Relevant bibliographies by topics / Bernard (1510?-1589?)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Bernard (1510?-1589?)'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 May 2024

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Journal articles on the topic "Bernard (1510?-1589?)"

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Legrand, Marie-Dominique. "Le lexique saintongeais et sa fonction dans l'œuvre de Bernard Palissy (vers 1510 - vers 1589)." Albineana, Cahiers d'Aubigné 6, no. 1 (1995): 55–67. http://dx.doi.org/10.3406/albin.1995.1338.

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Cufalo, Domenico. "Some Remarks on Bernardo Segni’s Translation of Ethica Nicomachea." Literatūra 64, no. 4 (December 30, 2022): 43–57. http://dx.doi.org/10.15388/litera.2022.64.4.14.

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In the middle of the sixteenth century, Bernardo Segni (Florence, 1504 – Florence, 1588) published some Italian translations with commentaries on some works of Aristotle. He was not a scholar nor did he have a university affiliation nor could he boast a deep knowledge of Greek language, but he worked in the cultural climate of Duke of the Florentine Republic Cosimo I (Florence, 1519 – Florence, 1574) and of the Florentine Academy, whose aim was to raise the cultural centrality of Florence and its dialect. In this paper I analyze some passages of his translation and commentary on Aristotle’s Ethica Nicomachea (Florence 1550; reprint Venice 1551). Through this examination some characteristics of the author’s work emerge, such as his didactic purposes, which may be related to the type of his audience, his (poor) knowledge of classical authors and sources, and his tendency towards continuous dialogue with the present.
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Carlson, David R. "Erasmus and the War-Poets in 1513." Erasmus Studies 34, no. 1 (2014): 5–49. http://dx.doi.org/10.1163/18749275-03401004.

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During Erasmus’ English residence 1509–1514, Henry viii invaded France, as part of the “Holy League,” and, in the English king’s absence, England was attacked by Scotland. The events engendered a great quantity of poetry, as well as other writing: analyzed herein particularly are the verse contributions of Erasmus himself, his amicus Andrea Ammonio, Pietro Carmeliano, Camillo Paleotti, and Bernard André (the poems of these last two being edited and translated in appendices). This poetry in its context of events, both literary and political, influenced the anti-war writings that Erasmus was conceiving at the time, though he only published them later.
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Tyra, Steven W. "“Mary puts us all to shame”." Church History and Religious Culture 98, no. 3-4 (December 12, 2018): 367–86. http://dx.doi.org/10.1163/18712428-09802002.

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AbstractThis article examines Martin Luther’s interpretation of Saint Mary Magdalene throughout his career, from his Psalms lectures of 1513 to his sermons on John’s Gospel in 1529. In particular, it will be argued that Luther both adopted and reshaped the exegetical tradition flowing from the twelfth-century theologian, Bernard of Clairvaux. The final result was a Reformation reading of the Magdalene that was neither fully medieval nor “Protestant” as the tradition would later develop. Luther’s journey with the saint thus illumines his ambiguous place in the history of biblical interpretation, as well as his fraught relationship to the medieval past.
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Kirk, James. "The Religion of Early Scottish Protestants." Studies in Church History. Subsidia 8 (1991): 361–411. http://dx.doi.org/10.1017/s0143045900001745.

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In Scotland as elsewhere, Protestant reform began as a clerical revolt within the Established Church. Without exception, the earliest leaders of reform in Scotland were disenchanted ecclesiastics, men whose backgrounds were essentially academic and clerical, men who possessed sufficient technical training and expertise to appreciate, before the sloganizing began, the significance (if not all the implications) of Luther’s academic revolt in 1517, and the relevance of his challenging ideas on salvation and his attack on the ‘treasury of merit’: not even the saints, he believed, had sufficient merit to save themselves. Luther, after all, was an Augustinian friar, priest, university teacher (as, for that matter, were Wyclif and Hus), and doctor of theology before his break with Rome. His thinking merited scrutiny, appraisal, and debate, even if only for refutation; and if nothing else, scholastic methodology had fostered theological speculation and critical discussion within an accepted framework of debate. Besides, Erasmus’s initial reaction to Luther’sNinety-Five Theseswas conciliatory: he considered Luther’s beliefs would be approved by all men, apart from a few points on purgatory; and he was later to observe, in 1519, that Luther’s detractors were intent on ‘condemning passages in the writings of Luther which are deemed orthodox when they occur in the writings of Augustine and Bernard’.
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Pedrassani, Júlia Sonaglio, Estella Maria Bortoncello Munhoz, Michele Mafessoni De Almeida, and Carina Fior Postingher Balzan. "De locutor a sujeito: a escrita de um imigrante haitiano à luz da Enunciação Benvenistiana." Entretextos 21, no. 3Esp. (December 31, 2021): 183. http://dx.doi.org/10.5433/1519-5392.2021v21n3esp.p183.

