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Relevant bibliographies by topics / Berlin-Film

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Academic literature on the topic 'Berlin-Film'

Author: Grafiati

Published: 25 January 2025

Last updated: 31 July 2025

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Journal articles on the topic "Berlin-Film"

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Tarigan, Oktavia, Surya Masniari Hutagalung, and Rina Evianty. "EINE ANALYSE DER VERLETZUNGEN DES KOOPERATIONSPRINZIP IM FILM ,,TSCHICK (GOODBYE BERLIN)” VON FATIH AKIN." STUDIA Jurnal Pendidikan Bahasa Jerman 7, no. 1 (2019): 50. http://dx.doi.org/10.24114/studia.v7i1.9947.

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AUSZUGOktaviaTarigan. Matrikelnummer. 213333201, EineAnalyse der Verletzungen des Kooperationsprinzipim Film,,Tschick(Goodbye Berlin)” von Fatih Akin. PädagogischerTitel, Deutschprogramm, FakultätfürSprache und Kunst, Staatliche Universität Medan.Das ZieldieserUntersuchungistes, um die Verletzungen des Kooperationsprinzipim Film ,,Tschick (Goodbye Berlin)” von Fatih Akin zuanalysieren. In dieserUntersuchungwird die deskriptive qualitative Methodeverwendet. Die DatenquelledieserUntersuchungist der Film,,Tschick (Goodbye Berlin)” von Fatih Akin. Die Analysebenutzt die Theorie von Grice. Die Erge

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Hennessy, Mary. ""Ein altes Thema, neu gesehen": Remediating Weimar Modernity in Wolfgang Liebeneiner's Großstadtmelodie (1943)." German Studies Review 48, no. 1 (2025): 93–110. https://doi.org/10.1353/gsr.2025.a951978.

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abstract: This article examines Wolfgang Liebeneiner's popular film Großstadtmelodie (Metropolitan melody). Released in 1943 but set in 1937–1938, the film repurposes Weimar's New Woman and prewar newsreel footage of Berlin to transport audiences, especially women on the home front, to interwar Berlin, not only to distract from the war but also to envision a future Berlin that would be achieved only after the war was won. I suggest that remediation in the film works ultimately to counter the aesthetic, social, and historical fragmentation of war, captured by the feminine "melody" of the film's

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Rich, B. Ruby. "Film Festivals in Winter." Film Quarterly 76, no. 4 (2023): 84–92. http://dx.doi.org/10.1525/fq.2023.76.4.84.

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Dwirika, Leli. "KUALITAS TERJEMAHAN TAKARIR FILM BERLIN, BERLIN: LOLLE ON THE RUN." Prosiding Konferensi Linguistik Tahunan Atma Jaya (KOLITA) 22, Prosiding KOLITA 22 (2024): 203–16. http://dx.doi.org/10.25170/kolita.22.5976.

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Dalam menerjemahkan takarir sebuah film diperlukan strategi penerjemahan teks audiovisual yang baik. Salah satu praktik penerjemahan audiovisual dari bahasa lisan ke dalam bahasa tertulis dalam film menurut Gottlieb (1992) disebut subtitling. Hasil dari subtitling disebut subtitle (takarir) yang merupakan sebaris teks yang biasa muncul pada bagian bawah layar film (Luyken, G.T., et al. (1991)). Subtitling memiliki aturan-aturan tersendiri agar hasil terjemahan singkat, jelas, padat, dan berterima, karena keterbatasan karakter dalam telop. Dalam proses penerjemahan, biasanya penerjemah menghada

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Frank, Alison Elizabeth. "Berlin International Film Festival - Berlinale 2011." Film-Philosophy 15, no. 1 (2011): 234–39. http://dx.doi.org/10.3366/film.2011.0014.

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Nowakowski, Jacek. "Berlin i Niemcy w dwóch adaptacjach filmowych powieści Alfreda Döblina Berlin Alexanderplatz." Poznańskie Studia Polonistyczne. Seria Literacka, no. 44 (October 10, 2023): 49–68. http://dx.doi.org/10.14746/pspsl.2023.44.3.

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The subject of this paper is the image of Berlin and Germany that emerges from two film adaptations of the novel Berlin Alexanderplatz. The first one, a 1980 TV series by Rainer Werner Fassbinder, closely follows the letter and spirit of the original 1929 novel; we see a faithful recreation of the material world and the mindset of German society in the final years of the Weimar Republic. In the second one, a 2021 cinema production by Burhan Qurbani, the plot is modernised. The main context of the film is the plight of refugees and economic migrants in contemporary Germany and the problems port

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Nati, Siti Ermi, and Ambo Dalle. "Media Film Hallo Aus Berlin dalam Peningkatan Penguasaan Kosa Kata Bahasa Jerman." Phonologie : Journal of Language and Literature 3, no. 1 (2023): 74. http://dx.doi.org/10.26858/phonologie.v3i1.43987.

