Academic literature on the topic 'Benevento'

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Journal articles on the topic "Benevento"

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Peattie, Matthew. "Old Beneventan Melodies in a Breviary at Naples: New Evidence of Old Beneventan Music for the Office." Journal of Musicology 29, no. 3 (2012): 239–61. http://dx.doi.org/10.1525/jm.2012.29.3.239.

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This article discusses previously undocumented examples of music for the old Beneventan divine office in a manuscript housed in the Archivio Storico Diocesano in Naples (Cod. Misc. 1, fasc. VII). The breviary, which was copied at the scriptorium of Santa Sofia, Benevento, in 1161, transmits two unica—canticle antiphons for the feast of St. Mercurius—in Beneventan style. It also preserves a Beneventan-style antiphon for the Holy Twelve Brothers of Benevento that is not transmitted in previously published sources of Beneventan chant. The discovery of music in Beneventan style for St. Mercurius i
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Zornetta, Giulia. "Benevento and Salerno." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, no. 1 (2023): 97–120. http://dx.doi.org/10.1515/qufiab-2023-0008.

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Abstract After the Carolingian conquest of the Lombard Kingdom in 774, the Duchy of Benevento became an independent principality. Duke Arechis (758–787) proclaimed himself princeps gentis Langobardorum, thus opposing the political authority of the new King of the Lombards, Charlemagne. During the second half of the 8th century, Arechis refounded Salerno as the second capital city of Lombard Southern Italy by building a palace which stood as a marker of his political authority within the urban landscape. When the competition between two factions of the Beneventan aristocracy led to a civil war
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Kelly, Thomas Forrest. "Montecassino and the Old Beneventan chant." Early Music History 5 (October 1985): 53–83. http://dx.doi.org/10.1017/s0261127900000668.

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The term ‘Old Beneventan’ describes the archaic non-Gregorian chant found chiefly in two eleventh-century Graduals in the chapter library at Benevento. This is perhaps in part a translation of Dom Hesbert's ‘Ancien rit bénéventain’, with a hint of analogy to the ‘Old Roman’ chant. The term means that this chant is ‘Old’, that is, that it pre-dates the introduction of Gregorian chant into southern Italy; and that it is ‘Beneventan’. But both words need to be evaluated carefully.
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Oldfield, Paul. "The Commune of Benevento (1128–1131): A South Italian Contribution to the Communal Movement." English Historical Review 136, no. 582 (2021): 1117–47. http://dx.doi.org/10.1093/ehr/ceab309.

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Abstract This article examines the formation of a commune at Benevento in the twelfth century. In this south Italian city, which was under papal overlordship, a commune emerged, briefly but spectacularly, in the years 1128–31. Its existence has been almost completely overlooked in the wider narrative of the rise of medieval urban communes and in Beneventan scholarship itself. The particular value of an understanding of the Beneventan Commune is threefold. Firstly, the timing of its creation situates it firmly within an important formative and contested stage in the wider communal movement. Sec
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PLANCHART, ALEJANDRO ENRIQUE. "What the Beneventans heard and how they sang." Plainsong and Medieval Music 22, no. 2 (2013): 117–52. http://dx.doi.org/10.1017/s0961137113000028.

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ABSTRACTSingers from the area south of Rome kept the Gregorian repertory received in the ninth century, including a few early tropes and proses, and their traditional Old Beneventan repertory alive side by side with remarkable consistency in oral tradition for nearly two hundred years. This might explain why the received Gregorian repertory retained its archaic traits in Benevento rather than in northern Europe. For the ‘new music’ of the tenth and eleventh centuries, mostly locally composed tropes, proses, and Latin Kyrieleison, south Italian singers adopted the musical surface of Gregorian c
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Rotili, Marcello. "Spazi monastici a Benevento." Hortus Artium Medievalium 23, no. 1 (2017): 240–61. http://dx.doi.org/10.1484/j.ham.5.113717.