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Este artigo apresenta a análise realizada a partir de uma produção textual elaborada por um imigrante haitiano durante um curso de Português como Língua de Acolhimento. O objetivo do estudo é refletir sobre as marcas do sujeito em sua produção por meio da Linguística da Enunciação, de forma a analisar a passagem de locutor a sujeito e sua apropriação da língua. O aporte teórico quanto aos estudos enunciativos foi baseado nos estudos de Balzan (2017), Benveniste (1976, 1989), Flores (2013), Flores et al. (2020), Jaques (2016) e Silva (2018). O estudo leva em conta a concepção de ensino Língua de Acolhimento, que propõe, para além de conhecimentos linguísticos, temas que envolvam aspectos socioculturais do meio onde o imigrante ou refugiado passará a viver. Para isso, foram mobilizados estudos de Amado (2013), Grosso (2010) e São Bernardo (2016). O resultado demonstra que o conhecimento da língua é essencial para que o imigrante possa se sentir parte do meio em que vive e exercer sua cidadania. Assim, por meio dos rastros do sujeito no discurso, conclui-se que o indivíduo, apesar de equívocos formais, consegue se comunicar e se incluir na sociedade de forma única.
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ROSSI, Túlio. "Isolamento, interação e socialização." ORG & DEMO 22, no. 2 (December 22, 2021): 103–18. http://dx.doi.org/10.36311/1519-0110.2021.v22n2.p103-118.

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Este ensaio suscita possibilidades analíticas na sociologia para efeitos latentes da suspensão prolongada de aulas presenciais em função da pandemia de SARS-COVID 19 na educação de crianças e adolescentes. Contrariando visões da instituição escolar com demasiada ênfase nos conteúdos curriculares e carga-horária, propõe-se compreender o ambiente escolar como espaço peculiar de interações sociais cotidianas, especialmente de estudantes entre seus pares. São apresentadas e discutidas desde contribuições da sociologia clássica, passando por autores do interacionismo simbólico e pelas críticas da sociologia da infância, culminando na perspectiva de ator plural da sociologia de Bernard Lahire, com o reconhecimento da criança e do adolescente como figuras ativas em seus próprios processos socializadores. Assim, são realçados aspectos não formais do cotidiano escolar – sobretudo em interações face a face – e seus potenciais efeitos na formação de crianças e adolescentes, extrapolando a transmissão de conteúdos curriculares adaptada ao ensino remoto.
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Carlson, David R. "Bernard André, De sancta Katharina carmen ``Cum Maxentius imperator'' and De Sancto Andrea Apostolo ``Si meritis dignas'' (c.1509-1517)." Sacris Erudiri 46 (January 2007): 433–74. http://dx.doi.org/10.1484/j.se.1.100103.

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Nátia Cavallari, Doris, and Anne Caroline Do Nascimento Ribeiro. "Corpo na literatura sacro-erótica." TEOLITERARIA - Revista de Literaturas e Teologias 13, no. 30 (October 13, 2023): 138–61. http://dx.doi.org/10.23925/2236-9937.2023v30p138-161.

