Academic literature on the topic 'Benito Cereno (Melville, Herman)'

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Journal articles on the topic "Benito Cereno (Melville, Herman)"

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Coleman, Dawn. "Benito Cereno by Herman Melville." Leviathan 22, no. 3 (2020): 112–14. http://dx.doi.org/10.1353/lvn.2020.0045.

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Keim, Robert. "“Past All Speech”: The Enactment of Proto-Modernist Literary Aesthetics in Herman Melville’s “Benito Cereno”." Leviathan 26, no. 2 (2024): 40–53. http://dx.doi.org/10.1353/lvn.2024.a933161.

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Abstract: Written after the proto-modernist novels Moby-Dick and Pierre , both of which elicited censure from contemporary critics, Herman Melville’s “Benito Cereno” is recognized as an enigmatic and symbolic work that invites deep reflection on the status of literature, language, and signification. However, critics have not presented “Benito Cereno,” and more specifically the dramatic narrative that occurs aboard the slave ship San Dominick , as a crucial text vis-à-vis Melville’s experimental progression toward the genesis of the modern novel. This essay argues that in “Benito Cereno,” Melvi
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Klima, Betsy. "Staging Melville." Pedagogy 25, no. 2 (2025): 223–42. https://doi.org/10.1215/15314200-11625222.

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Abstract This article argues that performance pedagogy can invest students in difficult literary texts through slow reading and textual adaptation. Drawing on her experience of teaching Herman Melville's “Benito Cereno” to her multilingual students, the author uses Melville's interest in drama and performance as a jumping-off point for an exercise in adapting the text for in-class performance.
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Han, Ki Wook. "Multi-layered Narratives and Systemic Racism in Benito Cereno." Institute of British and American Studies 57 (February 28, 2023): 117–40. http://dx.doi.org/10.25093/ibas.2023.57.117.

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This paper examines how Herman Melville's Benito Cereno is composed of interconnected multi-layered narratives, and considers the artistic and discursive effects they lead to when juxtaposed or combined with one another. In the process the paper pays close attention to Melville’s extraordinary ways of shaping characters with different perspectives of their own, and of utilizing delicately modulated narrative forms and heterogenous texts. Though all of these elements contribute to the layered nature of the work, Captain Delano’s characteristic self-deception, along with his free indirect speech
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FURUI, YOSHIAKI. "Bartleby's Closed Desk: Reading Melville against Affect." Journal of American Studies 53, no. 2 (2017): 353–71. http://dx.doi.org/10.1017/s0021875817001402.

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To reconsider the affective turn in American literary studies, this essay reads Herman Melville's “Bartleby, the Scrivener” (1853), with reference to “Benito Cereno” (1855) andThe Confidence-Man(1857), as an anti-affect story. By shedding light on silent characters in these works – Bartleby, Babo, and Black Guinea – it argues that Melville endeavors to adumbrate, not articulate, their private interiorities through language. Calling the inner recesses of his silent characters “secret emotions,” Melville probes into the boundaries between the effable and the ineffable by testing the limits of li
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Baker, Jennifer Jordan. "Staging Revolution in Melville's Benito Cereno: Babo, Figaro, and the “Play of the Barber”." Prospects 26 (October 2001): 91–107. http://dx.doi.org/10.1017/s0361233300000880.

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In 1928, Harold H. Scudder first demonstrated that Herman Melville's story Benito Cereno had been closely based on chapter 18 of Amasa Delano's Narrative of Voyage and Travels in the Northern and Southern Hemispheres (1817). On the basis of the two texts' similarities, Scudder argued that Melville's story was mere reworking of Delano's account. Scudder's argument clearly overlooked Melville's ability to reframe the story in an ironic narration or to invest the details of Delano's plot with new meaning; nevertheless, readers of Delano's narrative might be amazed at how closely Melville's story
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Nixon, Nicola. "Men and Coats; or, The Politics of the Dandiacal Body in Melville's “Benito Cereno”." PMLA/Publications of the Modern Language Association of America 114, no. 3 (1999): 359–72. http://dx.doi.org/10.2307/463376.