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Planchart, Alejandro Enrique. "Fragments of an Eleventh-Century Beneventan Gradual." Journal of the American Musicological Society 68, no. 1 (2015): 1–38. http://dx.doi.org/10.1525/jams.2015.68.1.1.

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This article describes and analyzes two leaves from a mid-eleventh-century Gradual that survive today in the Franciscan Library repository in Dublin’s Trinity College Library and in the Archivo Histórico Nacional in Madrid. The fragments contain parts of the masses for St. Lawrence and for St. Martin, including introit tropes, a number of prosulas for the alleluia, and the beginnings of the prose for each mass, in Beneventan script. Despite the small amount of music and text that survives, a collation with manuscripts from Benevento and Montecassino allows us to posit that the Gradual was copi
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Vigsø, O. "Paper. Pen. Pandemic: Viral Cartoons from around the Globe, Benevento Publishing (ed.) (2020) Metaphors of Coronavirus: Invisible Enemy or Zombie Apocalypse?, Jonathan Charteris-Black (2021)." Journal of Visual Political Communication 9, no. 1 (2021): 101–2. http://dx.doi.org/10.1386/jvpc_00019_5.

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Review of: Paper. Pen. Pandemic: Viral Cartoons from around the Globe, Benevento Publishing (ed.) (2020) Elsbethen: Benevento Publishing, 298 pp., ISBN 978-3-89955-012-2, h/bk, €28 Metaphors of Coronavirus: Invisible Enemy or Zombie Apocalypse?, Jonathan Charteris-Black (2021) Cham: Palgrave Macmillan, 301 pp., ISBN 978-3-03085-105-7, p/bk, €21.39
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Sukaj, Silvana, Giuseppe Ciaburro, Gino Iannace, Ilaria Lombardi, and Amelia Trematerra. "The Acoustics of the Benevento Roman Theatre." Buildings 11, no. 5 (2021): 212. http://dx.doi.org/10.3390/buildings11050212.

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During the Imperial Roman period, thousands of theatres were built. The theatres have three principal elements: the scene building (actor position), the orchestra and the cavea (spectator seating). The theatres were built without a roof, so they were open-air spaces. The theatres were abandoned afterward the barbarian invasions, and during the Middle Ages, homes were built inside the cavea. The theatres were rediscovered during the Renaissance period. Today, ancient theatres are the center of cultural events and are used for various kinds of shows. This work discussed the acoustics of the Roma
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Iannace, Gino, and Amelia Trematerra. "The rediscovery of Benevento Roman Theatre Acoustics." Journal of Cultural Heritage 15, no. 6 (2014): 698–703. http://dx.doi.org/10.1016/j.culher.2013.11.012.

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Dissertations / Theses on the topic "Benevento"

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Bereza, Sarah. "Formularity and Formal Structure in the Old Beneventan Chant." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312392657.

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Russo, Giovanna <1993&gt. "I festival culturali e la creazione di valore per il territorio: il caso Benevento Città Spettacolo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13158.

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Negli ultimi decenni, i festival e gli eventi hanno avuto una notevole diffusione, tanto da essere considerati uno dei settori dell’industria ricreativa in forte crescita a livello internazionale. Questi rappresentano un valido strumento di marketing strategico, di sviluppo economico e di comunicazione territoriale, sia nel settore for profit sia nel settore not-for-profit. I festival culturali, essendo parte integrante dell’asse di sviluppo sociale di uno specifico territorio offrono l’opportunità di preservare e diffondere il patrimonio culturale del luogo ospitante, permettendo, al contemp
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Altieri, Arturo <1996&gt. "Management di un film festival. Caso studio: Festival Nazionale del Cinema e della Televisione di Benevento." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21374.

