lucas, firmas como las de Jaime Siles, Antonio Colinas, Luis Antonio de Villena, Antonio Lucas, Xavier Ribalta, Juan Antonio Molina, José Antonio Lozano,… Las conclusiones alcanzadas por este trabajo parten de un enfoque de los valores heterosémicos. Sobre la discutida indeterminación semántica del signo pictórico es necesario considerar como esencial su carácter polisémico o polivalente al explicar las consecuencias efectivas de dicha indeterminación, ya que se trata de un significado indeterminado, pero no por ello menos real. La imposición del arte moderno ha supuesto la abdicación del orden canónico de la referencialidad realista lo que ha contribuido a “abrir” relativamente las posibilidades de sugerencia del texto plástico; potenciando a su vez la colaboración fantástica de los receptores. Es lo que sucede con las obras de José Lucas. Para poder dar sentido y establecer determinados significados referenciales, el intertexto lector de la persona que contemple sus obras debe ser amplio y debe tener presente los códigos y raíces de los que bebe el artista. Las relaciones entre texto e imagen, en la obra de José Lucas, establecen múltiples correspondencias que unas veces tienen su origen en el texto y otra en la imagen, o al revés, generando una dialéctica que germina en una síntesis de ambas a partir de una semiotización (en el sentido de Peirce) de una de ellas o de ambas juntas. Los mecanismos estilísticos de los que José Lucas se sirve para construir su obra ecfrástica son múltiples y muy variados. Pero lo más interesante, sin duda, es que nacen de un profundo conocimiento de las relaciones entre pintura y literatura, que constituye, a su vez, un modo concreto de acercarse a la realidad e interpretarla. Un modo en que es fundamental, como en todo ejercicio ecfrástico, la presencia del poema ausente como elemento de mediación entre la subjetividad del yo que pinta y la objetividad primera, ya perdida, de la que el poema se ha valido. En esto José Lucas se destaca, desde la cualidad mediadora de su pintura, como un autor profundamente original, a la par que enraizado en una nueva tradición, la del ut poesis pictura, inagotable en sus ramificaciones y derivaciones.Intertextuality, Literature and Fine Arts in José Lucas. An investigation from a semiotic-analytical perspective. Mª Encarnación Navarro Martínez. Universidad de Murcia. 2015 Abstract: The main objective of this work is to analyse Jose Lucas’ working life from a semiotic viewpoint, as an act of interpretation, this document is trying to present his meaning and his sense from an intertextual perspective. Other objectives that have been developed are “to conceive of” the painting as open work, having in mind concepts like “implicit reader” or “intertextual reader”; focussing on “heterosemic values” of the work for the intertextual encounter between the artistic world of the autor and the reader’s aesthetic world. This document tries to give “intertextual” links with the artistic work of José Lucas from the recognition and understanding of the “poliedric range” of his output in different aspects and texts as a poetic pretext which links both. and interpreting the ecfrastica painting of José Lucas with an element of mediation between the painting and reality. This PhD thesis follows a qualitative methodology, based mainly on the interpretation of information through a triangular analysis: the PHD candidate’s research, review by the supervisor of the thesis and engagement with the author’s ideas. The information discovered by these studies can be divided into three main categories: direct observation, in-depth interviews and the use of different documents. It’s important to emphasise the large amount of unpublished documents which helped in getting closer to an understanding of Jose Lucas’ work; names like Jaime Siles, Antonio Colinas, Luis Antonio de Villena, Antonio Lucas, Xavier Ribalta, Juan Antonio Molina, José Antonio Lozano,… The conclusions reached by this work started from a ‘heterosemic value’ standpoint. On the uncertain meaning of the pictorial signs, it is necessary to consider how essentially polemic and versatile his character was for explaining the effective consequences of that uncertainty – that even though the behaviour and meaning of the sign is uncertain, it is no less real for him. The imposition of modern art has created the abdication of the canonic order of referencing realism which has contributed to opening up the possibilities of plasticity of suggestion in text; strengthening the collaboration of the receiver. It is this that has occured with José Lucas´ work. To be able to give sense and establish some meanings, the person who contemplates his life´s work needs a lot of context about where and from whom is the artist’s inspiration. The relations between between text and image in José Lucas work, establish numerous links which sometimes have their origin in the text and sometimes in the image or vice versa. This generates a dialectic which germinates in a synthesis of both from a semioticisation (in Peirce´s meaning) of one of them or both together. The stylistic mechanisms used by José Lucas to build his “ecfrásica” work are knowledge of the relations between painting and literature which are at the same time a way to be close with reality and interpret it. This is essential in every “ecfrástico” exercise, the presence of the absent poem like an element of mediation between the subjectivity of the “I” which is painted and the first objectivity already lost. In this camp José Lucas is noted from his mediator painting as a deeply original author rooted in a new tradition “the ut poesis picture” tradition, unquenchable of ramifications and derivations
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Rincon, Maria Ester. "Las Fuentes del Romanticismo en España: No me Olvides. Periódico de Literatura y Bellas Artes." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243974459.