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Abstract. This study aims to determine the improvement, planning, process, and results of using the film media Hallo aus Berlin in increasing the mastery of German vocabulary in class XI SMAN 2 Makassar. This type of research is classroom action research which consists of two cycles. The subjects in this study were students of class XI SMAN 2 Makassar. The data analysis technique in this study consisted of qualitative and quantitative data. Qualitative data was obtained through observation, while quantitative data was obtained through vocabulary mastery tests in cycle I and cycle II. Data anal

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Bordo, Jonathan. "The Homer of Potsdamerplatz—Walter Benjamin in Wim Wenders's Sky Over Berlin/Wings of Desire, a Critical Topography." IMAGES 2, no. 1 (2008): 86–109. http://dx.doi.org/10.1163/187180008x408618.

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AbstractThe essay explores the deep and pervasive influence of Walter Benjamin in Wim Wenders's Der Himmel über Berlin (The Sky over Berlin under the English title Wings of Desire). The essay draws its title from the Benjaminean storyteller named “Homer” in the film, whose search for the lost Potsdamerplatz is the theme of his principal recitation. The text offers a chorography of Potsdamerplatz to show why Wim Wenders needs Walter Benjamin as his companion in order to recover the heart and soul of the then divided city of Berlin, still submerged in the nightmare of its recent Nazi past. Wende

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Saryusz-Wolska, Magdalena. "Powojenna widownia filmowa w Berlinie. Przyczynek do nowej historii kina." Prace Kulturoznawcze 20 (March 27, 2017): 121–32. http://dx.doi.org/10.19195/0860-6668.20.10.

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Post-war Film Audience in Berlin. A Contribution to the New Cinema HistoryThe article aims to present the advantages of the new cinema history as a research tool in the field of cultural participation. It focuses on early post-war cinema audience in Berlin, their motivations, practices and habits. Watching films is treated as an exemplary social, economic and political phenomenon that influences all kinds of using and producing popular culture. The author stresses that films are usually made for their audiences. Hence, film studies should pay more attention to the cinemagoers as well as to the

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Allison, Deborah. "Film Noir: From Berlin to Sin City." Film Quarterly 60, no. 2 (2006): 80–81. http://dx.doi.org/10.1525/fq.2006.60.2.79.3.

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Dissertations / Theses on the topic "Berlin-Film"

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Hoelscher-Whiting, Susanne Helene. "Berlin identities : literature and film in the new German capital /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2005. http://uclibs.org/PID/11984.

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Lee, Hong Real. "Film festivals as public spaces : the transformation of the Busan and Berlin international film festivals." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10720/.

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This thesis analyses film festivals as public spaces. It asks how publicness configures both contemporary film festivals and the activities of those who participate in them. In order to investigate this mix of theories and the concomitant practices are employed, all of which are intertwined with the notion of public or publicness as the overriding conceptual framework of this research. Jürgen Habermas’s universal and rational notion of public sphere has been subjected to criticisms that have called for an understanding of publicness as more fragmented and multiple, and hence experiential. Here

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Küffer, Manon. "La Guerre Froide vue par Hollywood : Berlin au prisme des rapports sociaux de genre (1945-1961)." Electronic Thesis or Diss., Université de Lorraine, 2024. https://docnum.univ-lorraine.fr/ulprive/DDOC_T_2024_0181_KUFFER_diff.pdf.

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Cette thèse se concentre sur une poignée de films hollywoodiens se situant à Berlin (les Berlin- Films) au début de la Guerre froide, plus exactement de la fin de la Seconde Guerre mondiale (1945) à la construction du Mur de Berlin (1961). D'un point de vue théorique, cette thèse se concentre sur la vision que ces films nous offrent de la Guerre froide, une période de tensions et de conflits idéologiques et politiques entre les États Unis et l'URSS (et leurs alliés respectifs). Ici, la Guerre froide sera étudiée au prisme notamment des gender studies et plus précisément des rapports sociaux de

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Land, Robert William. "Little Paintings." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1035.

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Little Paintings is a document that describes the creation, influences and process of two films, "Betty Creek" and "New Berlin". The films are personal responses to my experiences growing-up and living in the Southern United States. The Thesis illustrates the influences of painters such as Jimmie Lee Sudduth and Willie Jinks and how their raw painting methods inspire the development of my films using a tactile approach to filmmaking.

