Academic literature on the topic 'Bengali Political satire'

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Journal articles on the topic "Bengali Political satire"

1

Roy, Oliva. "Contentious Politics, State Repression and Civil Dissidence: The Discourse of Resistance in Utpal Dutt’s Nightmare City." Journal of Foreign Languages and Cultures 7, no. 1 (2023): 103–13. http://dx.doi.org/10.53397/hunnu.jflc.202301011.

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In the Post-Independence era, the prolific playwrights of India started using the aesthetic form of theater to contest authoritarian structures, and to voice their anti-establishment dissent. Utpal Dutt, a pioneering figure in Modern Indian Theater, used the medium of drama for propaganda and political conscientization of the oppressed. The indefatigable thespian contributed significantly towards the formation of modern Bengali theater, as his plays voiced his intransigent protest against the authoritarian government and concurrently, showed his impressive experimentation with different dramat
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2

Mukherjee, Dhrubaa. "Singing-in-between spaces: Bhooter Bhabisyat and the music transcending class conflict." Studies in South Asian Film & Media 12, no. 1 (2021): 3–17. http://dx.doi.org/10.1386/safm_00034_1.

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This article analyses Bhooter Bhabisyat, a Bengali political horror satire, as a counter-narrative to Bengali cinema’s monocultural bhodrolok branding. The article argues that Bhooter Bhabisyat is radical in its refusal to follow hegemonic homogenizing musical styles classified into genres such as folk, popular, traditional and modern, which tend to be ethnocentric and class based with serious value judgments about the superiority of certain musical forms over others. Instead, Bhooter Bhabisyat uses a variety of distinct Bengali musical traditions to problematize the historic role of capitalis
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3

-, Bipasa Das. "The 19th-century Kobigaan Performances with Special Reference to Anthony Fhiringhee." International Journal For Multidisciplinary Research 5, no. 4 (2023). http://dx.doi.org/10.36948/ijfmr.2023.v05i04.4796.

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The 19th century Bengal was promenading under the influences of various factors like the Bengal Renaissance of various literates and the Babu culture of the nouveau rich. It was also the time when the countryfolks came to Calcutta seeking jobs, imbibing elements of folk art with popular culture. Soon with the transition of time, there arrived a stage when the artisans were more engrossed with the cash economy of urban life. Thus, Calcutta became a hub for different art forms and musical cultures, amongst them was Kobigaan. A musical duel among the poets, it became an enlightening form of enter
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Books on the topic "Bengali Political satire"

1

Ekālera baẏāna. Iunibhārsiṭi Presa, 1993.

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2

Haka, Ānisula. Gadyakārṭuna. Nadī, 1993.

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3

Freedom Fables: Satire and Politics in Rokeya Sakhawat Hussain's Writings. 'Zubaan Books, 2018.

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Ekala-sekalera Bamla patra-patrikara agranthita rajanaitika byanga-racana. Ananda Prakasana, 2012.

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