Academic literature on the topic 'Benefits of music lessons'
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Journal articles on the topic "Benefits of music lessons"
Kawase, Satoshi, and Jun’ichi Ogawa. "Group music lessons for children aged 1–3 improve accompanying parents’ moods." Psychology of Music 48, no. 3 (October 19, 2018): 410–20. http://dx.doi.org/10.1177/0305735618803791.
Full textSchellenberg, E. Glenn. "Music and Cognitive Abilities." Current Directions in Psychological Science 14, no. 6 (December 2005): 317–20. http://dx.doi.org/10.1111/j.0963-7214.2005.00389.x.
Full textMacLeod, Rebecca B., Christen Blanton, Jessica Lewis, and Dixie Ortiz. "Near-Peer Mentorship: A Model for Private Music Instruction in an Underserved Community." String Research Journal 10, no. 1 (June 16, 2020): 45–60. http://dx.doi.org/10.1177/1948499220924420.
Full textCleaton, Anne. "A flexible template for informal practical music lessons: A Welsh perspective." Journal of Popular Music Education 5, no. 1 (April 1, 2021): 155–60. http://dx.doi.org/10.1386/jpme_00052_1.
Full textHaddon, Elizabeth. "Instrumental and vocal teaching: how do music students learn to teach?" British Journal of Music Education 26, no. 1 (March 2009): 57–70. http://dx.doi.org/10.1017/s0265051708008279.
Full textTanja, Linnavalli, Soni García Adriana, and Tervaniemi Mari. "Perspectives on the Potential Benefits of Children’s Group-based Music Education." Music & Science 4 (January 1, 2021): 205920432110335. http://dx.doi.org/10.1177/20592043211033578.
Full textCooper, Thelma L. "Adults' Perceptions of Piano Study: Achievements and Experiences." Journal of Research in Music Education 49, no. 2 (July 2001): 156–68. http://dx.doi.org/10.2307/3345867.
Full textRose, Tara. "Music Therapy Clinical Trials in Cross-Cultural Settings." Innovation in Aging 4, Supplement_1 (December 1, 2020): 930. http://dx.doi.org/10.1093/geroni/igaa057.3411.
Full textKabataş, Mustafa. "A study on healthy eating children's music lessons and school performance." African Educational Research Journal 9, no. 1 (January 28, 2021): 112–20. http://dx.doi.org/10.30918/aerj.91.20.226.
Full textDegrave, Pauline. "Music in the Foreign Language Classroom: How and Why?" Journal of Language Teaching and Research 10, no. 3 (May 1, 2019): 412. http://dx.doi.org/10.17507/jltr.1003.02.
Full textDissertations / Theses on the topic "Benefits of music lessons"
Harrison, Joan. "Musical Citizens: String Teachers' Perceptions of Citizenship Education in the Private Studio." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/23783.
Full textDye, Keith. "Applied music lessons in an online environment using desktop videoconferencing lessons with almost anyone, anywhere, anytime: it's possible." Saarbrücken VDM Verlag Dr. Müller, 2007. http://d-nb.info/989451453/04.
Full textLehmann-Wermser, Andreas. "How lessons are structured." Georg Olms Verlag, 2018. https://slub.qucosa.de/id/qucosa%3A34625.
Full textFadairo, Olayemi. "Benefits of Conducting Postproject Reviews to Capture Lessons Learned." ScholarWorks, 2016. https://scholarworks.waldenu.edu/dissertations/2121.
Full textWallbaum, Christopher. "Comparing international music lessons on video." Georg Olms Verlag, 2018. https://slub.qucosa.de/id/qucosa%3A33770.
Full textHeikinheimo, Tapani. "Intensity of interaction in instrumental music lessons /." Helsinki : Sibelius-Akatemia, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018723156&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textSzeto, Lai Tat. "Benefits and Challenges of Absolute Pitch." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10638868.
Full textAbsolute pitch (AP) is also referred to as Perfect Pitch. AP possessors are able to identify pitch in any kinds of sound without a reference point. However, Absolute Pitch may hinder possessors in music studies because it can confuse their brain. It is significant to understand that Absolute Pitch is not purely an advantage for possessors. While Absolute Pitch has great impact on possessors, it may bring negative phenomenon to them, which could decrease their learning ability.
This project’s purpose is to examine whether Absolute Pitch is a benefit or challenge in music studies. I will begin my project with archival research to provide background information and facts of Absolute Pitch. It will explain how Absolute Pitch is beneficial and challenging for musicians. Five hypotheses are suggested in the project: (1) Absolute Pitch possessors perform excellently in music dictation. (2) Absolute Pitch possessors value special tone quality. (3) Possession of Absolute Pitch is not always useful and accurate. (4) Absolute Pitch possessors have different perspectives in hearing intervals. (5) Absolute Pitch possessors have difficulty at transposing music.
Rosenbalm, Kelly Lane. "Sample Lessons Plans to Effectively Incorporate Group Lessons Into the Private Studio of Young Beginning Suzuki Piano Students." Miami University Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1272035120.