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A literatura medieval desenvolvida entre 1200 e 1350 e sua evolução subsequente revelou um período de grande riqueza de produção literária mística, de acordo com estudiosos da história da mística ocidental, como Bernard McGinn (1998). O período é altamente propício para uma investigação preliminar na qual a mística seja protagonista e, por este motivo, propomo-nos a estudar o conceito de erotismo espiritual em trechos de Vita Nuova (1292-1293), de Dante Alighieri (1265-1321), poeta, filósofo, político e grande nome da literatura italiana, e nos escritos de Santa Teresa D’Ávila (1515-1582), beata, autora de tratados, poemas e uma das mais importantes esposas místicas da Igreja Católica. Partimos da hipótese de que a carga erótica presente na experiência mística ultrapassa apenas um ideal de prazer corpóreo, mas apresenta, através do corpo, o início e os indícios da magnitude da experimentação espiritual. Para tanto, em Dante observaremos os efeitos dessa experiência mística no corpo, embasando-nos nos estudos de Agamben (2007), como conceito de amor como fantasma, Sturges (2012) e Santagata (2017), bem como exploraremos a temática mística e erótica de Santa Teresa através de seus próprios escritos a respeito do episódio de sua transverberação e dos tratados de Câmara (2020) e Alves (2019).
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Manoel Silva, Ronaldo. "O CRIME DE BESTIALIDADE NA INQUISIÇÃO DE LISBOA: OS PROCESSOS DO MOURISCO BERNARDO FRANCISCO E DO CRISTÃO-VELHO GASPAR GONÇALVES (1560-1579)." Labirinto 28, no. 1 (2018): 290–304. http://dx.doi.org/10.47209/1519-6674.v.28.n.1.p.290-304.

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Dissertations / Theses on the topic "Bernard (1510?-1589?)"

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Ferdinand, Juliette. "Artigiano delle riforme : stile rustico e ricerca della sapienza nell'opera di Bernard Palissy (1510-1590)." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4017.

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Cette thèse propose une lecture de l’œuvre de Bernard Palissy qui prend en compte le contexte réformateur qui se diffusa durant le Seizième siècle dans les divers domaines touchés par l’artiste: la religion, la science, la pratique artistique. Le premier chapitre fait le point sur l’état des connaissances certaines relatives à la vie et aux œuvres de Palissy, sur sa fortune critique, exposant ensuite une réflexion méthodologique sur les objectifs et les instruments de la thèse, et présente enfin un échantillon significatif d’exemplaires de la production rustique. Le second chapitre aborde la question du contexte réformateur dans lequel prirent forme les œuvres du céramiste, au niveau spirituel avec le refus de l’image sacrée de la part des premiers réformateurs protestants, mais aussi sur le plan épistémologique avec l’affirmation du savoir des praticiens, artisans, par opposition au savoir détenu par les théoriciens académiques. Le troisième chapitre s’interroge sur la signification de la rusticité revendiquée par Palissy dans ses œuvres, appelées rustiques figulines, en partant de l’usage fréquent de ce terme dans l’architecture de la Renaissance. Le quatrième chapitre est dédié à la description du jardin de Palissy ; il aborde les problèmes des possibles sources, de la nature de ce texte, et de sa dimension religieuse. Le cinquième chapitre est dédié à l’iconographie de la vaisselle rustique, et au lien entre art, spiritualité, et science, une réflexion qui aboutit sur une hypothèse interprétative profondément liée aux exigences spirituelles de l’artiste réformé
The thesis proposes a new and up-to-date reading of the artistic, figurative and written works of Bernard Palissy, a French potter who lived between 1510 and 1590. The first chapter takes on the current knowledge about Palissy’s life and work and the status of historiography about this artist. A methodological analysis will be achieved by studying a meaningful sample of his craftsmanship, as well as reflecting upon three of his written works. Then it examines the context in which the religious reform influenced Palissy’s work, as well as the epistemological reform constituted by the establishment of craftsmen as owners of a practical knowledge culminated in essays written in vernacular languages, of which the publications of our author are an example. The third chapter focuses on the notion of “rustic” that Palissy uses to describe his works, the rustiques figulines, starting from the architectural lexicon we try to locate the palissian lair in the artistic horizon where the taste for rustic was spreading on a Europe-wide scale. The fourth chapter is devoted to the description of Palissy’s garden, while trying to study in depth the nature of the publication itself, its possible sources and proposing new comparisons with other gardens of the time, raising the question of its religious dimension. Finally, we concentrates on the pottery and the link between science, religion and art that is created in the works of Palissy, and propose an interpretation of this objects as artefacts destined to the wunderkammern by virtue of a recurrent iconography, its specific techniques of realisation and symbolical meanings
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Perrin, Isabelle. "Les techniques céramiques de Bernard Palissy." Paris 4, 1998. http://www.theses.fr/1998PA040140.