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Puteri, Arwen. ""Die Mauer im Kopf": Aesthetic Resistance against West-German Take-Over." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5107.

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Even 24 years after the Fall of the Berlin Wall, modern day Germans are still preoccupied with the contentious dynamics of the post-Wall unification process. Concern with geo-political fractiousness is deeply rooted in German history and the reason for Germany's desire to become a unified nation. The Fall of the Wall, and the subsequent rejection of socialism, was a chance to recover and unify what was perceived to be an "incomplete" nation. Yet, despite these actions, social unity between East and West Germans has never occurred and the Wall still persists as a metaphorical barrier in the min

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Wahbeh, Hossam [Verfasser], Karl [Akademischer Betreuer] Schawelka, and Hans [Akademischer Betreuer] Beller. "Der Musikfilm als Form des Dokumentarfilms : Eine Untersuchung über die Erzeugung einer realistischen Illusion im Dokumentarfilm anhand einer Analyse des Musikfilms Berlin - Die Sinfonie der Grosstadt / Hossam Wahbeh ; Karl Schawelka, Hans Beller." Weimar : Promotionsstudiengang Kunst und Design/Freie Kunst/Medienkunst (Ph.D), 2013. http://d-nb.info/1116298384/34.

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Ebbrecht-Hartmann, Tobias. "Blicke auf das Grauen. German Concentration Camps – Ein Film als Quelle." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2014. https://slub.qucosa.de/id/qucosa%3A35004.

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Pierron, Andréa. ""L'Ombre de votre espérance" : repères pour une histoire plastique des revues d'artistes expérimentaux au XXe siècle." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA085/document.

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Cette thèse de doctorat se consacre à l’analyse de périodiques créés au cours du XXe siècle par des cinéastes et des plasticiens à l’œuvre dans le champ des avant-gardes et du cinéma expérimental. Les revues forment des objets plastiques et spéculatifs, complexes et composites de par les relations qui se nouent entre le texte et l’image, les montages qui se créent et le défi que constitue la transposition des images filmiques. En quoi ces revues d’artistes témoignent-elles d’une recherche expérimentale ? Comment les revues d’artistes participent-elles à une histoire critique et plastique des f

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Manicke, Heidi. "Berlin in Transit(ion)." Thesis, 2010. http://hdl.handle.net/1974/6096.

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This study establishes how rail transportation systems and their filmic and literary representations form and inform culture and identity, particularly in the new German capital and by extension its new Berlin Republic. Where, how, and by whom mobility is practiced influences the city and vice versa. Historically, Berlin’s U-Bahn and S-Bahn system, have mirrored physical and emotional changes in the urban landscape. They have also been an important platform for the exchange of cultural information through networks of shared knowledge among Berlin’s diverse groups of citizens. This situation co

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Chen, Tsuiping, and 陳翠萍. "A Reflection and Discussion on One Decade’s (2007-2016) Culinary Cinema in Berlin International Film Festival." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/88435226986971666546.

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碩士<br>國立高雄餐旅大學<br>飲食文化暨餐飲創新研究所<br>105<br>The study of food films and documentaries has, since the 1980s, begun to be noticed in the scholarship. According to some literature review, the scholarship on food films focused largely on analysis of food representations in individual films. This aspect of research usually explored the symbolic role or metaphoric role of food and food behaviors play in cinematic narratives and images. The results of the research indeed affirmed that “films’ narratives and images are a legitimate means of observing the changing structures of social interdependence and

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Books on the topic "Berlin-Film"

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1947-, Berg-Ganschow Uta, Jacobsen Wolfgang 1953-, Arnheim Rudolf, and Stiftung Deutsche Kinemathek, eds. Film, Stadt, Kino, Berlin. Argon, 1987.

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, Filmmuseum, ed. M: Film Museum Berlin - the exhibition. Nicolai, 2000.

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Film-, und Fernsehwissenschaftliches Kolloquium (2nd 1989 Berlin Germany). 2. Film- und Fernsehwissenschaftliches Kolloquium, Berlin, '89. MAkS Publikationen, 1990.

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1953-, Jacobsen Wolfgang, and Noth Volker 1941-, eds. Berlin im Film: Die Stadt, die Menschen. Argon, 1998.

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Sulʹkin, O. Russian cinema at the European film market, Berlin '94. Reklamfilʹm, 1994.

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DEFA-Stiftung, ed. Kino und Film im Berlin der Nachkriegszeit: 1945-1953. Die Stiftung, 2004.

