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Journal articles on the topic 'Bembo'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Montana, Ismael. "The Travels and Journals of Ambrosio Bembo by Ambrosio Bembo." Maghreb Review 34, no. 2-3 (2009): 244–45. http://dx.doi.org/10.1353/tmr.2009.0014.

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2

Maglaque, Erin. "Humanism and Colonial Governance in the Venetian Ageaen: The Case of Giovanni Bembo." Journal of Early Modern History 19, no. 1 (2015): 45–70. http://dx.doi.org/10.1163/15700658-12342435.

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In this article, I examine the autobiographical writing and reading practices of Giovanni Bembo, a colonial governor posted to Skopelos and Skiathos in the Aegean in 1525. During his term as rettore in the Aegean, Bembo’s scribe had an affair with his daughter and helped her to abort her ensuing pregnancy. Bembo then ordered the scribe to be publicly castrated. In the aftermath of this violent act, Bembo was blacklisted from any further governmental position in Venice. In his autobiographical letter, written ten years after the events on Skiathos, Bembo reflects on his role in the colonial Aeg

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3

Casini, Cecilia. "Il canone linguistico boccacciano, non senza dissenso." Revista de Italianística, no. 29 (June 12, 2015): 134. http://dx.doi.org/10.11606/issn.2238-8281.v0i29p134-148.

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Autor da maior obra-prima em prosa da literatura medieval em língua vulgar, Giovanni Boccaccio foi determinante para a definição do cânone linguístico italiano, sobretudo a partir da codificação proposta por Pietro Bembo no século XVI. Mas não sem divergências, uma vez que, logo após Bembo publicar seu Prose della volgar lingua, surgem as primeiras teses contrastantes que apoiam o modelo linguístico apresentado por Machiavelli

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4

Freitas, Ludmilla Thompson Sathler. "OS CONCEITOS DE GRAVITÀ E PIACEVOLEZZA DE PIETRO BEMBO." Revista Música 18, especial (2018): 205–14. http://dx.doi.org/10.11606/rm.v18iespecial.151092.

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Pietro Bembo, poeta e literato nascido em Veneza, publica em 1525 sua principal obra Prose della volgar lingua, um compêndio sobre o vulgar que estava sendo estabelecido como padrão literário italiano. É neste contexto de questione della lingua que nasce o madrigal italiano, um gênero de composição polifônica que destacou-se pela utilização de poemas de alta qualidade literária como os de Petrarca, defendido por Bembo. Uma análise “bembística” do texto pode dar diretrizes para a interpretação musical, tendo em vista que a música era composta a partir da palavra. Desta maneira pretende-se obser

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5

Romei, Danilo. "Paralipomeni della disputa Bembo-Brocardo." Italique, no. XVI (December 1, 2013): 69–77. http://dx.doi.org/10.4000/italique.368.

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6

Preston, P. "Pietro Bembo: Lover, Linguist, Cardinal." English Historical Review CXXI, no. 494 (2006): 1532–33. http://dx.doi.org/10.1093/ehr/cel337.

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7

Barolsky, Paul. "RAPHAEL'S "PARNASSUS" SCALED BY BEMBO." Source: Notes in the History of Art 19, no. 2 (2000): 31–33. http://dx.doi.org/10.1086/sou.19.2.23206752.

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8

Watenpaugh, Heghnar Zeitlian. "Architecture without Images." International Journal of Middle East Studies 45, no. 3 (2013): 585–88. http://dx.doi.org/10.1017/s0020743813000548.

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The Venetian nobleman Ambrosio Bembo (1652–1705) included this panorama of Aleppo by the French artist G.J. Grélot (see Figure 1), as one of the fifty-one carefully observed line drawings of cities, buildings, and people integral to his travelogue, proudly entitled Travels and Journal through Part of Asia during about Four Years Undertaken by Me, Ambrosio Bembo, Venetian Noble. During his visits to Aleppo between 1672 and 1675, Bembo may have crossed paths with the great Ottoman traveler Evliya Çelebi (1611–82?), who included his own description of that commercial capital of the eastern Medite

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9

Henderson, John, and Valentina Zivkovic. "Experiencing disease and medical treatment in renaissance Italy: Cardinal Pietro Bembo and his circle." Balcanica, no. 53 (2022): 45–62. http://dx.doi.org/10.2298/balc2253045h.

