Relevant bibliographies by topics / Bengali Musicians

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  1. Journal articles
  2. Books
  3. Book chapters

Academic literature on the topic 'Bengali Musicians'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Bengali Musicians"

1

Tagore, Pramantha. "Songs for the Empress: Queen Victoria in the Music History of Colonial Bengal." Victorian Literature and Culture 52, no. 1 (2024): 61–83. http://dx.doi.org/10.1017/s1060150323000827.

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In the final decades of the nineteenth century, music significantly occupied the cultural and social life of the Bengali people. As the epicenter of British political and economic influence in the subcontinent, Calcutta witnessed the emergence of schools offering instruction in Indian and Western art music. The flourishing city housed private and public printing presses, which ensured the circulation and distribution of large numbers of songbooks, manuals, and theoretical treatises on music. The city was also home to a diverse assortment of hereditary music practitioners and occupational speci
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2

Crovetto, Helen. "Embodied Knowledge and Divinity: The Hohm Community as Western-style Bāāuls." Nova Religio 10, no. 1 (2006): 69–95. http://dx.doi.org/10.1525/nr.2006.10.1.69.

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ABSTRACT: Hohm Sahaj Mandir (Hohm Innate Divinity Temple) is a new religious movement that has achieved international status under the name "Western Bauls." The Western Bauls have a number of similarities to the Bauls of Bengal, wandering minstrels with an ecstatic inclination whose lives are consumed by their search for the divine. Like many Tantric groups, the Western Bauls believe the body is a microcosm of the universe in which divinity is present. Their spiritual praxes are bodybased. In the advanced stages they include an esoteric yoga called kaya sadhana as well as other practices of ar
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3

Das, Sanskriti. "Multiplication Table Learning through Music and Rhythm and its Effect on Two Digits Multiplications and Divisions in Elementary Stage." JOURNAL OF TEACHER EDUCATION AND RESEARCH 18, no. 02 (2023): 9–11. http://dx.doi.org/10.36268/jter/18203.

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Music and mathematics are intertwined with each other since ancient times. Many musicians started to use many mathematical conceptsdeliberately in the elementary stage during the By pure mathematical knowledge pupils cannot enjoy the application of mathematics in 21stcentury. The effect of music on an acquisition of table learning help to achieve better marks in multiplication and division. On account of thata quasi-experimental study of six months was designed with a pre- and post-test. The Bengali medium primary school students of West Bengalnamed Adasimla no 2 primary school were selected a
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4

Mukherjee, Kamalini. "Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music." International Journal of Pedagogy, Innovation and New Technologies 4, no. 2 (2017): 35–47. http://dx.doi.org/10.5604/01.3001.0011.5843.

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This paper is an attempt to explore the politics and the poetics of vernacular music in modern Bengal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral
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5

Rahman, M. Shahinoor, Mossammad Salma Sultana, and M. Mostafizur Rahman. "The Creation of Tradition and the Alteration of Social Structure by the Mystic Baul Fakir Lalon Shah." Praxis International Journal of Social Science and Literature 6, no. 5 (2023): 47–54. http://dx.doi.org/10.51879/pijssl/060506.

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This paper investigates how the Bengali poet Fakir Lalon Shah established a separate tradition of his songs and ideas. This research is also relevant to how Lalon's heritage of songs and philosophy has appeared to have formed, innovated, and altered over time. The songs of Lalon, their continued performance, how the songs get performed, and the attitudes of Lalon's devotees and the singers of his songs have all contributed to the development of a specific type of tradition. "a set of practices, normally governed by overtly or tacitly accepted rules and of a ritual or symbolic nature, which see
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6

F.Arul, Jeevitha Mary. "Rabindranath Tagore's Chandalika as a Cognitive Play." Shanlax International Journal of English 7, no. 1 (2019): 64–65. https://doi.org/10.5281/zenodo.3456997.

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Rabindranath Tagore is a renowned poet, musician and an artist. He was a Bengalian and English writer. In 1913 he won Nobel Prize for this notable work Gitanjali. His compositions were selected as National Anthem for two nations, India and Bangladesh. He also wrote many other short stories and novels. Chandalika is the play by Tagore which brings out ideas of upliftment of lower class people without degrading high class people.  Chandalika means the forbidden girl. Tagore always raised his voice against the maliciousness done by man to fellow men through the segmentation of caste and comm
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7

Shrivastava, Assem. "A Spoken Silence: Rabindranath and the Ecology of Modern Consciousness." Gitanjali & Beyond 2, no. 1 (2018): 112–27. http://dx.doi.org/10.14297/gnb.2.1.112-127.