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Fritz, Mierau, ed. Russen in Berlin: Literatur, Malerei, Theater, Film, 1918-1933. 2nd ed. P. Reclam, 1990.

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Museum für Fotografie (Berlin, Germany) and Kunstbibliothek (Berlin Germany), eds. Berlin in der Revolution, 1918-1919: Fotografie, Film, Unterhaltungskultur. Kunstbibliothek, Staatliche Museen zu Berlin, 2018.

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Internationale Filmfestspiele Berlin (1986 : Berlin), ed. 36. Internationale FilmFest Berlin 1986. TeleFilm Canada, 1986.

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Internationale Filmfestspiele Berlin (52 2002 Berlin). Filmindex: 52. internationale Filmfestspiele Berlin, 06.-17.02.2002. Filmfestspiele, 2002., 2002.

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Book chapters on the topic "Berlin-Film"

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Mennel, Barbara. "Modernity and the city film: Berlin." In Cities and Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781351016193-3.

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Hirte, Ricarda. "Alfred Döblins Roman „Berlin Alexanderplatz“. Roman, Film und Psychoanalyse." In Gesellschaftskritische Literatur – Texte, Autoren und Debatten. V&R unipress, 2025. https://doi.org/10.14220/9783737017947.185.

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Heiduschke, Sebastian. "The Gegenwartsfilm, West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film Berlin—Ecke Schönhauser (Berlin SchöNhauser Corner, Gerhard Klein, 1957)." In East German Cinema. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137322326_7.

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Pinkert, Anke. "Rubble Film as Archive of Trauma and Grief: Wolfgang Lamprecht’s Somewhere in Berlin." In German Postwar Films. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230616974_5.

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Twark, Jill E. "German Film Comedy in the ‘Berlin Republic’: Wildly Successful and a Lot Funnier than You Think." In European Cinema in the Twenty-First Century. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33436-9_15.

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Cairns, Graham. "Berlin on film:." In Filming the City. Intellect Books, 2016. http://dx.doi.org/10.2307/j.ctv36xvpjv.14.

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Jacobs, Steven. "Berlin: Die Sinfonie der Großstadt (1927)." In Routledge Encyclopedia of Modernism. Routledge, 2025. https://doi.org/10.4324/9780415249126-rem2160-1.

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Berlin: Die Sinfonie der Großstadt [Berlin: Symphony of a City] is a film directed by Walther Ruttmann, co-written by Carl Mayer and Karl Freund, who was also responsible for the cinematography. Together with Manhatta (Strand & Sheeler, 1921), Rien que les heures [Nothing But Time] (Cavalcanti, 1926), and Chelovek s kinoapparatom [Man with a Movie Camera] (Vertov, 1929), the film is one of the best-known examples of a city symphony – a film genre that is also often described as ‘city film’ or ‘city poem’. Portraying the everyday life of a big city, mainly through visual impressions in an e

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"DAS NEUE BERLIN. Affirmation und Kritik der Moderne im Berlin-Film der Nachkriegszeit." In Schauplatz Berlin, edited by Hans Richard Brittnacher. edition text + kritik im Richard Boorberg Verlag, 2018. http://dx.doi.org/10.5771/9783967072150-125.

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Panahi, Jafar. "An Open Letter to the Berlin Film Festival." In Jafar Panahi. University Press of Mississippi, 2019. http://dx.doi.org/10.2307/jj.399518.26.

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Preece, Julian. "Erich Kästner und der internationale Berlin-Film-Komplex." In Politik und Moral. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110743418-010.

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Conference papers on the topic "Berlin-Film"

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yuanliang, Chen. "On the Exploration of Qimen Prediction in the 70th Berlin International Film Festival." In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.007.

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Ramanagar Sridhara, Shreyas, Antonio Andreini, Marc D. Polanka, and Myles D. Bohon. "LES Investigation of Film Cooling in Rotating Detonation Combustors." In ASME Turbo Expo 2024: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2024. http://dx.doi.org/10.1115/gt2024-123796.

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Abstract High-power density combustors like Rotating Detonation Combustors (RDC) offer significant benefits. However, they must overcome many challenges to be integrated into a gas turbine. Cooling the RDC is one of the most significant, due to the high heat loads generated by the combustion process. Preliminary analysis of the required cooling system has shown that cold-side convective cooling is insufficient to cool combustor walls unless a protective barrier is applied to the hot side surface. Therefore, this work explores the feasibility of film cooling a RDC. A high-fidelity LES investiga

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Hepper, Dietmar. "Investigating properties of film grain noise for film grain management." In 2013 IEEE Third International Conference on Consumer Electronics ¿ Berlin (ICCE-Berlin). IEEE, 2013. http://dx.doi.org/10.1109/icce-berlin.2013.6698054.

