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Journal articles on the topic 'Benjamin robert'

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Published: 4 June 2021
Last updated: 25 July 2024

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1

Poole, Tom, Richard Wintle, and Alison Vickers. "Robert Benjamin Cheetham." BMJ 336, no. 7636 (January 17, 2008): 163.1–163. http://dx.doi.org/10.1136/bmj.39456.857650.be.

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2

Peck, Charles, Gerry Neugebauer, and Rochus Vogt. "Robert Benjamin Leighton." Physics Today 50, no. 9 (September 1997): 96. http://dx.doi.org/10.1063/1.881893.

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3

Camêlo, Francisco. "A miniaturização como procedimento de escrita / Miniaturization as a Writing Procedure." Cadernos Benjaminianos 15, no. 1 (October 8, 2019): 203. http://dx.doi.org/10.17851/2179-8478.15.1.203-226.

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Resumo: Propõe-se uma reflexão cruzada entre Walter Benjamin e Robert Walser, a partir de suas micrografias. Dentre os muitos objetos que colecionou durante a vida, Benjamin tinha especial apreço por livros infantis, miniaturas e brinquedos. Esse interesse pelo diminuto também se manifestava na extrema pequenez de sua letra e no desejo de chegar a cem linhas numa folha de carta de tamanho convencional, feito conseguido por Walser, que escrevia microtextos com uma grafia minúscula e sobre quem o próprio Benjamin redigiu um curtíssimo ensaio em 1929. Se, por um lado, a letra miniaturizada de Benjamin e de Walser aponta para um gesto de escrita que parece cifrar o conteúdo do texto, por outro lado, a micrografia de ambos diz do interesse mútuo de se esconder nas malhas textuais através de um apequenamento do eu pela escrita. Pode-se, ainda, aproximar a miniaturização da letra de uma estreita vinculação com o universo da infância, seja pelos personagens crianças e fracassados presentes na obra de Walser; seja pelo protagonismo que a infância como Denkbild (imagem de pensamento) assume nos escritos de Benjamin. A partir dessas afinidades eletivas, o artigo procura mostrar a miniaturização como um procedimento de escrita de Benjamin e de Walser através de paralelos entre suas micrografias e de comentários analítico-especulativos de ensaios de Benjamin e de contos de Walser.Palavras-chave: Walter Benjamin; Robert Walser; escrita; miniaturização, infância.Abstract: The article proposes a cross-reflection between Walter Benjamin and Robert Walser and finds its first intersection in the micrographs produced by them. Among the many objects collected during his lifetime, Benjamin seems to have had a special appreciation for children’s books, miniatures and toys. This interest in small items was also manifested in the extreme smallness of his handwriting and in the desire to write one hundred lines in a conventional-size paper – this last one achieved by Walser, who wrote microtexts in a miniscule handwriting and was also the subject of a short essay Benjamin wrote in 1929. If, on the one hand, the miniaturized handwritings of both Benjamin and Walser point to a manner of writing that seems to encrypt the content of texts, on the other hand, the micrographies constructed by both men state a mutual interest in hiding amongst the textual mesh through the suppression of the self in writing. One can, still, liken the miniaturized handwriting with the universe of childhood, be it by the character of the child or the character of the so-called underdog (both present in the works of Walser) or by the protagonism that a childhood-as-Denkbird (image of thought) assumes in Benjamin’s work. Based on these elective affinities, the article seeks to show the miniaturization as a writing procedure employed by both Benjamin and Walser, and it will do so by establishing parallels between the micrographs of the latter and the analytical-speculative commentaries present in Benjamin’s essays and in Walser’s tales.Keywords: Walter Benjamin; Robert Walser; writing; miniaturization; childhood.
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4

Lee, J. D. "The other Wheatley." Indexer: The International Journal of Indexing: Volume 24, Issue 1 24, no. 1 (April 1, 2004): 2–5. http://dx.doi.org/10.3828/indexer.2004.24.1.2.

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5

Jacobson, Jeffrey Willever. "IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016)." Jurnal POETIKA 4, no. 2 (December 30, 2016): 134. http://dx.doi.org/10.22146/poetika.17533.