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This article, which examines contemporaries? personal experience of illness in Renaissance Italy, is part of a growing literature which concentrates on the patient rather than the practitioner. The basis of this study is the correspondence of Pietro Bembo, the well-known humanist, papal secretary and latterly Cardinal, with his cousin Gian Matteo Bembo and his long-standing secretary and friend, Cola Bruno. These letters are revealing of how a non-medical man understood and described illness in the sixteenth century, and his personal experience associated particularly with ?mal delle reni?, wh

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10

Fahy, Conor, and Massimo Danzi. "La biblioteca del Cardinal Pietro Bembo." Modern Language Review 101, no. 4 (2006): 1147. http://dx.doi.org/10.2307/20467105.

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11

Altschuler, Eric Lewin, and William Jansen. "'R.H.', Bembo and Croce's "Musica Sacra"." Musical Times 149, no. 1902 (2008): 71. http://dx.doi.org/10.2307/25434520.

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12

Gendre, André. "La Pléiade entre Bembo et l’Arioste." Italique, no. VI (December 31, 2003): 7–36. http://dx.doi.org/10.4000/italique.134.

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13

Kowalczyk, Daria. "Kontakty Pietra Bemba z Polakami." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 17–25. http://dx.doi.org/10.24917/20811853.17.2.

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The article presents the relationship between one of the main representatives of Italianhumanism – Pietro Bembo – with Poles. The most important aspect was his friendship withKlemens Janicki who studied in Padua in 1538–1540. His works are a testimony of contactshe had established when in Italy. Bembo was mentioned in Janicki’s works (Variae Elegiae IX,Epigrammata LII). Another element connecting the Italian with Poles were congratulatoryletters on his cardinal appointment. The newly-appointed cardinal was congratulated by kingSigismund the Old via enigmatic figures of Jan Wincenty Dulcis de L

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14

Milburn, Erika, and Claudia Berra. "La scrittura degli 'Asolani' di Pietro Bembo." Modern Language Review 95, no. 3 (2000): 855. http://dx.doi.org/10.2307/3735566.

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15

Braden, G. "Applied Petrarchism: The Loves of Pietro Bembo." Modern Language Quarterly 57, no. 3 (1996): 397–423. http://dx.doi.org/10.1215/00267929-57-3-397.

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16

Ferroni, Giovanni. "A margine di Piansi et cantai del Bembo." Italique, no. XII (November 1, 2009): 73–91. http://dx.doi.org/10.4000/italique.224.

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17

Saccone, Eduardo. "Il Codice Piegato. Da Bembo a Della Casa." MLN 109, no. 1 (1994): 1. http://dx.doi.org/10.2307/2904925.

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18

Berra, Claudia. "Schede e proposte per l’epistolario di Pietro Bembo." Giornale storico della letteratura italiana 192, no. 638 (2015): 272–76. http://dx.doi.org/10.1484/j.gsli.5.129479.

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19

Bowd, Stephen D. "Pietro Bembo and the ?monster? of Bologna (1514)." Renaissance Studies 13, no. 1 (1999): 40–54. http://dx.doi.org/10.1111/j.1477-4658.1999.tb00064.x.

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20

Bowd, SD. "Pietro Bembo and the 'monster' of Bologna (1514)." Renaissance Studies 13, no. 1 (1999): 40–54. http://dx.doi.org/10.1111/1477-4658.00291.

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21

Donnini, Andrea. "Scheda per il sonetto di Bembo a Paolo Giovio." Italique, no. VIII (July 1, 2005): 89–110. http://dx.doi.org/10.4000/italique.120.