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Haendler, M., D. Raake, and M. Scheurlen. "Aero-Thermal Design and Testing of Advanced Turbine Blades." In ASME 1997 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1997. http://dx.doi.org/10.1115/97-gt-066.

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Based on the experience gained with more than 80 machines operating worldwide in 50 and 60 Hz electrical systems respectively, Siemens has developed a new generation of advanced gas turbines which yield substantially improved performance at a higher output level. This “3A-Series” comprises three gas turbine models ranging from 70 MW to 240 MW for 50 Hz and 60 Hz power generation applications. The first of the new advanced gas turbines with 170 MW and 3600 rpm was tested in the Berlin factory test facility under the full range of operation conditions. It was equipped with various measurement sy

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Anđić, Jovo. "Literary tourism: Literary guide through Belgrade, good practice expirence." In Zbornik radova – VI Kongres geografa Srbije sa medunarodnim ucešcem. University of Belgrade - Faculty of Geography, Belgrade, 2024. https://doi.org/10.5937/kongef24077a.

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Literary tourism is related with cultural tourism and cultural heritage. Its looks like that it is a phenomena of new age, but for it are connected mainteend terms, and it is, by itself, much older. A long time ago exist a need for traveling on pilgrimage trying to fi nd the cradle of ancient art and poetry in Old Rome and Ancient Greece, Keats, Shelly, Byron...The birthplace of tourism is England, which was born with first tour travel by train from Loughborough to Lester in July 1841, which was organized by Thomas Cook, future founder of first tourist agency. There is some opinion that litera

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Pfennig, Anja, and Jörg Maier-Rothe. "Successfully planning and implementing peer-to-peer lecture films – “Making of”." In Fourth International Conference on Higher Education Advances. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.7504.

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Videos implemented in higher education are widely used by students and provide an audio and visual stimulus covering different learning methodologies. Lecture videos that are analogous to the desired learning outcomes of the lecture are considered a reinforcement. These videos covering scientific background on short sequences need to be of a certain standard to gain students` interest and become a fully accepted learning material. Since summer 2015 lecture videos are implemented in “inverted classroom” teaching scenarios to teach material science to first year students studying mechanical and

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Pfennig, Anja. "Lessons learnt – The role of peer-to-peer lecture films in a first year material science laboratory course." In Sixth International Conference on Higher Education Advances. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.10953.

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At HTW Berlin material science is taught to first year students in combination with laboratory exercises on materials testing. Still, basic knowledge upon theory is necessary to work practically during lab sessions. Therefore homework reading is assigned and additionally lecture films guide students through the laboratory routine prior to class. Initially inspired by students these lecture films were conducted during a one term student semester project according to the peer-to-peer approach supervised by lecturers and film experts. Since establishing the lecture films in summer semester 2015 t

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Um, Keehong, and Dong-Soo Lee. "Designing two-dimensional film speakers using piezoelectric materials." In 2011 IEEE First International Conference on Consumer Electronics - Berlin (ICCE-Berlin). IEEE, 2011. http://dx.doi.org/10.1109/icce-berlin.2011.6031837.

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Pfennig, Anja. "Successfully planning and implementing peer-to-peer lecture films – “Making it work”." In Fourth International Conference on Higher Education Advances. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.7503.

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Since summer 2015 lecture videos are implemented in “inverted classroom” teaching scenarios to teach material science to first year students studying mechanical and automotive engineering at HTW Berlin. Lecture videos so far cover subjects such as material testing, corrosion, composites, defects in crystals, hardening mechanisms and materials families. These videos were initially inspired by students. Each semester a set of lecture videos is conducted during a one term semester project supervised by lecturers and film experts (peer-to-peer approach). The peer-to-peer approach is an important a

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Haselbach, F., and H. P. Schiffer. "Aerothermal Investigations on Turbine Endwalls and Blades (AITEB)." In ASME Turbo Expo 2004: Power for Land, Sea, and Air. ASMEDC, 2004. http://dx.doi.org/10.1115/gt2004-53078.

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This paper delivers an overview on the European research project AITEB (Aerothermal Investigations on Turbine Endwalls and Blades), which started in year 2000 in the course of the 5th Framework Programme (GROWTH). The project shall deliver an integrated technology and design tool package for the advanced, aerothermal highly loaded design of turbine endwalls and blades. It focuses on the following technical tasks : A) Heat transfer/cooling in separated flow areas: Experimental and numerical investigation of heat transfer and film-cooling in separated flow for highly loaded blades including adva

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