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Il presente lavoro ha lo scopo di fornire un quadro generale del fenomeno dei film festival, con particolare attenzione al suo radicamento sul territorio nazionale, osservandolo con maggiore dettaglio dalla prospettiva del project management. Si ripercorre dapprima la storia dei festival del cinema, indagando gli avvenimenti che li hanno portati a raggiungere il loro assetto contemporaneo, e si elencano le caratteristiche specifiche di questa tipologia di evento culturale. In seguito si analizzano gli aspetti strutturale e gestionale di tali eventi, per poi approfondire, richiamando la teoria
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Zornetta, Giulia. "Italia meridionale longobarda (secoli VIII-IX) : competizione, conflittualità e potere politico." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16410.

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This thesis focuses on Lombard Southern Italy during the early middle ages and it analyses the history of political and social conflicts between the eighth and ninth century, taking into account the transformation of Lombard political power and social practices in this area. Starting from the eight-century judicial sources, this work explores political and social competition in the Beneventan region by taking into account its geographical position at the center of the Mediterranean see. Southern Italy was considered as a periphery, and sometimes as a frontier, by both the Carolingian and Byzan
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Mehlin, Beate. "Gestörte Formation : Erdbebenbewältigung in Benevent und Verwirklichung von Herrschaft im Kirchenstaat 1680 - 1730 /." Tübingen : Niemeyer, 2003. http://www.gbv.de/dms/bs/toc/371245567.pdf.

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Maturi, Pietro. "Dialetti e substandardizzazione nel Sannio Beneventano /." Frankfurt am Main : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb40064433r.

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Vervloet, Roberto José Hezer Moreira. "Condicionantes morfológicos e estruturais na dinâmica fluvial da bacia hidrográfica do Rio Benevente - Espírito Santo." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8135/tde-22022010-165241/.

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O estudo de bacias hidrográficas no meio tropical úmido, tem adquirido grande importância nas últimas décadas, devido a crescente demanda por planejamento de recursos hídricos. Entretanto, muitos desses trabalhos têm confundido o conceito de bacias hidrográficas, acreditando ser esta, uma mera rede de canais interconectados que formam a hidrografia dos terrenos, portanto, tomando-a como simples unidade cartográfica de estudo. Este fato tem banalizado em muito o uso de conceitos relacionados aos estudos de bacias, provocando sérios equívocos nas produções acadêmicas atuais. Partindo do princípi
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Stutz, Reis Suzana. "Uso do hábitat pelo boto-cinza Sotalia guianensis (Van Benédén, 1864) (Cetacea: Delphinidae) na Baía de Benevente, ES, Brasil." Universidade Federal de Juiz de Fora, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/1056.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-03-30T12:40:36Z No. of bitstreams: 1 suzanastutzreis.pdf: 2764480 bytes, checksum: 7958f56283eeeb80e170580b590eda3d (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-04-24T02:51:51Z (GMT) No. of bitstreams: 1 suzanastutzreis.pdf: 2764480 bytes, checksum: 7958f56283eeeb80e170580b590eda3d (MD5)<br>Made available in DSpace on 2016-04-24T02:51:51Z (GMT). No. of bitstreams: 1 suzanastutzreis.pdf: 2764480 bytes, checksum: 7958f56283eeeb80e170580b590eda3d (MD5) Previous issue date: 2013-
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PASCA, V. DE. "SCAMBI CULTURALI E INTERAZIONI CON L'ORIENTE MEDITERRANEO NELLA PRODUZIONE ARTISTICA DI LUSSO LONGOBARDA IN ITALIA (SECOLI VI-VIII): IL CASO DELLE FIBULE A DISCO." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/545753.

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Il presente lavoro individua quale ambito della ricerca lo studio archeologico e al tempo stesso storico artistico delle fibule a disco portate alla luce in età longobarda (fine VI-VIII secolo) nei territori della Penisola italiana. La volontà di tale approfondimento è nata dall'esigenza di colmare un vuoto degli studi relativo a questo specifico documento di cultura materiale che, ad oggi, era stato indagato sommariamente e con il solo fine di evidenziare la ricezione di un costume della romanitas da parte di una popolazione cosiddetta "barbarica". La terminologia con la quale si è voluto ind
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NENERT, SERGE. "LES MINERALISATIONS AURIFERES DES DISTRICTS DE BENEVENT L'ABBAYE ET Lche aut sabourdy AURIERE DANS LEUR CONTEXTE GEOLOGIQUE ET METALLOGENIQUE (LIMOUSIN, MASSIF CENTRAL FRANCAIS)." Limoges, 1989. http://www.theses.fr/1989LIMO0059.

