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1

1959-, Plasa Carl, ed. Toni Morrison, Beloved. New York: Columbia University Press, 1998.

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2

Beloved, Toni Morrison. New York, NY: Spark Pub., 2002.

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3

Slavery in Toni Morrison's Beloved. Detroit, USA: Greenhaven Press, 2012.

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4

Harold, Bloom, ed. Toni Morrison's Beloved. New York: Bloom's Literary Criticism, 2009.

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5

Bailey, Mary. Beloved, by Toni Morrison: A post-16 study guide. Sheffield: NATE, 1998.

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6

Beloved: Notes ... Lincoln, Neb: Cliffs Notes, 1993.

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7

Joyner, Louisa. Toni Morrison: The essential guide to contemporary literature : Beloved, Jazz, Paradise. London: Vintage, 2003.

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8

Muñoz, Julia Gutiérrez. La piel de la memoria: "Beloved" y "Paraíso" de Toni Morrison. Sevilla: Alfar, 2010.

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9

Toni Morrison's Beloved and the apotropaic imagination. Columbia: University of Missouri Press, 2002.

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10

Beloved communities: Solidarity and difference in fiction by Michael Ondaatje, Toni Morrison, and Joy Kogawa. Uppsala: Acta Universitatis Upsaliensis, 2000.

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11

Ghosts, metaphor, and history in Toni Morrison's Beloved and Gabriel García Márquez's One hundred years of solitude. New York: Palgrave Macmillan, 2009.

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12

Harold, Bloom, ed. Toni Morrison's Beloved. Broomall, PA: Chelsea House, 1999.

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13

Toni Morrison's Beloved. Piscataway, N.J: Research & Education Association, 1999.

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14

Harold, Bloom, ed. Toni Morrison's Beloved. Philadelphia, USA: Chelsea House, 2004.

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15

Rosensfit, Gail Rae. Toni Morrison's Beloved. Piscataway, N.J: Research & Education Association, 1996.

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16

Gyssels, Kathleen. Sages sorcières?: Révision de la mauvaise mère dans Beloved (Toni Morrison), Praisesong for the Widow (Paule Marshall), et Moi, Tituba, sorcière noire de Salem (Maryse Condé). Lanham, Md: University Press of America, 2001.

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17

Toni Morrison's Beloved: Origins. New York: Routledge, 2009.

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18

Moreland, Richard C. Learning from difference: Teaching Morrison, Twain, Ellison, and Eliot. Columbus: Ohio State University Press, 1999.

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19

Harold, Bloom, ed. Tony Morrison's Beloved. Philadelphia: Chelsea House Publishers, 1999.

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20

Branch, Eleanor. Toni Morrison's Beloved: A critical commentary. New York, USA: Simon & Schuster, 1988.

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21

H, Solomon Barbara, ed. Critical essays on Toni Morrison's Beloved. New York, USA: G.K. Hall, 1998.

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22

Forgetting futures: On memory, trauma, and identity. Lanham, Md: Lexington Books, 2001.

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23

Brass, Christine. "Will the parts hold?": Erinnerung und Identität in Toni Morrisons Romanen Beloved und Jazz : zwit Thesen = two theses. Tübingen: G. Narr, 1997.

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24

1940-, Iyasẹre Solomon Ogbede, and Iyasẹre Marla W, eds. Understanding Toni Morrison's Beloved and Sula: Selected essays and criticisms of the works by the Nobel Prize-winning author. Troy, N.Y: Whitston Publishing Co., 2000.

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25

Zwischen Realismus und Avantgarde: Drei Paradigmen für die Aporien des Entweder-Oder : William Faulkners "The Sound and the Fury", Cormac McCarthys "Suttree", Toni Morrisons "Beloved". Frankfurt am Main, Germany: P. Lang, 2000.

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26

Memory, narrative, identity: Remembering the self. Edinburgh: Edinburgh University Press, 2000.

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27

Plasa, Carl. Toni Morrison: Beloved. Columbia University Press, 1999.

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28

Plasa, Carl. Toni Morrison: Beloved (Columbia Critical Guides). Columbia University Press, 1999.

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29

SuperSummary. Study Guide: Beloved by Toni Morrison. Independently Published, 2018.

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30

"Beloved" by Toni Morrison (Critical Reading). National Association for the Teaching of English, 1998.

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31

Plasa, Carl. Toni Morrison: Beloved (Icon Critical Guides). Totem Books, 1998.

