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Journal articles on the topic 'Bengali Historical fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

Ghosh, Payel. "Indian Coal Mines in Hundred Years Old Fiction and Now: A Geographical Analysis." Space and Culture, India 10, no. 4 (2023): 68–84. http://dx.doi.org/10.20896/saci.v10i4.1277.

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This study attempts to construe the first-ever coalmine-oriented Bengali fiction from a social, historical, and geographic perspective. Sailjananda Mukhopadhyay wrote Koylakuthi (the coal miners’ office) in 1922, representing Bengal’s coal mines. This study aims to reconstruct the miners’ society from the early 20th Century with narratives from this story and examine the societal challenges and changes a hundred years apart. A comparative study of the mining geo-cultural landscape of the 1920s Bengal and its contemporary counterpart is carried out. Changed geography, technology, and community
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2

Srika, M. "A Critical Analysis on “Revolution 2020” - An Amalgam of Socio- Political Commercialization World Combined with Love Triangle." SMART MOVES JOURNAL IJELLH 7, no. 10 (2019): 6. http://dx.doi.org/10.24113/ijellh.v7i10.10255.

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Literature is considered to be an art form or writing that have Artistic or Intellectual value. Literature is a group of works produced by oral and written form. Literature shows the style of Human Expression. The word literature was derived from the Latin root word ‘Litertura / Litteratura’ which means “Letter or Handwriting”. Literature is culturally relative defined. Literature can be grouped through their Languages, Historical Period, Origin, Genre and Subject. The kinds of literature are Poems, Novels, Drama, Short Story and Prose. Fiction and Non-Fiction are their major classification. S
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3

Yalovenko, Olha V. "POETICS OF GASTRONOMIC IMAGES IN JHUMPA LAHIRI’S “THE NAMESAKE”." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 131–41. http://dx.doi.org/10.32342/2523-4463-2022-2-24-11.

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The purpose of the article is to analyze the specificity of gastronomic images and the Indian gastronomic code in Jhumpa Lahiri’s “The Namesake” as a personification of Asian identity in the context of transcultural paradigm. In the article the following methods are used: cultural and historical, historical and typological, functional, hermeneutic, narratological analysis, biographical, the principles of postcolonial and decolonial criticism. The author of the article notes that food serves as a conditional language for characters and as a cultural code that can successfully be interpreted by
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4

R, Bhuvaneswari, Cynthiya Rose J S, and Maria Baptist S. "Editorial: Indian Literature: Past, Present and Future." Studies in Media and Communication 11, no. 2 (2023): 1. http://dx.doi.org/10.11114/smc.v11i2.5932.

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IntroductionIndian Literature with its multiplicity of languages and the plurality of cultures dates back to 3000 years ago, comprising Vedas, Upanishads, Puranas and Epics like Ramayana and Mahabharata. India has a strong literary tradition in various Indian regional languages like Sanskrit, Prakrit, Pali, Hindi, Marathi, Bengali, Oriya, Tamil, Kannada, Telugu, Malayalam and so on. Indian writers share oral tradition, indigenous experiences and reflect on the history, culture and society in regional languages as well as in English. The first Indian novel in English is Bankim Chandra Chatterje
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5

Saha, Barnali. "The Language of Partition: A Study of the Narrative Structures of Selected Stories." SMART MOVES JOURNAL IJELLH 9, no. 7 (2021): 160–84. http://dx.doi.org/10.24113/ijellh.v9i7.11127.

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The Partition of India in 1947 that resulted in the death and displacement of millions of people continues to inhabit the cognizance of the people of South Asia as a historical phenomenon laden with violence. Although the bequest of the Partition is palpable in episodes of religious tension, discourses on minority belonging, secularism, nation and nationalism in India, critical exploration of the phenomenon as a tension-ridden historical episode has largely been restricted. The present research paper deals with the stylistic aspects of a series of seven short fictional narratives from Bengal a
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6

Dasgupta, Soumit. "The First Cadaveric Dissection in India." Sushruta Journal of Health Policy & Opinion 14, no. 1 (2021): 1–4. http://dx.doi.org/10.38192/14.1.14.

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Historical Perspective
 The first cadaver dissection in India in the 19th century after millennia of social prejudices took place in the recently established Calcutta Medical College in 1835, the first medical college in Asia imparting western medical education to British, Anglo Indians and Indians in the empire. The first scientific approach to medical sciences commenced following this landmark event and set the trend for future liberal attitudes in society and contributed to the Bengal Renaissance of the 19th century. This is a fictional account of the day when it happened. Only the cha
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7

Bhattacharya, Sanjoy. "British Military Information Management Techniques and the South Asian Soldier: Eastern India during the Second World War." Modern Asian Studies 34, no. 2 (2000): 483–510. http://dx.doi.org/10.1017/s0026749x00003693.

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This article examines the dissemination of military propaganda and the operation of censorship structures within the Indian Army ‘units’—a term used in historically contemporary documentary sources to denote regiments, divisions or battalions—serving in the eastern provinces of the subcontinent during the Second World War. Instead of presenting propaganda as merely being misleading information, this work operates with Philip Taylor's interpretation of it being a combination of ‘facts, fiction, argument or suggestion’, and concentrates instead on unravelling its form and the intent behind its d
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8

Kurowska, Justyna. "How Real Is Hunger?" Cracow Indological Studies 23, no. 1 (2021): 55–89. http://dx.doi.org/10.12797/cis.23.2021.01.03.

