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Relevant bibliographies by topics / Berlioz

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Academic literature on the topic 'Berlioz'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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Journal articles on the topic "Berlioz"

1

Mello, Celina Maria Moreira de. "As Memórias (1865), de Hector Berlioz: legitimação e rasura de um autor / The Memoirs (1865), by Hector Berlioz: Legitimation and Erasure of an Author." Caligrama: Revista de Estudos Românicos 24, no. 3 (December 18, 2019): 177. http://dx.doi.org/10.17851/2238-3824.24.3.177-192.

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Resumo: O presente artigo tem como objetivo propor uma releitura das Memórias (1865) de Berlioz, desenvolvendo a hipótese de um ethos autoral rasurado. Será revisitado o conceito de ethos e sua funcionalidade na interpretação do discurso literário (MAINGUENEAU, 2004), desnaturalizado e visto como um constructo cultural. A interrogação voltada para a autobiografia de Berlioz demandou, para além da Análise do Discurso, o recurso a métodos de leitura provenientes de abordagens oferecidas pela história da edição e as teorias do campo literário (BOURDIEU, 1992). Nas Memórias de Berlioz combinam-se

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Kolb, Katherine. "Flying Leaves: Between Berlioz and Wagner." 19th-Century Music 33, no. 1 (2009): 25–61. http://dx.doi.org/10.1525/ncm.2009.33.1.025.

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Abstract This article analyzes the writings of Berlioz on Wagner and, to a lesser extent, of Wagner on Berlioz, emphasizing the covert innuendoes of their verbal sparring during the period surrounding the Tannhääuser debacle at the Paris Opééra (1860) and Berlioz's tribulations with Les Troyens (ca. 1853––63). Because Berlioz's style and subtlety have worked against him in this famous rivalry, the priority goes to him, and especially to his magnum opus as critic, the volume A travers chants (1862). A selection from thirty years of music criticism both serious and light ("flying leaves"), A tra

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Cormac, Joanne. "Between Beethoven and Mendelssohn: Biographical Constructions of Berlioz in the London Press." 19th-Century Music 44, no. 2 (2020): 80–99. http://dx.doi.org/10.1525/ncm.2020.44.2.80.

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In 1853 a writer for the London-based periodical Fraser's Magazine remarked that Berlioz's “heroic temperament” could be “read legibly in the noble style of his compositions. His own life forms to these works the most interesting accompaniment and commentary.” The linking of life and work in Berlioz's case is nothing unusual. However, a particular set of circumstances unique to London meant that critics based in that city persistently used Berlioz's biography to further their own agendas while also promoting his music. In this article, I argue that, when writing about Berlioz's London performa

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Anderson, Robert, Donna Brown, Jean-Luc Viala, Gilles Cachemaille, Monteverdi Choir, Orchestre Revolutionnaire et Romantique, John Eliot Gardiner, Rosalind Plowright, Philharmonia Orchestra, and Jean-Philippe Rouchon. "Berlioz." Musical Times 135, no. 1820 (October 1994): 649. http://dx.doi.org/10.2307/1003140.

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Rushton, Julian. "Berlioz." Nineteenth-Century Music Review 2, no. 2 (November 2005): 204–6. http://dx.doi.org/10.1017/s1479409800002366.

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Rushton, Julian. "Berlioz." Nineteenth-Century Music Review 5, no. 1 (June 2008): 135–37. http://dx.doi.org/10.1017/s1479409800002676.

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Schumann, Bianca. ""... so merkt man ihr allerdings den achtzehnjährigen, unbeholfenen Komponisten an..."." Die Musikforschung 73, no. 4 (September 22, 2021): 355–67. http://dx.doi.org/10.52412/mf.2020.h4.4.

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In the course of the aesthetic controversy of the 19th century over programme music, which was particularly intense in Vienna, 'conservative' as well as 'progressive' ciritcs, who wrote for the daily press, endeavoured to appropriate Hector Berlioz for their personal aesthetic convictions. Even for reviews written in the 1860s and 1870s, when Berlioz's large-scale works were first performed by leading Viennese orchestras, Robert Schumann's review of the Symphonie fantastique (1835) played a significant role. Schumann's appreciative assessment of the symphony, which was strongly influenced by h

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Kawabata, Maiko. "The Concerto that Wasn't: Paganini, Urhan and Harold in Italy." Nineteenth-Century Music Review 1, no. 1 (June 2004): 67–114. http://dx.doi.org/10.1017/s1479409800001889.

