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Dissertations / Theses on the topic 'Bergman'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Haimi, Antti. "Polyanalytic Bergman Kernels." Doctoral thesis, KTH, Matematik (Avd.), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-122073.

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The thesis consists of three articles concerning reproducing kernels ofweighted spaces of polyanalytic functions on the complex plane. In the first paper, we study spaces of polyanalytic polynomials equipped with a Gaussianweight. In the remaining two papers, more general weight functions are considered. More precisely, we provide two methods to compute asymptotic expansions for the kernels near the diagonal and then apply the techniques to get estimates for reproducing kernels of polyanalytic polynomial spaces equipped with rather general weight functions.<br><p>QC 20130513</p>
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2

Englis, Miroslav, and englis@math cas cz. "Weighted Bergman Kernels and Quantization." ESI preprints, 2000. ftp://ftp.esi.ac.at/pub/Preprints/esi932.ps.

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3

Freitas, Luiz Gustavo Onisto de. "Kierkegaard e Bergman: autores éticos." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/11836.

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Made available in DSpace on 2016-04-27T17:27:32Z (GMT). No. of bitstreams: 1 Luiz Gustavo Onisto de Freitas.pdf: 421965 bytes, checksum: 0a620bf0f13a606499a62e0b8e0c6be1 (MD5) Previous issue date: 2010-05-21<br>This work is a study of cinema of the Swedish director Ingmar Bergman second point of view of the concepts of Danish philosopher Soeren Aabye Kierkegaard. According to an ethical axis common to both authors, it is observed how the cinematographic language used by Bergman presents important concepts of Kierkegaardian philosophy, like despair, anguish, faith and paradox<br>Este trabalho
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4

Jones, Matthew Michael. "Composition operators on weighted Bergman spaces." Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/1363351/.

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In the late 1960’s, E.A. Nordgren and J.V. Ryff studied composition operators on the Hardy space H2. They provided upper and lower bounds on the norms of general composition operators and gave the exact norm in the case where the symbol map is an inner function. Composition operators themselves, on various other spaces, have been studied by many authors since and much deep work has been done concerning them. Recently, however B.D. MacCluer and T. Kriete have developed the study of composition operators on very general weighted Bergman spaces of the unit disk in the complex plane. My starting p
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5

Pokorny, Florian Till. "Bergman kernel on toric Kahler manifolds." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5301.

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Let (L,h) → (X,ω) be a compact toric polarized Kahler manifold of complex dimension n. For each k ε N, the fibre-wise Hermitian metric hk on Lk induces a natural inner product on the vector space C∞(X,Lk) of smooth global sections of Lk by integration with respect to the volume form ωn /n! . The orthogonal projection Pk : C∞(X,Lk) → H0(X,Lk) onto the space H0(X,Lk) of global holomorphic sections of Lk is represented by an integral kernel Bk which is called the Bergman kernel (with parameter k ε N). The restriction ρk : X → R of the norm of Bk to the diagonal in X × X is called the density func
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6

Kennell, Lauren R. "Boundary behavior of the Bergman kernel function on strongly pseudoconvex domains with respect to weighted Lebesgue measure." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1121801617.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 79 p. Includes bibliographical references (p. 79). Available online via OhioLINK's ETD Center
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7

Koskinen, Maaret. "Spel och spelingar : en studie i Ingmar Bergmans filmiska estetik /." Stockholm : University of Stockholm, 1993. http://catalogue.bnf.fr/ark:/12148/cb36957628h.

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8

Oliver, Vendrell Roc. "Hankel operators on vector-valued Bergman spaces." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/471520.

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The main goal of this work is to study vector-valued Bergman spaces and to obtain the weak factorization of these spaces. In order to do that we need to study small Hankel operators with operator-valued holomorphic symbols. We also study the big Hankel operator acting on vector-valued Bergman spaces. In Chapter 1 we collect all the previous results and notations needed to follow the rest of the manuscript. More concretely, some of the topics covered in this chapter are the Bochner integral, the integral for vector-valued functions appearing first in Bochner; the Bergman metric, results of t
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9

Leeuwen, Sweitse Johannes van [Verfasser]. "Invariant Bergman spaces / Sweitse Johannes van Leeuwen." Hannover : Technische Informationsbibliothek und Universitätsbibliothek Hannover (TIB), 2012. http://d-nb.info/1025757777/34.