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22

Fahy, Conor. "La biblioteca del Cardinal Pietro Bembo by Massimo Danzi." Modern Language Review 101, no. 4 (2006): 1147–48. http://dx.doi.org/10.1353/mlr.2006.0412.

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23

Clough, C. H. "La biblioteca del cardinal Pietro Bembo. By MASSIMO DANZI." Library 14, no. 1 (2013): 89–90. http://dx.doi.org/10.1093/library/14.1.89.

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24

Grant, John N. "Propertius, Ovid and two latin poems of Pietro Bembo." International Journal of the Classical Tradition 1, no. 4 (1995): 48–62. http://dx.doi.org/10.1007/bf02677049.

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25

Lestari, Wahyu, Restu Lanjari, Veronica Eny Iryanti, Sriyadi Sriyadi, and Satitra Nindrayani. "Pendampingan Bembo Craf dalam Pembuatan Desain Busana Tari Berbahan Enceng Gondok di Kabupaten Semarang." Varia Humanika 2, no. 2 (2021): 124–34. http://dx.doi.org/10.15294/vh.v2i2.51327.

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Pengabdian Kepada Masyarakat Mandiri bagi dosen bekerja sama dengan Bembo Craf, Dusun Kesongo, Kabupaten Semarang. Tujuan pengabdian adalah memberikan pendampingan kepada Bembo Craf yang berkecimpung dibidang hand craf untuk produk kerajinan tangan seperti berbagai bentuk souvenir, tas, sandal, bahkan barang rumah tangga lainya seperti meja dan kursi, semua dibuat dengan menggunakan bahan dasar pengolahan enceng gondok. Pendampingan yang dilakukan yaitu pembuatan desain busana tari berbahan enceng gondok. Enceng gondok merupakan salah satu tumbuhan yang hidup subur di daerah rawa pening, Kabup

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26

Sabbatino (book author), Pasquale, and Massimo Ciavolella (review author). "La 'scienza' della scrittura. Dal progetto del Bembo al Manuale." Quaderni d'italianistica 11, no. 1 (1990): 165. http://dx.doi.org/10.33137/q.i..v11i1.10569.

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27

Kowalczyk-Cantoro, Daria. "Le prime traduzioni polacche delle poesie italiane di Pietro Bembo." Italica Wratislaviensia 12, no. 2 (2021): 111–28. http://dx.doi.org/10.15804/iw.2021.12.2.06.

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28

Sawkins, Lionel. "Desperate Measures: The Life and Music of Antonia Padoani Bembo." Musicology Australia 30, no. 1 (2008): 100–102. http://dx.doi.org/10.1080/08145857.2008.10416741.

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29

Pupillo, Bridget. "The Travels and Journal of Ambrosio Bembo (review)." MLN 124, no. 1 (2009): 319–21. http://dx.doi.org/10.1353/mln.0.0101.

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30

Faini, Marco. "War, Grammar and Philology: From Leonardo to Bembo via Fortunio." Italianist 36, no. 3 (2016): 375–91. http://dx.doi.org/10.1080/02614340.2016.1225758.

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31

Carroll, Linda L., and Pasquale Sabbatino. "La "scienza" della scrittura: Dal progetto del Bembo al manuale." Italica 67, no. 2 (1990): 253. http://dx.doi.org/10.2307/478613.

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32

Kriesel, James C. "Chastening the Corpus: Bembo and the Renaissance Reception of Boccaccio." Italianist 31, no. 3 (2011): 367–91. http://dx.doi.org/10.1179/ita.2011.31.3.367.

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33

Ahačič, Kozma. "Slovničarstvo v bližnjih evropskih deželah pred Bohoričevo slovnico v 16. stoletju." Keria: Studia Latina et Graeca 8, no. 2 (2006): 35. http://dx.doi.org/10.4312/keria.8.2.35-57.