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Situes a 50 km au ne. De limoges, les districts de benevent l'abbaye et lauriere regroupent 25 indices auriferes repartis dans deux grands domaines geologiques separes par un accident majeur, la faille d'arrenes-ouzilly. On etudie les structures auriferes et la nature des fluides responsables du depot dans le contexte geologique de l'ouest du massif central
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Books on the topic "Benevento"

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Fuccio, Adriana. Benevento medievale. Edizioni Realtà sannita, 2014.

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Vadalà, Francesco. L'aeronautica a Benevento. Realtà sannita, 2009.

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Zigarelli, D. M. Storia di Benevento. Atesa, 1990.

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Berto, Luigi Andrea, editor, translator, ed. Piccola storia dei Longobardi di Benevento: Erchemperti Ystoriola Longobardorum Beneventum degentium. Liguori, 2013.

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Zazo, Alfredo. Il Castello di Benevento: 1321-1860. G. Procaccini, 2000.

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Zazo, Alfredo. Il Castello di Benevento: 1321-1860. G. Procaccini, 2000.

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Zazo, Alfredo. Il Castello di Benevento: 1321-1860. G. Procaccini, 2000.

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Vergineo, Gianni. Storia di Benevento e dintorni. 2nd ed. G. Ricolo, 1985.

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Serrone, Valerio Gramignazzi. Benevento: Fascino di un'antica città. Electa, 1990.

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Stefania, Adamo Muscettola, Balasco Alfredo, Giampaola Daniela, and Istituto universitario orientale (Naples, Italy). Dipartimento di studi del mondo classico e del Mediterraneo antico., eds. Benevento, l'arco e la città. Dipartimento di studi del mondo classico e del Mediterraneo antico dell'Istituto universitario orientale, 1985.

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Book chapters on the topic "Benevento"

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Kelly, Thomas Forrest. "Music of Benevento Cathedral." In The Sources of Beneventan Chant. Routledge, 2023. http://dx.doi.org/10.4324/9781003420699-3.

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Kelly, Thomas Forrest. "Musical Relations Between Venice and Benevento." In The Sources of Beneventan Chant. Routledge, 2023. http://dx.doi.org/10.4324/9781003420699-16.

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Berto, Luigi Andrea. "Louis II’s expedition against the Muslims in Benevento." In Franks and Lombards in Italian Carolingian Texts. Routledge, 2020. http://dx.doi.org/10.4324/9781003096283-19.

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Kelly, Thomas Forrest. "Tradition and Innovation in the Antiphoner Benevento 848." In The Sources of Beneventan Chant. Routledge, 2023. http://dx.doi.org/10.4324/9781003420699-17.

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Kelly, Thomas Forrest. "Non-Gregorian Music in an Antiphoner of Benevento." In The Sources of Beneventan Chant. Routledge, 2023. http://dx.doi.org/10.4324/9781003420699-14.

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Bertini, Ferruccio. "Postilla all’edizione del De uxore cerdonis di Iacopo da Benevento." In La tradition vive. Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.bib-eb.3.1419.

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Iadanza, Mario. "L’inventario Rotondo (=ms. Benev. 455B) della Biblioteca capitolare di Benevento." In Textes et Etudes du Moyen Âge. Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.tema-eb.3.2228.

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Munzi, Luigi. "Prisciano nell’Italia meridionale: la Adbreviatio artis grammaticae di Orso di Benevento." In Priscien. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.sa-eb.3.1228.