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(UPC), Universidad Peruana de Ciencias Aplicadas. "Más bello que el silencio ¿Por qué necesitamos escribir y leer novelas?" Universidad Peruana de Ciencias Aplicadas (UPC), 2003. http://hdl.handle.net/10757/623486.
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Este libro reproduce la Conferencia de Autor realizada por Rosa Montero, así como los comentarios de Alonso Cueto y José María Salcedo, en el evento "Más bello que el silencio. ¿Por qué necesitamos escribir y leer novelas?", organizado por la Universidad Peruana de Ciencias Aplicadas (UPC). Esta conferencia se realizó en agosto de 2013.
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Godfrey, J. T. "Friends, Barbarians, Future Countrymen: Clientela and Caesar’s De Bello Gallico." Oberlin College Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin158980165011195.
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Carlsson, Beatriz. "Ghostly Bells and Monstrous Drumming : An Exploration of Intermediality and Supernatural Strangeness in "Especially Heinous"." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104347.
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Various contemporary female authors deploy supernatural motifs portrayed through or alongside diverse forms of intermediality in texts which thematise the patriarchal oppression of women. In order to throw light on this phenomenon, this thesis investigates the intermedial relations and supernatural motifs of Carmen Maria Machado’s novella “Especially Heinous: 272 Views of Law & Order: SVU”, and their relation to the political themes of the text. The analysis is based on the method of intermediality, primarily on Lars Elleström’s and Irina O. Rajewsky’s categorisations of intermedial relations. The supernatural motifs are situated within the hybrid context of the gothic and magical realism, and understood as an expression of strangeness. The analysis of this thesis finds that media transformation in combination with supernatural motifs serve to visualise oppressive and violent structures that are typically obscured. What is more, the similarities and tensions between intermediality and supernatural strangeness emphasise the dread and confusion produced in the encounter with uncanny or eerie societal forces. Finally, the tension and the resistance that arise where supernatural strangeness and intermediality meet illustrate a fundamental dilemma of communication: that it is always mediated, and thus, always incomplete.
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Domingues, Chirley. "João do Rio :: a femme fatale dos palcos da belle époque /." Florianópolis, SC, 1998. http://repositorio.ufsc.br/xmlui/handle/123456789/77522.
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Vergara, Schroeder Diego. "Bello Barrio: Mauricio Redolés y la poética del Barrio." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/109821.
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La investigación que a continuación se presenta, tiene por objetivo dar cuenta de una de las imágenes más recurrentes dentro de la poesía de Mauricio Redolés, a saber, el barrio. Intentaremos establecer las funciones particulares que posee esta imagen dentro de su poética, así como también los elementos que permiten establecer una visión múltiple del mundo, por medio de tal temática. Hemos también de establecer las diferencias que subyacen entre el barrio y la ciudad propiamente tal, pues hemos de entender lo primero como una subdivisión de lo segundo, pero que aún así, posee características distintivas que lo individualizan. Trataremos de generar un concepto de “barrio” y a partir de él, se trabajará la poesía de Redolés y sus correspondencias. Finalmente, comprobaremos en la obra misma del autor los preceptos que pondremos de manifiesto y veremos cómo la imagen se convierte, ya sea en un sentido o en otro en una herramienta de expresión, de crítica, y de pretensión estética, así como también un proyecto tanto artístico, como vital.
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Bell, Elisabeth Ly [Verfasser]. "A Voice of Disturbance - Robert Coover und Mythos / Elisabeth Ly Bell." Berlin : Freie Universität Berlin, 2010. http://d-nb.info/1023956853/34.
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Ramos, Carolina Moura Barroso. "Os tipos literários na prosa de Lima Barreto." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2533.