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At the conclusion of “Benito Cereno” Herman Melville “elucidate[s]” a curious “item or two,” including Cereno's ultragentlemanly apparel. This return to the issue of Cereno's clothes reiterates the Yankee Delano's preoccupation with Cereno as a dandy, restaging Delano's tendency to focus unswervingly on the apparently complex markers of class superiority signaled by such genteel refinement—and, within the logic of that preoccupation, to ignore the seemingly transparent truth presented by the naked black body. Melville mobilizes the figure of the dandy. I suggest, to interrogate the Yankee's ve
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Seo, Joohee. "Eurocentric Discourse and Subversive Narrativity in Herman Melville"s “Benito Cereno”." Nineteenth Century Literature In English 25, no. 1 (2021): 33–64. http://dx.doi.org/10.24152/ncle.2021.3.25.1.33.

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Hannah, Daniel. "Queer Hospitality in Herman Melville's "Benito Cereno"." Studies in American Fiction 37, no. 2 (2010): 181–201. http://dx.doi.org/10.1353/saf.2010.0013.

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Szmańko, Klara. "Construction of Whiteness and Blackness in Herman Melville’s Benito Cereno." "Res Rhetorica" 7, no. 4 (2020): 129–46. http://dx.doi.org/10.29107/rr2020.4.9.

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Rather than resist slavery directly, the narrative world of Benito Cereno disperses the rejection of tyranny through the intricate construction of subject-object relations, the situational context, Benito Cereno’s stifled, semi-articulated statements, the imagery of the narrative and its complex narrative structure. Through silences, multiple viewpoints, innuendos, refusal to solve certain issues definitely while being explicit about this indeterminacy, Melville’s narrative not only inscribes itself in the Romantic questioning of historiography, but also gestures towards postmodernist inconclu
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Dissertations / Theses on the topic "Benito Cereno (Melville, Herman)"

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Weltman-Aron, Brigitte. "Les procédés narratifs : étude contrastive de Bartleby et benito Cereno de Herman Melville et leurs traductions françaises." Paris 3, 1987. http://www.theses.fr/1987PA030169.

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Dans les nouvelles, la narration propose l'histoire de bartleby et de benito cereno en soulignant un manque d'informations sur l'objet du recit et la necessite, a cause de l'histoire, d'un agencement par la narration des elements du recit. L'objet de cette etude est d'analyser les procedes qui indiquent une prise de pouvoir de la narration aux depens du personnage principal et leur impact dans les traductions francaises. L'alternance de types de discours, parfois ignoree dans les traductions, permet par exemple d'attribuer a un personnage des paroles en realite filtrees par l'instance enonciat
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Weltman-Aron, Brigitte. "Les Procédés narratifs étude contrastive de "Bartleby" et "Benito Cereno" de Herman Melville et leurs traductions françaises /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376107413.

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Saari, Juhani. "Power and Resistance in Herman Melville’s Three B’s." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-91131.

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This essay examines three of Herman Melville’s shorter fictions: Bartleby, Benito Cereno and Billy Budd. An analysis and comparison is made of the forces of power relations and resistance between the main characters in the three stories. Foucault’s theories of power are used as a basis for the analysis. Apparent power structures such as law and military hierarchy are analysed, but the focus is on more subtle relations based on language, knowledge, conformity with norms, silence, capitalism and position. It is argued that, apart from the apparent power structures, one needs to consider the more
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Madeiro, Soraya Rodrigues. "Os matizes entre o dito e o não-dito: mistério silencioso em Bartleby, Billy Budd e Benito Cereno, de Herman Melville." www.teses.ufc.br, 2011. http://www.repositorio.ufc.br/handle/riufc/11172.