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It was Paganini's request for a concerto that prompted Berlioz to embark on the composition that eventually became Harold in Italy. The legendary virtuoso, then at the height of his fame, had recently acquired a fine Stradivari viola and needed a suitable vehicle for introducing the instrument to the public. He was puzzled and disappointed by Berlioz's score. It certainly was not the anticipated virtuoso vehicle, and within months Paganini had composed a substitute for himself, the Sonata per la grand viola. Berlioz explained that his work was ‘a new kind of symphony and not a composition writ

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Rodgers, Stephen. "Miniatures of a Monumentalist: Berlioz's Romances, 1842–1850." Nineteenth-Century Music Review 10, no. 1 (June 2013): 119–49. http://dx.doi.org/10.1017/s1479409813000062.

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This article reassesses Berlioz's complex relationship to the French romance. Berlioz is often regarded as a musical revolutionary who made his mark writing massive, path-breaking symphonies – a far cry from the popular songs that became a staple of the bourgeois woman's salon. Yet he wrote romances throughout his life. How are we to understand these songs in the context of his overall output? What did the genre mean to him? How do his romances relate to the larger works on which his reputation rests? I explore these questions in relation to the romances he composed or revised between 1842 and

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Van Rij, Inge. ""There is no anachronism": Indian Dancing Girls in Ancient Carthage in Berlioz's Les Troyens." 19th-Century Music 33, no. 1 (2009): 3–24. http://dx.doi.org/10.1525/ncm.2009.33.1.003.

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Abstract Relatively early in the composition of Les Troyens Berlioz declared his intention to include a "pas d'alméées with the music and dancing exactly like the Bayadèères' ballet which I saw here sixteen or seventeen years ago." Despite Berlioz's claim that he had "gone into it" and "there is no anachronism," historical evidence would suggest that the presence of Indian dancing girls in Dido's Carthage is actually highly inauthentic and anachronistic. Indeed, Berlioz's immediate inspiration for the ballet in question was not ancient history but, rather, a group of Indian dancers and musicia

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Dissertations / Theses on the topic "Berlioz"

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Gartrell, Judith Williams. "Hector Berlioz as conductor /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11300.

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Lamotte, Frédéric-Georges. "Hector Berlioz, son activité de feuilletoniste au Journal des débats et sa position au sein de la société parisienne (1834-1863) /." Lille : Univ. de Lille, 2000. http://catalogue.bnf.fr/ark:/12148/cb389165947.

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Knobloch, Eberhard, and Ingo Schwarz. "Alexander von Humboldt und Hector Berlioz." Universität Potsdam, 2003. http://opus.kobv.de/ubp/volltexte/2009/3496/.

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Alexander von Humboldt und Hector Berlioz begegneten sich zum ersten Mal im Dezember 1842 in Paris. Später trafen sie sich mehrfach in Paris und Berlin, insbesondere im Februar 1847 in Berlin. Bei dieser Gelegenheit schrieb Humboldt einen Brief an Berlioz, in welchem er dem Komponisten ein Empfehlungsschreiben des preußischen Königs Friedrich Wilhelms IV. an dessen Schwester, die Zarin von Rußland, ankündigte. Der Humboldtsche Brief und das königliche Empfehlungssschreiben sind auf den Tag datiert, an dem Berlioz in St. Petersburg eintraf. In dem Artikel wird der Brief Humboldts zum ersten Mal

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Konrad, Stephan. "Untersuchungen zur Radikalchemie in der Abluftfahne von Berlin ein Beitrag zum Feldexperiment BERLIOZ /." [S.l. : s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=960168931.

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Warrack, John. "Beethoven, Weber and Berlioz: Imitation and influence." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23358.

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Lee, Namjai. "Orchestral Accompaniment in the Vocal Works of Hector Berlioz." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277761/.

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Recent Berlioz studies tend to stress the significance of the French tradition for a balanced understanding of Berlioz's music. Such is necessary because the customary emphasis on purely musical structure inclines to stress the influence of German masters to the neglect of vocal and therefore rhetorical character of this tradition. The present study, through a fresh examination of Berlioz's vocal-orchestral scores, sets forth the various orchestrational patterns and the rationales that lay behind them.