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Previous issue date: 2015-04-07This study aims at identifying and interpreting the variety of literary types found in Lima Barreto s prose. We understand the typification process in the building of a character is related to two diffferent and articulated sources, in one side there is the living world, from which it can be taken; in the other side, there are the literary traditions, in which the types go round and tranform themselves, getting new contents. Nonetheless, the perspective of this study is to analyze the typesin the literary universe of a unique author that, as far as we know, built a critical vision of the brazilian society in the chaotic age of republican transition, in the beginning of the 20th century. We start from the idea that in the literary picturing of a realistic character the typification of characters and the narrative situations repeats itself and doesn t depend on a flat or round nature. Therefore, the literary typeis not seen as a superficial simplification, but as a try to elaborate a previous notion, an almost concept, which has the role to elucidate the historical and social situations represented in the narratives. We understand that the critical content of Lima Barreto s literature can be considered consistent and a work of quality due to the typification. And this is one of the reasons for his critical fortune that got him a place as a Brazilian 20th century literature canone. From the methodological point of view, this study is far from the perspective of bringing up the typical characters in a substantial way and chooses to analyze them in their articulations during the narrative process; so the type doesn t exist alone, but as the result of intercrossed relationships in which they are in: the bovarist and quixotic characters that are in Lima Barreto s literature, show up in a contradictory game against the conformist characters, the smart, the naive, the positivist, the skeptic that surround them. In this way, we try to situate ourselves in the inner narratives perspective, eventhough, in order to to do so we have searched for the reality of the living world in Rio de Janeiro and the belle époque biographical, historical and sociology s elements to understand the analyzed narratives picturing. In Lima Barreto s literature s corpus we analyse four short stories ( Na janela , Miss Edith e seu tio , O filho da Gabriela , O homem que sabia javanês ) and the novel O triste fim de Policarpo Quaresma ; but, in order to do so, we have gone through his chronicles as in his other works of fiction, elements that allow na intercrossed analysis of Lima Barreto s typicological universe
Este trabalho tem por objetivo identificar e interpretar os diversos tipos encontrados na prosa limabarretiana. Entendemos que o processo de tipificação na construção de personagens remete a duas fontes distintas e articuladas, de um lado o mundo da vida, do qual pode ser extraído, de outro, as tradições literárias nas quais eles circulam e se transformam, ganhando novos conteúdos. No entanto, a perspectiva desse trabalho é a de analisar os tipos no universo literário de um único autor que, no nosso entender, constituiu uma visão crítica da sociedade brasileira na época conturbada da transição republicana, no princípio do século XX. Partimos do pressuposto que na figuração literária de caráter realista a tipificação de personagens e de situações narrativas é recorrente e independe da natureza plana ou esférica das personagens. Portanto, o tipo não é visto como uma simplificação grosseira, mas como a tentativa de elaborar uma pré-noção, um quase conceito, que tem o papel de elucidar situações históricas e sociais figuradas nas narrativas. Entendemos que o conteúdo crítico da literatura de Lima Barreto ganhou consistência e qualidade por meio da tipificação. E essa é uma das razões da fortuna crítica do autor, que garantiu a ele um lugar no cânone da literatura brasileira do século XX. Do ponto de vista metodológico, esse trabalho, afasta-se da perspectiva de abordar as personagens típicas de forma substancializada e opta por analisá-las em suas articulações no processo narrativo. Isto é, o tipo não tem existência em si mesmo, mas como uma resultante na teia de relações em que se insere: as personagens bovaristas ou quixotescas, presentes na literatura de Lima Barreto, constituem-se no jogo contraditório que travam com os conformistas, os smarts, os ingênuos, os positivistas, os céticos que estão em seu entorno. Nesse sentido, buscamos nos situar na perspectiva da análise interna das narrativas, mesmo que para isso tenhamos buscado na realidade do mundo da vida no Rio de Janeiro da belle époque elementos biográficos, históricos e sociológicos para entender as figurações narrativas analisadas. No corpus da literatura de Lima Barreto examinamos detidamente quatro contos ( Na janela , Miss Edith e seu tio , O filho da Gabriela , O homem que sabia javanês ) e o romance Triste fim de Policarpo Quaresma. Mas, para o exame dessas narrativas buscamos tanto nas crônicas como em outras obras ficcionais elementos que permitiram uma análise cruzada do universo tipológico de Lima Barreto
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Bradway-Hesse, Becky Harris Charles B. "Rhetoric, belles lettres, and the emergence of writing programs in the American university." Normal, Ill. Illinois State University, 1998. http://wwwlib.umi.com/cr/ilstu/fullcit?p9924344.
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Thesis (Ph. D.)--Illinois State University, 1998.Title from title page screen, viewed July 13, 2006. Dissertation Committee: Charles Harris (chair), Ronald Fortune, Curtis White. Includes bibliographical references (leaves 304-316) and abstract. Also available in print.
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Bautista, Gómez Yaosca Xochil. "Escrituras subversivas: una mirada comparativa transatlántica de las obras de Gioconda Belli y Montserrat Roig." Doctoral thesis, Universitat Pompeu Fabra, 2020. http://hdl.handle.net/10803/668942.
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La hipótesis de esta investigación es que la creación artística puede ser
transgresora en la medida en que cuestiona paradigmas sociales y sugiere
posibilidades para la transformación. A partir de la comparación de las
obras de ficción de Gioconda Belli y Montserrat Roig, se presenta una
posible definición y unos rasgos propios de las escrituras subversivas. En
un entorno político inestable e incluso hostil, la creación literaria fue para
estas dos autoras una herramienta que permitió plantear críticas y
escenarios sociales alternativos. Mediante un enfoque transatlántico y de
género, se analizan las obras narrativas de ambas escritoras para encontrar
elementos de subversión característicos de una noción de la literatura que
encauza aspiraciones y frustraciones en las autoras y en sus sociedades.La hipòtesi d'aquesta recerca és que la creació artística pot ser transgressora en la mesura que qüestiona paradigmes socials i suggereix possibilitats per a la transformació. A partir de la comparació de les obres de ficció de Gioconda Belli i Montserrat Roig, es presenta una possible definició i uns trets propis de les escriptures subversives. En un entorn polític inestable i fins i tot hostil, la creació literària va ser per a aquestes dues autores una eina a través de la qual plantejar crítiques i escenaris socials alternatius. Mitjançant un enfocament transatlàntic i de gènere, s'analitzen les obres narratives d’ambdues escriptores per a trobar elements de subversió característics d’una noció de la literatura que canalitza aspiracions i frustracions en les autores i en les seves societats.