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MADEIRO, Soraya Rodrigues. Os matizes entre o dito e o não-dito: mistério silencioso em Bartleby, Billy Budd e Benito Cereno, de Herman Melville. 2011. 97f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2011.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2015-03-31T11:48:39Z No. of bitstreams: 1 2011_dis_srmadeiro.PDF: 760693 bytes, checksum: 34a396838112e048094e7b96ad1ef7df (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2015-03-31T13:56:39Z (GMT) No. of bitstreams
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Madeiro, Soraya Rodrigues. "Os matizes entre o dito e o nÃo-dito: mistÃrio silencioso em Bartleby, Billy Budd e Benito Cereno, de Herman Melville." Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13681.

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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico<br>LâÃcriture de Melville, mÃme aprÃs tout le temps passà et avec diverses interprÃtations, alaissà inquiets les lecteurs et la critique. Pour cela, afin de prÃserver ce qui la permet survivre, nous nâavons pas comme but Ãpuiser les visions possibles de lâoeuvre, bien au contraire, on prÃtend contribuer à lâoverture des possibilitÃs et des vÃritÃs à propos du dit e du non-dit prÃsent chez lâoeuvre de lâÃcrivain amÃricain, en ce que concerne les livres Bartleby, lâÃcrivain, Benito Cereno et Billy Budd. Dans notre Ãtude, le b
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Hill, Francis H. ""The Whole Foundations of the Solid Globe were Suddenly Rent Asunder": Space Place and Homelessness in Poe's "The Narrative of Arthur Gordon Pym" and Melville's "Benito Cereno"." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/2280.

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My project examines the phenomenon of the hazy spaces on the periphery of the antebellum imagination that, while existing geographically at the very fringes of daily American life, are nonetheless active in the conceptualization, production, and representation of an idiosyncratic American sense of space: an anxiety of spatial fragmentation, formlessness, and modulation. In particular I am interested in Poe's “The Narrative of Arthur Gordon Pym” and Melville's “Benito Cereno,” both of which deal with American transoceanic travel to the proximity of Antarctica and its surrounding seas. These got
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FEDERICO, LUCA. "L'apprendistato letterario di Raffaele La Capria." Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.

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Superati «novant’anni d’impazienza» e dopo un lungo periodo votato all’autocommento e all’esplorazione delle proprie intenzioni, Raffaele La Capria ha raccolto le sue opere in due Meridiani curati da Silvio Perrella. La Capria ne ha celebrato l’uscita nella prolusione inaugurale di Salerno Letteratura, poi confluita nel breve autoritratto narrativo "Introduzione a me stesso" (2014). In questa sede, l’autore è tornato su alcuni punti essenziali della sua riflessione sulla scrittura, come la relazione, reciproca e ineludibile, fra tradizione e contemporaneità. All’epilogo del «romanzo involontar
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Goldfarb, Nancy D. ""Charity Never Faileth": Philanthropy in the Short Fiction of Herman Melville." Thesis, 2014. http://hdl.handle.net/1805/6298.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>This dissertation analyzes the critique of charity and philanthropy implicit in Melville’s short fiction written for periodicals between 1853 and 1856. Melville utilized narrative and tone to conceal his opposition to prevailing ideologies and manipulated narrative structures to make the reader complicit in the problematic assumptions of a market economy. Integrating close readings with critical theory, I establish that Melville was challenging the new rhetoric of philanthropy that created a moral identity for wealthy men in industr
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Books on the topic "Benito Cereno (Melville, Herman)"

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Harold, Bloom, ed. Herman Melville's Billy Budd, Benito Cereno, & Bartleby the scrivener. Chelsea House Publishers, 1996.

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E, Burkholder Robert, ed. Critical essays on Herman Melville's "Benito Cereno". G.K. Hall, 1992.

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1819-1891, Melville Herman, and Wegener Larry Edward 1946-, eds. A concordance to Herman Melville's Benito Cereno. Edwin Mellen Press, 2007.