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Céramiste français de la renaissance, Bernard Palissy (1510-1590) a œuvré successivement à Saintes, Paris et Sedan. Il publie en 1563 (Recepte veritable) et 1580 (Discours admirables) deux ouvrages essentiellement scientifiques où il apparait comme un esprit résolument novateur. Il y décrit aussi ses céramiques décorées de reptiles, de poissons, de plantes et de coquillages qui ont fait sa célébrité. En 1555, sa renommée lui vaut la commande d'une première grotte en terre cuite pour Anne de Montmorency, puis d'une seconde, en 1565, pour Catherine de Médicis. Peu à peu oublié, le XIXème siècle le redécouvre et l'érige au rang de héros national, n'hésitant pas à brûler ses propres meubles pour alimenter son four. Un petit groupe de collectionneurs lui attribue alors de nombreuses productions en se basant sur la présence, au revers de ces céramiques d'un décor jaspe. A cette même époque, l'apparition de continuateurs et d'imitateurs de ses œuvres font qu'à l'heure actuelle, il est très difficile de séparer leurs pièces de celles de Bernard Palissy. L'étude du matériel trouve lors des fouilles du Grand-Louvre, dans son atelier des Tuileries, permet de mieux connaitre ses créations. Des études physico-chimiques nous ont notamment permis de montrer qu'il utilisait une technique d'opacification des glaçures tout à fait particulière. Il semble également que grâce à la technique du moulage, il soit parvenu à donner à ses créations un aspect naturaliste que l'on retrouve dans les célèbres « rustiques figulines » et qui atteint son paroxysme dans les réalisations architecturales. A partir de ces critères, nous avons pu démontrer que seul un très petit nombre de céramiques sont de la main même de Palissy.
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Roisine, Gauthier. "Céramiques glaçurées de Bernard Palissy : À la recherche des secrets d'un maître de la Renaissance." Electronic Thesis or Diss., Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEC010.

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Les céramiques glaçurées plombifères transparentes ou opalescentes de Bernard Palissy à la Renaissance constituent aujourd’hui encore des oeuvres techniquement inimitables, tant leurs procédés chimiques et thermiques restent énigmatiques. Ce projet porte sur l’étude de compositions de verres du ternaire SiO2-Al2O3-PbO auxquels Bernard Palissy a ajouté différents agents colorants ou opacifiants. Après une analyse multi-échelle fine de glaçures superficielles d’échantillons archéologiques (composition, propriétés thermomécaniques, micro-inclusions à l’interface glaçures/substrat céramique), on cherchera à les reproduire le plus précisément possible en laboratoire en jouant sur les matières premières, les conditions de traitement thermique et le support céramique. L’impact de la concentration en certains oxydes tels que Al2O3 sur la structure des verres (approche multi-spectroscopique), leur microstructure (nature, distribution des cristaux), leurs caractéristiques physiques (viscosité, coefficient de dilatation, couleur…) et l’interaction avec le substrat seront particulièrement étudiés. L’approche allie l’analyse approfondie d’un corpus archéologique et la reproduction des systèmes chimiques et des procédés thermiques. Elle permettra de connaître les indicateurs pertinents liés aux procédés innovants et aux matières premières qui permirent à Palissy d’obtenir des composites alliant la perfection mécanique (absence de fissuration, cohésion interfaciale remarquable) à celle de l’illusion réaliste. Ils permettront enfin de définir des critères d’authentification de ses oeuvres
The high-lead glazes transparent or opalescent made by Bernard Palissy during the Renaissance still constitute technically inimitable works, so their chemical and thermal processes remain enigmatic. This project involves the study of glass compositions of the ternary SiO2-Al2O3-PbO to which Bernard Palissy added various coloring agents or opacifiers. After a fine multi-scale analysis of superficial glazes of archaeological samples (composition, thermomechanical properties, the interface glazes / ceramic substrate), we will try to reproduce them as accurately as possible in the laboratory by playing on raw materials, heat treatment conditions and ceramic support. The impact of the concentration of certain oxides such as Al2O3 on the glass structure (multi-spectroscopic approach), their microstructure (nature, distribution of crystals), their physical characteristics (viscosity, coefficient of expansion, color ...) and interaction with the substrate will be particularly studied. The approach combines in-depth analysis of an archaeological corpus and the reproduction of chemical systems and thermal processes. It will enable us to know the relevant indicators linked to the innovative processes and raw materials that allowed Palissy to obtain composites combining mechanical perfection (absence of cracking, remarkable interfacial cohesion) with that of realistic illusion. Finally, they will enable us to define criteria for the authentication of his works
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Elbing, Bernhard [Verfasser]. "Untersuchungen zum mittelniederdeutschen Lübecker nyge kalender von 1519 / Bernhard Elbing." Bonn : Universitäts- und Landesbibliothek Bonn, 2021. http://d-nb.info/1235540448/34.