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Howard, Paul. "Casus Belli : Giuseppe Gioachino waging war between tradition and experimentation." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:eaa66fdb-827c-4c78-bc1d-190000f7d780.
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This thesis explores the notion of opposition in the Sonetti romaneschi by the Roman poet Giuseppe Gioachino Belli (1791-1863). It sees the poet as a warring rebel on the literary scene and examines his poetics and rhetoric of war through his choice of form (the hallowed sonnet structure), language (the ‘rotten’ vernacular) and subject (the downtrodden, previously voiceless underclass); it shows that these cornerstones of Belli’s opus are in polemical response to literary stimuli and intimately connected to the political, religious and sociological upheavals in and beyond Rome in the troubled run-up to Unification. Chapter one, entitled ‘Breaking the mould’, draws on Belli’s explicit declaration of war on his literary predecessors, and considers the influence of the Milanese writer Carlo Porta, arguing that Belli is more inimical than amicable, and not the simple imitator as thought to date. Chapter two, ‘A passage of arms: possessing the dialogue sonnet’, maintains that the fulcrum of Belli’s antagonistic poetics and his realist enterprise lies in his unprecedented use of the dialogue sonnet form and the staging of direct debate. Chapter three, entitled ‘The Battle of the Sexes’, treats opposition at a thematic level, applying gender studies and related theory to Belli for the first time. Chapter four, ‘War and peace: the silent revolution’, examines Belli’s creation of a totally new literary language, fulfilling the criteria for what Deleuze and Guattari, within broadly Marxist parameters, would identify as a ‘minor literature’ in the work of Kafka, in which a major language is somehow wrested from its anchors of power, or ‘deterritorialized’, to subvert the literary world from within. The thesis shows that Belli is more revolutionary than previously thought as a literary innovator, and an understudied giant of modern European literature as opposed to the marginal figure the historiography is wont to maintain.
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Gerald, Amy. "Spinning a tale, English translations and adaptations of La belle au bois dormant from the Enlightenment to the Magic Kingdom." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58455.pdf.
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Verrumo, Marcel Antonio. "Repórter-cronista da Belle Époque carioca : o jornalismo vertiginoso de João do Rio /." Bauru, 2014. http://hdl.handle.net/11449/126323.
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Orientador: Marcelo Magalhães BulhõesBanca: Arlindo Rebechi Júnior
Banca: Ornna Messer Levin
Resumo: Esta pesquisa estudo analítica e interpretativamente os textos do jornalista-escritor Paulo Barreto, mais conhecido como João do Rio (1881-1921), reunidos nos livros As religiões do Rio (1905), A alma encantadora das ruas (1908), Cinematógrafo (1909) e Vida Vertiginosa (1911). Escrevendo narrativas com características da reportagem moderna e da crônica, João do Rio, um dos profissionais de imprensa mais lidos da época, registrou um período de modernização do rio de Janeiro, então capital federal. No embate com seus textos, refletimos sobre suas contribuições - narrativas e históricas - à reportagem brasileira moderna, dissertamos, sobre como se caracterizam em sua obra a figura do narrador, a composição dos personagens, o registro dos espaços e a construções temporais. Metodologicamente, recorremos às teorias do jornalismo e da literatura
Abstract: This research studied analytically and interpretively texts of the journalist-author Paulo Barreto, know as João do Rio, one of the most widely read professional journalists of his time, experienced a period of modernization of Rio de Janeiro, then the federal capital. In the clash with their texts, this research consider on their contributions - and historical narratives - for the Brazilian modern story and discuss how to characterize his work over the figure of the narrator, the composition of the characters, the recording of temporal spaces and buildings. Methodologically, we will use the theories of journalism and literature
Mestre
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Maia, Lúcia Henriques. "O Perdão, de Andradina de Oliveira : romance urbano na Belle Époque rio-grandense." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/24040.