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Lensky, Miriam. "Characterization in the dramatic works of Hector Berlioz." Thesis, Wetherby : The British thesis service, 1997. http://catalogue.bnf.fr/ark:/12148/cb38861415g.

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Rutherford, Sherry D., and Sherry D. Rutherford. "The Literary Influence on the Compositions of Hector Berlioz." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/626227.

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Loisel, Gaëlle. "La Musique au défi du drame : Berlioz et Shakespeare." Thesis, Lyon, École normale supérieure, 2012. http://www.theses.fr/2012ENSL0747.

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Dès 1770, Shakespeare est érigé en modèle par les artistes partisans d’une rupture avec l’esthétique classique, jusqu’à devenir une figure tutélaire des romantismes européens, en littérature comme en musique. Hector Berlioz, fondateur du romantisme musical français, est un cas emblématique de ce geste romantique qui consiste à s’emparer d’une figure littéraire pour bousculer les catégories esthétiques existantes et renouveler les formes musicales. Le dramaturge anglais est une référence constante dans son œuvre, depuis sa découverte de Shakespeare en 1827 jusqu’à son dernier opéra, Béatrice et

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Bartoli, Jean-Pierre. "L'Oeuvre symphonique de Berlioz : forme et principes de développement." Paris 4, 1991. http://www.theses.fr/1991PA040024.

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Books on the topic "Berlioz"

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Clarson-Leach, Robert. Berlioz. London: Omnibus Press, 1987.

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Cairns, David. Berlioz. London: A. Deutsch, 1989.

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Holoman, D. Kern. Berlioz. Cambridge, Mass: Harvard University Press, 1989.

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Berlioz. Berkeley: University of California Press, 2000.

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Holoman, D. Kern. Berlioz. Cambridge, MA: Harvard University Press, 1989.

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Messina, Bruno. Berlioz. Arles: Actes sud, 2018.

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Dufresne, Claude. Hector Berlioz. Paris: Tallandier, 2002.

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Wasselin, Christian. Hector Berlioz. Hà Nuoi: Kim Đsong, 2001.

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Romain, Rolland. Sur Berlioz. Bruxelles: Editions Complexe, 2003.

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Jean-Claude, Teboul, ed. Hector Berlioz. Paris: Jean-Michel Place, 2004.

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Book chapters on the topic "Berlioz"

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Stegbauer, Hanna. "Berlioz, Hector: Mémoires de Hector Berlioz." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11223-1.

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Stegbauer, Hanna. "Berlioz, Hector." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11222-1.

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Brzoska, Matthias. "Berlioz, (Louis-)Hector." In Metzler Komponisten Lexikon, 62–68. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_20.

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Brzoska, Matthias. "Berlioz, (Louis-)Hector." In Komponisten Lexikon, 49–53. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_20.

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Brzoska, Matthias. "Berlioz, (Louis-)Hector." In Komponisten, 37–42. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_7.

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Macdonald, Hugh. "1803-1830." In Berlioz, 1–22. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164838.003.0001.

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Abstract The Berlioz family had been settled in the region between Lyons and Grenoble, the Isere department of France, since the beginning of the seventeenth century, if not before, and from being tanners in earlier generations they had risen to the respectable professions of law and medicine. Most of Berlioz’s paternal relatives were lawyers or doc tors, and he considered entering both professions himself, however briefly. His grandfather, Louis-Joseph Berlioz (1747-1815) was a lawyer in Grenoble and his father, also Louis-Joseph (1776-1848), was a doctor in the small town La Cote-St-Andre, about thirty miles north-west, not far from the main road north to Lyons. In this community Berlioz’s father was a prominent well-to-do citizen, briefly mayor in 1817, holding clear authority and responsibilities and giving himself energetically to them. His wife, Marie Antoinette-Josephine, nee Marmion (1784-1838), was brought up at Meylan, a few miles east of Grenoble.

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"BERLIOZ." In Orchestral Masterpieces under the Microscope, 47–48. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.14.

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"BERLIOZ." In Orchestral Masterpieces under the Microscope, 41–46. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.13.

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"BERLIOZ." In Orchestral Masterpieces under the Microscope, 37–40. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.12.