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Da, Costa Belhas Maria das Dores. "Les femmes vues par Bernal Díaz del Castillo dans la "Historia verdadera de la conquista de la Nueva España" : Texte imprimé." Poitiers, 1997. http://www.theses.fr/1997POIT5018.

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Lejeune, Maud. "Sous l'étoile de Bernard Salomon, Virgil Solis et Jost Amman : répercussions du livre à figures lyonnais dans la production artistique allemande aux XVIe et XVIIe siècles." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2008.

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Cette étude examine, dans une première partie, l’œuvre de Bernard Salomon, peintre de la Renaissance lyonnaise, se fondant sur la relecture des pièces d’archives et de la documentation existante, et à la lumière de dessins, d’enluminures et de gravures nouvellement attribués. Dans une deuxième partie, elle s'attache à l'analyse de l’influence de ses modèles sur deux artistes exerçant principalement à Nuremberg, les peintres et graveurs Virgil Solis et Jost Amman, et plus largement, sur la production artistique allemande des XVIe et XVIIe siècles, dans une troisième partie
This study examines the work of Bernard Salomon, painter of the Renaissance of Lyon, based on the re-reading of archival documents and related documentation, and in the light of newly attributed drawings, illuminations and engravings. It integrates the analysis of the influence of its models on two artists working mainly in Nuremberg, painters and engravers Virgil Solis and Jost Amman, and more widely, on German artistic production of the sixteenth and seventeenth centuries
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Masse, Vincent. "Sublimés des Nouveaux Mondes – Évocation des lieux de l'expansion européenne dans les imprimés français, des origines à 1560." Thesis, 2009. http://hdl.handle.net/1807/19202.

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Cette thèse propose l'analyse des processus de l'intégration discursive des « Nouveaux Mondes » – c'est-à-dire des nouveaux lieux de l'expansion européenne des XVe et XVIe siècles – dans les imprimés français d'avant 1560. Le corpus s'y veut exhaustif, mais l'étude porte en priorité sur (1) les mentions brèves (dites sublimées), que celles-ci relèvent de la digression ou qu'elles soient intégrées, et (2) les textes actualisés, c’est-à-dire les traductions, les rééditions avec annexes, les adaptations, etc. Une division bipartite et heuristique est proposée, avec d'une part les actualisations d'écrits procédant par l'exclusion d'un ou d'élément(s) de l'hypotexte (c'est-à-dire du matériel textuel qui préexiste à l'acte de publication), et d'autre part par l'adjonction d'éléments supplémentaires. Cette division permet d'analyser les dits lieux, d'une part en fonction d'un principe de pertinence (lequel est révélé par les phénomènes d'exclusion), et d'autre part en fonction d'une recherche de l'inédit, voire de l'acte contentieux (qu'exprime éloquemment l'acte d'adjonction). La thèse démontre comment les deux principes, celui de la pertinence et celui de la recherche de l'inédit, sont liés à la culture émergente de l'imprimé, ainsi qu'au développement d'une grande variété de genres et de discours: littérature géographique, chroniques annales, pamphlets ou manuels anti-syphilitiques, lettres missionnaires, littérature eschatologique, traités didactiques, etc. Le concept d'acte de publication, qui est corrélatif à celui d'actualisation, permet d'aller au-delà d'une opposition entre l'ouvrage dit « périmé » et l'ouvrage dit « progressiste ». Pour ce faire est reconsidéré l'apport, pour la diffusion des nouveaux lieux, de textes comme le Tractatus de sphaera de Joannes de Sacrobosco (XIIIe siècle) et la lettre apocryphe du Prêtre Jean (XIIe siècle), qui aux XVe et XVIe siècles sont réactualisés suivant une perspective heuristique ou didactique, et participent ainsi à l'émergence d'une économie discursive des « Nouveaux Mondes ».
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Books on the topic "Bernard (1510?-1589?)"

