Relevant bibliographies by topics / Bennett, Arnold

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Bennett, Arnold'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Bennett, Arnold"

1

RAY, MARTIN. "JOSEPH CONRAD AND ARNOLD BENNETT." Notes and Queries 44, no. 3 (September 1, 1997): 353—a—353. http://dx.doi.org/10.1093/nq/44-3-353a.

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RAY, MARTIN. "JOSEPH CONRAD AND ARNOLD BENNETT." Notes and Queries 44, no. 3 (1997): 353—a—353. http://dx.doi.org/10.1093/nq/44.3.353-a.

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Chesterton, G. K. "The Mercy of Mr. Arnold Bennett." Chesterton Review 16, no. 3 (1990): 169–73. http://dx.doi.org/10.5840/chesterton1990163/460.

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Ray, M. "Note. Joseph Conrad and Arnold Bennett." Notes and Queries 44, no. 3 (September 1, 1997): 353. http://dx.doi.org/10.1093/nq/44.3.353.

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Hudson, Brian J. "Arnold Bennett, transport and urban development." Geography 101, no. 2 (July 1, 2016): 85–92. http://dx.doi.org/10.1080/00167487.2016.12093989.

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Lansley, Andrew. "Modernising the NHS: What does the Health and Social Care bill mean for Surgeons?" Bulletin of the Royal College of Surgeons of England 93, no. 4 (April 1, 2011): 120–22. http://dx.doi.org/10.1308/147363504x12509.

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Hudson, Brian J. "Arnold Bennett and the Pursuit of Knowledge." English Studies 98, no. 2 (October 25, 2016): 159–74. http://dx.doi.org/10.1080/0013838x.2016.1230315.

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Hudson, Brian J. "Arnold Bennett, geography and architecture: A literary synthesis." Geoforum 119 (February 2021): 94–101. http://dx.doi.org/10.1016/j.geoforum.2020.12.004.

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Lucas, John, James Hepburn, Rosamund Howe, and Arnold Bennett. "Letters of Arnold Bennett. Volume IV. Family Letters." Yearbook of English Studies 20 (1990): 320. http://dx.doi.org/10.2307/3507608.

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Madden, B. "Arnold Bennett and the Making of Sweeney Agonistes." Notes and Queries 58, no. 1 (March 1, 2011): 106–10. http://dx.doi.org/10.1093/notesj/gjq225.

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Dissertations / Theses on the topic "Bennett, Arnold"

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Howarth, Barry. "The craft of Arnold Bennett." Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3001694/.

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For the first thirty years of the twentieth century, Arnold Bennett (1867-1931) was one of most famous writers in Great Britain and the United States of America. His stock began to wane after the end of the First World War, and since his death his work has been neglected. What remains of his reputation today rests largely on his achievements in his Five Towns fiction. During his lifetime and posthumously, Bennett was accused of operating as a literary profiteer and vulgar self-promoter. Some of his contemporaries alleged that, as a literary reviewer, he exercised a capricious and excessive influence on the middlebrow reading public. His detractors also suggested that his penchant for writing potboiling serials revealed that he was little more than a commercial servant of magazine and newspaper editors, and of the mass consumerist ideology which they blandly sustained. Most damagingly, his critics came to believe that the quality of his fiction had so declined by the end of the war that he was artistically incapable of embracing the radical challenges of Modernist experimentation. The thesis shows that, as a prolific journalist and perceptive literary critic, his catholic appeal to the reading public was extensive. It also shows that his articles are important for contemporary readers because they sketch out a relief map pointing to the most significant contours of the literary landscape between 1900 and 1930. In addition, the thesis demonstrates that his serials have been injudiciously undervalued. Whilst they were never conceived as high Art, they were important because they helped him to develop as a writer. They provide cogent proof that he always travelled freely along a continuum linking the artist to the craftsman and tradesman. Furthermore, the cultural codes, social values and moral shibboleths which they presciently evoke still resonate in the digital age of the twenty-first century. In his presentation of the enclosed Five Towns communities, the thesis argues that Bennett combined mimetic topography and local culture with deft and complex interpretations of social and private identity. This sophisticated construct allowed him to combine his fidelity to realism with subtle explorations of self-definition. Bennett was not just an accomplished regionalist, and the thesis concludes that he never became stranded as a beached reactionary after the war. His metropolitan novels draw freely upon the interest which he took in the work of Freud and W.H.R. Rivers. They shaped the emergence of his new manner fiction and several of his short stories, allowing him to demonstrate the invalidity of Virginia Woolf's claim that he could not write convincingly and powerfully about human psychology and its susceptibilities to the refracted and sublimated impressions of daily life.
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Ruan, W. "Arnold Bennett : A study in realism." Thesis, University of Edinburgh, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373370.