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10

Edholm, Luke David. "The Bergman kernel of fat Hartogs triangles." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1466474083.

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11

Aboudi, Nabil. "Equations de Liouville et noyaux de Bergman." Bordeaux 1, 2005. http://www.theses.fr/2005BOR13008.

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12

Arroussi, Hicham. "Function and Operator Theory on Large Bergman spaces." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/395175.

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The theory of Bergman spaces has been a central subject of study in complex analysis during the past decades. The book [7] by S. Bergman contains the first systematic treat-ment of the Hilbert space of square integrable analytic functions with respect to Lebesgue area measure on a domain. His approach was based on a reproducing kernel that became known as the Bergman kernel function. When attention was later directed to the spaces AP over the unit disk, it was natural to call them Bergman spaces. As counterparts of Hardy spaces, they presented analogous problems. However, although many problem
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13

Zinner, Martin. "Some topics in Bergman spaces with normal weights." [S.l.] : [s.n.], 2006. http://deposit.ddb.de/cgi-bin/dokserv?idn=982571712.

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14

Louhichi, Issam. "Produits d'opérateurs de Toeplitz sur l'espace de Bergman." Phd thesis, Université Sciences et Technologies - Bordeaux I, 2005. http://tel.archives-ouvertes.fr/tel-00011954.

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Le sujet de cette thèse est l'étude des produits d'opérateurs de Toeplitz, aussi bien ceux définis sur l'espace de Hardy du cercle unité que ceux définis sur l'espace de Bergman du disque unité. Les deux questions soulevées dans mon travail sont les suivantes :<br />1) Sous quelles conditions le produit de deux opérateurs de Toeplitz est-il un opérateur de Toeplitz?<br />2) Sous quelles conditions le produits de deux opérateurs de Toeplitz est-il commutatif?<br />Pour chacune de ces deux questions, nous commençons par rappeler les travaux antérieurs avec tout ce qu'ils nécessitent comme outils
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15

Sola, Alan. "Conformal Maps, Bergman Spaces, and Random Growth Models." Doctoral thesis, KTH, Matematik (Avd.), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-12364.

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This thesis consists of an introduction and five research papers on topics related to conformal mapping, the Loewner equation and its applications, and Bergman-type spaces of holomorphic functions. The first two papers are devoted to the study of integral means of derivatives of conformal mappings. In Paper I, we present improved upper estimates of the universal means spectrum of conformal mappingsof the unit disk. These estimates rely on inequalities  obtained by Hedenmalm and Shimorin using Bergman space techniques, and on computer calculations. Paper II is a survey of recent results on the
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16

Solís, Victor Hugo López. "O Lema do Diamante de Bergman e aplicações." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tede/4283.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-03-11T19:37:56Z No. of bitstreams: 2 Dissertação - Victor Hugo López Solís - 2012.pdf: 755677 bytes, checksum: ab64efbb1cbb6b6d5b9683cad6f75d6e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-03-13T18:58:33Z (GMT) No. of bitstreams: 2 Dissertação - Victor Hugo López Solís - 2012.pdf: 755677 bytes, checksum: ab64efbb1cbb6b6d5b9683cad6f75d6e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (
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17

Cunha, João Fabricio Flores da. "A comunicação afetiva no cinema de Ingmar Bergman." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/134836.

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Esta dissertação se propõe a investigar a comunicação a partir da obra cinematográfica do diretor sueco Ingmar Bergman (1918-2007). Em oposição a uma ideia corrente na literatura sobre esse cineasta, a de que seus filmes seriam uma expressão da incomunicabilidade, buscamos caracterizar a partir deles uma comunicação de caráter afetivo, que está relacionada ao uso por parte do diretor do rosto em primeiro plano. Nossa fundamentação teórica tem como centro os conceitos de imagem-afecção, de Gilles Deleuze (1985; 2011), e de rostidade, de Deleuze e Félix Guattari (2012). Realizamos nossas análise
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18

Zeytuncu, Yunus Ergin. "Lp and Sobolev Regularity of Weighted Bergman Projections." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1273761421.