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Amico, Leonard N. Bernard Palissy: In search of earthly paradise. Paris: Flammarion, 1996.

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Bernard Palissy et ses continuateurs: A la recherche du paradis terrestre. Paris: Flammarion, 1996.

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Hartnagel, Angelina. Bernal Díaz del Castillo, Doña Marina und die hohe Kunst der Historiographie: Eine Umfeldanalyse der Historia Verdadera de la Conquista de la Nueva España. Frankfurt am Main: Peter Lang Edition, 2013.

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Barrera, Norma Anabel. Diario de Bernardo: La dramática conquista de México Tenochtitlán narrada por un joven soldado español (1519-1521). México, D.F: Planeta Editorial, 2004.

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Morley, Henry. Palissy the Potter: The Life of Bernard Palissy, of Saintes, His Labors and Discoveries in Art and Science, with an Outline of His Philosophical ... Selections from His Works; Volume 2. Franklin Classics Trade Press, 2018.

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Morley, Henry. Palissy the Potter: The Life of Bernard Palissy, of Saintes, His Labours and Discoveries in Art and Science. University of Cambridge ESOL Examinations, 2015.

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Morley, Henry. Palissy the Potter 2 Volume Set: The Life of Bernard Palissy, of Saintes, His Labours and Discoveries in Art and Science. University of Cambridge ESOL Examinations, 2015.

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Morley, Henry. Palissy the Potter: The Life of Bernard Palissy, of Saintes, His Labours and Discoveries in Art and Science. Cambridge University Press, 2015.

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Palissy the Potter: The Life of Bernard Palissy, of Saintes, His Labors and Discoveries in Art and Science, with an Outline of His Philosophical ... Selections from His Works; Volume 2. Franklin Classics, 2018.

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Ferdinand, Juliette. Bernard Palissy: Artisan des Réformes Entre Art, Science et Foi. de Gruyter GmbH, Walter, 2019.

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Book chapters on the topic "Bernard (1510?-1589?)"

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Escartí, Vicent Josep. "L’humanista Bernardí Gómez Miedes (1515-1589) i la percepció de la llengua catalana / The humanist Bernardí Gómez Miedes (1515-1589) and the perception of Catalan language." In IVITRA Research in Linguistics and Literature, 283–96. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/ivitra.13.17esc.

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"Bernard Palissy (c.1510–1589)." In The Emergence of Modern Architecture, 154–56. Routledge, 2004. http://dx.doi.org/10.4324/9780203380512-20.

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Fagan, Brian. "Maya and Inca." In From Stonehenge to Samarkand. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195160918.003.0012.

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Bernal Diaz de Castillo was a young soldier serving under Hernán Cortés on that memorable day in November 1519 when a small detachment of conquistadors gazed down at the city of Tenochtitlán, the spectacular capital of the Aztec civilization. Diaz wrote these words when he was in his seventies, the experiences of the Spanish conquest etched in his memory so clearly that it was as if they had happened a week before. The conquistadors gaped in amazement at a native American metropolis larger than Seville, then Spain’s most populous city, and certainly better planned than many chaotically organized European capitals. Diaz relished his memories, but then added an almost melancholy footnote: “Today all that I then saw is overthrown and destroyed . . . nothing is left standing.” Nothing is left standing. Diaz wrote the literal truth. Today, the architectural, cultural, and material legacy of the Aztecs lies buried under the urban sprawl of Mexico City. Cortés himself hastened the disappearance, ordering the construction of an imposing Catholic cathedral atop the central precincts of Tenochtitlán, where temples to the sun and rain god reeked with the blood of human sacrifice. The conquistadors wandered through an enormous market attended by more than 20,000 people a day. There one could buy gold and tropical feathers, jade and chocolate, every valuable and commodity possible, at the heart of a sprawling city of singlestory houses, terraced pyramids, canals, and well-defined ethnic neighborhoods. More than 200,000 people lived in Tenochtitlán in 1519. Two years later, the city was a smoking ruin. Within a century, the native population of the former Aztec domains was less than a fifth of what it had been a century earlier. Measles, smallpox, and other infectious diseases decimated the people. The population of the Basin of Mexico declined from an estimated 1.5 million to about 325,000 between 1519 and 1570. By that point, it was almost as if Aztec civilization had never existed. Those who had survived had been forcibly converted to Catholicism—the old beliefs, customs, and oral traditions destroyed by church decree.
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Holguín Callo, Oswaldo. "Los cronistas de las calles de Lima (De Ricardo Palma a Jenaro Ernesto Herrera)." In Homenaje a José Antonio del Busto Duthurburu, 1003–18. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9789972429910.055.

