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1

Billouch, Abderrahman. Tag̳uri: Timdyazin. Institut royal de la culture amazighe, 2013.

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2

Mubārak, Ḥājj Bilʻīd Ibn. Azawān n al-Ḥājj Balʻīd. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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3

Elmounadi, Ahmed. Tawada tasklant n umdyaz: Εtman Ublεid. Institut royal de la culture amazighe, 2012.

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4

ElMounadi, Ahmad. Tuzdg̳t n imdyazn: Amdyaz Ḥmad Rriḥ. Institut royal de la culture amazighe, 2013.

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5

Roth, Alfred G. J.C. Hobhouse mit Lord Byron im Berner Oberland, 1816. P. Haupt, 2000.

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6

Sumyah, Naffāʻ, ред. Poésie marocaine feminine: Al-Shiʻr al-nisāʼī al-Maghribī. La Source, 2008.

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7

1883-1963, Tāzrūt Muḥammad al-Saʻīd, ред. al-Ḥājj Muḥammad al-Saʻīd Tāzrūt: Iṭlālah ʻalá al-shiʻr al-ṣūfī al-Amāzīghī. Dār al-Amal lil-Ṭibāʻah wa-al-Nashr wa-al-Tawzīʻ, 2011.

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8

al-Mubdiʻūn bi-al-Amāzīghīyah fī al-Dār al-Bayḍāʼ: Al-fannān Aḥyā namūdhajan. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2008.

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9

Tazdug̳t n imdyazn: Dris Alman. Asinag Agldan n Tussna Tamazig̳t, IRCAM, 2013.

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10

Tazdug̳t n imdyazn: Ḥmmu Muεmmu. Asinag Agldan n Tussna Tamazig̳t, IRCAM, 2013.

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11

Bollig, Benjamin. Music for Unknown Journeys by Cristian Aliaga. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348097.001.0001.

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What is the purpose of travel in an age when millions are displaced against their will or have no home to speak of in the first place? How can we travel without being tourists, without erasing the stories of those who live where we visit? These are some of the questions addressed in Cristian Aliaga’s compelling collection of prose poems, Music for Unknown Journeys. This collection contains Aliaga’s “travelling sketches,” in the tradition of Matsuo Bashō, John Berger, or W.G. Sebald. Each prose poem is geographically situated in his travels across Patagonia or his more recent journeys around th
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12

Mubārak ū Masʻūd Bin Zīdah. Mubārak ū Masʻūd (Bin Zīdah): Dhākirat shāʻir. 2015.

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13

Berger, John. Long White Thread of Words: Poems for John Berger. Smokestack Books, 2016.

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14

Berger, Harry. Resisting Allegory. Edited by David Lee Miller. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823285631.001.0001.

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Resisting Allegory gathers essays from the final two decades of Harry Berger, Jr.’s lifelong engagement with Spenser’s great poem The Faerie Queene, making clear the scope and coherence of the critical vision elaborated in a series of seminal and still-challenging critical arguments. Spenser’s great poem provides the occasion for a searching and comprehensive interdisciplinary exploration of reading practices—those the author advocates as well as those he adapts or criticizes in entertaining a wide range of critical arguments with his celebrated combination of intellectual generosity and rigor
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15

Imārīran: Mashāhīr shuʻarāʼ Aḥawwāsh fī al-qarn al-ʻishrīn. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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16

Imārīran: Mashāhīr shuʻarāʼ aḥwāsh fī al-qarn al-ʻishrīn. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, Markaz al-Dirāsāt al-Fannīyah wa-al-Taʻābīr al-Adabīyah wa-al-Intāj al-Samʻī al-Baṣarī, 2011.

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17

Poésie traditionnelle féminine de Kabylie: Typologie et textes. ENAG editions, 2011.

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18

Czapla, Ralf Georg, ed. „Weltpoesie allein ist Weltversöhnung“. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2021. http://dx.doi.org/10.5771/9783956508530.

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The Franconian Friedrich Rückert is not only one of the most productive German-language poets of the 19th century, but also one of the most important mediators between the literatures of the Orient and the Occident in Europe because of his numerous translations. He was able to read a total of 44 languages. In the study of languages, he discovered a way to open up foreign cultures. Until now, literary studies have paid little at-tention to this enormous cultural achievement. This volume, which summarises the results of the Schweinfurt Symposium 2016, therefore addresses a research desideratum.
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19

al-Islām wa-al-Amāzīghīyah: Naḥwa fahm wasaṭī lil-qaḍīyah al-Amāzīghīyah. Afrīqyā al-Sharq, 2008.

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20

Watts, Edward. Berserk Violence, Racial Vengeance, and Settler Colonialism in American Writing from Franklin to Melville. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198958826.001.0001.

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Abstract Berserk Violence, Racial Vengeance, and Settler Colonialism in American Writing from Franklin to Melville studies the literary and cultural tradition of the “Indian Hater” in American writing from the decades between the Revolution and the Civil War. In dozens of short stories, novels, poems, plays, and historical publications, Indian Haters were white settlers on the western frontier who vowed to kill all “Indians” to avenge the deaths of family members at the hands of a few. As they engage their episodes in racial violence, they attain transcendent racial powers based in traditions
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