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O Perdão de Andradina de Oliveira: Romance urbano na Belle Époque Rio- Grandense tem por objetivo a realização de uma análise descritivo-analítica do romance publicado por Andradina de Oliveira em 1910, na cidade de Porto Alegre. A ficção de Andradina de Oliveira se constitui através de um olhar etnográfico que registra a heterogeneidade da paisagem urbana com grande detalhamento, colocando em destaque as relações de poder do ponto de vista do gênero e da classe social. Tais relações se estabelecem no contexto das transformações da Belle Époque para a modernidade. A investigação da cidade traz à tona discussões sobre a identidade sulina contraposta a identidade nacional e cosmopolita, bem como discussões sobre a modernidade dentro de um espaço urbano periférico em formação. A estrutura do trabalho se constitui de três capítulos com focos respectivos em cultura e regionalismo, classe e gênero, e espaço público masculino e voz narrativa. Conclui que, apesar de o romance não constar da historiografia literária em razão de questões de posicionamento autoral, é um momento marcante na história literária do Estado e a presente dissertação pode vir a ser um dos elementos a possibilitar uma futura inserção da obra no cânone.Forgiveness by Andradina de Oliveira: Urban Fiction in the Rio-Grandense Belle Époque aims at making a discriptive-analitical study on this novel published by Andradina de Oliveira in 1910, in Porto Alegre City. Andradina de Oliveira's fiction is built through an ethnographic view which registers the heterogeneity of the city landscape with accurate detailment, highliting power relations in terms of gender and social class. Such relations establish themselves in belle époque changings to modernity. The investigation of the city brings out discussions about southern identity in opposition to national and cosmopolitan identity, as well as discussions about modernity, which are established in the peripheral urban space in formation. The structure of the work is consisted of three chapter focusing respectively on culture and regionalism, class and gender, and male public place and narrative voice. It was concluded that, although the novel is not there in the literary historiography due to authoral positioning issues, it is an outstanding moment in the literary history of the state and this present dissertation can become one of the elements to enable a future insertion of this work in the canon.
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Carpenter, Damian A. "Lead Belly, Woody Guthrie, Bob Dylan and American Folk Outlaw Performance." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/1472484428.
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With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw Lead Belly represented to an urban bourgeoisie audience, the good outlaw Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both the performer and society that reflects the times in which they played their outlaw roles.https://dc.etsu.edu/etsu_books/1158/thumbnail.jpg
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Benmansour, Katarzyna. "In Portugal (1912): Aubrey Bell's depiction of Portuguese society under the First Republic." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2011. http://hdl.handle.net/10362/7215.
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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Culturas e Literaturas ModernasO objetivo da seguinte dissertação consiste na apresentação de In Portugal de Aubrey Fitz Geral Bell. Esta publicação, do ano 1912, pertence ao género da literatura de viagens. In Portugal relaciona a viagem de Aubrey Bell de 1911 através de Portugal que teve o seu início no sul (a região do Alentejo) e ficou concluída do norte (Trás-os-Montes). Esta tese é o resultado duma pesquisa sistemática, qualitativa, baseada na análise de literatura. A nossa investigação tem o seu fundamento num detalhado estudo das evidências a partir dos textos literários já publicados. Os dados analíticos foram colocados em duas tabelas (as ocorrências da palavra «pitoresco» e «cor» em quatro publicações de Aubrey Bell). A nossa intenção foi traçar a descrição da sociedade portuguesa por Aubrey Bell. Durante a sua viagem o Lusófilo conheceu o interior do país, as variedades da língua portuguesa, costumes, bem como muitos aspectos da vida portuguesa, que, com certeza, não tinha encontrado nos livros. O autor glorifica a paisagem portuguesa, sua rica flora e os modos simples da vida rural em Portugal. No entanto, Bell revela-se muito crítico de Lisboa que, na sua opinião, importa modas estrangeiras duma maneira demasiado leviana. Também estávamos preocupados em argumentar que a realidade sob a Primeira República, vista da perspectiva dum residente britânico, sempre foi odiosa e desprezível.
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Verrumo, Marcel Antonio [UNESP]. "Repórter-cronista da Belle Époque carioca: o jornalismo vertiginoso de João do Rio." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/126323.
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000839601.pdf: 1011625 bytes, checksum: 739266398a11208958c8e7266e9d85f2 (MD5)Esta pesquisa estudo analítica e interpretativamente os textos do jornalista-escritor Paulo Barreto, mais conhecido como João do Rio (1881-1921), reunidos nos livros As religiões do Rio (1905), A alma encantadora das ruas (1908), Cinematógrafo (1909) e Vida Vertiginosa (1911). Escrevendo narrativas com características da reportagem moderna e da crônica, João do Rio, um dos profissionais de imprensa mais lidos da época, registrou um período de modernização do rio de Janeiro, então capital federal. No embate com seus textos, refletimos sobre suas contribuições - narrativas e históricas - à reportagem brasileira moderna, dissertamos, sobre como se caracterizam em sua obra a figura do narrador, a composição dos personagens, o registro dos espaços e a construções temporais. Metodologicamente, recorremos às teorias do jornalismo e da literatura
This research studied analytically and interpretively texts of the journalist-author Paulo Barreto, know as João do Rio, one of the most widely read professional journalists of his time, experienced a period of modernization of Rio de Janeiro, then the federal capital. In the clash with their texts, this research consider on their contributions - and historical narratives - for the Brazilian modern story and discuss how to characterize his work over the figure of the narrator, the composition of the characters, the recording of temporal spaces and buildings. Methodologically, we will use the theories of journalism and literature
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Souza, Caroline Garcia de. "When All Boundaries Fall Apart : woman’s experience and trauma in the bell jar, “Tongues of stone,” and “Mothers”." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/168949.