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Rabindranath’s enormous corpus of varied work has been widely un-derstood as that of a poet, a writer, a playwright, a musician and a man of letters. He has only rarely been interpreted as a philosopher, and almost never as an ecological philosopher. Preliminary research shows that he is perhaps India’s first modern ecological philosopher - at growing odds with modernity. The essay argues that Tagore’s perspectives and insights are unique and his intellectual contribution in this area is indispensable to an understanding of the ecological and spiritual implications of technological, industrial
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8

Tandon, Ritu. "Rabindranath Tagore’s Philosophy of Spiritual Humanism and the Problems of Women Presented in the Novel ‘Nexus’ (Yogayog, 1929)." SMART MOVES JOURNAL IJELLH 8, no. 11 (2020): 105–16. http://dx.doi.org/10.24113/ijellh.v8i11.10838.

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Spiritual humanism means thinking about the progress of human beings in all fields - social, cultural, political or economical and advocates that science and philosophy, art and literature, or anything that human beings have achieved by logical thinking and idealistic thoughts must aim at the well-being of humanity. Its principal aim is to achieve human freedom, cheerful life with development and prosperity without any kind of discrimination among human beings. Rabindranath Tagore was a great poet, dramatist, novelist, short-story writer, musician, painter, educationist, social reformer, philo
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9

-, Dr Udita Mitra. "Moni Da and Kabir Suman: Icons in Contemporary Popular Youth Music in Bengal." International Journal For Multidisciplinary Research 7, no. 1 (2025). https://doi.org/10.36948/ijfmr.2025.v07i01.37780.

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Music has been an integral part of any society – be it primitive or modern. It is a representative of everyday society – its values, beliefs as well as its crisis. And popular music does so more. The present research has focussed on an understanding of how Bengali young people have negotiated with the existing every day socio-cultural set up in order to create a new genre of music namely Bangla Band. In the process they had to undergo personal struggles and hardships which had shattered them only to give a renewed sense of courage and determination to pursue their dream of creating something n
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10

-, Neeva Rani Phukan. "Socio -Cultural Elements in the Songs of Bishnu Prasad Rabha: A Retrospective." International Journal For Multidisciplinary Research 6, no. 1 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i01.12362.

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Bishnu Prasad Rabha has been an accomplished musician, creative writer, acclaimed master of fine arts, social activist and politician. His contribution to Assamese social and cultural life is great. When we talk about modern Assamese music, we need to mention the name of the musician par excellence Bishnu Prasad Rabha. His contribution to modern Assamese lyrical literature is great. Bishnu Prasad Rabha was a profound composer and musician of his times. He has numerous songs to his credit which speak of the aspirations of the Assamese community at large. Whether be it a romantic song or a patri
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Books on the topic "Bengali Musicians"

1

Ājāda, Māhabuba. Sucarita Caudhurī, 1929-1994. Bāṃlā Ekāḍemī, 1997.

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2

honouree, Rājjāka Ābadura 1914-1999, and Beṅgala Phāuṇḍeśana (Bangladesh), eds. Bengal Classical Music Festival 2013: Tribute to Gyantapas Professor Abdur Razzaq, 28 November to 1 December, Army Stadium, Dhaka. Bengal Foundation, 2013.

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3

Caudhurī, Vimalakānta Rôya. Bhāratīya saṅgīta kośa. Vāṇī Prakāśana, 1998.

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4

Sen, Mimlu. Baulsphere: My travels with the wandering bards of Bengal. Random House India, 2009.

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5

Sen, Mimlu. Baulsphere: My travels with the wandering bards of Bengal. Random House India, 2009.

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6

Sen, Mimlu, and Mimlu Sen. Baulsphere: My travels with the wandering bards of Bengal. Random House India, 2009.

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7

Cakrabartī, Niśītha. Bāuladera guhya sādhanāẏa nārī o ājakera mahilā Bāula. Saptarshi Prakāśana, 2005.

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8

Sen, Mimlu. The Honey Gatherers. Ebury Publishing, 2010.

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9

Sucarita Caudhurī smāraka grantha. Riktā Dāśagupta, Iẏāsamīna Iusupha, 1997.

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10

Salila Caudhuri: Prathama jibana o ganasamgita. Milemise, 2011.

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Book chapters on the topic "Bengali Musicians"

1

Woodfield, Ian. "Professional Musicians in India." In Music of the Raj. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198164333.003.0003.

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Abstract In the early seventeenth century, the first English factories in India had access to a regular supply of visiting professional musicians on shore leave from East India Company ships. Once this source began to dwindle, it became necessary to consider whether musicians should be employed permanently in India. By the early eighteenth century, the Governor of Madras had started to maintain a regular band of musicians. The nature of this ensemble is not certain, but it seems likely that it was a string band. From the mid-century, there are periodic references to groups of fiddlers in the s
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