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Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya.
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6

Jacobson, Jeffrey Willever. "IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016)." Poetika 4, no. 2 (December 30, 2016): 134. http://dx.doi.org/10.22146/poetika.v4i2.17533.

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Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya.
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7

SPECK, W. A. "Robert Southey, Benjamin Disraeli and Young England." History 95, no. 318 (April 2010): 194–206. http://dx.doi.org/10.1111/j.1468-229x.2009.00479.x.

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8

sss, Srimanjari. "Book review: Benjamin Robert Siegel, Hungry Nation: Food, Famine, and the Making of Modern India." Indian Economic & Social History Review 59, no. 1 (January 2022): 125–27. http://dx.doi.org/10.1177/00194646211066009.

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9

Macêdo, Silvana. "A fotografia como uma mídia alegórica no contexto das artes visuais." Revista Crítica Cultural 3, no. 2 (December 1, 2008): 25. http://dx.doi.org/10.19177/rcc.v3e2200825-28.

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Este artigo pretende refletir sobre a possibilidade da fotografia funcionar como uma mídia alegórica no contexto contemporâneo das artes visuais. Inicialmente, discute-se a importância do conceito do fragmento romântico na formulação da teoria de alegoria de Walter Benjamin. Em seguida, consideram-se os debates recentes sobre alegoria, que têm como base a teoria de alegoria de Walter Benjamin, examinando-se a produção de alguns artistas visuais que utilizam a fotografia. Examina-se a relação do conceito de site e non-site formulada por Robert Smithson, e vinculada a estes conceitos. Conclui-se que é possível conceber a fotografia de registro de ações e intervenções artísticas efêmeras como uma mídia alegórica. São abordados trabalhos de Robert Smithson, Richard Long, Hamish Fulton e asikainen&macedo.
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10

Kaufman, Robert. "Lyric's Constellation, Poetry's Radical Privilege." Modernist Cultures 1, no. 2 (October 2005): 209–34. http://dx.doi.org/10.3366/e2041102209000124.

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Robert Kaufman (Stanford University) challenges trends in recent criticism that have tended to present and apply Walter Benjamin's and Theodor Adorno's theories and practices of the constellation and force-field as if these last stemmed primarily from interventionist Left critique of the aesthetic and the literary. Kaufman's essay “Lyric's Constellation, Poetry's Radical Privilege” shows that on the contrary, Benjamin and Adorno - while certainly holding no brief for “pure” formalist methodology - actually develop the constellation and force-field in urgent response to a kind of Left criticism that sloganeeringly maintains that works of art and culture are historically and sociopolitically determined.
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11

Dorothee Kimmich. "Lebendige Dinge bei Walter Benjamin und Robert Walser." Koreanische Zeitschrift für Germanistik 50, no. 2 (June 2009): 9–29. http://dx.doi.org/10.31064/kogerm.2009.50.2.9.

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12

Zanforlin, Eliana Rocha Vierno. "HISTÓRIA E LITERATURA: AS TESES DE WALTER BENJAMIN SOBRE O CONCEITO DA HISTÓRIA E A ESTÉTICA DA RECEPÇÃO." Em Tese 5 (December 31, 2002): 141. http://dx.doi.org/10.17851/1982-0739.5.0.141-145.

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Este trabalho discute o ensaio de Walter Benjamin, “Teses sobre o conceito da história”, e a Estética da Recepção de Hans Robert Jauss como crítica ao historicismo. Embora vindos de tradições filosóficas distintas, as idéias dos dois autores têm instigantes similaridades.
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13

Головко, С. В. "Robert-Benjamin Greenblatt: Achievements of the Creator of Testosterone." Health of Man, no. 2 (June 30, 2020): 39–41. http://dx.doi.org/10.30841/2307-5090.2.2020.212890.

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14

Kamien, Max. "Doctor Robert Benjamin Cooter AM, MB BS, FRACGP, FAMA." Australian Journal of Rural Health 14, no. 1 (February 2006): 43–45. http://dx.doi.org/10.1111/j.1440-1584.2006.00761.x.