Full textStehr, Max W. "Bird's words and Lennie's lessons| Using or avoiding patterns in bebop." Thesis, The University of Nebraska - Lincoln, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10247656.
Full textResearch on how jazz musicians improvise suggests that learned patterns or “licks” inserted during improvisations are ubiquitous, especially among those playing bebop. Analysis of saxophonist Charlie Parker’s solos reveals his reliance on distinct patterns that he often repeated multiple times in a single solo. Due to Parker's iconic status as a bebop progenitor and his influence on the dissemination of mainstream bebop vocabulary, one can argue that bebop improvisation is dependent on the use of licks and that they are fundamental to bebop syntax and vocabulary. This claim is supported by a myriad of improvisation manuals advocating the practice of licks as integral to the acquisition and development of bebop vocabulary.
Saxophonists Lee Konitz and Warne Marsh were both contemporaries of Parker who matured as improvisers under the direction of teacher Lennie Tristano. Though he and his students revered Parker, Tristano’s pedagogical method rejected the imitation of other bebop improvisers by specifically avoiding the inclusion of licks, thus encouraging more melodic spontaneity. The results of Tristano's method are exemplified by the work of Konitz and Marsh during the late 1940s and early 1950s.
This paper addresses the relative merits of these two approaches to bebop by investigating the stylistic differences between Parker and Tristano’s students Konitz and Marsh. Chapter 1 discusses Parker's approach to improvisation, specifically his use of licks, and his influence on mainstream jazz pedagogy. Chapter 2 outlines Tristano's pedagogical method and discusses the differences between his approach and the mainstream approach to teaching bebop. Chapter 3 explores the cognitive and neurological necessity of using licks in bebop, and discusses current music cognition literature and fMRI studies conducted on improvisers. Chapter 4 presents an analysis of licks by Parker, Konitz, and Marsh, and their effect on improvisational outcomes. As there is a rhetorical quality to jazz improvisation, linguistic concordance software called AntConc was used to locate patterns in the transcriptions. AntConc analysis reveals a greater volume and frequency of patterns in the playing of Parker than in the playing of Konitz and Marsh.
Cave, Penelope. "Piano lessons in the English country house, 1785-1845." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366438/.
Full textBooks on the topic "Benefits of music lessons"
Lindsay, Debra Kay Robinson. Lessons in American music. Lanham, Md: Rowman & Littlefield, 2006.
Find full textLindsay, Debra Kay Robinson. Lessons in American music. Reston, VA: MENC, The National Association for Music Education, 2006.
Find full textKeys to successful music lessons. Hauppauge, N.Y: Barron's Educational Series, 1996.
Find full textGeorgopoulos, Demetra. Music lessons: Grades 1-3. London, Ont: GeoWat Innovative Teacher Publishing, 2004.
Find full textGambarini, Elisabetta De. Lessons for harpsichord. Edited by Asti Martha Secrest. Bryn Mawr, PA: Hildegard Pub. Co., 1995.
Find full textMusic lessons: Poetry and musical form. Tarset, Nothumberland: Bloodaxe Books, 2011.
Find full textPiano Lessons: Music, Love & True Adventures. New York, USA: Delacorte Press, 1997.
Find full textBook chapters on the topic "Benefits of music lessons"
Wallace, Katherine. "Lessons in Music, Lessons in Love." In Conjunctions of Mind, Soul and Body from Plato to the Enlightenment, 155–70. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9072-7_9.
Full textJosipovici, Gabriel. "Words and Music Today." In The Lessons of Modernism, 143–50. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18973-1_8.
Full textJosipovici, Gabriel. "Two Moments in Modern Music-Theatre." In The Lessons of Modernism, 177–94. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18973-1_11.
Full textKotka, Taavi, Carlos Ivan Vargas Alvarez del Castillo, and Kaspar Korjus. "Estonian e-Residency: Benefits, Risk and Lessons Learned." In Electronic Government and the Information Systems Perspective, 3–15. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-44159-7_1.
Full textBritton, Dana M. "Gendering in organizations: Lessons from the prison and other iron cages." In Gender — from Costs to Benefits, 135–50. Wiesbaden: VS Verlag für Sozialwissenschaften, 2003. http://dx.doi.org/10.1007/978-3-322-80475-4_10.
Full textClift, Stephen, Rebekah Gilbert, and Trish Vella-Burrows. "Health and Well-Being Benefits of Singing for Older People." In Music, Health and Wellbeing, 97–120. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-349-95284-7_6.
Full textDunlop, Rishma. "Music Lessons and Other Stories: Partial Inventory." In Narrative Soundings: An Anthology of Narrative Inquiry in Music Education, 131–55. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-0699-6_8.
Full textShaw, Julia T. "Lessons Learned From Students’ Experiences Across the Three Choirs." In Culturally Responsive Choral Music Education, 85–99. New York : Routledge, 2019. | Series: Culturally responsive teaching in music: Routledge, 2019. http://dx.doi.org/10.4324/9780429503900-5.