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Prispevek opisuje slovnice evropskih ljudskih jezikov kot možne posredne in (deloma) neposredne vire prve slovnice slovenskega jezika, ki jo je leta 1584 napisal Adam Bohorič. V okviru tega oriše stanje na področju slovničarstva ljudskih jezikov v Nemčiji (Ickelsamer, Albertus, Ölinger, Clajus), Franciji (de Bovelles, Dubois, Drosée, Meigret, R. Estienne, de la Ramée, Pillot, Garnier, Cauchie), Italiji (Alberti, Fortunio, Bembo, Corso, Dolce, Castelvetro, Ruscelli, Salviati, Giambullari, Trissino) ter na Češkem (Optat, Gzel, Philomates, Blahoslav) in Poljskem (Statorius).

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34

Bolzoni, Lina. "Les Asolani de Pietro Bembo, ou le double portrait de l’amour." Italique, no. IX (June 1, 2006): 9–27. http://dx.doi.org/10.4000/italique.103.

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35

Signorini, Stefania. "Da Maria a Lucrezia. Su due rime giovanili di Pietro Bembo." Italique, no. VI (December 31, 2003): 53–76. http://dx.doi.org/10.4000/italique.136.

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36

Gordon-Siefert, Catherine. "Desperate Measures: The Life and Music of Antonia Padoani Bembo (review)." Notes 64, no. 2 (2007): 309–11. http://dx.doi.org/10.1353/not.2007.0165.

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37

Sherberg, Michael. "The Accademia Fiorentina and the Question of the Language: The Politics of Theory in Ducal Florence*." Renaissance Quarterly 56, no. 1 (2003): 26–55. http://dx.doi.org/10.2307/1262257.

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AbstractFounded in 1540 as the Accademia degli Umidi, the Accademia Fiorentina quickly assumed a central role in the renewed language debate in Italy. Three Florentine protagonists of the debate, Pierfrancesco Giambullari, Giovambattista Gelli, and Carlo Lenzoni, all penned treatises in defense of contemporary Florentine as a language model, in opposition to solutions advocated by others, particularly Pietro Bembo and his followers, and Giovan Giorgio Trissino. Their writings variously support the expansionist political program of Duke Cosimo de' Medici, while at times contesting his more egal

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38

Dachs, Monika. "EIN „VERGESSENES" ALTÄRCHEN AUS DEM SOGENANNTEN ATELIER DES BONIFACIO BEMBO AUS CREMONA." Wiener Jahrbuch für Kunstgeschichte 43, no. 1 (1990): 89–110. http://dx.doi.org/10.7767/wjk.1990.43.1.89.

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39

Valsalobre, Pep. "Autoría y contexto de la primera traducción castellana deGli asolanide Bembo (1551)." Hispanic Research Journal 16, no. 6 (2015): 489–506. http://dx.doi.org/10.1080/14682737.2015.1129834.

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40

Séris, Emilie. "La renaissance du nu antique à Venise : Pietro Bembo et le Titien." International Journal of the Classical Tradition 18, no. 2 (2011): 201–25. http://dx.doi.org/10.1007/s12138-011-0248-1.

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41

Cella, Roberta. "Qualche osservazione sulla lingua della "Secchia rapita"." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 3, no. 2 (2022): 93–106. http://dx.doi.org/10.54103/2724-3346/19503.

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Il contributo tratteggia quanto e come la componente linguistica contribuisca alla miscela di «grave e burlesco» nella Secchia rapita di Alessandro Tassoni, testo fondatore del genere eroicomico. La componente seria – condivisa con la coeva produzione ispirata ai modelli lin-guistici di Petrarca, Boccaccio e Tasso – è ottenuta con l’ordine artificiale delle parole nella frase e con l’alternanza di tratti fonomorfologici concorrenti ma tutti legittimati dalla codificazione di Bembo e dall’uso letterario del tempo; la componente burlesca è ottenuta, oltre che con la spro-porzione tra la sostanza

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42

La Via, Stefano. "EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE." Early Music History 21 (September 4, 2002): 75–116. http://dx.doi.org/10.1017/s0261127902002036.