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15

Green, Richard. "The Three Kings: Harry Benjamin, John Money, Robert Stoller." Archives of Sexual Behavior 38, no. 4 (June 21, 2008): 610–13. http://dx.doi.org/10.1007/s10508-008-9392-3.

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16

Ford, Susan Allen, Sarah Gleeson-White, and Patsy Stoneman. "Reviews." Journal of Juvenilia Studies 2, no. 1 (July 27, 2019): 55–61. http://dx.doi.org/10.29173/jjs31.

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Jane Austen's Geographies, edited by Robert Clark, reviewed by Susan Allen Ford; William Faulkner's Ole Miss Juvenilia, edited by Carvel Collins, reviewed by Sarah Gleeson-White; Patrick Branwell Brontë's The Pirate, edited by Christine Alexander, Joetta Harty and Benjamin Drexler, reviewed by Patsy Stoneman.
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17

Pessanha, Juliano Garcia, and Luciana Araújo Marques. "Musil e Benjamin: a ética do homem sem qualidades e o empobrecimento da experiência." Cadernos Benjaminianos 1, no. 11 (February 24, 2017): 2. http://dx.doi.org/10.17851/2179-8478.1.11.2-14.

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A mutação no estatuto da experiência está no cerne das preocupações de Walter Benjamin e Robert Musil. Ambos procuram nomear os desdobramentos e as implicações deste acontecimento. Este ensaio busca desdobrar este tenso diálogo e apontar para a raiz comum de sua questão subjacente: o advento da técnica.
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18

Et all, Rosalind Krauss. "Mesa-redonda: a recepção dos anos 60." arte e ensaios 6, no. 6 (February 5, 2022): 157–73. http://dx.doi.org/10.37235/ae.n6.17.

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Este debate entre os críticos Rosalind Krauss, Denis Hollier, Annette Michelson, Hal Foster, Silvia Kolbowski, Martha Buskirk, Benjamin Buchloh, promovido pela revista October, discute, a partir da exposição retrospectiva de Robert Morris no Museu Guggenheim, em 1994, as transformações na recepção crítica da arte desde os anos 60.
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19

GEIGER, G. "Robert Trivers, Social Evolution, Benjamin/Cummings, Chicago and London (1985)." Journal of Social and Biological Systems 9, no. 4 (October 1986): 392–93. http://dx.doi.org/10.1016/s0140-1750(86)90294-0.

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20

Sartre, Maurice. "Benjamin Anderson et Robert G. Ousterhout, Palmyra 1885. The W." Anabases, no. 26 (November 1, 2017): 215–17. http://dx.doi.org/10.4000/anabases.6234.

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21

Cohen, William B. "The Algerian War and French Memory." Contemporary European History 9, no. 3 (November 2000): 489–500. http://dx.doi.org/10.1017/s0960777300003118.

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Benjamin Stora, Imaginaires de guerre: Algérie-Vietnam en France et aux Etats Unis (Paris: Decouverte, 1997), 252pp., FF 125, ISBN 2-707-12667-5. Benjamin Stora, Le transfert d'une mémoire – de ‘l'Algérie française’ au racisme anti-Arabe (Paris: Découverte, 1999), 148pp., FF 75, ISBN 2-707-12968-2. Martin Evans, The Memory of Resistance: French Opposition to the Algerian War (Oxford: Berg, 1997), 250pp., ISBN 1-859-73927-x. Charles-Robert Agéron, ed., La guerre d'Algérie et les Algériens, 1954–1962 (Paris: Armand Colin 1997), 346pp., ISBN 2-200-01895-9. Jean-Jacques Jordi and Mohand Hamoumou, Les harkis, une mémoire enfouie (Paris: Autrement, 1999), 139pp., FF 120, ISBN 2-282-60866-1.
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22

Rauch, Theresa. "A flaneur in Turin: The perception of space in the works of Friedrich Nietzsche and Walter Benjamin." SAJ - Serbian Architectural Journal 10, no. 3 (2018): 131–42. http://dx.doi.org/10.5937/saj1802131r.