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Linda Hogan é uma autora Chickasaw cuja extensa obra inclui romances, contos, poesia, drama e ensaios. Da mesma forma, ela é uma ambientalista cujo ativismo se baseia em uma compreensão Nativo-Americano da natureza e das relações entre os seres humanos e não-humanos. Focando em dois de seus romances, Solar Storms (1995) e Power (1998), a presente dissertação explora os processos de cura de suas protagonistas, Angela e Omishto, respectivamente. Em ambos romances, as personagens se engajam em um movimento de abandono do modo de ser Euro-americano – um modo de ser fortemente orientado pela ideologia do Destino Manifesto –, em direção a um reencontro com sua ancestralidade nativa e a uma apreensão tribal da vida e do mundo. Especificamente, esse trabalho explora o gradual engajamento das personagens no que a autora Laguna Paula Gunn Allen (1992) define como um senso de tempo cerimonial – a ceremonial time sense: uma experiência temporal particular que engendra uma integração psíquica, e se opõe à experiência cronológica e mecânica do tempo, a qual produz fragmentação no sentido de fortalecer a sensação de separação entre tempo e espaço, pessoa e lugar, natureza e cultura. Esse trabalho analisa como o movimento das personagens em direção a um rico autorreconhecimento enquanto indígenas (OWENS, 1994) representa um movimento de abertura aos fluxos do mundo, bem como um processo de dissolução de categorias fortemente enraizadas, tais quais sujeito e objeto, eu interno e mundo externo. Além disso, a presente dissertação examina de que forma um senso de tempo cerimonial se conecta à noção de sacred hoop (Plains tribes) – uma unidade abrangente que abarca a existência como um todo, e na qual todos os movimentos estão conectados e se relacionam entre si.Linda Hogan is a Chickasaw author whose extensive work includes novels, short stories, plays, poetry, and essays. She is also an environmentalist whose activism is built upon a Native understanding of nature and the relations between human and nonhuman beings. This thesis focuses on two of her novels, Solar Storms (1995) and Power (1998), and explores the healing processes of their protagonists, Angela and Omishto, respectively. In both novels, the characters engage in a movement of abandoning a mainstream American way of being – a way of being highly informed by the ideology of Manifest Destiny – toward a reconnection with their Native ancestry and a tribal apprehension of life and the world. Specifically, this work explores the characters’ gradual engagement in what Laguna author Paula Gunn Allen (1992) defines as a ceremonial time sense, a particular experience of time that engenders a psychic integration, as opposed to a mechanical, clock-based time sense, which generates fragmentation and enhances a separation between time and space, person and place, nature and culture. This work explores how the characters’ movement toward a rich self-recognition as Indians (OWENS, 1994) represents a movement of opening to the motions of the lifeworld, as well as the dissolution of deep-rooted categories such as subject and object, internal self and external world. Furthermore, this thesis examines how a ceremonial time sense is connected to the Plains tribes’ conception of a sacred hoop – an all-encompassing unity that contains the whole of existence, and in which all movement is related to all other movement.
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Leroy, Manon Z. "Le miroir dans Belle du Seigneur d'Albert Cohen: Une duplicite problematique." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1355107075.
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Oliveira, Cristiane de Jesus. "Nas entrelinhas da cidade: a reforma urbana do Rio de Janeiro no início do século XX e sua imagem na literatura de Paulo Barreto." Universidade Federal de Juiz de Fora (UFJF), 2006. https://repositorio.ufjf.br/jspui/handle/ufjf/3267.
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O Rio de Janeiro foi a primeira cidade brasileira a passar por uma ampla reforma urbana, ainda nos primeiros anos do século XX (1903-1906). Esta reforma, que operou de maneira estrutural e arquitetônica, mas também ideológica, visava transformar a cidade num centro atrativo através da sua inserção num quadro maior de modernização em um momento de intensa demanda por capitais, técnicos e imigrantes europeus. Tendo em vista esse contexto, a questão central dessa dissertação é a análise da idéia de cidade que se quis implantar por seus idealizadores, através da análise de documentos oficiais produzidos para tal empreitada e a partir desta, a idéia de cidade e automaticamente da reforma, que se perpetuou nas crônicas de Paulo Barreto, também conhecido pelo seu pseudônimo mais famoso de João do Rio, através da análise de sua coluna Cinematógrapho, publicada na Gazeta de Notícias entre os anos de 1907 e 1910.
Rio de Janeiro was the first Brazilian city to undergo a comprehensive urban reform, as early as the first years of the 20th century (1903-1906). This was not only a structural and architectural reform but also ideological and cultural. It aimed to transform the city and to involve it in a larger framework of modernization, adding to its attractiveness at a moment of high demand for european investments, technicians and immigrants. Bearing this context in mind, the core of this dissertation lies in the analysis of the idea of city the proposers of the urban reform wanted to see realized. The materials employed for the aforesaid analysis were the official documents produced for the undertaking and those chronicles of Paulo Barreto – best known as João do Rio – published in the Gazeta de Notícias’ Cinematógrapho column from 1907 to 1910.