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32

York Notes on Toni Morrison's "Beloved". 2nd ed. Longman, 1999.

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33

Harvey, Ted. Ours Beloved Toni Morrison: Life Song of Toni Morrison, in a Fly. Independently Published, 2021.

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34

Tally. Toni Morrisons Beloved: Possible Worlds. Taylor & Francis Group, 2007.

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35

Tally, Justine. Toni Morrison's 'Beloved': Origins. Taylor & Francis Group, 2011.

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36

Morrison, Toni. Toni Morrison: Jazz/Beloved/Song of Solomon. Plume Books, 1994.

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37

Tally, Justine. Toni Morrison's 'Beloved': Origins. Taylor & Francis Group, 2008.

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38

Reynolds, Margaret, Jonathan Noakes, and Louisa Joyner. Toni Morrison: The Essential Guide. Penguin Random House, 2012.

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39

Gray, Laura. "Beloved". Longman, 1996.

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40

Wardi, Anissa Janine. Toni Morrison and the Natural World. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834164.001.0001.

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Critics have routinely excluded African American literature from ecocritical inquiry despite the fact that the literary tradition has, from its inception, proved to be steeped in environmental concerns that address elements of the natural world and relate nature to the transatlantic slave trade, plantation labor, and nationhood. Toni Morrison’s work is no exception. Toni Morrison and the Natural World: An Ecology of Color is the first full-length ecocritical investigation of the Nobel Laureate’s novels and brings to the fore an unequaled engagement between race and nature. Morrison’s ecological consciousness holds that human geographies are enmeshed with nonhuman nature. It follows, then, that ecology, the branch of biology that studies how people relate to each other and their environment, is an apt framework for this book. The interrelationships and interactions between individuals and community, and between organisms and the biosphere are central to this analysis. They highlight that the human and nonhuman are part of a larger ecosystem of interfacings and transformations. Toni Morrison and the Natural World is organized by color, examining soil (brown) in The Bluest Eye and Paradise; plant life (green) in Song of Solomon, Beloved, and Home; bodies of water (blue) in Tar Baby and Love; and fire (orange) in Sula and God Help the Child. By providing a racially inflected reading of nature, Toni Morrison and the Natural World makes an important contribution to the field of environmental studies and provides a landmark for Morrison scholarship.
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41

1946-, Andrews William L., and McKay Nellie Y, eds. Toni Morrison's Beloved: A casebook. New York: Oxford University Press, 1999.

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42

Pardes, Ilana. Toni Morrison’s Shulamites. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.003.0008.

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This chapter focuses on Toni Morrison’s renditions of new Shulamites in Song of Solomon (1977) and Beloved (1987). The female characters of both novels highlight the power and bold eroticism of the Shulamite’s voice, calling for a different perception of gender relations and feminine sexuality. While offering new representations of femininity, Morrison is no less eager to fashion a new grand Song as a base for a redefinition of the African-American community. In Song of Solomon, the ancient biblical love poem merges with African folk songs and legends and in Beloved, the ghostly Beloved is both a tormented and tormenting Shulamite as well as the spirit of the many slaves whose sufferings she embodies. Special attention is given to Morrison’s response to African-American commentaries on the verse ‘I am black, but comely’ and to points of affinity between her exegesis and feminist biblical criticism in the 1970s and 1980s.
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43

Robinson, Mary, and Kris Fulkerson. Morrison's Beloved (Cliffs Notes). Cliffs Notes, 2000.

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44

Summaries, Bright. Beloved by Toni Morrison: Detailed Summary, Analysis and Reading Guide. BrightSummaries.com, 2019.

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45

Wasowski, Richard. "Beloved" (CliffsAP). John Wiley & Sons Inc, 2007.

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46

Wasowski, Richard. "Beloved" (CliffsAP). John Wiley & Sons Inc, 2007.

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47

Morrison, Toni. Toni Morrison Box Set: The Bluest Eye, Song of Solomon, Beloved. Vintage, 2019.

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48

Books, Worth. Summary and Analysis of Beloved: Based on the Book by Toni Morrison. Worth Books, 2017.

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49

(Editor), William L. Andrews, and Nellie Y. McKay (Editor), eds. Toni Morrison's Beloved: A Casebook (Casebook in Contemporary Fiction). Oxford University Press, USA, 1998.

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50

Tally, Justine. Toni Morrison's 'Beloved': Possible Worlds (Routledge Transnational Perspectives on American Literature). Routledge, 2007.

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