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Hoeniger, Cathleen. "The Salvage of the Benevento Bronze Doors After World War II." In The Long Lives of Medieval Art and Architecture. Routledge, 2019. http://dx.doi.org/10.4324/9781351181129-15.

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Guasti, Guido U., Alberto Caprinali, and Lucia Majorca. "Rockfall and Debris Flow Hazards After Summer Wildfires in Cerreto Sannita, Benevento, Italy." In Landslide Science and Practice. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-31337-0_28.

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Conference papers on the topic "Benevento"

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Campi, Assunta. "SACRED ARTIFACTS FROM “VECCHIA CERRETO” EXCAVATIONS (BENEVENTO, ITALY)." In The 5th International Virtual Conference on Advanced Scientific Results. Publishing Society, 2017. http://dx.doi.org/10.18638/scieconf.2017.5.1.427.

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Romano, Lia. "Architecture and Proto Industry. Watermills in the historic peri-urban landscape of Benevento (Italy)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14567.

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The landscape of Benevento is historically characterised by the presence of vernacular architectures which exploited the driving power of water for productive purposes. The abundance of watercourses and natural resources coupled with the large quantity of agricultural products enabled the development of a real proto-industrial centre, which was particularly active in southern Italy between the 18th and 19th centuries. Production activities linked to the manufacture of textiles and leather were flanked by a dense system of watermills. Situated in the proximity of the city walls and the city's m
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Merli, Francesca, Gino Iannace, Antonella Bevilacqua, and Lamberto Tronchin. "The Roman theatre of Benevento: reconstruction of sound propagation with a multichannel microphone." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610964.

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Terribile, Alessandro, and Cristiano Benedetto De Vita. "The Landscapes of the Ancient Appia Project: Formation and Degeneration Processes in Landscapes Stratification of the Benevento Area." In Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.14.

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Herzen, A. "DNIESTER FORTIFICATIONS ON THE OLD MAPS." In Man and Nature: Priorities of Modern Research in the Area of Interaction of Nature and Society. LCC MAKS Press, 2021. http://dx.doi.org/10.29003/m2605.s-n_history_2021_44/198-207.

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Old maps of the North-Western Black Sea region of the era of antiquity (reconstructions and reproductions of works of ancient Greek and Roman authors), the Middle Ages (Arabic, Italian, etc.), the Renaissance period (A. Bianco, F. Mauro, B. Wapowski, M. Beneventano, N. de Cusa, S. Münster, I. Honter, I. Stumpf, G. Reichersdorff, M. Bronovius and others) and modern times (G. Gastaldi, A. Ortelius, V. Godreccio, A. Pograbius, G. L. Boplan , V. Hondius, J.A.B. Rizzi-Zannoni, F.V. Bawr and others) contain information about numerous fortifications on the banks of the Dniester, in the immediate vici
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Cartelli, Antonio, Luisa Miglio, and Marco Palma. "New Technologies and New Paradigms in Historical Research." In 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2417.

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After a short introduction on media evolution and their implications on human history the paper presents the results of two experiences held by the authors while using new technologies in disseminating bibliographical and historical information. The former experience concerns the Web publication of a bibliography on Beneventan manuscripts and arises from the need of overcoming the long edition times of printed information. It also proposes itself as an online resource for all researchers involved in studies on the South Italian book script in the Middle Ages. The latter one originates from mos
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Santoriello, Alfonso, and Amedeo Rossi. "Un progetto di ricerca tra topografia antica e archeologia dei paesaggi: l’Appia antica nel territorio di Beneventum." In Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.53.

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Sommer, S., A. P. Leone, Carlo M. Marino, and Remo Bianchi. "Use of airborne MIVIS imaging spectrometer data for soil degradation assessment in the Fortore Beneventano (Southern Apennines, Italy)." In Satellite Remote Sensing III, edited by Daniel Arroyo-Bishop, Roberto Carla, Joan B. Lurie, et al. SPIE, 1996. http://dx.doi.org/10.1117/12.262472.

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