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Scacchi, Anna. A una voce sola: Il racconto della storia in Benito Cereno di Herman Melville. Lozzi & Rossi, 2000.

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Harold, Bloom, ed. Herman Melville's Billy Budd, Benito Cereno, Bartleby the scrivener, and other tales. Chelsea House, 1987.

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1930-, Bloom Harold, ed. Herman Melville's Billy Budd, Benito Cereno, Bartleby the scrivener, and other tales. Chelsea House, 1987.

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Melville, Herman. Bartleby the scrivener: Benito Cereno ; Billy Budd, foretopman. Book-of-the-Month Club, 1997.

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Bartleby the scrivener & Benito Cereno: Notes. Cliffs Notes, 1992.

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Herman Melville's Billy Budd, Benito Cereno, & Bartleby the scrivener. Chelsea House Publishers, 1996.

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A Concordance to Herman Melville's Benito Cereno. Edwin Mellen Pr, 2007.

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Book chapters on the topic "Benito Cereno (Melville, Herman)"

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Ensslen, Klaus, and Daniel Göske. "Melville, Herman: Benito Cereno." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12133-1.

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Fisher, Marvin. "Narrative Shock in “Bartleby, the Scrivener,” “The Paradise of Bachelors and the Tartarus of Maids,” and “Benito Cereno”." In A Companion to Herman Melville. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996782.ch28.

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Gauvin, Mitchell. "The Law, Fugitive Slavery,and Herman Melville's Benito Cereno." In Literature and Citizenship in the Age of Revolution. Routledge, 2024. http://dx.doi.org/10.4324/9781003492306-5.

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Mascia, Charles. "5. Melville’s Cancelled Note-to-Self." In Genetic Narratology. Open Book Publishers, 2024. https://doi.org/10.11647/obp.0426.05.

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This chapter explores the genesis of Herman Melville’s unfinished final prose work, the novella Billy Budd. To do so, it relies upon Hayford and Sealts’s Genetic Text Edition, and upon the Fluid Text Edition available on the Melville Electronic Library. Billy Budd tells the story of its titular protagonist, a sailor who is wrongfully accused of mutinous intent and, ultimately, is hanged. In the fragmented sections of its conclusion, Melville enumerates Billy’s afterlife in memory — revealing how variously and incorrectly others judge his innocence and interpret his fate. These final episodes,
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Armengol, Josep M. "Of Gray Vapors and Creeping Clouds: White (Male) Privilege as Blinding in Herman Melville’s “Benito Cereno”." In Masculinities in Black and White. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137482808_3.

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"‘Bartleby’, ‘Benito Cereno’: social man and the outcast." In Herman Melville, edited by D. E. S. Maxwell. Routledge, 2017. http://dx.doi.org/10.4324/9781315101804-5.

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"“Benito Cereno” and “Bartleby, the Scrivener”." In Herman Melville and the American Calling. SUNY Press, 2008. http://dx.doi.org/10.1515/9780791477748-005.

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"“Benito Cereno” and “Bartleby, the Scrivener”:." In Herman Melville and the American Calling. State University of New York Press, 2008. http://dx.doi.org/10.2307/jj.18254918.7.

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Melville, Herman. "Benito Cereno." In The Writings of Herman Melville: The Northwestern-Newberry Edition, Vol. 9: The Piazza Tales: and Other Prose Pieces, 1839–1860, edited by Harrison Hayford, Alma A. MacDougall, and G. Thomas Tanselle. Northwestern University Press, 1987. http://dx.doi.org/10.1093/oseo/instance.00209194.

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Stuckey, Sterling. "The Death of Benito Cereno: A Reading of Herman Melville on Slavery." In Going Through the Storm. Oxford University Press, 1994. http://dx.doi.org/10.1093/acprof:oso/9780195086041.003.0009.

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