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This essay attempts to differentiate three different kinds of spatial-atmospheric experience on the basis of the theories by Hermann Schmitz and Robert Vischer. Furthermore, it connects these methods to the figure of the flaneur in Walter Benjamin's Passages as well as in the late Turin diaries of Friedrich Nietzsche. These two concepts of the flaneur can be seen as antithetic. For Walter Benjamin city strolling is a means of intellectual stimulation, focusing on impulses from the urban landscape that are then interwoven in associative, oscillating streams of thought, often commenting on the city stroller as an actor in a capitalist society. In contrast, Friedrich Nietzsches experience of architectural space can be seen as a full synthesis of inner life and outer experience, thought and motion intertwine, facilitating a new creative disposition and state of mind.
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23

DelVecchio, Melissa, and Arianne Kouri. "Investigación, artesanía y producción: Las puertas de entrada de los Colleges Benjamin Franklin y Pauli Murray en la Universidad de Yale, New Haven, Connecticut." Journal of Traditional Building, Architecture and Urbanism, no. 1 (November 20, 2020): 68–81. http://dx.doi.org/10.51303/jtbau.vi1.329.

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De 2008 a 2017 Robert A.M. Stern Architects fue el responsable del diseño de dos nuevos colleges en la Yale University, New Haven, Connecticut. Los Colleges Benjamin Franklin y Pauli Murray se convirtieron en los colleges decimotercero y decimocuarto del campus universitario. La construcción de los colleges Benjamin Franklin y Pauli Murray implicó la combinación de las tecnologías de construcción más avanzadas con técnicas artesanales tradicionales. Llevamos a cabo una investigación exhaustiva para realizar nuestro trabajo y definir el carácter de cada uno de los colleges y el sinfín de detalles arquitectónicos que constituyen su diseño, desde adornos de piedra hasta vidrieras. En particular, el diseño y la fabricación de las nueve puertas de entrada metálicas ofrecen valiosas lecciones sobre investigación, artesanía y producción para diseños contemporáneos.
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24

Borges, Anderson. "Alegoria e história da literatura como provocação à teoria literária." Cadernos Benjaminianos, no. 3 (June 30, 2011): 1. http://dx.doi.org/10.17851/2179-8478.0.3.1-13.

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Neste texto aproximo as noções de alegoria e historicidade presentes,respectivamente, no estudo do Trauerspiel feito por Walter Benjamin e naestética da recepção de Hans Robert Jauss, enfocando o aspecto crítico efundamental da leitura. Circunscrevendo como corpus de análise algunsexcertos extraídos de Origem do drama barroco alemão, bem como da Históriada literatura como provocação à teoria literária, reflito sobre a relação entrecrítica e historicidade apresentada pelos autores em questão.
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25

Lazarus, Ned. "Making Peace with the Duel of Narratives: Dual-Narrative Texts for Teaching the Israeli-Palestinian Conflict." Israel Studies Review 23, no. 1 (June 1, 2008): 107–24. http://dx.doi.org/10.3167/isf.2008.230106.

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Sami Adwan and Dan Bar-On, eds., Learning the Other’s Historical Narrative: Israelis and Palestinians, Parts One and Two (Beit Jalla: Peace Research Institute in the Middle East, 2003, 2006).Robert I. Rotberg, ed., Israeli and Palestinian Narratives of Conflict: History’s Double Helix (Bloomington: Indiana University Press, 2006).Paul Scham, Walid Salem, and Benjamin Pogrund, eds., Shared Histories: A Palestinian-Israeli Dialogue (Walnut Creek, CA: Left Coast Press, 2005).
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26

Haykin, Michael A. G. "‘Those Who Plead for Thee’." Evangelical Quarterly 94, no. 4 (December 19, 2023): 299–311. http://dx.doi.org/10.1163/27725472-09404002.

