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Books on the topic 'Benito Cereno (Melville, Herman)'

Author: Grafiati
Published: 2 March 2023
Last updated: 31 July 2025

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1

Harold, Bloom, ed. Herman Melville's Billy Budd, Benito Cereno, & Bartleby the scrivener. Chelsea House Publishers, 1996.

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2

E, Burkholder Robert, ed. Critical essays on Herman Melville's "Benito Cereno". G.K. Hall, 1992.

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3

1819-1891, Melville Herman, and Wegener Larry Edward 1946-, eds. A concordance to Herman Melville's Benito Cereno. Edwin Mellen Press, 2007.

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4

Scacchi, Anna. A una voce sola: Il racconto della storia in Benito Cereno di Herman Melville. Lozzi & Rossi, 2000.

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5

Harold, Bloom, ed. Herman Melville's Billy Budd, Benito Cereno, Bartleby the scrivener, and other tales. Chelsea House, 1987.

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6

1930-, Bloom Harold, ed. Herman Melville's Billy Budd, Benito Cereno, Bartleby the scrivener, and other tales. Chelsea House, 1987.

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7

Melville, Herman. Bartleby the scrivener: Benito Cereno ; Billy Budd, foretopman. Book-of-the-Month Club, 1997.

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8

Bartleby the scrivener & Benito Cereno: Notes. Cliffs Notes, 1992.

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9

Herman Melville's Billy Budd, Benito Cereno, & Bartleby the scrivener. Chelsea House Publishers, 1996.

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10

A Concordance to Herman Melville's Benito Cereno. Edwin Mellen Pr, 2007.

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11

Harold, Bloom. Herman Melville's Billy Budd, Benito Cereno, and Bartleby the Scrivener (Bloom's Reviews Comprehensive Research and Study Guides). Chelsea House Publications, 1999.

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12

Herman Melville's Billy Budd, Benito Cereno, & Bartleby the Scrivener. Chelsea House Publications, 1995.

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13

Melville, Herman. Bartleby, the Scrivener: A Story of Wall-Street, and Benito Cereno by Herman Melville. Independently Published, 2020.

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14

Benito Cereno and Race in American Culture (Cambridge Studies in American Literature and Culture). Cambridge University Press, 2004.

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15

Melville, Herman. Bartleby, el Escribiente, Benito Cereno, Billy Budd. 6th ed. Ediciones Catedra S.A., 2004.

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16

African culture and Melville's art: The creative process in Benito Cereno and Moby-Dick. Oxford University Press, 2008.

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17

Stuckey, Sterling. African Culture and Melville's Art: The Creative Process in Benito Cereno and Moby-Dick. Oxford University Press, 2011.

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18

Harold, Bloom. Herman Melville's Billy Budd, Benito Cereno, Bartleby the Scrivener, and Other Tales (Modern Critical Interpretations). Chelsea House Publications, 2000.

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19

Melville, Herman. Herman Melville Mega Collection: Moby Dick, Typee,Bartleby, Benito Cereno, the Piazza, the Lightning Rod Man, the Encantadas, the Bell-Tower. Wyatt North, 2021.

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20

Polk, William Brian. "This slavery breeds ugly passions in man": Herman Melville's Benito Cereno and the Fugitive Slave Trials in 1850s Boston. 2009.

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21

Lurie, Peter. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0001.

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This introduction orients this book’s argument surrounding history’s visibility. It points to a tradition of visualizing history initiated by D. W. Griffith’s infamous Birth of a Nation and suggests links between it and a later critical tradition of falsely presuming history’s accessibility. It takes up recent challenges to politicized cultural scholarship and identifies the book’s investment in examining the terms on which so-called American art and culture have been defined. Edgar Allan Poe’s Pym and Herman Melville’s “Benito Cereno” offer templates for the later discussions of writers’ and
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22

The piazza tales, is a collection of six short stories by American writer Herman: The Piazza,Bartleby the Scrivener,Benito Cereno,The Lightning Rod Man,The Encantadas,The Bell-Tower. CreateSpace Independent Publishing Platform, 2016.

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23

Danoff, Brian. Why Moralize upon It? The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781978739291.

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Abstract:
Franklin Delano Roosevelt famously declared that “the greatest duty of a statesman is to educate." The central claim of Why Moralize upon It? is that it is not only statesmen who can help educate a democratic citizenry, but also novelists and filmmakers. This book’s title is drawn from Melville’s “Benito Cereno.” Near the end of this novella, after he has put down a rebellion of enslaved Africans, the American captain Amasa Delano claims that “the past is passed,” and thus there is no need to “moralize upon it.”Melville suggests, though, that it is crucial for Americans to critically examine A
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