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19

Koch, Philip Nichols. "An Introduction to the Bergman Projection and Kernel." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461091816.

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20

Hubner, Laura. "The necessary illusion in the films of Ingmar Bergman." Thesis, University of Reading, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369547.

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21

Williams, Daniel. "The role of imagination in Bergman, Klein and Sartre." Thesis, Brunel University, 2013. http://bura.brunel.ac.uk/handle/2438/7448.

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This thesis provides an inter-disciplinary study of selected works by Ingmar Bergman. I explore how key concepts from Melanie Klein and Jean-Paul Sartre apply to the focus on characters in a state of heightened imagination; and the value placed on imagination in the construction of these films. This involves recognition of the way an active response from the viewer is encouraged. Klein, Sartre and Bergman also attend to contextual factors that challenge any notion of subjectivity as sovereign and the power of imagination is frequently placed in a social context. All three figures develop their
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22

Barboza, Naylini Sobral. "“Saraband” : o habitus sueco no filme de Ingmar Bergman." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/3189.

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This research analyzes the construction process of the Swedish habitus that Ingmar Bergman seized and showed in his film work, particularly in the movie "Saraband" (2003). To perform this analysis, that is anchored in a ethnographic methodology, which i raise and analyze certain patterns of behavior, languages and beliefs of the Swedish people, to map the socio-cultural setting in which Bergman was immersed. Thus, my theoretical and methodological support, to the dialogue between the Swedish society and the filmmaker, through the film "Saraband", are the concepts of Norbert Elias (1993.1994, 1
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23

Fleeman, Matthew. "Putnam's Inequality and Analytic Content in the Bergman Space." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6238.

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In this dissertation we are interested in studying two extremal problems in the Bergman space. The topics are divided into three chapters. In Chapter 2, we study Putnam’s inequality in the Bergman space setting. In [32], the authors showed that Putnam’s inequality for the norm of self-commutators can be improved by a factor of 1 for Toeplitz operators with analytic symbol φ acting on the Bergman space A2(Ω). This improved upper bound is sharp when φ(Ω) is a disk. We show that disks are the only domains for which the upper bound is attained. In Chapter 3, we consider the problem of finding the
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24

BEN, SAID SALEM. "Espaces de bergman ponderes sur un domaine borne symetrique." Paris 6, 2000. http://www.theses.fr/2000PA066040.

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Soit d un domaine symetrique borne. Pour , r (assez grand), nous considerons les espaces de bergman ponderes b v(d) des fonctions holomorphes sur d. Soit g un sous-groupe symetrique du groupe des automorphismes holomorphes de d, et s la frontiere de shilov de d. L'action de g sur s admet des orbites ouvertes. Nous considerons l'une des orbites qui est un espace symetrique g/h causal de type compact. De plus g/h est un espace symetrique de makarevic. Pour etudier la decomposition de b v(d) nous considerons un domaine g-invariant dans le complexifie g c/h c de g/h introduit par j. Hilgert, b. Rs
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25

Bock, Sigge. "Lowly who prevail : vistas to the work of Hjalmar Bergman /." Uppsala : Uppsala University, 1990. http://catalogue.bnf.fr/ark:/12148/cb370600922.

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26

Wistrand, Sten. "Att slås till insikt : Hjalmar Bergmans roman Clownen Jac /." Örebro : Hjalmar Bergman samfundet, 1999. http://catalogue.bnf.fr/ark:/12148/cb41032519h.

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27

Yoon, Hyuneok Gardies André. "Le cheminement spirituel d'Ingmar Bergman à travers les films principaux après les années 50 Analyse à travers la Subjectivité kierkegaardienne /." [S.l.] : [s.n.], 1998. http://theses.univ-lyon2.fr/sdx/theses/lyon2/1998/hyoon.