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La historia de Lima surgió apenas un siglo después de la fundación de la ciudad por Francisco Pizarro, en 1535, atizada por su importancia política —el ser la capital del más grande y valioso virreinato español en América—, rápido crecimiento y deslumbrante riqueza, como lo confirma la temprana Historia de la fundación de Lima (1639) del jesuita peninsular Bernabé Cobo (1580-1657). Vinieron después no pocos cronistas, analistas y viajeros, no faltando el satírico mordaz (y dizque también mendaz), pero fue en el siglo XIX que numerosos escritores pasaron a formar parte de un selecto grupo de intelectuales especialmente señalados por su dedicación al tema limeño. Ellos, junto a los adelantados coloniales, cumplieron el papel de autores y difusores de la imagen dorada de Lima, imagen que a pesar de los antagonismos actuales aún tiene vigencia y ha tenido decisiva importancia en la conciencia ciudadana de varias generaciones. Si hoy día la realidad impele a definir otros perfiles, menos áureos y más broncíneos, no debe olvidarse que aquellos fueron obra sincera y devota de sucesivas generaciones de intelectuales y artistas que hicieron no solo la historia sino la leyenda de la originalísima capital del Perú virreinal y republicano.
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Haliczer, Stephen. "The Spanish Inquisition and Its Jurisdiction Over Solicitation." In Sexuality in the Confessional, 42–62. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195096569.003.0004.