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Abstract The Particular Baptists are often regarded as a marginal group in the panorama of British Christianity, and yet by the close of the long eighteenth century a number of sterling preachers had emerged from their ranks, including Benjamin Beddome and Robert Hall, Jr. This essay provides an overview of the fundamental ideas behind Particular Baptist preaching in the eighteenth century and details of the plain-style preaching promoted in this community.
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27

Jenkins, Joseph. "Heavy Law/Light Law: Walter Benjamin, Friedrich Nietzsche, Robert Bork, Duncan Kennedy." Law and Literature 17, no. 2 (July 2005): 249–68. http://dx.doi.org/10.1525/lal.2005.17.2.249.

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28

van Eyghen, Hans. "Philosophical Approaches to Demonology, edited by Benjamin W. McCraw and Robert Arp." Philosophia Reformata 83, no. 2 (November 14, 2018): 247–53. http://dx.doi.org/10.1163/23528230-08302005.

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29

Lewin, Peter A. "The 2004 Benjamin Franklin Medal in Engineering presented to Robert E. Newnham." Journal of the Franklin Institute 342, no. 6 (September 2005): 609–17. http://dx.doi.org/10.1016/j.jfranklin.2005.04.011.

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30

Lincoln, Matthew R., and George C. Ebers. "Robert Whytt, Benjamin Franklin, and the first probable case of multiple sclerosis." Annals of Neurology 72, no. 3 (August 22, 2012): 307–11. http://dx.doi.org/10.1002/ana.23605.

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31

Carraretto Coelho, Breno, and Aloísio Krohling. "CONTRIBUIÇÃO ROMÂNTICA À CRÍTICA DA CULTURA PUNITIVISTA NA CONTEMPORÂNEA SOCIEDADE CAPITALISTA." Revista Direitos Humanos e Democracia 6, no. 11 (April 20, 2018): 258. http://dx.doi.org/10.21527/2317-5389.2018.11.258-280.

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Este ensaio critica o atual estado do saber jurídico-penal dominante legitimador da barbárie em que se perfaz o sistema penal a partir das críticas do romantismo revolucionário, tratado por Michael Löwy e Robert Sayre na obra "Revolta e melancolia", apontando os diversos artefatos da sociedade capitalista industrial contemporânea que fundam uma cultura punitivista e impossibilitam um maior apego aos direitos humanos. A análise ainda tem como base a produção teórica de autores como Benjamin, Marx, Engels, Agamben, Anitua e Carvalho
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32

Kosacka, Małgorzata. "VOM TAGEBUCH-ROMAN ZUM LIBRETTO. ZU JAKOB VON GUNTEN VON BENJAMIN SCHWEIZER." Acta Philologica, no. 60 (2023) (September 30, 2023): 45–56. http://dx.doi.org/10.7311/acta.60.2023.4.

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The following article looks at the genre transformation from Robert Walser’s diary novel Jakob von Gunten to Benjamin Schweizer’s libretto of the same name. Even if the sole aim is to explore the textual processing of the pre-text for the purposes of another (literary) genre, which the plurimedial character of the final text – the libretto – allows us to distinguish between dramatic, musical and performance texts as being isolable components of the opera as spectaculum (cf. Gier 34). In accordance with this interpretation, an intermedial approach seems warranted here.
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33

Hawkins, John. "A Charge to the Grand Jury of the County of Middlesex. delivered at the General Quarter Session of the Peace, holden at Hick's Hall in the said County, on Monday the Eighth Day of January 1770." Camden Fourth Series 43 (July 1992): 421–30. http://dx.doi.org/10.1017/s0068690500001768.

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At the General Quarter Session of the Peace holden at HICK's HALL, in Saint-John-Street, in and for the County aforesaid, on Monday the Eighth Day of January 1770, before Bartholomew Hammond, Saunders Welch, John Spencer Colepeper, Elisha Biscoe, Edward Jennings, Henry Lamb, William Timbrell, Joseph Keeling, Esqrs. Sir Robert Darling, Knt. Nathan Carrington, Stephen Cole, John Barnfather, Charles Dod, Jeremiah Bentham, Peter Lewis Perrin, Rupert Clarke, Joseph Newsom, George Mercer, John Cox, Benjamin Cowley, David Wilmot, Burford Camper, and Thomas Edmonds, Esqrs.
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34

Valls Boix, Juan Evaristo. "El enigma de lo insignificante. Subjetividad y ciudad en "Jakob von Gunten"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 27 (October 25, 2016): 289. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017271473.