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Perry, Carolyn Joy. "The "terrible beauty that hides itself in the ugliness of life" : Arnold Bennett's romantic vision /." free to MU campus, to others for purchase, 1990. http://wwwlib.umi.com/cr/mo/fullcit?p9100221.

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Owen, Meirion. "Arnold Bennett, Virginia Woolf : fiction, form and experiment." Thesis, Keele University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536749.

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Kwok, Chi-mei May, and 郭子美. "Mr Bennett, Mrs Brown and Mrs Woolf: a stylistic study of the use of points of view in Arnold Bennett's HildaLessways and Virginia Woolf's To the Lighthouse." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31949459.

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Lawrie, Alexandra Patricia Duff. "Pedagogy, prejudice, and pleasure : extramural instruction in English literature, 1885-1910." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7727.

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This thesis considers the teaching of English literature within extramural organisations for adults in England between 1885 and 1910. This challenges the assumption that the beginnings of English as a tertiary-level academic subject can be traced back only as far as the foundation of the Oxford English School at the end of the nineteenth century; in fact extramural English courses had been flourishing for decades before this, and these reached their zenith in the final years before it was introduced at Oxbridge. Oxford created an Honours School of English in 1894, and the Cambridge English Tripos was established in 1917; in ideological terms, such developments were of course crucial, yet it has too often been the case that the extramural literary teaching being conducted contemporaneously has been sidelined in studies of the period. My first chapter will consider the development of English in various institutional and non-institutional environments before 1885, including Edinburgh University, Dissenting Academies, and Mechanics’ Institutes. Thereafter I will explore the campaign, led by University Extension lecturer John Churton Collins, to incorporate English literature as an honours degree at Oxford. Focusing on the period between 1885 and 1891, this second chapter will assess the veracity of some of Collins’s most vehement claims regarding the apparently low critical and pedagogical standards in existence at the time, which he felt could only be improved if Oxford would agree to institutionalise the subject, and thereby raise the standard of teaching more generally. Collins’s campaign enjoyed more success when he drew attention to the scholarly teaching available within the University Extension Movement; my third chapter is underpinned by research and analysis of previously unexplored material at the archives of London University, such as syllabuses, examination papers, and lecturers’ reports. I examine the way in which English literature, the most popular subject among Extension students, was actually being taught outside the universities while still excluded from Oxbridge. Thereafter my penultimate chapter focuses on an extramural reading group formed by Cambridge Extension lecturer Richard G. Moulton. This section considers Moulton’s formulation of an innovative mode of literary interpretation, tailored specifically to suit the abilities of extramural students, and which also lent itself particularly to the study of novels. Uncollected T. P.’s Weekly articles written by Arnold Bennett highlight the emphasis that he placed on pleasure, rather than scholarship. My final chapter considers Bennett’s self-imposed demarcation from the more serious extramural pedagogues of literature, such as Collins and Moulton, and his extraordinary impact on Edwardian reading habits. A brief coda will compare the findings of the 1921 “Newbolt Report” with my own assessment of fin-de-siècle extramural education.
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Park, Yeo Sun. "Modernity and the politics of place-experience in D.H. Lawrence's novels with parallel readings of Arnold Bennett, Giovanni Verga, Patrick White and Gregario Lopez y Fuentes." Thesis, University of Sheffield, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566694.