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The present paper looks at a fictional account of the Bengal famine of 1943 in order to locate relevant historical information regarding a specific period of time (Chatterjee 2014) and identify elements that would allow it to be read as an example of the ‘prose of the world’ in Ranajit Guha’s understanding of the term (Guha 2002). The narrative of Amr̥tlāl Nāgar’s Bhūkh is framed through author’s recourse to his own experience, artistic and historical research, lived emotions and personal feeling of urgency to record the event. By repeatedly raising the claim of authenticity of his testimonial
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9

Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th
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10

Gupta, Ashes. "Of fear and fantasy, fact and fiction: Interrogating canonical Indian literary historiography towards comprehending partition of Bengal in post-Independence Indian (English) fictional space." Rupkatha Journal on Interdisciplinary Studies in Humanities 12, no. 4 (2020). http://dx.doi.org/10.21659/rupkatha.v12n4.13.

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A victim of the partition of Eastern India/undivided Bengal, a refugee is one who has ironically left behind the real but has carried on forever indelibly imprinted in memory that which is lost and remembered in superlatives, thus moving and simultaneously resisting to move. Remaining mentally anchored forever on ‘Bengal’s shore’ and having been denied the moment of adequate articulation of the loss in factual terms partly due to immediate trauma and partly due to the inherent politics of the language of standard literary expression vis-à-vis spoken language (Bangla vs Bangal respectively) wit
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11

Jayaram, N. "Between Tradition and Modernity: A Sociological Reading of Bimal Mitra’s Saheb Bibi Golam." Sociological Bulletin, March 5, 2024. http://dx.doi.org/10.1177/00380229241230723.

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In his book Modernization of Indian Tradition, Yogendra Singh advanced a ‘paradigm for an integrated approach’ to analysing social change. Drawing insights from this paradigm, this lecture delivered in his memory analyses the dialectics of or the relations between tradition and modernity. It is based on a sociological reading of the historical novel Saheb Bibi Golam by the Bengali litterateur Bimal Mitra. It elucidates fiction as ethnography and provides a corrective to the conventional polarisation between fiction and social research.
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12

-, Anil Kumar. "So Many Hungers by Bhabani Bhattacharya: Fight for Food and Freedom." International Journal For Multidisciplinary Research 6, no. 3 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i03.23880.

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This paper explores the Indian cultural background through the themes of food and freedom in the novel renowned writer Bhabani Bhattacharya's So Many Hungers. The novel tackles various literal and metaphorical forms of hunger, such as poverty, famine, war, politics, imperialism, economic exploitation, and class consciousness. These themes are intricately connected to Bengali society's socio-political and economic conditions. Bhattacharya’s work sheds light on the significant issues facing rural India before and after independence. A prominent feature of Bhattacharya’s fiction is the emphasis o
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13

"The Identity Crisis of Bengali Muslims in Indian Subcontinent (1000 CE -2000 CE): A Critical Approach to Bengali Ethnicity." International Journal of Advanced Research in Islamic and Humanities, September 1, 2022. http://dx.doi.org/10.55057/ijarih.2022.4.3.4.

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This article explores the various discourses on forming Muslim Bengali identity from the Eleven century to the twenty century. It becomes hardened and used in multiple politically mobilizable forms in Bengal politics. This study engages numerous articulations of the Muslim Bengali identity to show the changing representations of what qualifies as Muslim Bengali and who played role as major key figures of Muslim Bengali Nations from 1200 CE to 1999 CE. It also critically engages with new knowledge production. For instance, the different forms of non-fictional Bengali literature, and the views o
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14

Bhattacharya, Atanu, and Preet Hiradhar. "The specular dream: Historical imaginary in speculative fiction of colonial Bengal." Journal of Commonwealth Literature, September 20, 2022, 002198942211094. http://dx.doi.org/10.1177/00219894221109484.

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This article examines Bhudeb Mukhopadhyaya’s Swapnolabdho Bharatbarsher Itihas ( History of India Revealed in a Dream) as a speculative dream narrative within the wider context of literary practices of colonial Bengal in the nineteenth century. History is a contested terrain within the colonial domain and intersects with pedagogy, politics, and technology in myriad ways. History in the text is also refracted through identitarian religious, gender, and caste prisms. We investigate Bhudeb’s text within these sites, arguing that the text represents a contradictory colonial modernity that negotiat
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15

Ray, Subhadeep. "Dialectics of impairment: historical anxieties in late-colonial Bengali fictional narratives on disability." Postcolonial Studies, March 14, 2024, 1–19. http://dx.doi.org/10.1080/13688790.2024.2320091.

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16

Goulding, Gregory. "Bāṇa, Vyomkesh Shastri, Stella Kramrisch: authority and authorship in Hazariprasad Dwivedi's Bāṇabhaṭṭa kī ‘ātmakathā’". Journal of the Royal Asiatic Society, 4 грудня 2023, 1–19. http://dx.doi.org/10.1017/s1356186323000421.

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Abstract Hazariprasad Dwivedi's 1946 novel, Bāṇabhaṭṭa kī ‘ātmakathā’, has long been considered one of the most prominent historical novels in modern Hindi literature, canonised in literary history for its progressive view of the past and for elaborating an autobiographical voice for the seventh-century Sanskrit poet, Bāṇa. However, the many layers of fictive authorship that enfold the main narrative of the text are rarely taken into account. Examination of the metatextual materials of this text reveal, however, that Bāṇabhaṭṭa kī ‘ātmakathā’ is meant to be read in terms of the problem of its
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