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Macdonald, Hugh. "1848-1869." In Berlioz, 50–67. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164838.003.0003.

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Abstract On 28th July 1848, soon after Berlioz’s return from London, his father died. This was yet another break with the past, and it was ironic that he should recently have been writing an account of his father’s years of displeasure, for he realized how deep their mutual affection was. The family gathered at La Cote. Berlioz felt closer now to his two sisters (although Nanci had only two years to live) and presided over the settlement of his father’s estate. He later had a modest income from the sale of property, though it made little difference to his precarious finances.

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Conference papers on the topic "Berlioz"

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"Analysis of the Musical Characteristics of Berlioz Fantasy Symphony." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29119.

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Prelovšek, Anita. "Music in the life and works of Ivan Sergeyevich Turgenev." In Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d22.

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The article deals with the role of music in the life and literary works of Ivan Sergeyevich Turgenev. Music played an important part in his life, partly owing to his friendship with the mezzo-soprano Pauline García Viardot, who remained his muse for forty years, until his death. Turgenev was familiar with several musical genres, especially classical music, and knew personally many lead-ing musicians and composers of the time, such as Liszt, Berlioz, Gounod and Saint-Saëns. Different musical impressions found an important place in the works of the writer, and some of the musical fragments of Tu

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Taylor, Stephen. "From Program Music to Sonification: Representation and the Evolution of Music and Language." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.060.

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Research into the origins of music and language can shed new light on musical representation, including program music and more recent incarnations such as data sonification. Although sonification and program music have different aims — one scientific explication, the other artistic expression — similar techniques, relying on human and animal biology, cognition, and culture, underlie both. Examples include Western composers such as Beethoven and Berlioz, to more recent figures like Messiaen, Stockhausen and Tom Johnson, as well as music theory, semiotics, biology, and data sonifications by myse

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Varolli, Renan de Andrade. "Faíscas e brilhos na escuridão: o neobarroco no cinema berlinense nos anos 1920." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4179.

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Pretendemos elaborar certas transferências de determinado sistema da cultura ocidental chamado barroco para o ambiente da cidade alemã de Berlim nos anos 1920, sendo suscitadas através de análises fílmicas de trechos únicos e contínuos de duas películas produzidas ali e exibidas pela primeira vez em 1927: Berlim, Sinfonia da Metrópole (Berlin: Die Sinfonie der Großstadt, Walter Ruttmann, 1927) e Metrópolis (Metropolis, Fritz Lang, 1927). No primeiro filme, nosso foco será no Quinto Ato (V. Akt), parte que lhe encerra e mostra gravações referentes ao que a noite berlinense expunha naquela época

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Bienert, Andreas, and Eva Emenlauer-Blömers. "Melting Pots: Berlin Digital meets Berlin Culture." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.25.

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Bizzocchi, Jim, Arne Eigenfeldt, Philippe Pasquier, Jianyu Fan, and Le Fang. "Berlin Remix." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.51.

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"ICCE-Berlin 2020 Committees." In 2020 IEEE 10th International Conference on Consumer Electronics (ICCE-Berlin). IEEE, 2020. http://dx.doi.org/10.1109/icce-berlin50680.2020.9352156.

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"ICCE-Berlin 2020 Papers." In 2020 IEEE 10th International Conference on Consumer Electronics (ICCE-Berlin). IEEE, 2020. http://dx.doi.org/10.1109/icce-berlin50680.2020.9352181.

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Besenmatter, Walter. "Berlin lens design problem." In Lens and Optical Systems Design. SPIE, 1993. http://dx.doi.org/10.1117/12.142885.

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Dudenhausen, JW. "Perinatale Sterblichkeit in Berlin." In Wissenschaftliche Sitzungen 2017 der Gesellschaft für Gynäkologie und Geburtshilfe in Berlin (GGGB). Georg Thieme Verlag KG, 2018. http://dx.doi.org/10.1055/s-0038-1625057.

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Reports on the topic "Berlioz"

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Gehrke, Marvin. Fahrscheinfrei im ÖPNV – Eine Alternative für Großstädte? - Ein Maßnahmensortiment und die Realisierbarkeit in Berlin. TU Berlin, 2016. http://dx.doi.org/10.26128/2023.73.