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D.H. Lawrence's literary imagination is inherently linked to diverse places and his writings are responses to the spirit of places where he travelled and lived. In opposition to the universalising spirit of modernity based on space, Lawrence turns towards a concrete and place-based consciousness and brings a new dimension of thought to the critical category of modem criticism: place. The thesis argues that Lawrence locates the question of place as the central problem of modernity predominated by space, and develops a place-based imagination in his oeuvre as a measure against the all-destroying dominance of space. In Lawrence's works, a 'place-consciousness' informed by place-specificity is, in return, to be projected on to space manifested in the domain of capital and modernity. In this regard, Lawrence is in accord witb the Anglo-Arnerican cultural geographers of the last few decades who have been trying to bring about a transformation of the pervasive space-experience of modernity. However, the way Lawrence's works relate to the dyad of space and place is different from tbat of cultural geograpbers. In their efforts to re-structure and re-evaluate the relationship between space and place, geographers tend to tumble into a snare oftheir own making: space-place binaries. The thesis argues that Lawrence, in contrast, persists with regard the fundamental primacy of place. The thesis parallels multiple dimensions of place expounded by Edward Casey in his philosophical topoanalysis based on phenomenology with Lawrence's literary topoanalysis as rendered in his novels relating to different places: England, Italy, Australia and Mexico. Lawrence's writings are in turn compared to topoanalyses by writers native to the places in which he travels and resides to produce his regional writings. These authors are Arnold Bennett, Giovanni Yerga, Patrick White and Gregorio Lopez y Fuentes.
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Leadingham, Norma Compton. "Propaganda and Poetry during the Great War." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1966.

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During the Great War, poetry played a more significant role in the war effort than articles and pamphlets. A campaign of extraordinary language filled with abstract and spiritualized words and phrases concealed the realities of the War. Archaic language and lofty phrases hid the horrible truth of modern mechanical warfare. The majority and most recognized and admired poets, including those who served on the front and knew firsthand the horrors of trench warfare, not only supported the war effort, but also encouraged its continuation. For the majority of the poets, the rejection of the war was a postwar phenomenon. From the trenches, leading Great War poets; Owen, Sassoon, Graves, Sitwell, and others, learned that the War was neither Agincourt, nor the playing fields of ancient public schools, nor the supreme test of valor but, instead, the modern industrial world in miniature, surely, the modern world at its most horrifying.
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Ludtke, Laura Elizabeth. "The lightscape of literary London, 1880-1950." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:99e199bf-6a17-4635-bfbf-0f38a02c6319.

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From the first electric lights in London along Pall Mall, and in the Holborn Viaduct in 1878 to the nationalisation of National Grid in 1947, the narrative of the simple ascendency of a new technology over its outdated predecessor is essential to the way we have imagined electric light in London at the end of the nineteenth century. However, as this thesis will demonstrate, the interplay between gas and electric light - two co-existing and competing illuminary technologies - created a particular and peculiar landscape of light, a 'lightscape', setting London apart from its contemporaries throughout the late nineteenth and early twentieth centuries. Indeed, this narrative forms the basis of many assertions made in critical discussions of artificial illumination and technology in the late-twentieth century; however, this was not how electric light was understood at the time nor does it capture how electric light both captivated and eluded the imagination of contemporary Londoners. The influence of the electric light in the representations of London is certainly a literary question, as many of those writing during this period of electrification are particularly attentive to the city's rich and diverse lightscape. Though this has yet to be made explicit in existing scholarship, electric lights are the nexus of several important and ongoing discourses in the study of Victorian, Post-Victorian, Modernist, and twentieth-century literature. This thesis will address how the literary influence of the electric light and its relationship with its illuminary predecessors transcends the widespread electrification of London to engage with an imaginary London, providing not only a connection with our past experiences and conceptions of the city, modernity, and technology but also an understanding of what Frank Mort describes as the 'long cultural reach of the nineteenth century into the post-war period'.
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Maiwandi, Zarina W. ""We Are the Thing Itself": Embodiment in the Künstlerromane of Bennett, Joyce, and Woolf." Thesis, 2013. https://doi.org/10.7916/D8CC0ZFN.