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28

Sola, Alan. "Bergman space methods and integral means spectra of univalent functions." Licentiate thesis, Stockholm : Matematik, Kungliga Tekniska högskolan, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4354.

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29

Wang, Lijing 1975. "Bergman kernel and stability of holomorphic vector bundles with sections." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/29983.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Mathematics, 2003.<br>Includes bibliographical references (p. 83-85).<br>In this thesis, we introduce a notion of asymptotic stability for a holomorphic vector bundle with a global holomorphic section on a projective manifold. We prove that the special metric on the bundle studied by Bradlow is the limit of a sequence of balanced metrics that are induced from the asymptotic stability. Conversely, assuming the convergence of a sequence of balanced metrics, we show that the sequence converge to a special metric in the sense of Brad
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30

Pires, Lara Vanessa Casal. "Uma reflexão sobre o filme Persona (1965), de Ingmar Bergman." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2013. http://hdl.handle.net/10362/11922.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Filosofia na área de especialização em Estética<br>A presente dissertação tem como objecto de estudo o filme Persona (1965) de Ingmar Bergman e a tese filosófica proposta a partir da análise deste filme é a de que o sonho de ser em vez de parecer faz parte da natureza humana. No filme em estudo, temos dois personagens que procuram dar sentido às suas acções, mas que, confrontados com a impossibilidade de ser, a impossibilidade de não usarem máscaras, a impossibilidade de darem sentido às suas v
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31

Giret, Lena. "Hjalmar Bergman : le pouvoir, la volonté, l'angoisse et le rire." Paris 4, 1994. http://www.theses.fr/1994PA040008.

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Hjamlar Bergman, écrivain suédois né en 1883 dans une famille de la grande bourgeoisie provinciale, fit des études de philosophie et d'esthétique qui marquèrent son œuvre. Il partagea sa vie entre Stockholm et le continent européen, un bref passage à Hollywood se solda par un échec artistique. Longtemps mal compris par la critique et fragilise par sa santé chancelante, sa production ne fit cependant que s'accroitre jusqu'à sa mort en 1931 à Berlin. Son œuvre de jeunesse s'inscrit dans le prolongement du symbolisme des années 1880 mais prendra une tournure plus personnelle vers 1910 dans des ré
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32

Landström, Petra. "Ingmar Bergman och musiken : En audiovisuell analys av Såsom i en spegel, Tystnaden, Persona och Vargtimmen." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-6992.

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The research on Ingmar Bergman is comprehensive, however, there is one aspect of his artistry that has been regrettably neglected – his use of music. Music always played a huge part in Bergman’s life, and it was also a great source of inspiration. The music was a structural component in the creating process and he often referred to his films as pieces of music and his actors as musical instruments. Moreover, music frequently played a thematic part in the plot. The purpose of this essay is to examine what function music actually has in a selection of Bergman’s films. To do this I have closely a
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33

Leidner, Anette. "Oskar Bergman : En översikt över hans mest produktiva år som landskapsmålare." Thesis, Södertörn University College, The School of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2061.

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34

Le, Van An. "Petits espaces de Fock, petits espaces de Bergman et leurs opérateurs." Thesis, Aix-Marseille, 2019. http://theses.univ-amu.fr.lama.univ-amu.fr/191210_LE_604try554eejyoj865ovdfq987fxy_TH.pdf.

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Nous étudions les mesures de Carleson et les opérateurs de Toeplitz sur la classe des espaces de Bergman dite de petite taille, introduits récemment par Seip. On obtient une caractérisation des mesures de Carleson qui étend les résultats de Seip à partir du disque unité de mathbb C à la boule unité mathbb Bn de mathbb Cn. Nous utilisons cette caractérisation pour donner les conditions nécessaires et suffisantes à la continuité et à la compacité des opérateurs de Toeplitz. Enfin, nous étudions l’appartenance des opérateurs Toeplitz aux classes de Schatten d'ordre p pour 1<br>We study the Carles
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35

Raharimihaja, Zakariasy Lova. "Opérateurs de Toeplitz et de Hankel sur les espaces de Bergman." Bordeaux 1, 2004. http://www.theses.fr/2004BOR12821.