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El propósito del presente estudio consiste en analizar las relaciones entre subjetividad y espacio urbano a través de la novela Jakob von Gunten de Robert Walser. La novela desarrolla una tensión entre, de un lado, un instituto de enseñanza y una forma de subjetividad entendida como interioridad privada y normativizada, y, de otro, la ciudad como espacio de lo múltiple y lo irrepresentable y una forma de subjetividad entendida como intimidad o secreto. La tensión entre ambas relaciones espacio-sujeto supone una versión peculiar de la dialéctica entre modernización y modernidad tal y como Benjamin o Kracauer la relatan, y permite pensar formas alternativas y superpuestas de concebir la subjetividad y el espacio a partir de distintas lecturas de un texto. The purpose of the present study is to analyze the relations between subjectivity and urban space through the novel Jakob von Gunten by Robert Walser. The novel develops a tension between, on the one hand, an institute of teaching and a form of subjectivity understood as private and normative interiority, and, on the other, the city as a space of the multiple and the unrepresentable and a form of subjectivity understood as intimacy The secret. The tension between both space-subject relations supposes a peculiar version of the dialectic between modernization and modernity as Benjamin or Kracauer relate it, and allows to think alternative and superposed forms of conceiving the subjectivity and the space from different readings of a text.
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35

Wellings, Martin. "Commerce and Culture: Benjamin Gregory’s Sidelights on Wesleyan Sanctity in the Later Nineteenth Century." Studies in Church History 47 (2011): 334–45. http://dx.doi.org/10.1017/s0424208400001066.

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In September 1790, some six months before his death, John Wesley was pleased to observe in a letter to Robert Carr Brackenbury that an unnamed Methodist, Brother D., ‘has more light with regard to full sanctification’. ‘This doctrine,’ Wesley continued, ‘is the grand depositum which God has lodged with the people called Methodists; and for the sake of propagating this chiefly He appeared to have raised us up.’
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36

Pankhurst, Richard. "Queen Ṭǝru Wärq’s Necklace." Aethiopica 12 (April 7, 2012): 202–6. http://dx.doi.org/10.15460/aethiopica.12.1.104.

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Miscellaneous ArticleThe article, which traces the Ethiopian history of beads and necklaces, focuses on an unpublished necklace which belonged to Emperor Tewodros’s consort Queen Ṭǝru Wärq. Acquired by Robert Napier, apparently after her death in 1868, it was presented by Napier to the then British Prime Minister Benjamin Disraeli. The necklace, though unique, is in Ethiopia’s necklace tradition; and utilizes the country’s three main traditional types of jewellery: silver caskets, silver filigree, and glass beads. A work of some sophistication it is not without artistic, as well as historical interest.
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37

Curta, Florin. "Constantinople and the Echo Chamber: The Vlachs in the French Crusade Chronicles." Medieval Encounters 22, no. 4 (October 13, 2016): 427–62. http://dx.doi.org/10.1163/15700674-12342232.

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The chroniclers of the Fourth Crusade (Geoffroi de Villehardouin, Henri de Valenciennes, and Robert de Clari) have much to say about the Vlachs. Much of that information results from direct contact with the Vlachs, particularly in the case of Villehardouin and Henri de Valenciennes. However, several issues characterizing the Vlachs, especially in Robert de Clari’s chronicle, are remarkably similar to stories that may be found in Niketas Choniates. The paper analyzes the role attributed to the Vlachs in the French chronicles, and attempts to explain the similarity to the coverage of things Vlach in Niketas Choniates. As such, the paper offers an examination of all Byzantine sources mentioning the Vlachs before Choniates and of non-Byzantine sources such as Benjamin of Tudela. The conclusion is that the image of the Vlachs in the French chronicles derives from stories about them circulating in twelfth-century Constantinople.
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38

Higgins, David. "Art, Genius, and Racial Theory in the Early Nineteenth Century: Benjamin Robert Haydon." History Workshop Journal 58, no. 1 (2004): 17–40. http://dx.doi.org/10.1093/hwj/58.1.17.