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Die Stadt Berlin verfügt über ein komplexes System im Öffentlichen Personennahverkehr (ÖPNV). Es ist jedoch offensichtlich, dass dem Berliner ÖPNV neben den schwierigen und ungeklärten Gegebenheiten in der Finanzierung einige verkehrliche Herausforderungen bevorstehen. Es ergibt sich nicht nur die Forderung nach einer stetigen Anpassung des Angebots an die wachsende Stadt, sondern nach neuen Möglichkeiten zur Kundengenerierung für den gesamten Umweltverbund. Im Sinne einer besseren Lebensqualität sowie einer nachhaltigen und zufriedenstellenden Mobilität in Berlin wird ein attraktives Angebot

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Ahlfeldt, Gabriel, Stephen Redding, Daniel Sturm, and Nikolaus Wolf. The Economics of Density: Evidence from the Berlin Wall. Cambridge, MA: National Bureau of Economic Research, July 2014. http://dx.doi.org/10.3386/w20354.

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Drews, Fabian. Flächengerechtigkeit und die Verteilung des öffentlichen Straßenraums in Berlin. Technische Universität Berlin, Fachbereich Integrierte Verkehrsplanung, 2023. http://dx.doi.org/10.26128/2023.62.

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Costa, Sérgio, Mariana Teixeira, and Thomás Mattos. Conviviality-Inequality during the Pandemic: The Case of Berlin. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, August 2023. http://dx.doi.org/10.46877/costa-teixeira-mattos.2023.60.

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The COVID-19 pandemic has profoundly affected conviviality and inequality in societies worldwide. This research article examines the dynamic interplay between these dimensions in Berlin, Germany, during the pandemic. The study’s main question explores how the relationship between inequality and conviviality evolved in the context of the pandemic and the correspondent containment measures. Four sub-questions address specific aspects: 1) the hierarchy of infection and disease trajectory based on access to protection, 2) the effects of containment measures on income, education, and well-being amo

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Miller, Roger G. Global Supply and Maintenance for the Berlin Airlift, 1948-1949. Fort Belvoir, VA: Defense Technical Information Center, October 1999. http://dx.doi.org/10.21236/ada369479.

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Shafer, Kenneth. The Congress of Berlin of 1878 : its origins and consequences. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5811.

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Merkins, Jeffery R. Book Analysis of Eisenhower and Berlin, 1945 the Decision to Halt at the Elbe. Fort Belvoir, VA: Defense Technical Information Center, April 1988. http://dx.doi.org/10.21236/ada192611.

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Gehrke, Marvin. Fahrscheinfrei im ÖPNV – Eine Alternative für Großstädte? - Ein Maßnahmensortiment und die Realisierbarkeit in Berlin. Technische Universität Berlin, Fachbereich Integrierte Verkehrsplanung, 2023. http://dx.doi.org/10.26128/2023.48.

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Correll, Lena, and Selina Chwoika. Schule als geschlossenes System. Socialnet, 2024. http://dx.doi.org/10.60049/lvbd6pxn.

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Wie kann die nach wie vor sehr voraussetzungsvolle Zusammenarbeit von Grundschulen mit familienfördernden Akteur:innen gelingen? Dieser Frage widmet sich der folgende Beitrag auf der Basis von Befunden aus 17 Leitfadeninterviews mit pädagogischen Fachkräften, Schulleitungen und kommunalen Verantwortlichen aus Bayern, Baden-Württemberg, Berlin und Nordrhein-Westfalen.

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Michael, Miess, Stefan Schmelzer, Günther Lichtblau, Sigrid Stix, Clemens Gerbaulet, Wolf-Peter Schill, Totschnig Gerhard, et al. DEFINE Synthesis Report: DEFINE - Development of an Evaluation Framework for the Introduction of Electromobility. IHS - Institute for Advanced Studies, March 2015. http://dx.doi.org/10.22163/fteval.2015.500.

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The project DEFINE – Development of an Evaluation Framework for the Introduction of Electromobility – was conducted by the Institute for Advanced Studies (IHS), Vienna, in cooperation with the Environment Agency Austria (EAA), the Vienna University of Technology (TUW), Austria; the German Institute for Economic Research (DIW Berlin), the Institute for Applied Ecology (Oeko-Institut), Germany; and with the Center for Social and Economic Research (CASE), Poland.

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