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Abstract Writing 131 years after Pius IV had granted the Spanish Inquisition exclusive jurisdiction over solicitation, the anonymous author of an admonition to a recently convicted curate declared that older works of canon law failed to mention penalties for solicitation because “lawmakers could not even imagine the existence of such depraved clerics and confessors.” Of course, solicitation was hardly new when Pius issued his bull of April 14, 1561. In fact, the Toledo tribunal of the Spanish Inquisition had tried a solicitation case as early as 1530. What was new was the perception on the part of Church authorities that solicitation posed a serious threat to the entire Tridentine program of revitalizing sacramentalism and expanding the authority of priests and confessors. As early as 1543, Calahorra’s reforming bishop, Juan Bernal de Luco, who was a leading member of the Spanish delegation to the Council of Trent, suggested that illicit relations between confessor and penitent should be severely punished if they became known publicly because of the danger that the sacrament itself would lose credibility. It was another prominent Spanish delegate to Trent, Pedro Guerrero, archbishop of Granada, whose 1559 memorial to Paul IV first raised the alarm about the frequency of solicitation and led directly to the bull of 1561.
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"of storage as short as possible, only; 24 h should not be ex­ ceeded. Table III comprises the most important criteria for valid static and dynamic sampling. It seems that both the guide of Warren Springs, U.K. and the VDI-Guideline might be a useful base to describe commonly accepted sampling procedures aiming at a standardization of sampling which might be a first step for a harmonization of olfactometric measurements in the different laboratories and countri es. REFERENCES (1) BULLEY, N.R. and D. PHILLIPS (1980). Sensory evaluation of agricul­ tural odours: A critical review. Can. Agric. Eng. 22, 107 - 112. (2) HENRY, J.G. and R. GEHR (1980). Odour control: An operator's guide. Journal WPCF 52, 2523 - 2537. (3) ROOS, C., J.A. DON and J. SCHAEFER (1984). Characterization of odour-polluted air. In: Proc.Int.Symp., Soc. Beige de Filtr. (eds.), 25-27 April 1984, Louvain-La-Neuve, Belgium, pp. 3 - 22. (4) BAKER, A.R. and R.C. DOERR (1959). Methods of sampling and storage of air containing vapors and gases. Int.J.Air Poll. 2, 142 - 158. (5) SCHUETTE, F.J. (1967). Plastic bags for collection of gas samples. Atmosph.Environm. 1, 515 - 519. (6) SCHODDER, F. (1977T. Messen von Geruchsstoffkonzentrationen, Erfassen von Geruch. Grundl. Landtechnik 27, 73 - 82. (7) CORMACK, D., T.A. DORLING and B.W7J. LYNCH (1974). Comparison of tech­ niques for organoleptic odour-intensity assessment. Chem.Ind. (Lon­ don) no. 2, 857 - 861. (8) SCHUETZLE, D., T.J. PRATER and S. RUDDELL (1975). Sampling and anal­ ysis of emissions from stationary sources. I. Odour and total hydro­ carbons. APCA Journal 25, 925 - 932. (9) WAUTERS, E., E. WALRAVENS, E. MUYLLE and G. VERDUYN (1983). An evalu­ ation of a fast sampling procedure for the trace analysis of volatile organic compounds in ambient air. Environm.Monitor.Assessm. 3, 151-160. (10) LACHENMAYER, U. and H. KOHLER (1984). Untersuchungen zur Neuentwick-lung eines Olfaktometers. Staub - Reinhalt. Luft 44, 359 - 362. (11) BERNARD, F. (1984). Simplified methods of odour measurement: Indus­ trial application and interest for administrative control. Proc. Int. Symp., Soc. Beige de Filtr. (eds.), 25 - 27 April 1984, Louvain-La-Neuve, Belgium, pp. 139 - 150. (12) GILLARD, F. (1984). Measurement of odours by dynamic olfactometry. Application to the steel and carbonization industries. Proc.Int.Symp., Soc. Beige de Filtr. (eds.), 25 - 27 April 1984, Louvain-La-Neuve, Belgium, pp. 53 - 86. (13) MANNEBECK, H. (1975). Tragbare Olfaktometer. VDI-Bericht 226, 103-105. (14) BEDBOROUGH, D.R. (1980). Sensory measurement of odours. In: Odour Control - a concise guide, F.H.H. Valentin and A.A. North (eds.), Warren Springs Laboratories, Stevenage, Hertfordshire, U.K., pp. 17-30. (15) THIELE, V. (1984). Olfaktometrie an einer Emissionsquelle - Ergebnis-se des VDI-Ringvergleichs. Staub - Reinhalt. Luft 44, 342 - 351. (16) DUFFEE, R.A., J.P. WAHL, W. MARRONE and J.S. NADERT1973). Defining and measuring objectionable odors. Internat. Pollution Eng. Congress, Philadelphia, paper no 25a, pp. 192 - 201." In Odour Prevention and Control of Organic Sludge and Livestock Farming, 62. CRC Press, 1986. http://dx.doi.org/10.1201/9781482286311-21.

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Conference papers on the topic "Bernard (1510?-1589?)"

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Jesus, Sara Tatiane de. "Os Leonardianos: a influência artística de Leonardo da Vinci no século XVI em Florença e Milão." In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4600.

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Esse artigo tem como proposito discutir a influência de Leonardo Da Vinci (1452-1519) na Itália tendo em foco as duas cidades em que ele viveu por um período de tempo maior e desenvolveu boa parte das suas pesquisas e obras, sendo Florença, onde residiu de 1464 á 1482 depois retornou de 1500 á 1506 e Milão de 1482 á 1499 retornando em 1506 a 1513. Sendo assim, será analisado especificamente um grupo de jovens pintores que tiveram suas obras influenciadas diretamente por Da Vinci, como: Giovanni Ambrogio de Predis (1455-1508), Francesco Melzi (c.1491-1570), Salaí (1480-1524), Bernado Luini (1482- 1532), Marco d’ Oggiono (c.1470-1549), e também pintores que a priori iriam ter como referência o Mestre renascentista, Rafael Sanzio (1483-1520) a título de exemplificação.
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