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DRURY, SARAH. "A GENIUS FOR FAILURE -THE LIFE OF BENJAMIN ROBERT HAYDON BY PAUL O'KEEFFE." Art Book 17, no. 3 (August 12, 2010): 40. http://dx.doi.org/10.1111/j.1467-8357.2010.01115_2.x.

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Wineman, Bradford A. "Jubal Early: Robert E. Lee’s “Bad Old Man.” by Benjamin Franklin Cooling III." Journal of Southern History 82, no. 1 (2016): 175–76. http://dx.doi.org/10.1353/soh.2016.0080.

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Sappenfield, James A. "Cotton Mather and Benjamin Franklin: The Price of Representative Personality. Mitchell Robert Breitwieser." Modern Philology 85, no. 1 (August 1987): 90–93. http://dx.doi.org/10.1086/391602.

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Sunderason, Sanjukta. "Benjamin Robert Siegel. Hungry Nation: Food, Famine, and the Making of Modern India." American Historical Review 125, no. 5 (December 2020): 1855–56. http://dx.doi.org/10.1093/ahr/rhaa546.

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Meier, Kathryn Shively. "Jubal Early: Robert E. Lee’s “Bad Old Man” by Benjamin Franklin Cooling III." Civil War History 61, no. 4 (2015): 459–61. http://dx.doi.org/10.1353/cwh.2015.0069.

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Hinchliff, Peter. "Ethics, Evolution and Biblical Criticism in the Thought of Benjamin Jowett and John William Colenso." Journal of Ecclesiastical History 37, no. 1 (January 1986): 91–110. http://dx.doi.org/10.1017/s0022046900031924.

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Abstract:
With one minor exception, it was not much more than a series of coincidences which linked Jowett and Colenso. The one exception was when Colenso was in England after being excommunicated by Robert Gray, bishop of Capetown, as metropolitan. Samuel Wilberforce refused to allow Colenso to function in the diocese of Oxford but Jowett invited him to preach in Balliol chapel, which was not under the bishop's jurisdiction. Apart from this there seems to be no evidence of direct personal contact between the two men.
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Duffin, Jacalyn. "The Remarkable Surgical Practice of John Benjamin Murphy. Robert L. Schmitz , Timothy T. Oh." Isis 85, no. 2 (June 1994): 359. http://dx.doi.org/10.1086/356877.

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Ottaviani, Alessandro. "An Unreliable Synopsis: Notes Toward a Contextual Reading of Robert Musil and Walter Benjamin." Germanic Review: Literature, Culture, Theory 88, no. 1 (January 2013): 47–63. http://dx.doi.org/10.1080/00168890.2013.756784.

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Reinstatler, Lael, Zachary Klaassen, Casey O. McCraw, Roger Chen, Martha K. Terris, Durwood E. Neal, Ronald W. Lewis, and Arthur M. Smith. "Robert Benjamin Greenblatt and His Many Pursuits: An Unlikely Founder of the Testosterone Pellet." Urology 85, no. 2 (February 2015): 279–82. http://dx.doi.org/10.1016/j.urology.2014.10.012.

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Dobbins, Lawrence W., and Charles A. Kapps. "The 2007 Benjamin Franklin medal in electrical engineering presented to Robert H. Dennard, Ph.D." Journal of the Franklin Institute 348, no. 3 (April 2011): 459–75. http://dx.doi.org/10.1016/j.jfranklin.2010.05.008.

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Velinsky, David J., Heinrich Dick Holland, and Frederick N. Scatena. "2013 Benjamin Franklin Medal in Earth and Environmental Science presented to Robert Arbuckle Berner†." Journal of the Franklin Institute 352, no. 7 (July 2015): 2591–95. http://dx.doi.org/10.1016/j.jfranklin.2015.03.002.

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Woznicki, Christopher. "Benjamin W. McCraw and Robert Arp, eds. Philosophical Approaches to the Devil." Journal of Analytic Theology 6 (August 16, 2018): 815–18. http://dx.doi.org/10.12978/jat.2018-6.0207-65221408a.

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