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Cedergren, Michaela. "Madness or Femininity – A Woman's Options : A Feminist Analysis of Mental Illness in Sylvia Plath's The Bell Jar." Thesis, Högskolan Dalarna, Engelska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35908.
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Lagunas, Sonia. "Culture-specific issues in feminist voices a comparative study of The Bell jar and Crónica del desamor /." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1608.
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Mezan-Muxart, Virginie. "Savoirs et représentations de la genette (Genetta genetta) dans le bassin méditerranéen de la préhistoire à nos jours Histoire d’une belle méconnue. : histoire d’une belle méconnue." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCD088.
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Animal originaire d’Afrique du Nord, atypique sous nos latitudes, la genette européenne (Genetta genetta) est singulière, tant par sa physionomie (tête fuselée, oreilles de renard, taches de panthère et longue queue annelée) que par sa discrétion. Cet animal nocturne est mystérieux et son histoire n’a jamais été étudiée : comment, quand et par qui a-t-elle été introduite en Europe méridionale ? Etait-elle chassée ? A-t-elle été domestiquée ? Par qui, quand et comment était-elle représentée ? Quelle a été, et est encore peut-être, sa signification symbolique ? Il sera important d’établir le lien entre la genette et les milieux géographiques dans lesquels elle a évolué et évolue, faisant ainsi d’elle un indicateur environnemental. En effet, si cette recherche s’assigne comme objectif principal l’histoire de la genette et de sa représentation dans le cadre de sa relation avec l’homme dans le bassin méditerranéen, elle le fait aussi dans une perspective plus vaste, environnementale. Ainsi le continuum historique met-il en valeur le caractère changeant et évolutif des rapports de l’homme et de l’animal en fonction des contextes géographiques, sociaux, économiques et politiques. Connaître le passé et le présent d’un animal, connaître sa relation historique et imaginaire avec l’homme et connaître les manières dont il est représenté peut aider à mieux le préserver.Cette recherche s’inscrit donc dans le cadre d’une histoire co-évolutive des relations entre les sociétés méditerranéennes et le monde animal, de la préhistoire à nos jours. Pour la mener à bien, il a été nécessaire de recourir non seulement à des sources textuelles mais aussi à des sources archéologiques et iconographiquesOriginating from Northern Africa, atypical in our part of the world, the European genet (Genetta genetta) is remarkable for its physiognomy (pointed head, fox-like ears, panther spots and a long annulate tail) as much as its furtiveness. This nocturnal animal is mysterious, and its history has never been fully studied: how, when and by whom was it introduced in southern Europe? Was it hunted? Has it ever been tamed? By whom, when and how has it been represented? What have been its symbolical meanings?It is important to establish the link between the genet and the physical environment in which it has been evolving, thereby establishing it as an environmental indicator. Indeed, if this project aims mostly at delivering the history of the genet and of its representation with a focus on its relation to man in the Mediterranean region, it also considers the wider perspective of environmental studies. Thus, the historical continuum points to the changing relationship between man and animal according to different geographical, social, economic and political contexts. Understanding the past and present history of an animal, its historical and imaginary relations to man and its various representations can help to preserve the species more effectively.This research lies within the scope of a co-evolutive history of the relationships between Mediterranean societies and the animal kingdom, from prehistorical times to the present. To complete this project, it proved necessary to resort not only to textual resources, but also to use archeological and iconographical resources
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Bell, Benjamin [Verfasser]. "Souveränität und Erfahrung - Abgrund und Schwelle des Menschlichen : Alfred Döblins Werke "Berge Meere und Giganten" und "Amazonas" / Benjamin Bell." Berlin : Freie Universität Berlin, 2012. http://d-nb.info/1029851301/34.
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Brasil, Patrícia Ribeiro. "Será a autobiografia uma poética da modernidade? : uma leitura comparada entre Ayaan Hirsi Ali e Gioconda Belli." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/106459.
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Considerada um gênero menor, a literatura confessional foi, por muito tempo, excluída dos estudos acadêmicos. Porém, na última década o mercado editorial abriu-se sensivelmente para estas obras. Este trabalho procura analisar sob a luz da literatura comparada as autobiografias de Gioconda Belli, poetisa nicaraguense e da política holandesa-somali Ayaan Hirsi Ali, e encontrar na narrativa autobiográfica entrecruzamentos com a modernidade. As narrativas autobiográficas despontam com uma alternativa de situar o sujeito no mundo, um sujeito de certa forma descentrado e que pontua a experiência pessoal como uma alternativa de reconstrução de sua identidade e de reconstruir este mundo.Por mucho tiempo se consideró a la literatura confesional como un género menor y se la excluyó de los estudios académicos. Sin embargo, en la última década, ocurrió una gran apertura del mercado editorial a estas obras. Esta tesis de maestría busca analizar, bajo la luz de la literatura comparada, las autobiografías de Gioconda Belli, poetisa nicaragüense, y de la política holandesa-somalí Ayaan Hirsi Ali. Asimismo, intenta encontrar en la narrativa autobiográfica un entrecruzamiento con la modernidad. Las narrativas autobiográficas despuntan como una alternativa de situar el sujeto en el mundo, un sujeto sin centro y que puntúa la experiencia personal como una alternativa de reconstrucción de su identidad y reconstrucción del mundo.