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The literary origins of the Italian sixteenth-century madrigal, as well as the presumed inexpressive nature of the so-called prima pratica as compared with the seconda pratica, perhaps represent two of the most abused commonplaces of modern musical historiography. Most scholars still believe that the linguistic, rhetorical and stylistic principles codified by Petrarchist humanists such as Pietro Bembo directly stimulated the birth of the new literary-musical genre. Even more problematic is the attitude of those who extract the dichotomy prima/seconda pratica from its specific cultural context

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43

di Maria, Giorgio. "Tra dottrina grammaticale e ortografia latina: l’Aldina del De Aetna di Pietro Bembo." Philologia Classica II, no. I (2016): 148–62. http://dx.doi.org/10.21638/11701/spbu20.2016.113.

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44

Gorni, Guglielmo. "«Né cal di ciò chi m’arde». Riscritture da Orazio e Virgilio nell’ultimo Bembo." Italique, no. I (June 1, 1998): 25–34. http://dx.doi.org/10.4000/italique.62.

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45

Girardi, Raffaele. "Gareth D. Williams. Pietro Bembo On Etna. The Ascent of a Venetian Humanist." Studia Aurea 12 (December 11, 2018): 395. http://dx.doi.org/10.5565/rev/studiaaurea.324.

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46

Waddington, Raymond B. "A Satirist's Impresa: The Medals of Pietro Aretino." Renaissance Quarterly 42, no. 4 (1989): 655–81. http://dx.doi.org/10.2307/2862276.

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Characterized by Burckhardt as the father of modernjournalism, Pietro Aretino was the first vernacular writer to understand and exploit fully the resource of the printing press. But while some kinds of his writings anticipate now conventional varieties of journalism, such a label slights the more literary of his activities in drama, poetry, hagiography, and prose dialogue. The protean variety of Aretino's works made him both successor to Bembo as the leading man of letters in the 1530s and 40s and the model for the poligrafi who would succeed him. As with those poligrafi, a coherence to his ac

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47

Δόνος, Δημοσθένης Αρ. "Bembo ή Sanudo; Οι βενετικές επιχειρήσεις στον Αμβρακικό κόλπο κατά το 1500 (m.v.) και η ιστοριογραφική τους περιπέτεια". Πρεβεζάνικα Χρονικά, № 51-52 (31 грудня 2015): 39. http://dx.doi.org/10.12681/prch.28284.

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Το παρόν άρθρο επανεξετάζει κάποια πολεμικά επεισόδια που έλαβαν χώρα στον Αμβρακικό κόλπο κατά τη διάρκεια του Β΄ Βενετοτουρκικού πολέμου (1499-1503).Για πρώτη φορά, η ευρέως αποδεκτή εκδοχή των γεγονότων –όπως αυτή παραδίδεται από τον Ρ. Bembo, επίσημο ιστοριογράφο της Βενετίας– αντιπαραβάλλεται με τις εκτενείς αλλά έως τώρα αναξιοποίητες αναφορές των Diarii του Μ. Sanudo, τα οποία και επιτρέπουν μια διαφορετική, πολύ πιο λεπτομερή αλλά και συνεκτική ανασύσταση των διαδραματισθέντων, ενώ επιπλέον μας παρέχουν πολύτιμες πληροφορίες για τη στρατηγική θέση και λειτουργία της πρώιμης Πρέβεζας κα

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48

Jurdjevic, Mark, and Christine Raffini. "Marsilio Ficino, Pietro Bembo, Baldassare Castiglione: Philosophical, Aesthetic, and Political Approaches in Renaissance Platonism." Sixteenth Century Journal 30, no. 1 (1999): 228. http://dx.doi.org/10.2307/2544954.

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49

Bartuschat, Johannes. "Le Triomphe de Vénus et de la poésie: autour des «Stanze» de Pietro Bembo." Italique, no. XIV (January 1, 2011): 173–204. http://dx.doi.org/10.4000/italique.339.

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50

Pertile, Lino. "Un «roco» sonetto per Veronica. Come nasce il CXXIII delle Rime di Pietro Bembo." Italique, no. I (June 1, 1998): 9–24. http://dx.doi.org/10.4000/italique.60.

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