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This dissertation is a study of the relationship between the modern Künstlerromane of Arnold Bennett, James Joyce, and Virginia Woolf and issues of embodiment. Born of the field of aesthetics, the literary genre of Künstlerroman inherits its conflicts. The chief dilemma of the form is how an isolated artistic consciousness connects with the world through a creative act. Bennett, Joyce, and Woolf offer different and contradictory resolutions. By examining how each writer conceives the body, I discover in Woolf the idea of an ethical aesthetics that contravenes the assumed polarity between mind and body, between self and other, and between material and ideal. Written only a few years apart, Clayhanger (1910), A Portrait of the Artist as a Young Man (1916), and The Voyage Out (1915) tell a compelling story of the relationship between embodiment and a creative life.
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Books on the topic "Bennett, Arnold"

1

Drabble, Margaret. Arnold Bennett: A biography. Harmondsworth: Penguin, 1985.

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Drabble, Margaret. Arnold Bennett: A biography. Boston, Mass: G.K. Hall, 1986.

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Modernism, modernity, and Arnold Bennett. Lewisburg: Bucknell University Press, 1997.

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Bennett, Arnold. The journal of Arnold Bennett. New York: Literary Guild, 1993.

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Rizzo, Alessandra. Arnold Bennett, David Herbert Lawrence, Giovanni Verga: Transitional realism, translation and dialect. Roma: Aracne, 2012.

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Hepburn, James. Arnold Bennett. Taylor & Francis Group, 2013.

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Hepburn, James. Arnold Bennett. Taylor & Francis Group, 2013.

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Hepburn, James. Arnold Bennett. Taylor & Francis Group, 2013.

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Hepburn, James. Arnold Bennett. Routledge, 2013. http://dx.doi.org/10.4324/9781315005836.

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Hepburn, James. Arnold Bennett. Taylor & Francis Group, 2013.

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Book chapters on the topic "Bennett, Arnold"

1

Humphrey, Richard. "Bennett, Arnold." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7994-1.

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McEwan, Neil. "Arnold Bennett 1867–1931." In The Twentieth Century (1900–present), 147–61. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_9.

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Humphrey, Richard. "Bennett, Arnold: The Clayhanger Family." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7997-1.

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Schaff, Barbara. "Bennett, Arnold: The Grand Babylon Hotel." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7995-1.

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Pfister, Manfred, and Rebekka Rohleder. "Bennett, Arnold: The Old Wives' Tale." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7996-1.

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Rinsler, Norma. "Arnold Bennett and the Desire for France." In Studies in Anglo-French Cultural Relations, 84–101. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-07921-6_6.

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Kontou, Tatiana, Victoria Mills, Deborah Wynne, and Louisa Yates. "Arnold Bennett, Anna of the Five Towns." In Victorian Material Culture, 360–66. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400105-84.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Arnold E. Bennett, Journalism for Women. A Practical Guide." In Literary and Cultural Criticism from the Nineteenth Century, 486–90. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199915-89.

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Hauge, Hans. "Arnold Bennett and T. S. Eliot: What Happened to Sweeney Agonistes?" In T. S. Eliot Annual No. 1, 145–52. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-07790-8_8.

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Wolfreys, Julian. "Between Seeing and Knowing: Amy Levy, Arnold Bennett and Urban Counter-romance." In Writing London, 81–158. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591943_4.

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