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Meneses, Sandra. "Cultural Critique in a Patriarchal World : Revolutionary Suicide in Sylvia Plath's "Lady Lazarus", "Daddy" and The Bell Jar." Thesis, Södertörn University College, School of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3196.
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This work studies three texts by Sylvia Plath: “Lady Lazarus”, “Daddy” and The Bell Jar from a feminist, gender and cultural perspective. I investigate how the texts take a stand regarding the motive and meaning of the representations of suicide in these works through the theoretical framework of African-American activist Huey Newton. The Black Panther party cofounder Newton redefines the concept of suicide. First and foremost he views suicide as a reaction to social conditions, coining the terms Reactionary Suicide and Revolutionary Suicide. Revolutionary Suicide is fueled by hope, when refusing to take part in any game of slave and master in society; instead of the normative view that suicide may be fueled by powerlessness and despair, as in the case of Reactionary Suicide. A feminist and gendered perspective on representations of suicide deconstructs traditional preconceptions of femininity and masculinity in the case of suicide and a normative reading: an embodiment by women and men of madness and rationality; viewing them as objects and subjects respectively. This study proposes that the representations of suicide in the texts from a cultural reading show the refusal of women to partake in a life defined by patriarchy, limiting and oppressing women’s everyday life. Suicide is seen through this unusual approach as an emptying out, a repositioning of the self through these performative suicides. Furthermore, through Revolutionary Suicide agency is claimed, with a hope for a better reality for the oppressed, in the intersection of the dichotomies of reality and utopia, literature and history, oppression and freedom. From a feminist perspective suicide is the catalyst to express social, political and cultural critique.
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Large, Sophie. "Révolte, révolution et utopie dans les romans de Gioconda Belli." Thesis, Dijon, 2014. http://www.theses.fr/2014DIJOL031.
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Ce travail porte sur les six premiers récits de Gioconda Belli, romancière, poète et ex-révolutionnaire nicaraguayenne. Il interroge trois motifs récurrents dans son œuvre – la Révolte, la Révolution et l’Utopie –, et cherche à en expliquer la présence obsessionnelle. En tant qu’intermédiaires entre les sphères individuelle et collective, ces objets d’étude nécessitent un éclairage à la fois psychanalytique et sociologique ; ces deux disciplines sont donc les outils privilégiés dans l’analyse, de même que la psychologie sociale, qui s’intéresse précisément aux processus psychiques régissant les interactions interpersonnelles. L’hypothèse de départ est que l’engagement dérive de la situation identitaire instable des personnages au début du récit, et que le choix entre Révolte, Révolution et Utopie dépend des conditions identitaires dans lesquelles ils se trouvent. Pour vérifier ce postulat, notre étude s’attache à dessiner les contours de la carence affective de chaque protagoniste, et analyse les processus identitaires susceptibles d’influencer la décision de s’engager, ainsi que les mécanismes psychiques que cette décision déclenche. Le fait que la quête d’identité ne soit pas assouvie par l’engagement mène alors à s’interroger sur la fonction idéologique de la Révolte, de la Révolution et de l’Utopie dans ces romans. Il s’agit donc aussi de déterminer le rôle de ces trois objets dans les récits, par l’étude de leur dimension temporelle, qui remplit une fonction à la fois diégétique et idéologique, ainsi que par l’analyse du dispositif argumentatif qui leur est associé, et qui révèle, de la part de l’auteur, une instrumentalisation de la littérature à des fins politiquesThis work deals with the first six novels of the novelist, poet and ex-revolutionary from Nicaragua, Gioconda Belli. It explores three recurrent themes – Revolt, Revolution and Utopia – and endeavours to explain the reason for their obsessional presence. As intermediaries between the individual and the collective, these concepts require both a psychoanalytical and sociological perspective. These two academic disciplines thus constitute the main tools of the research, as well as social psychology, which deals indeed with the psychological processes at play in interpersonal relations. The underlying assumption is that commitment stems from the characters’ unstable identity at the beginning of each novel, and that the choice between Revolt, Revolution and Utopia depends upon the circumstances of the creation of these identities. To put this assumption to the test, our study tries to locate the marks of emotional deprivation in each protagonist, and analyses the identity processes which are likely to influence the determination to commit and the psychological mechanisms resulting from such decision. Yet, the quest for identity is not quenched by commitment and this puts into question the ideological function of Revolt, Revolution and Utopia in these novels. Hence, this study equally tries to determine the role of these three objects in Belli’s work. It considers their temporal dimension, which has both a diegetic and an ideological function, and studies the argumentative devices attached to them, revealing thus the author’s political instrumentalisation of literature
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Pflueger, Pennie Michelle. "The role of the artist in 19th century America : Hugh Blair's Lectures on rhetoric and belles lettres (1783) and the works of Washington Irving and Herman Melville /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901269.
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