Full textStrange, Simon. "What Lessons can Higher Popular Music Education Learn from Art School Pedagogy?" In Popular Music Studies Today, 271–80. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_28.
Full textHouston, Donald, and Colin Lindsay. "Fit for Purpose? Lessons for Policies to Address the Disability Benefits ‘Crisis’." In Disability Benefits, Welfare Reform and Employment Policy, 233–41. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137314277_13.
Full textConference papers on the topic "Benefits of music lessons"
Smith, Wilson. "Music lessons." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313026.
Full textStramkale, Ligita. "Students’ Perceptions about Using Background Music in Music Lessons." In 13th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2020. http://dx.doi.org/10.22616/reep.2020.019.
Full textSturm, Bob L. "Evaluating music emotion recognition: Lessons from music genre recognition?" In 2013 IEEE International Conference on Multimedia and Expo Workshops (ICMEW). IEEE, 2013. http://dx.doi.org/10.1109/icmew.2013.6618342.
Full textBesedova, Petra. "Using Music In Foreign Language Lessons." In 9th ICEEPSY - International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.01.43.
Full textTilson, David, Carsten Sorensen, and Kalle Lyytinen. "Platform Complexity: Lessons from the Music Industry." In 2013 46th Hawaii International Conference on System Sciences (HICSS). IEEE, 2013. http://dx.doi.org/10.1109/hicss.2013.449.
Full textBalabina, Galina Sergeevna. "THE USE OF INFORMATION TECHNOLOGY IN MUSIC LESSONS." In Международный педагогический форум "Стратегические ориентиры современного образования". Уральский государственный педагогический университет, 2020. http://dx.doi.org/10.26170/kso-2020-61.
Full textRauduvaite, Asta. "The Educational Aspects of Integrating Popular Music into Lessons." In Rural environment. Education. Personality. Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2018. http://dx.doi.org/10.22616/reep.2018.011.
Full textBesedová, Petra. "Student´S Attitude To Music In Foreign Language Lessons." In 8th International Conference on Education and Educational Psychology. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.10.8.
Full textArdipal. "Music Education in the Thematic Lessons for Elementary Schools." In Eighth International Conference on Languages and Arts (ICLA-2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200819.075.
Full textGelichak, S. M., and I. I. Nikolaeva. "Music therapy as a way to correct negative emotional states school children at music lessons." In All-Russian scientific-practical conference of young scientists, graduate students and students. Технического института (ф) СВФУ, 2018. http://dx.doi.org/10.18411/a-2018-139.
Full textReports on the topic "Benefits of music lessons"
Aguiar, Luis, and Joel Waldfogel. Quality Predictability and the Welfare Benefits from New Products: Evidence from the Digitization of Recorded Music. Cambridge, MA: National Bureau of Economic Research, September 2016. http://dx.doi.org/10.3386/w22675.
Full textMitra, Sabyasachi. Drivers and Benefits of Enhancing Participation in Global Value Chains: Lessons for India. Asian Development Bank, December 2020. http://dx.doi.org/10.22617/wps200430-2.
Full textO'Leary, Christopher J., and Burt S. Barnow. Lessons from the American Federal-State unemployment insurance system for a European unemployment benefits system. W.E. Upjohn Institute, October 2016. http://dx.doi.org/10.17848/wp16-264.
Full textFieldsend, Astrid. Evidence and Lessons Learned Regarding the Effect of Equitable Quality Education on ‘Open Society’. Institute of Development Studies (IDS), May 2021. http://dx.doi.org/10.19088/k4d.2021.094.
Full textBacani, Eleanor, and Shinjini Mehta. Analyzing the Welfare-Improving Potential of Land Pooling in Thimphu City, Bhutan: Lessons Learned from ADB’s Experience. Asian Development Bank, November 2020. http://dx.doi.org/10.22617/wps200315-2.
Full textLapidus, Daniel, Annah Latané, Ivan Ortiz-Monasterio, Robert Beach, and María Elena Cárdenas Castañeda. The GreenSeeker Handheld: A Research Brief on Farmer Technology Adoption and Disadoption. RTI Press, May 2017. http://dx.doi.org/10.3768/rtipress.2017.rb.0014.1705.
Full textReinhold, Diane, Tracy Patterson, and Peter Hegel. Make Learning Stick: Best Practices to Get the most out of Leadership Devlopment. Center for Creative Leadership, 2015. http://dx.doi.org/10.35613/ccl.2015.2043.
Full textFunctional Music Use at Physical Culture Lessons During The Process of Personality Self-Development Mechanism Formation. Anatoly A. Opletin, December 2016. http://dx.doi.org/10.14526/01_1111_158.
Full textLessons on literacy training for adolescent girls: Considerations for SWEDD safe spaces. Population Council, 2021. http://dx.doi.org/10.31899/sbsr2021.1001.
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