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La première partie de la thèse réunit des résultats classiques sur les espaces de Hardy, de Bergman et de Bergman harmonique. Les notions de base, telles que les noyaux reproduisants et les projections sont des outils indispensables pour les études des opérateurs de Toeplitz et de Hankel. Les espaces de Bloch (analytique et harmonique) et les epaces de type BMO y sont aussi étudiés. On développe ensuite des résultats concernant les produits des opérateurs de Toeplitz sur l'espace de Bergman. Nous exposons nos résultats sur les théorèmes de type Brown-Halmos en donnant les conditions nécessaire
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36

Jürgens, Christian Verfasser], and Hannah [Akademischer Betreuer] [Markwig. "(Real) Tropical Singularities and Bergman Fans / Christian Jürgens ; Betreuer: Hannah Markwig." Tübingen : Universitätsbibliothek Tübingen, 2018. http://d-nb.info/1168804574/34.

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37

Yousef, Abdelrahman F. "Two problems in the theory of Toeplitz operators on the Bergman space /." Connect to full text in OhioLINK ETD Center, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1242219617.

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Randriamahaleo, Fanilo rajaofetra. "Opérateurs de Toeplitz sur l'espace de Bergman harmonique et opérateurs de Teoplitz tronqués de rang fini." Thesis, Bordeaux, 2015. http://www.theses.fr/2015BORD0108/document.

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Dans la première partie de la thèse, nous donnons les résultats classiques concernant l’espace de Hardy, les espaces modèles et les espaces de Bergman analytique et harmonique. Les notions de base telles que les projections et les noyaux reproduisant y sont introduites. Nous exposons ensuite nos résultats concernant d’une part, la stabilité du produit et la commutativité de deux opérateurs de Toeplitz quasihomogènes et d’autre part, la description matricielle des opérateurs de Toeplitz tronqués du type "a" "dans le cas de la dimension finie<br>In the first part of the thesis,we give some class
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39

Borlizzi, Vincenzo. "Trois questions sur le modelage des films - Les obstacles visuels, la pesanteur et la durée." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030039.

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Cette recherche naît de l’interaction entre deux idées d’Eisenstein : en 1934 il affirma qu’un film est plus résistant que le granit, mais l’année d’après il soutint qu’il n’y aucune réalité physique dans les films, que de reflets et des ombres grises. La question de ce travail est donc : un réalisateur peut il toucher son film ? Un film n’est pas un objet. La contradiction entre les deux idées d’Eisenstein peut être dépassée si les films commencent à être étudiés au-delà de l’analogie “ombre-granit”, sans des mots qui chosifient les images. Si chaque image peut être étudiée en tant que partie
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40

Puigdomènech, López Jordi. "Genealogía y esperanza en la filosofía de la existencia de Ingmar Bergman." Doctoral thesis, Universitat de Barcelona, 2001. http://hdl.handle.net/10803/1748.

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La presente Tesis propone una interpretación del conjunto de la obra cinematográfica de Ingmar Bergman (46 películas) desde los datos aportados por el "último Bergman", es decir, dos libros de memorias, tres novelas autobiográficas y esis películas escritas y realizadas durante las dos últimas décadas.
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41

Lu, Wen [Verfasser], George [Akademischer Betreuer] Marinescu, and Hansjörg [Akademischer Betreuer] Geiges. "Morse Inequalities and Bergman Kernels / Wen Lu. Gutachter: George Marinescu ; Hansjörg Geiges." Köln : Universitäts- und Stadtbibliothek Köln, 2013. http://d-nb.info/1038485584/34.

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42

Lu, Wen [Verfasser], George Akademischer Betreuer] Marinescu, and Hansjörg [Akademischer Betreuer] [Geiges. "Morse Inequalities and Bergman Kernels / Wen Lu. Gutachter: George Marinescu ; Hansjörg Geiges." Köln : Universitäts- und Stadtbibliothek Köln, 2013. http://nbn-resolving.de/urn:nbn:de:hbz:38-51219.

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43

Neumann, Anyssa Charlotte. "Sound, act, presence : pre-existing music in the films of Ingmar Bergman." Thesis, King's College London (University of London), 2017. https://kclpure.kcl.ac.uk/portal/en/theses/sound-act-presence(ce171b0f-b7e7-4ce2-9c49-2d465062aaba).html.

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This thesis explores the appearance, function, and meaning of pre-existing music in the films of Swedish filmmaker Ingmar Bergman (1918-2007), with an emphasis on works from the Western classical canon. Active as a director, producer, and writer for sixty-one years, Bergman used his love of music to fuel his films in both form and content, largely eschewing traditional soundtrack scores in favour of pre-existing music used sparingly but precisely, incorporating music into the lives of his characters, and finding artistic inspiration in the works and lives of the composers. This study’s primary
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44

Yousef, Abdelrahman Fawzi. "Two Problems in the Theory of Toeplitz Operators on the Bergman Space." University of Toledo / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1242219617.

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45

Hilmo, Svein. "Verda er ei scene : Teatralitet og teaterreferansar i Fanny och Alexander av Ingmar Bergman." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for kunst og medievitenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26689.

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46

Obali, Derya. "Synthetic Approaches To Fluorinated Ten-Membered Enediyne." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1275448174.

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47

González, Aguilar Atenea Isabel. "Intertextualidad, auto-reflexividad y mise-en-scène en el cine de Ingmar Bergman." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/400217.

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Esta tesis plantea una relectura de diversos filmes del realizador sueco Ingmar Bergman a través de las pautas que trazan una serie de cuestiones sobre la teoría y el análisis cinematográficos. Se ocupa asimismo de apoyar la necesidad de problematizar y, al mismo tiempo, diversificar el tipo de enfoques en los que se han convertido la mayor parte de los estudios sobre el “autor” dentro de los Film Studies, su correspondiente “obra” y el denominado “cine de arte”: acercamientos monolíticos opacados por ideas íntimamente ligadas al canon, a la intencionalidad y al esteticismo. La composición a
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Holdar, Magdalena. "Scenography in Action : Space, Time and Movement in Theatre Productions by Ingmar Bergman." Doctoral thesis, Stockholm : Konstvetenskapliga institutionen, Stockholms universitet, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-427.

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El, Koussa May. "De la dynamique des larmes au cinéma. Douglas Sirk, Krzysztof Kieslowski, Ingmar Bergman." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010662.

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Selon Jean-Louis Leutrat, « les larmes sont un sujet éminemment cinématographique ». Art de l'image en mouvement, le cinéma ouvre la voie à une « dynamique» des larmes. Au cinéma, les larmes coulent dans l’image : elles apparaissent, se forment et se transforment. Connues pour leur faculté de purification, d'échange et d'union, les larmes permettent aux gens de communiquer leur désir d'être accueillis les uns dans les autres. Ainsi, dans le mélodrame, les larmes coulent afin de combattre la difficulté d'être en contact avec « l'autre ». Douglas Sirk, maître du mélodrame hollywoodien fait des l
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Burdino, Fanny. "Visible et invisible dans le cinéma d'Ingmar Bergman : la matrice Fanny et Alexandre." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080124/document.

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En 1982, Ingmar Bergman avait pris la décision d’arrêter le cinéma avec une œuvre qu’il voulait ultime : Fanny et Alexandre. Il ne tint pas tout à fait parole et continua à réaliser des œuvres pour la télévision, ce qu’était déjà Fanny et Alexandre. Une fresque de 5h40, film somme et sommet cinématographique. Notre travail souhaite comprendre la complexité d’une œuvre qui renferme à elle seule tous les motifs du cinéaste. Notre désir est de l’étudier sous l’angle de deux notions : le visible et l’invisible. Ces notions viennent d’emblée interroger la présence et l’absence, le plein et le vide,
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